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<title type="245" TEIform="title">The Endeavour Journal of Joseph Banks 1768–1771 [Volume Two]</title>
<title type="sort" TEIform="title">Endeavour Journal of Joseph Banks 1768–1771 [Volume Two]</title>
<title type="gmd" TEIform="title">[electronic resource]</title>
<author TEIform="author"><name key="name-123818" type="person" TEIform="name">Joseph Banks</name></author>
<editor role="editor" TEIform="editor"><name key="name-207379" type="person" TEIform="name">J. C. Beaglehole</name></editor>
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<publisher TEIform="publisher"><name key="name-121602" type="organisation" TEIform="name">New Zealand Electronic Text Centre</name></publisher>
<pubPlace TEIform="pubPlace">Wellington, New Zealand</pubPlace>
<authority TEIform="authority"><name key="name-111622" type="person" TEIform="name">Tim Beaglehole</name></authority>
<idno type="ETC" TEIform="idno">Modern English, Bea02Bank</idno>
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<p TEIform="p">Publicly accessible</p>
<p n="public" TEIform="p">URL: http://www.nzetc.org/collections.html</p>
<p TEIform="p">copyright 2007, by Victoria University of Wellington</p>
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<date value="2007" TEIform="date">2007</date>
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<title TEIform="title"><name key="name-404894" type="title" TEIform="name">The Endeavour Journal of Joseph Banks 1768–1771 [Volume Two]</name></title>
<author TEIform="author"><name key="name-123818" type="person" TEIform="name">Joseph Banks</name></author>
<editor role="editor" TEIform="editor"><name key="name-207379" type="person" TEIform="name">J. C. Beaglehole</name></editor>
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<pubPlace TEIform="pubPlace">Australia</pubPlace>
<publisher TEIform="publisher"><name key="name-101069" type="organisation" TEIform="name">Angus &amp; Robertson Ltd</name></publisher>
<date value="1962" TEIform="date">1962</date>
<idno type="callNo" TEIform="idno">Source copy consulted: Victoria University of Wellington Library, G420 C7 B218 E</idno>
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        <term TEIform="term"><name key="name-123818" type="person" TEIform="name">Joseph Banks</name></term>
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<text id="t1" TEIform="text">
<front id="t1-front" TEIform="front">
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<figDesc TEIform="figDesc">Front Cover</figDesc>
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<p TEIform="p">
<figure entity="Bea02BankBCo" id="Bea02BankBCo" TEIform="figure">
<figDesc TEIform="figDesc">Back Cover</figDesc>
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<p TEIform="p">
<figure entity="Bea02BankTit" id="Bea02BankTit" TEIform="figure">
<figDesc TEIform="figDesc">Title Page</figDesc>
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<pb id="n1" TEIform="pb"/>
<pb id="n2" TEIform="pb"/>
<pb id="n3" TEIform="pb"/>
<pb id="n4" TEIform="pb"/>
<div1 id="t1-front-d2" type="halftitle" org="uniform" sample="complete" part="N" TEIform="div1">
<p TEIform="p"><hi rend="c" TEIform="hi">The Sir Joseph Banks Memorial</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">The <hi rend="i" TEIform="hi">Endeavour</hi> Journal of Joseph Banks in two Volumes</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">Volume II</hi></p>
<pb id="n5" TEIform="pb"/>
</div1>
<pb id="n6" TEIform="pb"/>
<titlePage id="t1-front-d2-d1" TEIform="titlePage">
<docTitle TEIform="docTitle">
<titlePart type="main" TEIform="titlePart"><hi rend="c" TEIform="hi">The <hi rend="i" TEIform="hi">Endeavour</hi> Journal</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Of</hi><lb TEIform="lb"/>
Joseph Banks<lb TEIform="lb"/>
1768–1771</titlePart>
</docTitle>
<byline TEIform="byline">
<hi rend="sc" TEIform="hi">Edited by</hi>
<docAuthor TEIform="docAuthor"><hi rend="c" TEIform="hi">J. C. Beaglehole</hi></docAuthor><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Volume II</hi>
<hi rend="sc" TEIform="hi">The Trustees Of<lb TEIform="lb"/>
the Public Library of New South Wales<lb TEIform="lb"/>
in Association with Angus and Robertson</hi>
<pb id="n7" TEIform="pb"/>
<hi rend="i" TEIform="hi">First published in 1962</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Angus &amp; Robertson Ltd</hi><lb TEIform="lb"/>
89 Castlereagh Street, Sydney<lb TEIform="lb"/>
54-58 Bartholomew Close, London<lb TEIform="lb"/>
66 Elizabeth Street, Melbourne<lb TEIform="lb"/>
168 Willis Street, Wellington<lb TEIform="lb"/>
<hi rend="i" TEIform="hi">Copyright</hi><lb TEIform="lb"/>
<hi rend="i" TEIform="hi">Set in Monotype Baskerville 11 point<lb TEIform="lb"/> 
Text printed on Burnie Mill Antique Wove<lb TEIform="lb"/> 
Illustrations printed by<lb TEIform="lb"/> 
L. Van Leer and Co., N.V., Amsterdam</hi><lb TEIform="lb"/>
<hi rend="lsc" TEIform="hi">Printed in Australia by Halstead Press, Sydney</hi></byline>
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<pb id="n8" TEIform="pb"/>
<pb id="n9" TEIform="pb"/>
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<p TEIform="p"><figure entity="Bea02BankP001a" id="Bea02BankP001a" TEIform="figure">
<head TEIform="head"><hi rend="c" TEIform="hi">Kangaroo</hi> <hi rend="i" TEIform="hi">from the painting by George Stubbs</hi></head>
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<pb id="n10" TEIform="pb"/>
<div1 id="t1-front-d4" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head"><hi rend="c" TEIform="hi">Contents</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Volume II</hi></head>
<p TEIform="p"><table rows="12" cols="2" TEIform="table">
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">List of Illustrations</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n12" targOrder="U" TEIform="ref">vii</ref></cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="c" TEIform="hi">The Journal</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">iii <hi rend="i" TEIform="hi">continued</hi>. 30 <hi rend="lsc" TEIform="hi">March</hi> 1770</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n24" targOrder="U" TEIform="ref">1</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">iv 1 April 1770-26 August 1770</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n66" targOrder="U" TEIform="ref">43</ref></cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">v 27 August 1770-25 December 1770</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n168" targOrder="U" TEIform="ref">139</ref></cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">vi 25 December 1770-12 July 1771</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n265" targOrder="U" TEIform="ref">232</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Appendix I Interpolations in the Journal</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n312" targOrder="U" TEIform="ref">276</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Appendix II ‘Mr B's Circuit Round Otaheite’</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n335" targOrder="U" TEIform="ref">302</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Appendix III Correspondence About the Voyage</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n341" targOrder="U" TEIform="ref">308</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Appendix IV Thoughts on the Manners of Otaheite</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n363" targOrder="U" TEIform="ref">330</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Appendix V Banks and Cook's Second Voyage</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n368" targOrder="U" TEIform="ref">335</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="lsc" TEIform="hi">Index</hi></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n390" targOrder="U" TEIform="ref">357</ref></cell>
</row>
</table></p>
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<pb id="n11" TEIform="pb"/>
<pb id="n12" TEIform="pb"/>
<div1 id="t1-front-d5" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head"><hi rend="c" TEIform="hi">List of Illustrations Volume</hi> II<lb TEIform="lb"/>
(<hi rend="i" TEIform="hi">For Note on the Illustrations see Volume</hi> I, <hi rend="i" TEIform="hi">pp.</hi> xiii-xiv)</head>
<div2 id="t1-front-d5-d1" type="subsection" org="uniform" sample="complete" part="N" TEIform="div2">
<head TEIform="head"><hi rend="c" TEIform="hi">Colour Plates</hi></head>
<p TEIform="p"><table rows="12" cols="2" TEIform="table">
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n9" targOrder="U" TEIform="ref">I. Kangaroo</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi"><ref target="n9" targOrder="U" TEIform="ref">frontispiece</ref></hi></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Oil on panel, 23 1/4 by 27 1/2 in., signed ‘Geo.Stubbs’. George Stubbs (1724-1806), the greatest of English animal painters, must have painted this picture for Banks in 1771 or 1772, from a stuffed or blown-up skin. It was exhibited at the Society of Artists’ show in 1773 (‘318. A Portrait of the Kongouro from New Holland, 1770’) and was engraved in reverse for Hawkes-worth's <hi rend="i" TEIform="hi">Voyages</hi>, Vol. III, pl. 20. After Banks's death it passed to the Knatchbull family, and is now in the possession of Mrs W. P. Keith, by whose kind permission it is reproduced.</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n86" targOrder="U" TEIform="ref">II. <hi rend="i" TEIform="hi">Kennedya rubicunda</hi> Vent. Red Bean</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">facing p.</hi> <ref target="n85" targOrder="U" TEIform="ref">62</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Australia II, 85. 42–9 × 26.3 cm. Unsigned, but the accompanying lithograph gives ‘<name type="person" key="name-401833" TEIform="name">F. P. Nodder</name> pinxit 1777’. There is a pencil inscription in Banks's hand, ‘This is in Flower at his Majestys Garden The First Production of That Climate that has yet Flowerd in England Dec<hi rend="sup" TEIform="hi">r</hi> 9 [?] 1790’. The title is in a different hand. A pencil note on the back of the unfinished drawing reads, ‘The petala blood colour &amp; deep purple at the base the hind part of the vexillum very pale. the leaves on the upper side grass green vein'd w<hi rend="sup" TEIform="hi">t</hi> lighter. below more Glaucus &amp; very hairy with prominent veins of paler colour the stalks calyx &amp; buds hairy’; and a note in ink, ‘<name key="name-400757" type="geographic" TEIform="name">Botany Bay</name>’.</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n136" targOrder="U" TEIform="ref">III. <hi rend="i" TEIform="hi">Banksia serrata</hi> Linn.f. Red Honeysuckle</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">facing p.</hi> <ref target="n135" targOrder="U" TEIform="ref">110</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Australia VII, 326. 46.7 × 31.5 cm. Signed ‘John Frederick Miller pinx<hi rend="sup" TEIform="hi">t</hi> 1773.’ On the back is a pencil note, ‘Leucadendron serratum’. On the back of the unfinished drawing are the pencil notes, ‘Mem. the space below the flowers to be fill'd up w<hi rend="sup" TEIform="hi">t</hi> dark colour.’; ‘Leucad serratum’; and ‘<name key="name-400757" type="geographic" TEIform="name">Botany Bay</name>’.</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
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<pb id="n13" TEIform="pb"/>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n154" targOrder="U" TEIform="ref">IV. <hi rend="i" TEIform="hi">Hibiscus radiatus</hi> Cav</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">facing p.</hi> <ref target="n153" targOrder="U" TEIform="ref">126</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Australia I, 24. 42.1 × 27.3 cm. Signed at lower left ‘Fred<hi rend="sup" TEIform="hi">k</hi> Polydore Nodder. Pinx<hi rend="sup" TEIform="hi">t</hi> 1778’. On the back of the unfinished drawing are the pencil notes, ‘The flower white w<hi rend="sup" TEIform="hi">t</hi> a cast of citron colour at the bottom of each petala deep crimson on the outside pale the stamina and stile dark red purple the parts mark'd × are stain'd w<hi rend="sup" TEIform="hi">t</hi> carmine’, and ‘Hibiscus scabrosus’; and in ink, ‘Cape Grafton’.</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n236" targOrder="U" TEIform="ref">V. <hi rend="i" TEIform="hi">Castanospermum australe</hi> A. Cunn. Black Bean</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">facing p.</hi> <ref target="n235" targOrder="U" TEIform="ref">206</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Australia II, 95. 45.2 × 28.8 cm. Signed ‘Fred<hi rend="sup" TEIform="hi">k</hi> Polydore Nodder: Pinx<hi rend="sup" TEIform="hi">t</hi> 1779’. The unfinished drawing has on the back the note, ‘The vexillum first laid over w<hi rend="sup" TEIform="hi">t</hi> yellow then stain'd &amp; spinkled w<hi rend="sup" TEIform="hi">t</hi> scarlet. the rest of the flower scarlet calyx deep buff colour ting'd at the base w<hi rend="sup" TEIform="hi">t</hi> green the buds the same colour but somewhat more green. the leaves above grass green w<hi rend="sup" TEIform="hi">t</hi> light veins—the under side more Glaucus w<hi rend="sup" TEIform="hi">t</hi> dark veins stalk sordid brown. capsula grass green.’ In ink, ‘Endeavours River’. The engraving has the names in pencil ‘Sophora caudiciflora’ and ‘Castanospermum australe A.Cunn.’</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n254" targOrder="U" TEIform="ref">VI. <hi rend="i" TEIform="hi">Ficus glomerata</hi> Willd. Cluster Fig</ref></cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">facing p.</hi> <ref target="n253" targOrder="U" TEIform="ref">222</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Australia VII, 361. Size of sheet 54.7 × 34.9 cm. (The sheet is unmounted; the left edge has been mutilated and repaired.) Signed ‘Fred<hi rend="sup" TEIform="hi">k</hi> Polydore Nodder, Pinx<hi rend="sup" TEIform="hi">t</hi> 1782’. There is a pencil note on the back, ‘Ficus caudiciflora’; and one in ink, ‘Endeavours River’. The pencil note at the bottom of the drawing, ‘Ficus glomerata Roxb. ex Hien in Journ. Bot. 1901, 4.’ is probably by Britten. This drawing was not engraved.</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"/>
</row>
</table></p>
</div2>
<div2 id="t1-front-d5-d2" type="subsection" org="uniform" sample="complete" part="N" TEIform="div2">
<head TEIform="head"><hi rend="c" TEIform="hi">Plates at the end of the Volume</hi></head>
<list type="simple" TEIform="list">
<item TEIform="item"><label TEIform="label">1. The Arched Rock Tolaga Bay</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.39. Pencil drawing, 27.3 × 41.8 cm. Unsigned, but a copy (by Spöring?) of Parkinson's picture of the same subject.</p></item>
<item TEIform="item"><label TEIform="label">2. New Zealand War Canoe</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.46. Wash drawing, 30 × 48.2 cm. Unsigned. A single canoe with elaborately carved head and stern pieces. One of the men in the stern is wearing a chequered dog-skin cloak and holding a <hi rend="i" TEIform="hi">taiaha</hi>; of the standing figures, the left one seems to be
<pb id="n14" TEIform="pb"/>
holding a <hi rend="i" TEIform="hi">mere</hi> and a <hi rend="i" TEIform="hi">pakepake</hi>, or rough flax cloak; the centre one wears a woven cloak of flax and holds a whalebone <hi rend="i" TEIform="hi">hoeroa</hi>; that on the right wears a vertically striped dog-skin cloak and holds a <hi rend="i" TEIform="hi">tewhatewha</hi>. The bending figures all wear <hi rend="i" TEIform="hi">pakepake</hi>.</p></item>
<item TEIform="item"><label TEIform="label">3. New Zealand War Canoe. The Crew bidding defiance to the Ships Company</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.48. Wash drawing 26.5 × 41.5 cm. Unsigned. On the back of the drawing are the notes (1) in faint pencil, ‘The Inner [?] Island Canoe’ and (2) in Banks's hand, in ink, ‘Double War-Canoe. Nov<hi rend="sup" TEIform="hi">r</hi> 2<hi rend="sup" TEIform="hi">d</hi> 1769. New-Zeeland.’ It was the first double canoe seen in New Zealand waters (Cook I, pp. 189–90), and the drawing shows it under sail, with a number of the occupants performing a <hi rend="i" TEIform="hi">haka</hi>. A chief stands in the stern brandishing a <hi rend="i" TEIform="hi">mere</hi>, and another amidships in a dog-skin cloak, holding a <hi rend="i" TEIform="hi">taiaha</hi>.</p></item>
<item TEIform="item"><p TEIform="p">4<hi rend="i" TEIform="hi">a</hi>. The Head of a New Zealand Canoe</p>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.78<hi rend="i" TEIform="hi">a.</hi> Pencil drawing, 20 × 32.2 cm. (measurements of drawing). Unsigned, but probably by Spöring. On the back of the drawing are the notes, in ink, ‘About 3 feet high.’ and ‘New-Zeeland’.</p></item>
<item TEIform="item"><p TEIform="p">4<hi rend="i" TEIform="hi">b.</hi> The Stern Ornament of a Canoe</p>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.78<hi rend="i" TEIform="hi">a.</hi> Pencil drawing, 27.3 × 7.9 cm. (measurements of drawing). Unsigned, but probably by Spöring. On the back of the drawing the notes, in ink, ‘About 12 feet high.’, and ‘New Zeeland.’</p></item>
<item TEIform="item"><label TEIform="label">5. [Ceremonial Painted Canoe Paddles]</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.71<hi rend="i" TEIform="hi">a.</hi> Wash and water colour drawing, 28.8 × 22.8 cm. (size of sheet). Unsigned. The colours are red and cream. The drawing shows only the blades of the paddles, and the carved sections where the handles begin.</p></item>
<item TEIform="item"><label TEIform="label">6. Portrait of a New Zeland Man</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.55. Wash drawing, 38.8 × 29.6 cm. Unsigned. The man is wearing a <hi rend="i" TEIform="hi">pakepake</hi>; hung from his neck is a <hi rend="i" TEIform="hi">heitiki</hi>, and from his ear a large pendant; his hair is dressed topknot fashion with three white feathers and an ornamental comb. The tattooing of the face is done in a very free vigorous style, and seems to be unfinished under the right ear.</p></item>
<item TEIform="item"><label TEIform="label">7. Portrait of a New Zeland Man</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.54<hi rend="i" TEIform="hi">a.</hi> Wash drawing, 39.2 × 30 cm. Unsigned. The subject wears a woven flax cloak with bone toggle; hung from
<pb id="n15" TEIform="pb"/>
the neck is a <hi rend="i" TEIform="hi">reiputa</hi> or carved whale-tooth ornament, and from the ear a pendant and some other ornament (flowers?); hair topknot style with comb; face fully tattooed with an unusual design, which appears to be only ‘marked in’ on the forehead.</p></item>
<item TEIform="item"><label TEIform="label">8. Black stains on the Skin called Tattoo</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.66<hi rend="i" TEIform="hi">a, b, c, d.</hi> Pen over pencil drawings, unsigned. To fit the page, <hi rend="i" TEIform="hi">a</hi> and <hi rend="i" TEIform="hi">c</hi> are on top, <hi rend="i" TEIform="hi">d</hi> (left) and <hi rend="i" TEIform="hi">b</hi> at the bottom.</p>
<p TEIform="p"><hi rend="i" TEIform="hi">a.</hi> 27.1 × 18.3 cm. On the back is a pencil sketch of tattooing.</p>
<p TEIform="p"><hi rend="i" TEIform="hi">b.</hi> 27 × 18.7 cm. On the back is a pencil sketch of tattooing.</p>
<p TEIform="p"><hi rend="i" TEIform="hi">c.</hi> 28.6 × 22.8 cm. Note at detail on left, ‘on the calf.</p>
<p TEIform="p"><hi rend="i" TEIform="hi">d.</hi> 14.9 × 12.1 cm.</p></item>
<item TEIform="item"><label TEIform="label">9. [New Zealand Artifacts]</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.73. Wash drawing, 20.5 × 16.6 cm. within rules. Signed ‘John Frederick Miller: del: 1771.’ The articles are identified in a note in ink on the page on which the drawing is mounted: ‘1. Carved Ornament 2. Musical Instrument 3. Childs Top 4. Bodkin of Bone 5. Musical Instrument’. 1 is an article of rather doubtful use, but seems to be a ceremonial perch for snaring birds; 2 is a whistle; 3 a top; 4 an <hi rend="i" TEIform="hi">au ika</hi>, a bodkin or needle for threading fish through the gills; 5 a <hi rend="i" TEIform="hi">koauau</hi> or flute.</p></item>
<item TEIform="item"><label TEIform="label">10. <hi rend="i" TEIform="hi">Astelia solandri</hi> A. Cunn. Kokaha or Astelia</label>
<p TEIform="p">New Zealand IV, 496. 45.2 × 28.2 cm. No title; signature (of Nodder?) on lower left, almost all trimmed off. No. 495 is an unfinished pencil drawing with some details coloured, and a later pencil note added, ‘Astelia’; the engraving has the note, ‘Astelia Solandri A.Cunn. (furfuracea Mss.)’.</p></item>
<item TEIform="item"><label TEIform="label">11. <hi rend="i" TEIform="hi">Leptospermum scoparium</hi> Forst. Manuka</label>
<p TEIform="p">New Zealand I, 139. 42.9 × 15 cm. Signed by Nodder, lower left, but most of the signature trimmed off. On the mount is the title ‘Philadelphus parvifolius &amp; rigidus Mss’. This name is also on the back of Parkinson's unfinished drawing, No. 138, with the note in ink ‘Taonero[a]’—i.e. Te Oneroa (<name key="name-100562" type="geographic" TEIform="name">Poverty Bay</name>).</p></item>
<item TEIform="item"><label TEIform="label">12. <hi rend="i" TEIform="hi">Podocarpus spicatus</hi> R.Br. Matai</label>
<p TEIform="p">New Zealand IV, 463. 38.1 × 24.2 cm. Untitled; signed ‘Fred<hi rend="sup" TEIform="hi">k</hi> Polydore Nodder pinx<hi rend="sup" TEIform="hi">t</hi> 1780’. The unfinished pencil drawing, No. 462, which accompanies this, has part of the fruit, leaves and stem coloured; on the back is a pencil note partly trimmed off, ‘83 Juniperoid taxifoli[um]’; and in ink, ‘Oouhoorage’—i.e. Hauraki, or Thames River. The drawing may therefore have been made from part of a branch of the tree cut down and measured on 20 November 1769 (Vol. I, p. 436).</p></item>
<pb id="n16" TEIform="pb"/>
<item TEIform="item"><label TEIform="label">13. <hi rend="i" TEIform="hi">Knightia excelsa</hi> R.Br. Rewa-rewa or New Zealand Honeysuckle</label>
<p TEIform="p">New Zealand III, 426. 45.6 × 29.9 cm. Titled ‘Brabejum-sparsum’ and signed ‘Sydney Parkinson pinx<hi rend="sup" TEIform="hi">t</hi> 1770.’ Over the title is written in pencil the name ‘Embothrium serratum Mss’.</p></item>
<item TEIform="item"><label TEIform="label">14. <hi rend="i" TEIform="hi">Melicytus ramiflorus</hi> J.R. &amp; G. Forst. Mahoe</label>
<p TEIform="p">New Zealand I, 29. 45 × 35 cm. Titled ‘Tachites-umbellulifera’ and signed ‘Sysdney Parkinson pinx<hi rend="sup" TEIform="hi">t</hi> 1770.’ No. 28 is an unfinished pencil drawing, differently composed, of the same subject; it has a little colour, and a pencil note on the back, ‘The leaves a grass green vein'd w<hi rend="sup" TEIform="hi">t</hi> lighter. the under side paler, the young leaves a yellow green. the stalks greyish, the petals pale green the calyx darker’.</p></item>
<item TEIform="item"><label TEIform="label">15. <hi rend="i" TEIform="hi">Pseudopanax crassifolium</hi> (Sol. ex A.Cunn.) C.Koch. Lancewood</label>
<p TEIform="p">New Zealand II, 205. 44.4 × 34 cm. No title, but on the back is written in pencil ‘Aralia crassifolia’. Signed ‘John Frederick Miller pinx<hi rend="sup" TEIform="hi">t</hi> 1774’. No. 204 is an unfinished pencil drawing of the same subject, with some colour. The picture illustrates the foliage of the mature form of the Lancewood, remarkably different from that of the immature plant—so different that Solander put the two forms in different genera, calling the immature one <hi rend="i" TEIform="hi">Xerophylla longifolia</hi>, and the mature <hi rend="i" TEIform="hi">Aralia crassifolia</hi>.</p></item>
<item TEIform="item"><p TEIform="p">16<hi rend="i" TEIform="hi">a. Crepis novae-zelandiae</hi> Hook.f.</p>
<p TEIform="p">New Zealand II, 296. 17 × 17 cm. Unfinished pencil drawing with some colour by Parkinson, unsigned and undated, but on the back are the notes (1) in pencil, ‘Hieraceum Fragile/123 Leontodon elegans’ and (2) in ink, ‘Totarra nue or Queen Charlotte's Sound’. The finished drawing, No, 297, is by Nodder and dated 1779.</p></item>
<item TEIform="item"><p TEIform="p">16<hi rend="i" TEIform="hi">b. Celmisia gracilenta</hi> Hook.f.</p>
<p TEIform="p">New Zealand II, 250. 31.8 × 15.8 cm. Signed on lower left ‘Fred<hi rend="sup" TEIform="hi">k</hi> Polydore Nodder Pinx<hi rend="sup" TEIform="hi">t</hi> 1779’. The unfinished drawing has the notes (1) in pencil, ‘The under side of the leaves are shaded with grey &amp; not w<hi rend="sup" TEIform="hi">t</hi> Green / 130 Aster gracilentus’; and (2) in ink, ‘Admiralty Bay’.</p></item>
<item TEIform="item"><label TEIform="label">17. <hi rend="i" TEIform="hi">Veronica parviflora</hi> Vahl. Koromiko</label>
<p TEIform="p">New Zealand III, 375. 28.6 × 23.1 cm. Signed ‘Sydney Parkinson pinx<hi rend="sup" TEIform="hi">t</hi> 1770’. Titled ‘Veronica floribunda’. There is a note in ink on the back ‘Totarra nue’ (Totaranui, i.e. Queen Charlotte Sound), on a piece of paper apparently trimmed off and then stuck on.</p></item>
<pb id="n17" TEIform="pb"/>
<item TEIform="item"><label TEIform="label">18. <hi rend="i" TEIform="hi">Coprosma robusta</hi> Raoul. Karamu</label>
<p TEIform="p">New Zealand II, 221. 43.5 × 28 cm. The drawing appears to have been signed by Nodder at the lower left, though most of the signature has been trimmed off. There are the following pencil notes at appropriate places: ‘Obs The Leaves are broader before the Middle’ and ‘The flowers divided into 4 or 5 usu[ally?]’. The unfinished drawing, No. 220, has on its back the note, ‘The male flowers pale green &amp; the stamina very pale the females pale green Stiles pale yellow green the fruit a pea green the upper side of the leaves dark green faintly vein'd—the under side pale blue green vein'd with dark green the stalks grey green / Pelaphia lata / 22 Trophis tinctoria’. The last two words have a faint pencil line drawn through them. The engraving from No. 221 has the name ‘Pelaphia lata’ pencilled on it.</p></item>
<item TEIform="item"><label TEIform="label">19. <hi rend="i" TEIform="hi">Helichrysum bracteatum</hi> (Vent.) Andr. Golden Everlasting</label>
<p TEIform="p">Australia IV, 193. 34 × 18 cm. Signed by Nodder, 1780. The pencil notes on the drawing, ‘Orange’, ‘Lemon’, ‘flat’, and ‘Hairs very short’, appear to be in Banks's hand. On the back of the unfinished drawing are notes, ‘Xeranthemoides fulgida’ and ‘Bustard Bay’.</p></item>
<item TEIform="item"><label TEIform="label">20. <hi rend="i" TEIform="hi">Isopogon anemonifolius</hi> (Salisb.) Knight. Drumsticks</label>
<p TEIform="p">Australia VII, 310. 31.5 × 27.6 cm. Unsigned and undated. Pencil title, ‘Isopogon anemonifolius’. The unfinished drawing has the pencil notes, ‘The leaves grass green. the flowers the same colour as the other species but yellower the cones Coffee colour cover'd w<hi rend="sup" TEIform="hi">t</hi> a white flowry[?] substance, the stalk dark redish brown / Leucad apiifolium / 93’; / and in ink, ‘<name key="name-400757" type="geographic" TEIform="name">Botany Bay</name>’.</p></item>
<item TEIform="item"><label TEIform="label">21. <hi rend="i" TEIform="hi">Darwinia fascicularis</hi> Rudge</label>
<p TEIform="p">Australia III, 122. 30.5 × 23 cm. Signed by Nodder, 1779. The unfinished drawing has the pencil notes, ‘The flower white but when older it becomes red &amp; shuts up the anthera blk. the leaves fresh green stalk sordid brown / Kalmioides fasciculata / N. 8’; and in ink, ‘<name key="name-400757" type="geographic" TEIform="name">Botany Bay</name>’.</p></item>
<item TEIform="item"><label TEIform="label">22. <hi rend="i" TEIform="hi">Eucalyptus crebra</hi> F.v.M. Narrow-leaf Ironbark</label>
<p TEIform="p">Australia III, 139. 36.8 × 29.2 cm. Untitled, signed by Nodder, 1778. The unfinished drawing has the pencil notes on the back, ‘The stamina white receptacle pale green the stalks the same. The leaves a pale blue green w<hi rend="sup" TEIform="hi">t</hi> a yellowish nerve in the middle / 139. Metrosid salicifolia’ [the last word altered to ‘obliqua’]; and in ink, ‘Thirsty Sound’.</p></item>
<pb id="n18" TEIform="pb"/>
<item TEIform="item"><label TEIform="label">23. <hi rend="i" TEIform="hi">Clerodendrum floribundum</hi> R.Br.</label>
<p TEIform="p">Australia VI, 287. 43.5 × 30.3 cm. Untitled, signed by Nodder, 1778. The unfinished drawing has the pencil notes on the back, ‘The flowers white—anthera brown stile ting'd w<hi rend="sup" TEIform="hi">t</hi> green / Volkameria insectorum / 173’; and in ink, ‘Palm Island’.</p></item>
<item TEIform="item"><label TEIform="label">24a.</label><p TEIform="p">Crotalaria calycina Schrank. Rattlepods</p>
<p TEIform="p">Australia II, 63. 40 × 24.4 cm. Untitled, signed by Nodder, 1777. The unfinished drawing has the pencil notes on the back, ‘The flower white. the base of the vexillum ting'd w<hi rend="sup" TEIform="hi">t</hi> yellow. / Genistoides [<hi rend="i" TEIform="hi">altered to</hi> Crotolaria] calyculata / 389’; and in ink, ‘Endeavours River’.</p></item>
<item TEIform="item"><p TEIform="p">24<hi rend="i" TEIform="hi">b. Centranthera cochinchinensis</hi> (Lour.) Merr.</p>
<p TEIform="p">Australia VI, 264. 35.4 × 16.3 cm. Untitled, signed by Nodder, 1778. A pencil note on the back of the unfinished drawing reads, ‘Digitalis hispidiuscula’; and one in ink, ‘Endeavours River’.</p></item>
<item TEIform="item"><label TEIform="label">25. <hi rend="i" TEIform="hi">Planchonia careya</hi> (F.Muell.) R.Knuth. Cocky Apple</label>
<p TEIform="p">Australia III, 146. 41.6 × 30.8 cm. Title in pencil, ‘Eugenia crenata’; signed by Nodder, 1777. Pencil notes on the back of the unfinished drawing read, ‘The petala &amp; stile pale whitish green—stamina white turning into a fine blush colour about the middle &amp; [?] to the bottom anthera cream colour / Eugenia crenata / R 177’; and ‘Cape Grafton’.</p></item>
<item TEIform="item"><label TEIform="label">26. <hi rend="i" TEIform="hi">Dillenia alata</hi> (DC.) Martelli</label>
<p TEIform="p">Australia I, 1. 45.6 × 30.7 cm. Untitled; signed by Nodder, 1778. The unfinished drawing has the pencil notes on the back, ‘The old stalks sordid brown / Dillenia alata’; and in ink, ‘Endeavours River’.</p></item>
<item TEIform="item"><label TEIform="label">27. <hi rend="i" TEIform="hi">Myrmecodia beccarii</hi> Hook.f. Ant-house</label>
<p TEIform="p">Australia IV, 174. 41.9 × 35.5 cm. Originally untitled; signed ‘John Frederick Miller pinx<hi rend="sup" TEIform="hi">t</hi> 1773.’ On the back are the pencil notes, ‘Epidendroides 4 andria’, and ‘Endeavours River’; on the unfinished drawing the pencil note, ‘too large’.</p></item>
<item TEIform="item"><label TEIform="label">28. <hi rend="i" TEIform="hi">Grevillea glauca</hi> Knight</label>
<p TEIform="p">Australia VII, 320. 46.5 × 32.8 cm. Signed by J.F. Miller, 1773. The pencilled title on the drawing, ‘Grevillia gibbosa’, is a later addition. On the back is the pencil note, ‘Leucadendroides glauca’; and on the back of the unfinished drawing the notes ‘Petala white w<hi rend="sup" TEIform="hi">t</hi> a cast of green, germen pale green petiole gray green the ripe fruit dark chacolate colour much chopp'd. / Leucad<hi rend="sup" TEIform="hi">des</hi> glauca / A.R.’; and in ink, ‘Endeavours River’.</p></item>
<pb id="n19" TEIform="pb"/>
<item TEIform="item"><label TEIform="label">29. <hi rend="i" TEIform="hi">Acacia complanata</hi> A.Cunn. ex Benth.</label>
<p TEIform="p">Australia II, 101. 39 × 29.4 cm. Signed by Nodder, 1781. The unfinished drawing has the pencil notes on the back, ‘The flowers before &amp; after they are open delicate yellow the younger capsula [?] has more or less a cast of green according to their age / L.T. / Mimosa anceps[?]’; and in ink, ‘Endeavours River’.</p></item>
<item TEIform="item"><label TEIform="label">30. <hi rend="i" TEIform="hi">Ægiceras corniculatum</hi> (L.) Blanco. River Mangrove</label>
<p TEIform="p">Australia V, 230. 39.7 × 25.4 cm. Unsigned and undated. There is a title added later in pencil, ‘Ægiceras majus Gaertn’. On the back is the pencil note, ‘Endeavours River’; and on the back of the unfinished drawing the pencil notes, ‘The flowers white, calyx pale green, anthera pale brown. / Rhizophera umbellata / 49’; and in ink, ‘Endeavours River’.</p></item>
<item TEIform="item"><label TEIform="label">31.<hi rend="i" TEIform="hi">Barringtonia gracilis</hi> (Miers) R.Knuth. Freshwater Mangrove</label>
<p TEIform="p">Australia III, 145. 46.2 × 28.5 cm. Untitled; signed by Nodder, 1777. On the back of the unfinished drawing are the pencil notes, ‘The petala &amp; stamina white the anthera yellow the buds ting'd w<hi rend="sup" TEIform="hi">t</hi> green calyx gray green turning pale toward the edge the main stalk of the flowers deep green the woody stalk sordid brown / Eugenia ramiflora / L.I.’; and the ink, ‘Lizzard Isle’.</p></item>
<item TEIform="item"><label TEIform="label">32. <hi rend="i" TEIform="hi">Sesbania aculeata</hi> Pers. (Willd.)sens.lat. Sesbania Pea</label>
<p TEIform="p">Australia II, 75. 26.8 × 25.5 cm. Untitled; signed by Nodder, 1778. The unfinished drawing has the pencil notes on the back, ‘The vexillum &amp; alÆ bright yellow carina turn<hi rend="sup" TEIform="hi">g</hi> very pale at the bottom ting'd w<hi rend="sup" TEIform="hi">t</hi> green buds pale yellow / Æschynomene diffusa’; and in ink, ‘<name key="name-402248" type="geographic" TEIform="name">Booby Island</name>’.</p></item>
<item TEIform="item"><label TEIform="label">33. <hi rend="i" TEIform="hi">Calyptorhynchus magnificus</hi> (Shaw). Banksian Cockatoo</label>
<p TEIform="p">Zool. I, 10. Pencil drawing, 45.6 × 33.3 cm. Unsigned. On the back is the note by Parkinson, ‘The whole bird black spots on the head and on the shoulders dirty white the breast feathers wav'd w<hi rend="sup" TEIform="hi">t</hi> pale brown, the outer feathers of the tail scarlet &amp; yellow w<hi rend="sup" TEIform="hi">t</hi> narrow facia of black the iris dark brown the pupil black the beak dirty white with the point of the upper mandible dark grey’. In Banks's hand is the name ‘Black Cocatoa’.</p></item>
<item TEIform="item"><p TEIform="p">34<hi rend="i" TEIform="hi">a.</hi> Kangaroo</p>
<p TEIform="p">Zool. I, 4. 32.6 × 27 cm. Pencil drawing by Parkinson, unsigned. The following pencil notes are on the back: (1) by Parkinson, ‘the whole body pale ash colour the ears excepting the base fine specled gray iris of the eye Chestnut’; (2) by Banks, ‘Kanguru’; and by Banks in ink, ‘Endeavours River’.</p></item>
<pb id="n20" TEIform="pb"/>
<item TEIform="item"><p TEIform="p">34<hi rend="i" TEIform="hi">b.</hi> Kangaroo</p>
<p TEIform="p">Zool. I, 3. 24.2 × 41 cm. Pencil drawing by Parkinson, unsigned. The name ‘Kanguru’ is written in pencil on the back by Banks.</p></item>
<item TEIform="item"><p TEIform="p">35<hi rend="i" TEIform="hi">a. Portunus pelagicus</hi> (Linn.)</p>
<p TEIform="p">Zool. III, 7. 30.5 (to bottom of detached claw) × 36.2 cm. Pencil drawing by Spöring, unsigned.</p></item>
<item TEIform="item"><p TEIform="p">35<hi rend="i" TEIform="hi">b. Portunus sanguinolentus</hi> (Herbst)</p>
<p TEIform="p">Zool. III, 6. 26.7 (to bottom of detached claw) × 28 cm. Pencil drawing by Spöring, unsigned.</p></item>
<item TEIform="item"><p TEIform="p">36<hi rend="i" TEIform="hi">a. Urolophus testaceus</hi> (Müller &amp; Henle). Common Stingaree</p>
<p TEIform="p">Zool. I, 46. 39.5 × 30.2 cm. Pencil drawing, unsigned, by H.D. Spöring, with title ‘Raja testacea’. On the front is a pencil note in Spöring's hand, ‘NB The 200<hi rend="sup" TEIform="hi">d</hi> pounder wanted the upper fin on the extremity of the tail, &amp; the small fin near the Stings [remainder of note illegible or trimmed off]’; and on the back a second, later note, ‘Trygonoptera testacea Müller and Henle’.</p></item>
<item TEIform="item"><p TEIform="p">36<hi rend="i" TEIform="hi">b. Trygonorhina fasciata</hi> Müller &amp; Henle. Fiddler Ray or Banjo Shark</p>
<p TEIform="p">Zool. I, 47. 35.5 × 14.7 cm. Pencil drawing, unsigned, by H.D. Spöring, with title ‘Raja fasciata’. On the recto is the pencil note by him, ‘Long 2 ped: 1.1/2 uncias’.</p></item>
<item TEIform="item"><label TEIform="label">37. A Chiefs house in the Island of Savu near Timor</label>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.31. Wash drawing, 29.9 × 48.4 cm. Unsigned. On the mount is the above title, and the pencil note, ‘Drawn by <name type="person" key="name-131257" TEIform="name">S. Parkinson</name>’. ‘Savu’ is written on the back of the picture. In foreground a boy climbing a palm tree for nuts; another figure carrying gourds or pots strung to a pole; other figures; trees and many clumps of palms in background.</p></item>
<item TEIform="item"><label TEIform="label">38. <hi rend="i" TEIform="hi">Sarcolobus banksii</hi> Roem &amp; Schult</label>
<p TEIform="p">Java, 67. 40.2 × 29 cm. Untitled (title added later on mount); signed by J.F. Miller, 1774.</p></item>
<item TEIform="item"><label TEIform="label">39.<hi rend="i" TEIform="hi">Eugenia aquea</hi> Burm. Jambu ayer or Rose Apple</label>
<p TEIform="p">Java, 46. 47.7 × 29.8 cm. Untitled (title added later on mount); signed by Nodder, but most of the signature, and the date, trimmed off. Pencil notes on the back of the unfinished drawing read, ‘The stalk when old brown’; and ‘Eugenia aquea’. The drawing was not engraved.</p></item>
<pb id="n21" TEIform="pb"/>
<item TEIform="item"><p TEIform="p">40<hi rend="i" TEIform="hi">a.</hi> Malay Boats</p>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 23920, f.30. Pencil sketch, 29.8 × 48.1 cm. Unsigned. On the back is the pencil note, ‘Anatacan’; on the mount is ‘Savu’.</p></item>
<item TEIform="item"><p TEIform="p">40<hi rend="i" TEIform="hi">b.</hi> Java Proe</p>
<p TEIform="p">Add. <hi rend="c" TEIform="hi">Ms</hi> 9345, f.65 <hi rend="i" TEIform="hi">verso.</hi> Pencil sketch, 18.5 × 23.3 cm. Unsigned. Note by Banks (?) top right, ‘Java Proe’.</p></item>
</list>
</div2>
<div2 id="t1-front-d5-d3" type="subsection" org="uniform" sample="complete" part="N" TEIform="div2">
<head TEIform="head"><hi rend="c" TEIform="hi">Sketch Maps</hi></head>
<p TEIform="p">
<table rows="4" cols="2" TEIform="table">
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">1. East Coast of Australia, Cape Everard to Breaksea Spit</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi">page</hi> <ref target="n71" targOrder="U" TEIform="ref">48</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">2. East Coast of Australia, Double Island Point to Endeavour Strait</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n93" targOrder="U" TEIform="ref">68</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">3. Track of the <hi rend="i" TEIform="hi">Endeavour</hi>, Cape York to Batavia</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><ref target="n167" targOrder="U" TEIform="ref">138</ref></cell>
</row>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">4. Track of the <hi rend="i" TEIform="hi">Endeavour</hi> round the World</cell>
<cell role="data" rows="1" cols="1" TEIform="cell"><hi rend="i" TEIform="hi"><ref target="n441" targOrder="U" TEIform="ref">at end of volume</ref></hi></cell>
</row>
</table></p>
</div2>
</div1>
</front>
<body id="t1-body" TEIform="body">
<pb id="n22" TEIform="pb"/>
<head TEIform="head">The <hi rend="i" TEIform="hi">Endeavour</hi> Journal<lb TEIform="lb"/>
Of Joseph Banks<lb TEIform="lb"/>
(<hi rend="i" TEIform="hi">continued</hi>)</head>
<p TEIform="p"/>
<pb id="n23" TEIform="pb"/>
<pb id="n24" TEIform="pb"/>
<div1 id="t1-body-d2" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head">The <hi rend="i" TEIform="hi">Endeavour</hi> Journal Of Joseph Banks<lb TEIform="lb"/>
Account of New Zealand<lb TEIform="lb"/>
[<hi rend="c" TEIform="hi">march</hi> 1770]</head>
<p TEIform="p">As we intend to leave this place tomorrow morn, I shall spend a few sheets in drawing together what I have observd of this countrey and its inhabitants; premising in the mean time that in this, and all others of the same kind which may occur in this Journal, I shall give myself liberty of conjecturing and drawing conclusions from what I have observd, in which I may doubtless often be mistaken; in the daily Journal however the Observations may be seen, and any one who referrs to that may draw his own conclusions from them, attending as little as he pleases to any of mine.</p>
<p TEIform="p">This countrey was first discoverd by <name type="person" key="name-034630" TEIform="name">Abel Jansen Tasman</name> on the 13<hi rend="sup" TEIform="hi">th</hi> of December 1642 and calld by him New Zealand;<note id="fn1-1" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Tasman did not call the country New Zealand but Staten Land, on the supposition that it was part of the coast of the southern continent and a westward extension of the Staten Land off Tierra del Fucgo discovered by Schouten and le Maire in 1616. When this was proved to be an island by Brouwer in 1643 the second part of the supposition fell down; but who it was conferred the name New Zealand, within the next few years, we do not know. The reason for it may have been analogy with New Holland. Cf. <name type="person" key="name-208535" TEIform="name">E. H. McCormick</name>, <hi rend="i" TEIform="hi">Tasman and New Zealand</hi> (Wellington 1959), p. 11.</p></note> he however never went ashore upon it, probably for fear of the natives; who when he had come to an anchor set upon one of his boats and killd 3 or 4 out of 7 people that were in her.<note id="fn2-1" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">They killed four of the men in his cockboat as it rowed between his two ships.</p></note></p>
<p TEIform="p">Tasman certainly was an able navigator: he saild into the mouth of Cooks streights, and finding himself surrounded in all appearance with land observd the tide of flood to come from the <hi rend="c" TEIform="hi">Se</hi>; from thence he conjecturd that there was in that place a passage through the land, which conjecture we provd to be true and he himself had certainly done, had not the Wind changd as he though[t] in his favour, giving him an opportunity of returning the way he came in, which he preferrd to standing into a bay with an on shore wind.<note id="fn3-1" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This may be unjust to Tasman: we do not know that he did think the wind changed in his favour, but after riding at anchor for four days in stormy weather under <name key="name-101207" type="geographic" TEIform="name">D'Urville Island</name> he was faced with an easterly wind, against which it might have been difficult for his ships to make headway, and he rather reluctantly, so it seems (the point has been debated)—though perhaps a little uncourageously—turned north.</p></note> Upon the strengh of conjecture only again, when he
<pb id="n25" n="2" TEIform="pb"/>
came the lengh of Cape Maria Van Dieman he observd hollow waves to come from the <hi rend="c" TEIform="hi">Ne</hi>, from whence he concluded it to be the northermost part of the Land, which we realy found it to be: Lastly, to his eternal credit be it spoken, tho he had been four months absent from Batavia when he made this land, and had saild both Westward and Eastward, his longitude (allowing for an Error of in that of Batavia as he himself has stated it) differs no more than from ours,<note id="fn1-2" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">It is difficult to fill this second gap in the text, as there are no strictly comparable figures, if by the phrase ‘when he made this land’ Banks refers to Tasman's first New Zealand landfall. Note by Banks: ‘Tho Tasmans Long of Cape Maria Van Diemen comes so near the truth our seamen affirm and seem to make it appear that he errd no less than 4°…49′ in running from the first land he made to Cape Maria van Diemen; if so his exactness must be attributed more to chance than skill’. The truth about Tasman's longitudes is rather complicated. They have been analysed by Miss Helen M. Wallis in an unpublished thesis, ‘The Exploration of the South Sea, 1519 to 1644’, ff. 397–401. His initial error for Batavia was 3. 35. too far east. Because of the trade wind current, he underestimated the distance he sailed to Mauritius, ‘the first land he made’, and made it 5° 07′ too far east. ‘The error for Mauritius in its turn’, writes Miss Wallis, ‘almost cancelled out Tasman's underestimate of the distance that he sailed eastward with the westerlies. At Drie Coningen Island the net result was an error of 1° 50′E… . Tasman did not give an observation for Cape Maria van Diemen, but when west-south-west of it he estimated his longitude to be 191° 09′. This calculation is 3° 15′ too far west, or slightly less than that, allowing for their position west of the Cape… . Banks was not far wrong, therefore, in alleging that where Tasman's resultant error was negligible, the cause was chance, not Tasman's absolute accuracy in observation. At the same time Banks's first judgment was historically more sound. Errors varying mainly between 2° and 3′ are very small for this period’. Cook's error for the longitude of Cape Maria van Diemen was 4′ E.</p></note> which is corrected by an innumerable number of observations of the Moon and Sun &amp;c. as well as a transit of Mercury over the Sun; all calculated and observd by M<hi rend="sup" TEIform="hi">r</hi> Green, a mathematician of well known abilities, who was sent out in this ship by the <name key="name-110345" type="organisation" TEIform="name">Royal Society</name> to observe the transit of Venus. Thus much for Tasman: it were much to be wish'd however that we had a fuller account of his voyage than that publis'd by Dirk Rembranse, which seems to be no more than a short extract;<note id="fn2-2" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Dirk Rembrantszoon van Nierop, <hi rend="i" TEIform="hi">Eenige Oefeningen</hi> (1674); a still more abbreviated version, translated from this, appeared in the English <hi rend="i" TEIform="hi">Account of several late Voyages and Discoveries</hi> (1694 and 1711), which book Banks appears to have had with him—and the 1694 edition, to judge from his reference, p. 116 below.</p></note> and that other navigators would Imitate him in mentioning the Latitudes and Longitudes in which they account the places from whence they take their departure to be situated; which precaution, usefull as it is, may almost be said to have been usd by Tasman alone.</p>
<p TEIform="p">The face of the countrey is in general Mountanous, especialy inland, where probably runs a chain of very high hills parts of which we saw at several times; they were generaly coverd with snow and certainly very high — some of our officers, men of experience,
<pb id="n26" n="3" TEIform="pb"/>
did not scruple to say as much so as The pike of Teneriffe; in that particular however I cannot quite agree with them, tho that they must be very high is sufficiently provd by the hill to the Northward of the mouth of Cooks streights,<note id="fn1-3" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Mount Egmont.</p></note> which was seen, and made no inconsiderable figure, at the distance of Leagues.</p>
<p TEIform="p">The sea coast (should it ever be examind) will probably be found to abound in good harbours: we saw several, of which the <name key="name-100221" type="geographic" TEIform="name">Bay of Islands</name> or <hi rend="i" TEIform="hi">Motuaro</hi>,<note id="fn2-3" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Banks extended the name of this island to the whole bay.</p></note> and Queen Charlots Sound or <hi rend="i" TEIform="hi">Totarra nue</hi>,<note id="fn3-3" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Totaranui.</p></note> are as good as any seaman need desire to come into, either for good anchorage or convenience of Wooding and watering. The outer ridge of Land which lies open to the Sea is (as I beleive is the case in most countries) generaly Barren, especialy to the Southward, but within that the hills are Coverd with thick woods quite to the top, and every Valley produces a rivulet of Water.</p>
<p TEIform="p">The soil is in general light, and consequently admirably adapted to the uses for which the natives cultivate it, whose crops consist intirely of roots. On the Southern and western sides it is the most barren, the Sea being there generaly bounded with either steep hills or vast tracts of Sand, which probably is the reason why the people in these parts were so much less numerous, and livd almost intirely upon fish. The Northern and Eastern sides make however some amends for the Barrenness of the others: in them we often saw very large tracts of Ground which either actualy were or very lately had been cultivated, and an immense quantity of Woodland, which was yet uncleard, but promisd great returns to the people who would take the trouble of Clearing it — of the latter especialy in Taoneroa or Poverty bay, and Tolaga — besides Swamps, which might doubtless Easily be draind, and sufficiently evincd the richness of their soil by the great size of all the plants that grew upon them, and more particularly of the timber trees which were the streightest, cleanest, and I may say the largest I have ever seen — at least speaking of them in the Gross; I may have seen several times single trees larger than any I Observd among them, but it was not one but all these trees which were enormous, and doubtless had we had time and opportunity to Search, we might have found much larger ones than any we saw, as we were never but once ashore among them, and that but for a short time on the banks of the River Thames; where we rowd for many miles between
<pb id="n27" n="4" TEIform="pb"/>
woods of these trees, to which we could see no bounds.<note id="fn1-4" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">He is obviously in the foregoing lines referring again, and exclusively, to the white pine or Kahikatea; but he must have seen many other great trees of various and distinctive kinds, and it is odd that as a botanist he makes no mention of them in the journal. Kahikatea (<hi rend="i" TEIform="hi">Podocarpus dacrydioides</hi>), Matai (<hi rend="i" TEIform="hi">P. spicatus</hi>), and Rimu (<hi rend="i" TEIform="hi">Dacrydium cupressinum</hi>), however, are all three represented both in the Herbarium and in the Pocket Book, p. 121.</p></note> The River Thames is indeed in every respect the properest place we have yet seen for establishing a Colony; a ship as large as Ours might be carried several miles up the river, where she would be moord to the trees as safe as alongside a wharf in London river, a safe and sure retreat in case of an attack from the natives, as she might even be laid on the mud and a bridge built to her. The Noble timber, of which there is such abundance, would furnish plenty of materials either for the building defences, houses, or Vessels. The River would furnish plenty of Fish, and the Soil make ample returns of any European Vegetables sown in it. I have some reason to think from observations made upon the vegetables that the Winters here are extreemly mild, much more so than in England; the Summers we have found to be scarce at all hotter, tho more equably Warm.</p>
<p TEIform="p">The South part, which is much more hilly and barren than the North, I firmly beleive to Abound with minerals in a very high degree. This however is only conjecture; I had not, to my great regret, an opportunity of landing in any place where the signs of them were promising except the last; nor indeed in any one, where from the ship the Countrey appeard likely to produce them, which it did to the Southward in a very high degree, as I have mentiond in my Daily Journal.</p>
<p TEIform="p">I[n] all the times that we have landed in this Countrey, we have seen I had almost said no Quadrupeds realy original natives of it. Dogs and rats indeed there are; the former as in other countries companions of the men, and the latter probably brought hither by the men, especialy as they are so scarce that I myself have not had an opportunity of seeing even one.<note id="fn2-4" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The dog, called Kuri by the Maori, is now extinct; it was like the dog of Tahiti, whence, very likely, it came; it was a low-set animal, its head somewhat fox-like, and it did not bark. The ‘Kiore maori’, <hi rend="i" TEIform="hi">Mus exulans</hi>, also came to New Zealand, it seems, with the great migration of the fourteenth century—‘probably stowaways’, thought Sir <name key="name-202886" type="person" TEIform="name">Peter Buck</name> (op. cit., p. 102). It was a bush-living animal, trapped and valued for food, but it is not surprising that Banks did not see one, as he never was in the forest except on the banks of the Thames and in Queen Charlotte Sound—where he certainly did no trapping.</p></note> Of Seals indeed we have seen a few, and one Sea Lion<note id="fn3-4" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The seal was probably the Fur Seal, <hi rend="i" TEIform="hi">Arctocephalus forsteri</hi> (Lesson), very common on the New Zealand coast till the ruthless depredations of the sealers, which almost exterminated the animal in the early nineteenth century. It is now legally protected. The New Zealand Sea-lion is <hi rend="i" TEIform="hi">Phocarctos hookeri</hi> (Gray).</p></note>; but these were in the sea, and are certainly very scarce, as we have seen no signs of them among
<pb id="n28" n="5" TEIform="pb"/>
the natives except a few teeth of the latter, which they make into a kind of Bodkins and value much. It appears not improbable that there realy are no other species of Quadrupeds in the countrey;<note id="fn1-5" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This was so.</p></note> for the natives, whose cheif luxury of Dress consists in the skins and hair of Dogs and the skins of divers birds, and who wear for ornaments the bones and beaks of birds and teeth of Dogs, would probably have made use of some part of any other animal they were acquainted with: a circumstance which tho we carefully sought after, we never saw the least signs of.</p>
<p TEIform="p">Of Birds there are not many species,<note id="fn2-5" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This was a rash statement, which Banks would not have made had he been more in the forest; for birds were much more obvious than the rat.</p></note> and none except perhaps the Gannet the same as those of Europe. There are however ducks<note id="fn3-5" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The Gray Duck, <hi rend="i" TEIform="hi">Anas superciliosa</hi> Gm. is rather like a dark female mallard, and the New Zealand Shoveler, <hi rend="i" TEIform="hi">Spatula rhynchotis</hi> (Latham) belongs to the same genus as the European Shoveler.</p></note> and shags of several kinds<note id="fn4-5" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There were several species of shags: cf. I, p. 430, n. 2 above.</p></note> sufficiently like the European ones to be calld the same by the seamen, Both which we eat and accounted good food, especialy the former which are not at all inferior to those of Europe. Beside these there are hawks,<note id="fn5-5" n="5" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There are two resident New Zealand hawks, the Australasian Harrier, <hi rend="i" TEIform="hi">Circus approximans</hi>, Peale, and the New Zealand Falcon, <hi rend="i" TEIform="hi">Falco novaeseelandiae</hi> Gmelin.</p></note> owls<note id="fn6-5" n="6" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There were two New Zealand owls at the time of Cook's voyages, the Morepork or Ruru, <hi rend="i" TEIform="hi">Ninox novaeseelandiae</hi> (Gm.) and the Laughing Owl, <hi rend="i" TEIform="hi">Sceloglaux albifacies</hi>, Gray; the latter is now almost extinct.</p></note> and Quails<note id="fn7-5" n="7" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The New Zealand Quail, <hi rend="i" TEIform="hi">Coturnix novae-zealandiae</hi> Quoy and Gaimard, has been extinct since 1870.</p></note> differing but little at first sight from those of Europe, and several small birds that sing much more melodiously than any I have heard. The sea coast is also frequently visited by many Oceanick birds as Albatrosses, Shearwaters, Pintados &amp;c. and has also a few of the birds calld by S<hi rend="sup" TEIform="hi">r</hi> J<hi rend="sup" TEIform="hi">no</hi> Narbourough Penguins,<note id="fn8-5" n="8" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There is no particular significance in Narborough's use of the name. It goes back well before his time; O.E.D. dates its first English appearance as 1588 and it appears in Hakluyt. Sir <name key="name-400660" type="person" TEIform="name">John Narborough</name> (1640-88) made a famous voyage through the Straits of Magellan to the Chilean coast in 1669–71, to try to break the Spanish monopoly of trade on the South American Pacific coast. He afterwards rendered distinguished service as an admiral in the Mediterranean against the Tripoli corsairs. On ‘Penguin Island’ near <name key="name-201133" type="geographic" TEIform="name">Port Desire</name>, he ‘took into my Boat three hundred Penguins, in less than half an hour, and could have taken three thousand in the time, if my Boat would have carried ‘em’.—<hi rend="i" TEIform="hi">An Account of several late Voyages and Discoveries</hi> (1694), p. 25, and other references.</p></note> which are truly what the French call <hi rend="i" TEIform="hi">Nuance</hi>,<note id="fn9-5" n="9" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">He overdoes the resemblance of the penguin's feathers to the fish's scales, but in so overdoing it, his reference to the French use of <hi rend="i" TEIform="hi">nuance</hi>, as ‘gradation’, is clear, and his conception of the penguin as something between a bird and a fish. Buffon had made a point of the alliance, through a series of grades, of the whole animal kingdom—‘La nature marche toujours et agit en tout par degrés imperceptibles et par nuances’.—<hi rend="i" TEIform="hi">Histoire générale des animaux</hi> (Vol. II of <hi rend="i" TEIform="hi">Histoire naturelle</hi>, 1749, chap. XI). Banks was certainly acquainted with the doctrine of the great zoological systematizer of the century.</p></note> between birds and fishes, as
<pb id="n29" n="6" TEIform="pb"/>
their feathers especialy on their wings differ but little from Scales; and their wings themselves, which they use only in diving and by no means in atempting to fly or even accelerate their motion on the surface of the water (as young birds are observd to do), might thence almost as properly be calld fins.</p>
<p TEIform="p">Neither are insects in greater plenty than birds: a few Butterflys and Beetles, flesh flies very like those in Europe, Musquetos, and sandflies maybe exactly the same as those of North America, make up the whole list.<note id="fn1-6" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There were originally only nine species of butterflies in New Zealand, but a rich beetle fauna is found there. Flesh flies comprise the family <hi rend="i" TEIform="hi">Sarcophagidae</hi>; the larvac for the most part live in decaying flesh. Culicine mosquitoes are endemic, but not anophelines; <hi rend="i" TEIform="hi">Culex pervigilans</hi> was the commonest. The sandflies are <hi rend="i" TEIform="hi">Austrosimulium</hi> spp.</p></note> Of these last however, which are most Justly accounted the curse of any countrey where they abound, we never met with any great abundance; a few indeed there were in almost every place we went into but never enough to make any occupations ashore troublesome, or to give occasion for using shades for the face which we had brough[t] out to defend ourselves from them.<note id="fn2-6" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">If he had got ashore at <name key="name-150168" type="geographic" TEIform="name">Dusky Sound</name>, as he so much wished, he would probably have revised this opinion. When the <hi rend="i" TEIform="hi"><name key="name-400930" type="ship" TEIform="name">Resolution</name></hi> was there on Cook's second voyage, her company found the sandflies a most irritating pest.</p></note></p>
<p TEIform="p">For this scarcity of animals on the land the Sea however makes abundant recompense. Every creek and corner produces abundance of fish not only wholesome but at least as well tasted as our fish in Europe: the ship seldom anchord in or indeed passd over (in light winds) any place whose bottom was such as fish resort to in general but as many were caught with hook and line as the people could eat, especialy to the Southward, where when we lay at an anchor the boats by fishing with hook and line very near the rocks could take any quantity of fish; besides that the Seine seldom faild of success, insomuch that both the times that we anchord to the Southward of Cooks streights every Mess in the ship that had prudence enough salted as much fish as lasted them many weeks after they went to sea.</p>
<p TEIform="p">For the Sorts, there are Macarel of several kinds, one precisely the same as our English ones<note id="fn3-6" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The Southern Mackerel, <hi rend="i" TEIform="hi">Pneumatophorus colias</hi> (Gm.).</p></note> and another much like our horse macarel,<note id="fn4-6" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Perhaps <hi rend="i" TEIform="hi">Trachurus novae-zelandicae</hi> Richardson, which seems to be <hi rend="i" TEIform="hi">Scomber clupeoides</hi> of Solander (<hi rend="i" TEIform="hi">Pisc. Aust.</hi>, 37) from Motuaro.</p></note> besides several more; these come in immence shoals and are taken by the natives in large Seines from whoom we bought them at very easy rates. Besides these were many species which tho they did not at all resemble any fish that I at least have before
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seen, our seamen contrivd to give names to, so that hakes,<note id="fn1-7" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Probably Rock Cod, <hi rend="i" TEIform="hi">Lotella rachinus</hi> (Forster), to which Solander's <hi rend="i" TEIform="hi">Gadus rubriginosus</hi> (<hi rend="i" TEIform="hi">Pisc. Aust.</hi>, p. 42) appears to refer.</p></note> breams,<note id="fn2-7" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Snapper, <hi rend="i" TEIform="hi">Pagrosomus auratus</hi> and Tarakihi, <hi rend="i" TEIform="hi">Dactylopagrus macropterus</hi>; cf. I, 438, n. 3 and 453, n. 3 above.</p></note> Cole fish<note id="fn3-7" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">These were Blue Cod, <hi rend="i" TEIform="hi">Parapercis colias</hi>. See I, p. 453, n. 3 above.</p></note> &amp;c. were appellations familiar with us, and I must say that those who bear these names in England need not be ashamd of their nam[e]sakes in this countrey. But above all the luxuries we met with the lobsters or sea crawfish must not be forgot, which are possibly the same that in Lord <name key="name-401668" type="person" TEIform="name">Ansons</name> Voyage are mentiond to be found at the <name key="name-402064" type="geographic" TEIform="name">Island of Juan Fernandes</name>;<note id="fn4-7" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This surmise was correct. The fish was <hi rend="i" TEIform="hi">Jasus lalandi</hi>. Walter, in his account of Anson's voyage, pp. 125–6, writes, ‘we found here one delicacy in greater perfection, both as to size, flavour, and quantity, than is, perhaps, to be met with in any part of the world: this was a sea-cra-fish; they generally weighed eight or nine pounds a-piece, were of a most excellent taste, and lay in such abundance near the water's edge, that the boat-hooks often struck into them, in putting the boats to and from the shore’.</p></note> they are large tho not quite so large as those at Juan Fernandes and differ from ours in England in having many more prickles on their backes, and being red when taken out of the water. Of them we bought great quantities of the natives every where to the Northward, who catch them by diving near the shore, feeling first with their feet till they find out where they lie. We had also that fish describd by Frezier in his voyage to Spanish South America by the name of Elefant, Pejegallo, or Poisson Coq,<note id="fn5-7" n="5" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The Elephant Fish, <hi rend="i" TEIform="hi">Callorhincus callorhynchus</hi> (Linn.); it has a curious proboscis like a short trunk, which gives it its name. <name key="name-404925" type="person" TEIform="name">Amédée François Frézier</name> (1682-1775) was the author of a book entitled <hi rend="i" TEIform="hi">Relation du voyage de la mer du Sud aux côtes du Chilì et du Pérou, fait pendant les années 1712, 1713 et 1714</hi> (Paris 1716), the fruit of travels at the behest of the French government, to spy out the land in the Spanish colonies of South America. He was a military engineer of high reputation, who became, finally, director of fortifications in Brittany. He wrote also on fireworks, and on architecture and building. An English translation of his <hi rend="i" TEIform="hi">Relation</hi> (<hi rend="i" TEIform="hi">A Voyage to the South-Sea, And along the Coasts of Chili and Peru… . By Monsieur Frezier, Engineer in Ordinary to the French King</hi>) appeared in 1717. It is this edition, I think, that Banks refers to, here and elsewhere in his journal. Frézier writes (p. 121), ‘The great Fishery is carry'd on at <hi rend="i" TEIform="hi">Concon</hi>, a Hamlet two Leagues N. and by E. from Valparaiso by sea… . There they take <hi rend="i" TEIform="hi">Corbinos</hi>, a Sort of Fish known in <hi rend="i" TEIform="hi">Spain, Tollos</hi> and <hi rend="i" TEIform="hi">Pezegallos</hi>, which they dry to send to Santiago, which is also serv'd with fresh Fish from thence. The last of them takes its Name from its Shape, because it has a Sort of Comb, or rather a Trunk, which has given Occasion to the <hi rend="i" TEIform="hi">Creolians</hi> to call it <hi rend="i" TEIform="hi">Pezegallo</hi>, that is, Cock-fish. The French call it <hi rend="i" TEIform="hi">Demoiselle</hi> or <hi rend="i" TEIform="hi">Elephant</hi>, because of its Trunk, which is here to be seen, as I drew it by the Life’. But the names given on pl. XVII, opposite this passage, are ‘Pejegallo ou Poisson Coq’.</p></note> which tho coarse we made shift to Eat, several species of Skates or sting rays<note id="fn6-7" n="6" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Several species of these fishes exist in New Zealand waters; an unsigned pencil sketch, pl. 44 in Parkinson I, is of <hi rend="i" TEIform="hi">Raja nasuta</hi> (Müller and Henle), from ‘Totarra nue’ (Totaranui); another most interesting capture from that same locality was of <hi rend="i" TEIform="hi">Arhyn-chobatis asperrimus</hi> Waite 1909, which Solander clearly described (p. 133) as <hi rend="i" TEIform="hi">Raia arsata</hi>; tho only other specimen known to science was described by Waite. Solander, p. 137, also described the Eagle Ray <hi rend="i" TEIform="hi">Aetobatus caudatus</hi> (Hector).</p></note> which were abominably coarse, but to make amends for that we had among several sorts
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of dog fish one that was spotted with a few white spots,<note id="fn1-8" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Probably the Spotted or Spiny Dogfish, <hi rend="i" TEIform="hi">Squalus fernandinus</hi> Molina; Phillipps suggests that the New Zealand fish common in <name key="name-400738" type="geographic" TEIform="name">Cook Strait</name>, a good edible species, is distinct from the above and has named it <hi rend="i" TEIform="hi">S. kirki.</hi> See Parkinson I, pl. 52. The Carpet Shark, <hi rend="i" TEIform="hi">Cephaloscyllium isabella</hi> (Bonnaterre) was described by Solander (p. 167) as <hi rend="i" TEIform="hi">Squalus lima</hi>, and painted by Parkinson, I, pl. 53. Banks may have had that in mind also.</p></note> whose flavour was similar to but much more delicate than our skate. We had flat fish also like Soles and flounders,<note id="fn2-8" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There are thirteen species of flatfishes in New Zealand; it seems probable that they took several of these, including the Sand Flounder, <hi rend="i" TEIform="hi">Rhombosolea plebia</hi> (Richardson) apparently a species identical with Solander's <hi rend="i" TEIform="hi">Pleuronectes plebius</hi> (<hi rend="i" TEIform="hi">Pisc. Aust.</hi>, p. 12).</p></note> Eels and Congers<note id="fn3-8" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The Conger Eel, <hi rend="i" TEIform="hi">Conger verrauxi</hi>, is the commonest of the New Zealand marine eels. New Zealand cels and congers belong to the same genera as European species.</p></note> of several sorts, and many others which any Europæans who may come here after us will not fail to find the advantage of, besides excellent oysters and many sorts of shell fish and cockles, clams &amp;c.</p>
<p TEIform="p">Tho the countrey is generaly coverd with an abundant verdure of grass and trees yet I cannot say that it is productive of so great a variety as many countries I have seen. The intire novelty however of the greatest part of what we found recompens'd us as natural historians for the want of variety. Sow thistle,<note id="fn4-8" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Sonchus oleraceus</hi>, called by the Maori Puwha and eaten by him.</p></note> garden nightshade,<note id="fn5-8" n="5" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Solanum nigrum</hi>, which botanists have thought possibly introduced; but this mention seems conclusive that it was a native.</p></note> and perhaps 1 or 2 kinds of Grasses were exactly the same as in England,<note id="fn6-8" n="6" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Of the grasses that Banks collected only <hi rend="i" TEIform="hi">Deschampsia caespitosa</hi> is now considered to be the same species in New Zealand as in England; <hi rend="i" TEIform="hi">Trisetum subspicatum</hi> was formerly so considered.</p></note> 3 or 4 kinds of Fern the same as those of the West Indies, and a plant or 2 that are common to almost all the world: these were all that had before been describd by any botanist out of about 400 species, except 5 or 6 which we ourselves had before seen in <name key="name-402321" type="geographic" TEIform="name">Terra del Fuego</name>.<note id="fn7-8" n="7" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Today the interpretation would be that the spp., e.g. of the genus <hi rend="i" TEIform="hi">Pratia</hi>, are closely related rather than identical. <hi rend="i" TEIform="hi">Apium prostratum</hi> and <hi rend="i" TEIform="hi">Cardamine glacialis</hi> are common to Tierra del Fuego and New Zealand. <name type="person" key="name-401775" TEIform="name">A. C. Smith</name> (<hi rend="i" TEIform="hi">Jour. Arnold Arbor</hi>. 26:51-58, 1945) discusses bicentric-paleoantarctic distributions in general with special reference to Wintcraceae. Cockayne (<hi rend="i" TEIform="hi">New Zealand Plants and their Story</hi>, 2–7, 1910) briefly considers the topic, citing other examples.</p></note></p>
<p TEIform="p">Eatable Vegetables there are very few. We indeed as people who had been long at sea found great benefit in the article of health by eating plentifully of wild Celery,<note id="fn8-8" n="8" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Apium prostratum</hi> and <hi rend="i" TEIform="hi">A. filifolium</hi>.</p></note> and a kind of Cresses which grew every where abundan[t]ly near the sea side.<note id="fn9-8" n="9" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Probably what Cook called scurvy-grass, <hi rend="i" TEIform="hi">Lepidium oleraceum</hi>; other candidates would be a wild cress called Poniu, <hi rend="i" TEIform="hi">Nasturtium palestre</hi>, and <hi rend="i" TEIform="hi">Cardamine glacialis</hi>.</p></note> We also once or twice met with an herb like that which the countrey people in England call Lambs Quarters or Fat hen,<note id="fn10-8" n="10" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The New Zealand variety of this herb is <hi rend="i" TEIform="hi">Chenopodium triandrum</hi>. It may be added, as a philological curiosity, that Banks's words, taken over into Hawkesworth, become in O.E.D. the first literary mention of ‘lambs’ quarters’, though ‘fat-hen’ is there ignored in favour of a 1795 appearance.</p></note> which we boild
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instead of Greens, and once only a Cabbage tree the Cabbage of which made us one delicious meal.<note id="fn1-9" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The ‘Cabbage tree’ of New Zealand (Kouka of the Maori, who ate its leaf-heads) is <hi rend="i" TEIform="hi">Cordyline australis</hi> (Forst. f.) Hook.f. But Hooker, who was certainly familiar with the plant—for he gave the species its present botanical name—identified the source of Banks's ‘one delicious meal’ as the Nikau palm, <hi rend="i" TEIform="hi">Areca sapida</hi>, characterized by its feather-duster coma, now known as <hi rend="i" TEIform="hi">Rhopalostylis sapida</hi>. Cf. L. H. Bailey in <hi rend="i" TEIform="hi">Gentes Herbarum</hi> 3: 429–35, 1935. This identification is strengthened by the reference in <name type="person" key="name-123817" TEIform="name">George Forster</name>'s <hi rend="i" TEIform="hi">De Plantis Esculentis Insularum Oceani Australis</hi> (1786). Cf. Cook II, p. 567, n. 5.</p></note> These with the Fern roots and one other vegetable (<hi rend="i" TEIform="hi">Pandanus</hi>)<note id="fn2-9" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Probably the Kiekie, <hi rend="i" TEIform="hi">Freycinetia banksii</hi> A. Cunn., related to the pandanus.</p></note> totaly unknown in Europe, which tho eat by the natives no Europæan will probably ever relish, are the whole of the vegetables which I know to be eatable, except those which they cultivate and have probably brought with them from the countrey from whence they themselves have originaly come.</p>
<p TEIform="p">Nor does their cultivated grounds produce many speceis of Esculent plants, three only I have seen — Yams, sweet potatoes, and Coccos, all three well known in both East and West Indies and much esteemd of these, especialy the two former. They cultivate often peices of many acres, and I beleive any ship that was to be to the Northward in the Autumn about the time of digging them up might purchase any quantity. Besides these they cultivate gourds,<note id="fn3-9" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Hue, <hi rend="i" TEIform="hi">Lagenaria siceraria</hi>.</p></note> the fruits of which serve them to make bottles, Jugs &amp;c. and a very small quantity of the Chinese paper mulberry tree, the same as the Inhabitants of the South Sea Islands use to make their garments of. This they very much value, but it is so scarce with them probably having been brought from a hotter countrey and not thriving here, that tho they likewise beat it out into cloth we never saw peices of it larger than what servd to put into the holes they bore in their ears, making an ornament they are very fond of, and this was doubtless the reason why they preferrd the Cloth which we had brought from the South Sea Islands with us to any merchandise we could shew them, and next to it white paper.</p>
<p TEIform="p">Fruits they have none, except I should reckon a few kind of insipid berries which had neither sweetness nor flavour to recommend them and which none but the boys took the pains to gather. The woods however abound with excellent timber trees fit for any kind of building in size, grain, and apparent durability. One which bears a very conspicuous scarlet flower made up [of?] many threads, and is a large tree as big as an oak in England, has a very heavy hard wood which seems well adapted for the Cogs of Mill wheels
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&amp;c. or any purpose for which very hard wood is us'd.<note id="fn1-10" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The Pohutukawa, <hi rend="i" TEIform="hi">Metrosideros tomentosa</hi> Soland. ex Gaertn. (<hi rend="i" TEIform="hi">M. tomentosa</hi> A. Rich.), the ‘iron-hearted myrtle’ of the poet Domett; its timber is extremely hard and durable. It is represented in the Pocket Book, p. 111, its source not recorded more precisely than New Zealand, but there can be no doubt that the specimen is associated with Banks's notation, Cheeseman's scepticism notwithstanding (<hi rend="i" TEIform="hi">Manual of the New Zealand Flora</hi>, ed. 2 [Wellington 1925], p. 594). Hooker made the identification <hi rend="i" TEIform="hi">Metrosideros robusta</hi>, Rata, but he was pretty clearly wrong; and no coll. of that species was preserved, if gathered.</p></note> That which I have before mentiond to grow in the swamps, which has a leaf not unlike Yew and bears small bunches of Berries,<note id="fn2-10" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Podocarpus spicatus</hi>; see I, p. 436, n. 2 above, and Pl. 12 in the present volume.</p></note> is tall streight and thick enough to make Masts for vessels of any size, and seems likewise by the streight direction of the fibres to be tough but is too heavy: this however I have been told is the case with the pitch pine in North America, the timber of which this very much resembles, and that the North Americans know how to lighten by tapping it properly and actualy use for Masts. But of all the plants we have seen among these people that which is the most excellent in its kind, and which realy excells most if not all that are put to the Same uses in other Countries, is the plant which serves them instead of Hemp and flax.<note id="fn3-10" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Phormium tenax</hi> Forst.; the Maori name is Harakeke.</p></note> Of this there are two sorts: the leaves of Both much resemble those of flags: the flowers are smaller and grow many more together, in one sort they are Yellowish in the other of a deep red.<note id="fn4-10" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There are indeed two species of the plant, <hi rend="i" TEIform="hi">Phormium tenax</hi> and <hi rend="i" TEIform="hi">P. colensoi</hi>, the latter smaller and growing on dry hill sides. But this is apparently not what Banks means. There are many varieties of <hi rend="i" TEIform="hi">P. tenax.</hi> but the colour of the flowers is not the determinant. Some light is thrown on the passage, probably, by a sentence or two from the journal of <name type="person" key="name-150155" TEIform="name">William Bayly</name>, astronomer of the <hi rend="i" TEIform="hi"><name key="name-401050" type="ship" TEIform="name">Adventure</name></hi> on Cook's second voyage. Bayly is writing of Queen Charlotte Sound: ‘The Flax of which they have two sorts, grows here in great plenty; the finer sort resembles the European flax but it is vastly superior both for Beauty and Strength… . The coarser sort grow like a Flag, either on the ground or runs up the side of a Tree and spreading into great tufts at different heights… the fine sort grow on the ground &amp; is a flag of a finer texture &amp; of quite a diff<hi rend="sup" TEIform="hi">t</hi> Nature from the coarse sort’. ATL, Bayly's Journal, pp. 62–3. The ‘coarser sort’ here referred to is obviously the plant called Kiekie, <hi rend="i" TEIform="hi">Freycinctia banksii</hi>.</p></note> Of the leaves of these plants with very little preparation all their common wearing apparel are made and all Strings, lines, and Cordage for every purpose, and that of a strengh so much superior to hemp as scarce to bear a comparison with it. From the same leaves also by another preparation a kind of snow white fibres are drawn, shining almost as silk and likewise surprizingly strong, of which all their finer cloaths are made; and of the leaves without any other preparation than splitting them into proper breadths and tying those strips together are made their fishing nets. So usefull a plant would doub[t]less be a great acquisition to England, especialy as one might hope that it would thrive there with little trouble, as it seems hardy and affects no
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particular soil, being found equaly on hills and in Valleys, in dry soil and the deepest bogs, which last land it seems however rather to prefer as I have always seen it in such places of a larger size than any where else.</p>
<p TEIform="p">When first we came ashore we imagind the countrey to be much better peopled than we afterwards found it, concluding from the Smoaks that we saw that there were inhabitants very far inland, which indeed in Poverty bay and the Bay of Plenty, which are much the best peopled parts of the countrey that we have seen, may yet be the case. In all the other parts we have been in we have however found the sea coast only inhabited and that but sparingly, insomuch that the number of inhabitants seem to bear no kind of proportion to the size of the countrey which they possess, and this probably is owing to their frequent wars. Besides this the whole Coast from Cape Maria Van Diemen to Mount Egmont and seven eights of the Southern Island seems totaly without people.<note id="fn1-11" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">It is almost impossible to make an instructed guess at the Maori population at this time, and these remarks of Banks do not help us in the least. He seems to have gone purely on the presence or absence of smoke. He could hardly have found any part of the country beyond the sea-coast inhabited, because he had never been beyond the sea-coast. In the North Island there were considerable centres of population inland; and for all Banks knew, there might have been in the South Island too, though in fact, because of the climate, there were not. It is true, however, that according to European ideas the number of inhabitants bore ‘no kind of proportion to the size of the country which they’ possessed—as European settlers were later loud in proclaiming; but the Maori knew the whole habitable part of the country intimately, and each part of it played a clearly understood part in his economy.</p></note></p>
<p TEIform="p">The men are of the size of the larger Europæans, Stout, Clean Limnd and active, fleshy but never fat as the lazy inhabitants of the South Sea Isles are, vigorous, nimble and at the same time Clever in all their excersizes. I have seen 15 paddles of a side in one of their Canoes move with immensely quick strokes and at the same time as much Justness as if the movers were animated by one Soul: not the fraction of a second could be observd between the dipping and raising any two of them, the Canoe all the While moving with incredible swiftness; and to see them dance their War dance was an amusement which never faild to please every spectator, so much strengh, firmness and agility in their motions and at the same time such excellent time kept that I have often heard above 100 paddles &amp;c.struck against the sides of their boats, as directed by their singing, without a mistake being ever made.<note id="fn2-11" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Either this sentence is unduly compacted, or Banks witnessed something in the nature of a posture-dance carried on in canoes.</p></note> In Colour they vary a little, some being browner than others, but few are browner than a Spaniard a little sun burnd might be supposd to be. The women without being at all delicate in their outward appearance
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are rather smaller than Europæan women, but have a peculiar softness of Voice which never fails to distinguish them from the men tho both are dressd exactly alike. They are like those of the fair sex that I have seen in other countries, more lively, airy and laughter loving than the men and have more volatile spirits, formd by nature to soften the Cares of more serious man who takes upon [him]<note id="fn1-12" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Word omitted in <hi rend="c" TEIform="hi">Ms</hi>; <hi rend="i" TEIform="hi">him</hi> supplied from S and P.</p></note> the laborious toilsome part as War, tilling the Ground &amp;c.<note id="fn2-12" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Nevertheless the Maori woman did plenty of hard work.</p></note> That disposition appears even in this uncultivated state of nature, shewing in a high degree that as well in uncivilizd as the most polishd nations Mans ultimate happiness must at last be plac'd in Woman. The dispositions of Both Sexes seems mild, gentle, and very affectionate to each other but implacable towards their enemies, who after having killd they eat, probably out of a princ[i]ple of revenge,<note id="fn3-12" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">There seem to have been a number of motives—revenge or exultation at the end of a battle or siege; acquisition of <hi rend="i" TEIform="hi">mana</hi> or prestige; ritual; the lack of flesh foods; simple hunger.</p></note> and I beleive never give quarter or take prisoners.<note id="fn4-12" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This was wrong. Prisoners became slaves.</p></note> They seem innurd to war and in their attacks work themselves up by their War Dance to a kind of artificial courage which will not let them think in the least.<note id="fn5-12" n="5" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The <hi rend="i" TEIform="hi">peruperu</hi> or <hi rend="i" TEIform="hi">tutu waewae</hi>, the war dance, was not needed to work up an artificial courage, for the Maori had enough of the real thing; but there is no doubt it heightened excitement. It seems probable that Banks and his fellows took every <hi rend="i" TEIform="hi">haka</hi> or posture dance they saw for a war-dance: the <hi rend="i" TEIform="hi">haka</hi> might be loud and vigorous enough without any intention to intimidate, and the <hi rend="i" TEIform="hi">peruperu</hi> simply took the <hi rend="i" TEIform="hi">haka</hi> a stage further, with weapons and an extra zest.</p></note> Whenever they met with us and thought themselves superior they always attackd us, tho seldom seeming to mean more than to provoke us to shew them what we were able to do in this case. By many trials we found that good usage and fair words would not avail the least with them, nor would they be convincd by the noise of our fire arms alone that they were superior to theirs; but as soon as they had felt the smart of even a load of small shot and had had time allowd them to recollect themselves from the Effects of their artificial courage, which commonly took up a day, they were sensible of our generosity in not taking the advantage of Our superiority and became at once our good freinds and upon all occasions placd the most unbounded confidence in us. They are not like the Islanders addicted to stealing, but would sometimes before peace was concluded, if they could by offering any thing they had to sale entice us to trust something of ours into their hands, refuse to return it with all the coolness in the world, seeming to look upon it as the plunder of an enemy.</p>
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<p TEIform="p">Both sexes were much more modest in their carriage and decent in their Conversation than the Islanders, which such of our people who had a mind to form any connexions with the Women soon found, but they were not impregnable: if the consent of their relations was askd and the Question accompanied with a proper present it was seldom refusd, but then the strictest decency must be kept up towards the young lady or she might baulk the lover after all. Upon one of our gentlemen making his adresses to a family of the better sort the following answer was made him by the mistress of the family: ‘Any of these young ladies will think themselves honourd by your adresses but you must first make me a proper present and must come and sleep with us ashore, for daylight should by no means be a witness of such proceedings’.</p>
<p TEIform="p">Neither sex are quite so cleanly in their persons as the Islanders, not having the advantage of so warm a climate they do not wash so often. But the most disgustfull thing about them is the Oil with which they daub their hair: this is melted from the fat either of fish or Birds: the better sort indeed have it fresh and then it is intirely void of smell, but the inferior often use that that is rancid and consequently smell something like Greenland dock when they are trying Whale Blubber.</p>
<p TEIform="p">Both sexes stain themselves with the colour of black in the same manner and som[e]thing in the same method as the South Sea Islanders, introducing it under the skin by a sharp instrument furnish'd with many teeth, but the men carry this custom to much greater lenghs and the women not so far, they are generaly content with having their lips black'd but sometimes have patches of black on different parts of their bodies. The men on the contrary seem to add to their quantity every Year of their lives so that some of the Elder were almost coverd with it. There faces are the most remarkable, on them they by some art unknown to me dig furrows in their faces a line deep at least and as broad, the edges of which are often again indented and most perfectly black. This may be done to make them look frightfull in war; indeed it has the Effect of making them most enormously ugly, the old ones at least whose faces are intirely coverd with it. The young again often have a small patch on one cheek or over an eye and those under a certain age (may be 25 or 26) have no more than their lips black. Yet ugly as this certainly looks it is impossible to avoid admiring the immence Elegance and Justness of the figures in which it is form'd,<note id="fn1-13" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">S adds in a note, ‘(well as the Resolution of these poor People in bearing pain.)’</p></note> which in the face is always different spirals, upon the body generaly
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different figures resembling something the foliages of old Chasing upon gold or silver; all these finishd with a masterly taste and execution, for of a hundred which at first sight you would judge to be exactly the same, on a close examination no two will prove alike; nor do I remember to have seen any two alike, for their wild imaginations scorn to copy as appears in almost all their works. In different parts of the coast they varied very much in the quantity and parts of the body on which this <hi rend="i" TEIform="hi">Amoco</hi> as they call it was placd, but in the spirals upon their faces they generaly agreed, and I have generaly observd that the more populous a countrey was the greater quantity of this <hi rend="i" TEIform="hi">Amoco</hi> they had; possibly in populous countreys the emulation of Bearing pain with fortitude may be carried to greater lenghs than where there are fewer people and consequently fewer examples to encourage. The Buttocks which in the Islands was the principal seat of this ornament in general here escapes untouchd: in one place only we saw the contrary:<note id="fn1-14" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Off Cape Brett, on 26 November 1769: I, p. 439 above.</p></note> possibly they might on this account be esteemd as more noble, as having transferrd the seat of their ornament from the dishonourable cheeks of their tail to the more honourable ones of their heads.</p>
<p TEIform="p">Besides this dying in grain as it may be calld they are very fond of painting themselves with Red Ocre which they do in two ways, either rubbing it Dry upon their skins, which some few do, or daubing their faces with large patches of it mixd with oil which consequently never drys: this latter is generaly practisd by the women and was most universaly condemnd by us, for if any of us had unthinkingly ravishd a kiss from one of these fair Savages our transgressions were wrote in most legible Characters on our noses, which our companions could not fail to see on our first interview.</p>
<p TEIform="p">The common dress of these people is certainly to a stranger at first one of the most uncouth and extrordinary sights that can be imagind. It is made of the leaves of the Flag describd before which are split into 3 or 4 Slips each, and these as soon as they are dry are wove into a kind of Stuff between netting and cloth, out of the upper side of which all the ends, of 8 or 9 inches long each, are sufferd to hang in the same manner as thrums out of a thrum mat. Of these peices of cloth 2 serve for a compleat dress one of which is tied over the shoulders and reaches about their knees, the other about the waist which reaches near the ground; but they seldom wear more than one of these and when they have it on resemble not a little a thachd house. These dresses however, ugly as they are, are well adapted for their convenience who are often obligd to
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sleep in the open air and live some time without the least shelter even from rain, so that they must trust intirely to their Cloaths as the only chance they have of keeping themselves dry, for which they are certainly not ill adapted as every strip of leaf becomes in that case a kind of Guttar which serves to conduct the rain down and hinder it from soaking through the cloath beneath. Besides this they have several kinds of Cloth which is smooth and ingeniously enough workd:<note id="fn1-15" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Woven of scutched flax fibre. The best description of technique, including the <hi rend="i" TEIform="hi">taniko</hi> borders which Banks goes on to mention, is in Buck, pp. 158 ff.</p></note> they are cheifly of two sorts, one coarse as our coarsest canvass and ten times stronger but much like it in the lying of the threads, the other is formd by many threads running lenghwise and a few only crossing them which tie them together. This last sort is sometimes stripd and always very pretty, for the threads that compose it are prepard so as to shine almost as much as silk; to both these they work borders of different colours in fine stiches something like Carpeting or girls Samplers in various patterns with an ingenuity truly surprizing to any one who will reflect that they are without needles. They have also Mats with which they sometimes cover themselves, but the great pride of their dress seems to consist in dogs fur, which they use so sparingly that to avoid waste they cut into long strips and sew them at a distance from each other upon their Cloth, varying often the coulours prettily enough. When first we saw these dresses we took them for the skins of Bears or some animal of that kind, but we were soon undeceivd and found upon enquiry that they were acquainted with no-animal that had fur or long hair but their own dogs. Some there were who had these dresses ornamented with feathers and one who had an intire dress of the red feathers of Parrots,<note id="fn2-15" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The parrot was the Kaka, <hi rend="i" TEIform="hi">Nestor meridionalis</hi> (Gm.).</p></note> but these were not common.</p>
<p TEIform="p">The men always wore short beards and tied their hair in a small knot on the top of their heads, sticking into it a kind of comb<note id="fn3-15" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">A man combed his hair when dressing it carefully, but the main purpose of these combs, whalebone or hardwood, was decorative. They were called <hi rend="i" TEIform="hi">heru</hi>. Women only very rarely wore them. See Pls. 6 and 7.</p></note> and at the top two or 3 white feathers.<note id="fn4-15" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">They were not invariably white. The black and white tail feathers of the Huia were greatly valued, among others; white plumes were obtained from such birds as the albatross, white heron, tropic bird, gannet, and so on.</p></note> About their Waists was tied a belt from which hung a string which was tied round the preputium and in this seemd to consist most or all of their decency in that particular; for when that was-tied they often exposd by different motions every part of their bodies to our view and indeed
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not seldom threw off all other dress, but shewd visible reluctance and signs of shame when we desird them to untie it from a curiosity to see the manner in which it was tied. The first man we saw when we went ashore at Poverty bay who was killd by one of our people had his dress tied on exactly in the same manner as is represented in Mr Dalrymples account of Tasmans Voyage, in a plat which I beleive is copied from Valentynes history of the East Indies;<note id="fn1-16" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><hi rend="i" TEIform="hi">Cf</hi>. I, p. 400, n. 2 above. <name key="name-404928" type="person" TEIform="name">François Valentijn</name> (1656-1727), a Dutch East Indian traveller, was pastor of the church at Amboina 1686–94 and 1707–14. He wrote a number of theological works and, being an excellent scholar and speaker of Malay, translated the Bible into that tongue; but his real and present fame rests on the eight folio volumes of his <hi rend="i" TEIform="hi">Oudt en Nieuw Oost-Indien</hi> (Dordrecht 1724–6), which was translated into more than one language. Not very well arranged, the book was nevertheless a mine of information on the Dutch East Indies, though most detailed on Amboina, and collected together accounts of travel and discovery as far east as China and Japan, and as far south as New Zealand (curiously enough, in Vol. V, thrust into a description of Banda).</p></note> it was tied over his shoulders cross his breast, again under his armpits, likwise across his breast, and round his loins. Of this dress we saw however but one more in [s]tance during our whole stay on the Coast, tho it seems convenient as it leaves the arms quite at liberty while the body is coverd; in general indeed when they chose to set their arms at liberty they at the same time freed all their other limbs by casting off their cloaths intirely.</p>
<p TEIform="p">The Women contrary to the custom of the Sex in general seemd to affect dress rather less than the men. Their hair which they wore short was seldom tied, and if it was it was behind their heads and never ornamented with feathers. Their cloaths were of the same stuff and in the same form as those of the men but in decently covering themselves they far exceeded them; their lower garments were at all times bound fast round them and they never exposd to view any thing even in the neighbourhood of those parts which nature co[n]ceals, except when they gatherd lobsters and shell fish in which occupation they were frequently obligd to dive, but then they never meant to be seen by men and when once or twice accidentaly met by us shewd most evident signs of Confusion, veiling as well as they could their naked beauties with sea weed the only covering their situation afforded. Round their waists instead of a belt they constantly wore a girdle of many platted strings made of the leaves of a very fragrant Grass; into this were tuckd the leaves of some sweet scented plant fresh gatherd which like the fig leaf of our first mother servd as the ultimate guard of their modesty.</p>
<p TEIform="p">Both sexes bord their ears and wore in them a great variety of ornaments; the holes by stretching were generaly large enough to admit a finger at least. These generaly (as if to keep them upon the
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stretch) were filld up with a plug of some sort or other, either cloth, feathers, Bones of large birds, or sometimes only a stick of wood; into this hole they often also put nails or any [thing] we gave them which could be put there. The women also often wore bunches of the down of the albatross which is snow white near as large as a fist, which tho very odd made by no means an unelegant appearance.<note id="fn1-17" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Men as well as women wore this ornament.</p></note> Besides these they hung to them by strings many very different thing[s], often chissels or bodkins made of a kind of green talk<note id="fn2-17" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Greenstone ear pendants or <hi rend="i" TEIform="hi">kuru</hi> were straight, curved, circular or some other shape as the stone or the fancy of the artist dictated.</p></note> which they value much, the nails and teeth also of their deceasd relations, dogs teeth, and in short every thing they could get which was either valuable or ornamental. Besides these the Women wore sometimes Bracelets and anclets made of the Bones of Birds, shells, &amp;c. and the men often had the figure of a distorted man made of the beforementiond green talk,<note id="fn3-17" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">This was the <hi rend="i" TEIform="hi">tiki</hi> or <hi rend="i" TEIform="hi">hei tiki</hi>, a neck pendant, one of the most characteristic of Maori art forms. It was also fashioned from whalebone. See Pl. 6.</p></note> or the tooth of a whale cut slauntwise, so as something to resemble a tongue, and furnishd with two eyes;<note id="fn4-17" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">The <hi rend="i" TEIform="hi">rei paraoa or reiputa</hi> (<hi rend="i" TEIform="hi">rei</hi>, a large tooth or whale ivory; <hi rend="i" TEIform="hi">paraoa</hi>, the sperm whale; <hi rend="i" TEIform="hi">puta</hi>, a hole) was a valuable ornament; the aristocratic person portrayed in Hawkesworth's pl. 13 is wearing one, as well as a fine <hi rend="i" TEIform="hi">kurukuru</hi>, or straight greenstone ear pendant and a handsome comb. See Pl. 7.</p></note> these they wore about their necks and seemd to Value almost above every thing else. I saw one instance also of a very extrordinary ornament, which was a feather stuck through the bridge of the nose and projecting on each side of it over the cheeks; but this I only mention as a singular thing, having met with it only once among the many people I have seen, and never observd in any other even the marks of a hole which might occasionaly serve for such a purpose.</p>
<p TEIform="p">Their houses are certainly the most inartificialy made of any thing among them, scarce equal to a European dog kennel and resembling one in the door at least, which is barely high and wide enough to admit a man crawling upon all fours. They are seldom more than 16 or 18 feet long, 8 or 10 broad and five or 6 high from the ridge pole to the Ground and built with a sloping roof like our European houses. The materials of both walls and roof is dry grass or hay and very tightly it is put together, so that nescessarily they must be very warm. Some are lind with bark of trees on the inside, and many have either over the door or fixd somewhere in the house a peice of Plank coverd with their carving, which they seem to value much as we do a picture, placing it always as conspicuously as possible.
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All these houses have the door at one end and near it is generaly a square hole which serves for a window or probably in winter time more for a chimney, for then they light a fire in the middle of the house. At the same end where this door and window are placed the side walls and roof project, generaly 18 inches or 2 feet beyond the end wall, making a kind of Porch in which are benches where the people of the house often set. Within is a square place fencd of with either boards or stones from the rest, in the middle of which they can make a fire; round this the sides of the house are thick layd with straw on which they sleep. As for furniture they are not much troubled with it: one chest commonly contains all their riches, consisting of Tools, Cloaths, arms, and a few feathers to stick into their hair; their gourds and Baskets made of Bark which serve them to keep fresh water, provision baskets, and the hammers with which they beat their fern roots, are generaly left without the door.</p>
<p TEIform="p">Mean and low as these houses are they most perfectly resist all inclemencies of the weather and answer consequently the purposes of mere shelter as well as larger would do. The people I beleive spend little of the day in them (except may be in winter): the porch seems to be the place for work, and those who have not room there must set upon a stone or the ground in its neighbourhood.<note id="fn1-18" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Banks has been describing the commonest sleeping hut or <hi rend="i" TEIform="hi">whare puni</hi>, the least impressive of Maori architectural forms. By ’dry grass or hay’ he seems to mean the various sedges or rushes which were used for walls and thatching—e.g. <hi rend="i" TEIform="hi">toetoe</hi> or pampas grass (<hi rend="i" TEIform="hi">Arundo conspicua</hi>). <hi rend="i" TEIform="hi">Whare puni</hi>, it is to be noted, might on the other hand be very carefully and skilfully constructed timber buildings. He unfortunately does not seem to have seen any of the great <hi rend="i" TEIform="hi">whare whakairo</hi>, the ’superior houses’ decorated with carving and woven designs, which were the glory of Maori architecture, apart from the imperfect example mentioned in the next paragraph.</p></note></p>
<p TEIform="p">Some few of the better sort have kind of Court Yards, the walls of which are made of poles and hay 10 or 12 feet high, which as their families are large incloses 3 or 4 houses. But I must not forget the ruins or rather frame of a house (for it had never been finishd) which I saw at Tolaga, as it was so much superior in size to any thing of the kind we have met with in any other part of the land. It was 30 feet in lengh, in breadth and high; the sides of it were ornamented with many broad carvd planks of a workmanship superior to any we saw upon the land; but for what purpose this was built or why deserted we could not find out.<note id="fn2-18" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">It might have been designed as a <hi rend="i" TEIform="hi">whare hui</hi>, an assembly house for the tribe and its guests, or a <hi rend="i" TEIform="hi">whare runanga</hi>, where tribal discussions would take place. A possible reason for desertion (if Banks was right about desertion—and he probably was, for it was important to push right on with the construction of a house once it was started) was some infringement of <hi rend="i" TEIform="hi">tapu</hi>. Cf. <name key="name-207424" type="person" TEIform="name">Best</name>, <hi rend="i" TEIform="hi">The Maori</hi>, II, p. 561: ’The <hi rend="i" TEIform="hi">tapu</hi> of a new house … is, or was, even more stringent than that of an occupied house. For a house in course of construction is placed under the care and control of the gods, and great care has to be taken that no act is committed that will give offence to those gods, or trouble will visit the house, its builders or inmates—this because the gods have withdrawn their protection. No woman was allowed in or near a superior house in course of construction. Such an untoward occurrence would be followed by lack of energy, listlessness on the part of the workmen, and probably the house would never be finished’.</p></note></p>
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<p TEIform="p">Tho these people when at home defend themselves so well from the inclemencies of the Weather, yet when abroad upon their excursions which they often make in search of fern roots fish &amp;c. they seem totaly indifferent of shelter: sometimes they make a small shade to wind ward of them but oftener omit that precaution. During our stay at <hi rend="i" TEIform="hi">Opoorage</hi><note id="fn1-19" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Purangi, the Maori name of the ‘Oyster River’ at Mercury Bay, transferred by those in the <hi rend="i" TEIform="hi">Endeavour</hi> to the whole bay.</p></note> or Mercury bay such a party of Indians were there consisting of 40 or 50, who during all that time never erected the least covering tho it twice raind almost without ceasing for 24 hours together.</p>
<p TEIform="p">Their food, in the use of which the[y] seem to be moderate, consists of Dogs, Birds, especialy sea fowl as penguins albatrosses<note id="fn2-19" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p"><name key="name-202886" type="person" TEIform="name">Buck</name>, p. 98, figures a special form of hook that was used for catching the albatross. It was generally the young of sea birds that were taken. The taste for sea birds is now confined (though the <hi rend="i" TEIform="hi">pakeha</hi> has also acquired it) to the ‘mutton bird’, the Sooty Shearwater, <hi rend="i" TEIform="hi">Puffinus griseus</hi>. Banks ignores, and can have had no means of learning, the much greater importance of forest birds for Maori diet.</p></note> &amp;c, fish, sweet potatoes,<note id="fn3-19" n="3" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Kumara (cf. Tahitian Umara), <hi rend="i" TEIform="hi">Ipomoea batatas</hi>.</p></note> Yams,<note id="fn4-19" n="4" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Uhi or Uwhi (Tahitian Uhi), <hi rend="i" TEIform="hi">Dioscorea sp</hi>.</p></note> Coccos,<note id="fn5-19" n="5" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Taro (Tahitian Taro), <hi rend="i" TEIform="hi">Colocasia antiquorum.</hi></p></note> some few wild plants as sow thistles,<note id="fn6-19" n="6" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Puwha, <hi rend="i" TEIform="hi">Sonchus oleraceus.</hi></p></note> Palm Cabbage<note id="fn7-19" n="7" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Kouka, the inner leaf-shoots of the <hi rend="i" TEIform="hi">Cordyline australis.</hi></p></note> &amp;c. but Above all and which seems to be to them what bread is to us, the roots of a species of Fern very common upon the hills and which very nearly resembles that which grows on our hilly commons in England and is calld indifferently Fern, Bracken, or Brakes.<note id="fn8-19" n="8" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Aruhe, the rhizomes of the bracken fern, <hi rend="i" TEIform="hi">Pteridium aquilinum.</hi> (Cf. I, p. 416 above.) It ranges from Australia to Tahiti, as the regional variant of the world-wide monotypic <hi rend="i" TEIform="hi">Pteridium.</hi></p></note> As for the flesh of men, although they certainly do eat it I cannot in my own opinion Debase human nature so much as to imagine that they relish as a dainty or even look upon it as a part of common food. Tho Thirst of Revenge may Drive men to great lenghs when the Passions are allowd to take their full swing Yet nature through all the superior part of the creation shews how much she recoils at the thought of any species preying upon itself: Dogs and cats shew visible signs of disgust at the very sight of a dead carcass of their species, even Wolves or Bears were never sayd to eat one another except in cases of absolute nescessity, when the stings of hunger have
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overcome the precepts of nature, in which case the same has been done by the inhabitants of the most civilizd nations.</p>
<p TEIform="p">Among fish and insects indeed there are many instances which prove that those who live by prey regard little whither what they take is of their own or any other species; but any one who considers the admirable chain of nature in which Man, alone endowd with reason, justly claims the highest rank and next to him are placd the half reasoning Elephant, the sagacious dog, the architect Beaver, &amp;c. in Whoom instinct so nearly resembles reason as to have been mistaken for it by men of no mean capacitys, from these descending through the less informd Quadrupeds and birds to the fish and insects, which seem besides the instinct of Fear which is given them for self preservation to be movd only by the stings of hunger to eat and those of lust to propagate their species, which when born are left intirely to their own care, and at last by the medium of the Oyster, &amp;c. &amp;c. which not being able to move but as tost about by the waves must in themselves be furnishd with both sexes that the species may be continued, shading itself away into the vegetable kingdom for the preservation of whoom neither sensation nor instinct is wanting — whoever considers this I say will easily see that no Conclusion in favour of such a practise can be drawn from the actions of a race of beings placd so infinitely below us in the order of Nature.<note id="fn1-20" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Nothing more than this paragraph could place Banks so exactly in his period. The ‘order of nature’ or the ‘chain of nature’ was one of the overruling ideas of the eighteenth century, and perhaps the nearest to a philosophical or general scientific notion that Banks ever had. With a long ancestry in the western world, in his time it was as commonly accepted as the idea of evolution is in ours. All created things, it was held, are linked together in a regular progression, from the non-sentient to the sentient, rocks to man (however many ‘missing links’ there might be to discover), with a further infinite progression beyond man to the Creator; and each had its settled place, as ordained by the Creator, in the whole related scheme. Nature does not proceed by leaps, to quote one of the classic formulations. Banks has already made one allusion to the idea in his remark on penguins (p. 5 above), ‘which are truly what the French call <hi rend="i" TEIform="hi">Nuance</hi>, between birds and fishes’; and will make others on corals (p. 108 below): ‘we were so intirely taken up with the more conspicuous links of the chain of creation’; and on Hottentots (p. 256 below), ‘that some have been inclined to suppose them more nearly related to Baboons than Men’. The unfortunate Hottentots were always being picked on to illustrate. <name key="name-404929" type="person" TEIform="name">A. O. Lovejoy</name>'s interesting study, <hi rend="i" TEIform="hi">The Great Chain of Being</hi> (Cambridge, Mass. 1942), is devoted to the subject, Chapters VI (‘The Chain of Being in eighteenth century thought’) and VIII (‘The Chain of Being and some aspects of eighteenth century biology’) being particularly apposite in the present context.</p></note></p>
<p TEIform="p">But to return to my subject. Simple as their food is their Cookery as far as I saw is as simple: a few stones heated hot and laid in a hole, their meat laid upon them and coverd with Hay seems to be the most dificult part of it.<note id="fn2-20" n="2" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">He refers to the <hi rend="i" TEIform="hi">umu</hi> or <hi rend="i" TEIform="hi">hangi</hi> (Tahitian <hi rend="i" TEIform="hi">umu</hi>) the traditional Polynesian ‘earth-oven’, described in detail, I, p. 344 above.</p></note> Fish and birds they generaly broil
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or rather toast, spitting them upon a long skewer, the bottom of which is fixd under a stone and another stone being put under the fore part of the skewer it is raisd or lowerd by moving that stone as the circumstances may require. The Fern roots are layd upon the open fire untill they are thouroughly hot and the bark of them burnt to a coal, they are then beat with a wooden hammer over a stone which causes all the bark to fly off and leaves the inside consisting of a small proportion of a glutinous pulp mixt with many fibres, which they generaly spit out after having suckd each mouthfull a long time. Strange and unheard of as it must appear to an European to draw nourishment from a class of Plant which in Europe no animal, har[d]ly even insects, will taste, I am much inclind to think that it affords a nourishing and wholesome diet: these people eat but little and this is the foundation of their meals, all summer at least from the time that their roots are planted till the season for digging them up. Among them I have seen many very healthy old men and in general the whole of them are as vigorous a race as can be imagind.</p>
<p TEIform="p">To the Southward where little or nothing is planted Fern roots and fish must serve them all the Year. Here therefore we saw that they had made vast piles of Both, especialy the latter which were dryd in the sun very well, I suppose meant for winter stock when possibly Fish is not so plentifull or the trouble of catching it greater than in Winter.</p>
<p TEIform="p">Water is their universal drink nor did I see any signs of any other liquor being at all known to them, or any method of Intoxication. If they realy have not happy they must be allowd to be above all other nations that I at least have heard of.<note id="fn1-21" n="1" place="unspecified" anchored="yes" TEIform="note"><p TEIform="p">Among happy nations Banks has forgotten the Tierra del Fuegians, whose ignorance of strong liquors was much admired by British seafarers such as <name key="name-131257" type="person" TEIform="name">Sydney Parkinson</name>. See e.g. Cook 