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        <title type="marc245">A Rolling Stone, Vol. I</title>
        <title type="sort">Rolling Stone, Vol. I</title>
        <title type="gmd">[electronic resource]</title>
        <author>
          <name key="name-111373" type="person">Clara Cheeseman</name>
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        <pubPlace>Wellington, New Zealand</pubPlace>
        <idno type="etc">Modern English, Che01ARol</idno>
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          <p n="public">URL: http://www.nzetc.org/collections.html</p>
          <p>copyright 2007, by Victoria University of Wellington</p>
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        <date when="2007">2007</date>
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            <hi rend="c">A<lb/>
							Rolling Stone</hi>
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        <byline>
          <hi rend="lsc">By</hi>
          <lb/>
          <docAuthor>
            <hi rend="c">
              <name key="name-111373" type="person">Clara Cheeseman</name>
            </hi>
          </docAuthor>
        </byline>
        <lb/>
        <docImprint><hi rend="c">Vol</hi>. I.<lb/><pubPlace><hi rend="c">London</hi></pubPlace><lb/><publisher><hi rend="c"><name key="name-103018" type="organisation">Richard Bentley &amp; Son</name></hi></publisher>, <hi rend="c">New Burlington St.</hi><lb/>
					Publishers in Ordinary to Her Majesty the Queen<lb/>
					<docDate when="1886">1886</docDate>
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      <head>
        <hi rend="c">A Rolling Stone.</hi>
      </head>
      <div xml:id="t1-body-d1-d1" type="chapter">
        <head><hi rend="c">Chapter</hi> I.</head>
        <lg type="verse">
          <l>‘The spot was made by Nature for herself.</l>
          <l>The travellers know it not, and 'twill remain</l>
          <l>Unknown by them; but it is beautiful;</l>
          <l>And if a man should plant his cottage near,</l>
          <l>Should sleep beneath the shelter of its trees,</l>
          <l>And blend its waters with his daily meal,</l>
          <l>He would so love it that in his death hour</l>
          <l>Its image would survive among his thoughts.’</l>
          <byline rend="right"><hi rend="sc">Wordsworth</hi>.</byline>
        </lg>
        <p><hi rend="sc">It</hi> was very much out of the way. The miry tracks that led to it could hardly be called roads, the creeks that almost made it an island were unbridged, and the bush had closed around, as if determined to hide it from the eyes of the world.</p>
        <p>Hide what? do you ask me? Not a very important place, nor, it is likely, one that you have ever seen or ever will see, and yet, take my word for it, one that would well repay the trouble and toil of a journey.</p>
        <p>Let us suppose that you have made the pilgrimage. If you were bold, and forded the bridgeless creek, or if you wisely preferred the longer way, and threaded the mazes of the damp, dark bush,
						<pb xml:id="n8" n="2" corresp="#Che01ARol008"/>
						you came at last to an open, sunlit space, where the trees no longer crowded together, struggling for light and air, but stood apart in groves and avenues, all the more beautiful because they were of Nature's own planting. Here you might think no hand but hers had ever laboured. In the midst of the woods, where none could vex her or interfere with her designs, she made this park for herself; she planned these shady alleys, these verdant lawns and bowers. In the summer-time, amongst forest trees bedecked with flowers, with the unrivalled azure of the Austral sky above, and the rush of streams and the song of birds around, you might well believe you had strayed into her own pleasure garden, almost too lovely for human trespassers.</p>
        <p>The little domain lay between two wide creeks which, when the tide was in, one might fancy to be noble rivers. Their eccentric windings, delusive bends, and sudden turnings were for ever hiding them in the gloom of the forest, or bringing them out into full daylight. To follow them in a boat some serene summer's day would lead to quite a long voyage, full of all kinds of delightful surprises. The most decided of the bends, if continued but a little farther, would have united the two streams, and formed an island of the land between. But at the last moment, like a capricious young lady, the shallower of the two had changed its mind, and wandered back again into the bush, leaving
						<pb xml:id="n9" n="3" corresp="#Che01ARol009"/>
						the other deserted one to pursue its way to the sea alone.</p>
        <p>You may be sure that everything lovely and graceful bloomed in the forest where the streams had their course; that throughout the year flowers blossomed and faded unnoticed; that ferns and creepers made their hanging gardens among the boughs of every tall tree. The damp ground beneath, seldom trodden by human foot, would at one time be strewn with white petals, at another with pink flowers or scarlet berries. Only a dim and softened light found its way into this forest of evergreens. In the presence of an eternal spring the leaf never seemed to fall; the flowers that withered left others to take their place. If, as we cannot doubt, decay and death were present, they were unseen and unheeded in the midst of such exuberance of life and growth.</p>
        <p>I might tell you where this park, girdled with creek and bush, is to be found. I will only yield this much to your curiosity:—it is somewhere in New Zealand. Nor will I burden your memory with its name—a Maori one, long, many-syllabled, and melodiously ending in a vowel. Very soon its name will be forgotten, as its history has been. For it has a history, we may believe, though it must remain untold. It has heard the fury of battle, the song of triumph, the wail for the dead; it has been shaken by the maddening war dance; its echoes have repeated the eloquence, the rejoicings,
						<pb xml:id="n10" n="4" corresp="#Che01ARol010"/>
						the tumults of great feast days. It has a place of graves where you would little think to find one. Wild and wicked deeds have been done amongst its pleasant groves. That dark and silent stream which hides its face in the shades of the forest, after one shuddering glance at the light of day, has it not some guilty secret in its breast, which it always mourns, sobbing to itself under the trees? But its companion, which leaps into the sunshine, and like a flash of light passes down the valley, it has heard the laughter and play of black-eyed children and the careless chatter of the Maori girls as they braided their baskets and mats by the house doors on summer mornings. But a time came when the children were no longer there. A blight fell on the place. It was nothing the eye could mark. The soil was as fertile, the running water as sweet and clear, the seasons smiled as kindly as ever, neither war nor famine raged, but suddenly the once cherished home was abandoned. I cannot say why. Perhaps some dying chief had commanded that no one should dwell there for evermore; perhaps some venerable priest had laid his ban upon it. The carved houses that had been the labour of years decayed slowly; the uncouth images fell amongst the rank undergrowth. The owl perched on the tottering roof-tree, and the timid lizard crept to the cold hearthstone. Great trees sprung up in the midst of the deserted village. It was given up to silence and foregetfulness. In
						<pb xml:id="n11" n="5" corresp="#Che01ARol011"/>
						old times of superstition English people would have deemed such ground haunted; the Maori said, ‘The place is <hi rend="i">tapu.</hi>’</p>
        <p>Still, from generation to generation the tribe held it, as they held many hundred thousand acres beside,—a larger territory than that of some European princes. But the old people died; their children grew up in the midst of another race. They forgot their own traditions and customs, and they learnt many things, some better, some worse, from the strangers who had become their masters and teachers. They wanted money, not land. Money bought all sorts of pleasure and fine things; money, not fighting, made a man powerful in the civilisation with which they stood face to face. And so, for wealth which they would squander in a few years, they sold their birthright. This is why a white-faced house stands where the brown-thatched huts once clustered, why the plough is driven in the valleys, where long ago, in neat rows, the sweet potato and the dark green <hi rend="i">taro</hi> were planted, and why, nowadays, there winds along over hill and dale a highway, joining even this place to the world and its turmoil.</p>
        <p>Not by this path, if you please, but by Imagination's royal road, we travel. Westward from the town—a large town considering its age, and one which its inhabitants, with some show of reason, are proud to call a city. Fifteen miles away we find the place we seek, amongst hills green with forest from base to summit. The western winds
						<pb xml:id="n12" n="6" corresp="#Che01ARol012"/>
						bring many showers to these hills which never reach the plains below. There the land is all in farms. But the hilly country, broken with ravines and gorges, furrowed by countless streams, is sparsely settled. A man might live there, but could hardly expect to thrive, at least not by farming, unless he could plough slopes as steep as a house roof, and extract stumps therefrom, four, six, or eight feet in diameter. Most men with an eye to profit—and there are few New Zealand colonists whose eyes are not turned in that direction—shunned this locality. It was only those who were more romantic than mercenary in their cravings, or confirmed blunderers, always likely to select land the least fitted for their purpose, who made their homes here. There is something very poetic in the idea of a man choosing a place for himself in the heart of the wilderness, building his little house under the giant trees, and hewing his way farther amongst them year by year, fighting with the forest for every foot of ground. All this is very charming to an imaginative mind, and these pioneer settlers, with their bush cottages and farms, are picturesque figures in story or sketchbook. But the labours, the privations, the poverty of their lives, Heaven only knows.</p>
        <p>Now, some years ago, in this same country, there was not a little excitement and surprise at the news that the land already described—the only tolerably level land in those parts—was sold, and, after lying waste ever since man could remember, was to be a
						<pb xml:id="n13" n="7" corresp="#Che01ARol013"/>
						dwelling-place once more. Any news was surprising in this neighbourhood mainly because it was news,—a thing which does not grow spontaneously in the wilds. The settlers were naturally excited when they heard that a wealthy man had bought the Maori-land, as it was called; no one burdened with riches had yet penetrated into the district. And the news was especially gladdening to Mr. Bailey, who hoped great things, because he would be the nearest neighbour of the wealthy man, whose fortune rumour had magnified tenfold.</p>
        <p>Mr. Bailey was pondering over the news one unusually hot morning while at his work. He was slowly pointing some rails, wielding his tool after the manner of a man to whom time is of no value and labour brings no reward. Long years ago he had despairingly embraced the opinion that he was destined to be poverty-stricken and unfortunate to the end of his days. What then was the use of exertion beyond that absolutely forced upon him? To work harder would only make him more tired at night; besides, hard work inevitably conduced to a good appetite, and, as it was, the combined appetite of the family only too often seemed out of all proportion to the food set before them. He had always been unlucky, and probably always would be. No one but himself would have thrown away his little all upon land out of which he couldn't make a penny, except by selling kauri timber. Thank goodness! there was some kauri on it; but that wouldn't last
						<pb xml:id="n14" n="8" corresp="#Che01ARol014"/>
						long. And, as these thoughts passed through his somewhat sluggish mind, Mr. Bailey sighed, and swallowed fully a pint of cold tea which his wife had just brought him.</p>
        <p>His wife looked at him inquiringly, as a woman will who suspects that her husband is about to enlighten the world with some oracular saying. She was a thin eager-looking little woman, whose face would have been pale enough but for the sunburn which tinged it with brown.</p>
        <p>‘There's a very unequal distribution of riches in this world,’ was Mr. Bailey's observation.</p>
        <p>‘We are left out of it, that's pretty certain,’ said Mrs. Bailey, with the shadow of a smile.</p>
        <p>‘Ay; but perhaps it's as well. I remember when I was a little lad, and complained of anything, the old folks would say, “Be thankful it's no worse.” I can't say that was much comfort though. What made me think of these things was hearing from Stevens that a rich gentleman has bought the Maoriland, and means to build a mansion on it, and make no end of improvements.’</p>
        <p>‘Well, that will be a good thing,’ said Mrs. Bailey. ‘It will make a pretty place.’</p>
        <p>‘Yes, if only a few men with money would come about us we might get on. It'll raise the value of our place, depend on it. If I should have an offer—but of course I shan't; whoever would buy such land?—I'd put on something extra per acre. And now, perhaps, we shall get the roads made, and have
						<pb xml:id="n15" n="9" corresp="#Che01ARol015"/>
						a bridge over the creek. While we poor fellows were the only ones who travelled on 'em no one cared whether we got bogged or not, but this gentleman won't stand it; he'll get the Government to do something.’</p>
        <p>‘If the Government have to make all the roads and bridges I don't wonder they're in debt,’ said Mrs. Bailey.</p>
        <p>‘Did you ever hear of a Government that wasn't in debt? It's the natural order of things——What's that?’ broke off Mr. Bailey, looking down the cleared space, by courtesy called a road.</p>
        <p>It was nothing uncommon on this earth, being only a man who was coming towards them, rapidly brushing through the short fern thickly beset with stumps.</p>
        <p>‘It's like Mr. Randall,’ said Bailey, scrutinising the approaching figure with a pair of mild-looking blue eyes, which he shaded with his hand from the glare of the sun. ‘It's him! Well, I am glad! Why, it's more than a year since we've seen you!’ he cried, rushing forward and shaking hands with the bronzed and dust-covered stranger.</p>
        <p>He was a man whom most would be disposed to eye curiously at a first meeting. There was the stamp of vagrant upon him, as plain to see as if it had been written on his countenance. Not that lower order of vagrant, the horror and despair of police magistrates, with which in one's mind ragged clothes, a forbidding aspect, and an incurable <choice><orig>pro-
							<pb xml:id="n16" n="10" corresp="#Che01ARol016"/>
							pensity</orig><reg>propensity</reg></choice> to intemperance, are generally associated. This vagrant was not ragged, though his clothes were plain and rough; he had a pleasant, indeed, rather a handsome face, and no one would have suspected him of being guilty of any degrading vice. But, according to one definition, ‘a vagrant is a man what wanders and what has no money.’ Granting this to be correct, the stranger had an excellent right to the name; he was by no means a monied man, and he had been a wanderer from his youth. He was young even yet. The quick elastic step, the bright eye, the smooth unlined brow, all spoke of youth. That brow was too broad and high, and the glance from beneath too intelligent, for one to conclude that he had failed in life's race through want of talent. His speech also had the accent of an educated man, one might say of a gentleman. And yet, a vagrant after all.</p>
        <p>‘I wonder how far you've come this morning?’ said Mr. Bailey.</p>
        <p>The vagrant took out his watch. Don't be sceptical. In the singular country where this happened vagrants have been known to carry watches and flaunt them in the faces of astonished men of substance. The watch was a very beautiful gold one, heavy and old-fashioned, but of fine workmanship, and in a richly ornamented case. An odd contrast to the owner's well-worn attire; and odder still the flashing of that diamond ring on his brown hand, as he moved it in a quick gesture. Rings and
						<pb xml:id="n17" n="11" corresp="#Che01ARol017"/>
						watches, forsooth! We always thought they were the tokens of wealth and respectability. People born to work have no business to cumber their fingers with rings, even if watches be conceded to them. But then, of course, vagrants don't work.</p>
        <p>‘I started at half-past six,’ said the owner of the watch, consigning it to his pocket as carelessly as if it had been the plainest and most battered of timekeepers, ‘so I haven't dangerously exerted myself; it is past twelve now.’</p>
        <p>‘Half a day walking, and the sun on one's head like fire!’ cried Mr. Bailey. ‘But where are my wits? Why, you'll be wasted away! Come in, and have dinner with us.’</p>
        <p>‘Yes, that you must,’ seconded Mrs. Bailey. ‘If you haven't an appetite now you never will have.’</p>
        <p>Their visitor persisted in excusing himself. ‘I acknowledge to having had an excellent appetite half an hour ago,’ he said with a laugh, ‘but that was before I had my dinner.’</p>
        <p>‘Then you've been at Stevenses?’ jealously inquired Mr. Bailey.</p>
        <p>‘No; I dined alone, under the trees, and now I am going to walk to the bush on the other side of your land. You know my old haunts.’</p>
        <p>‘Yes, I know. The land's sold, as you've heard perhaps?’</p>
        <p>‘No; but I suppose one may trespass there a little longer.’</p>
        <p>‘There goes one who's poorer even than we are,’
						<pb xml:id="n18" n="12" corresp="#Che01ARol018"/>
						said the settler, ‘and yet he seems happy enough. I'm ashamed of myself for being on the growl this morning. Here am I—well, I'm not rich; but I've house and land of my own. I don't owe a penny; I'd starve first. He hasn't even a home.’</p>
        <p>‘Yes, we've that at any rate,’ said Mrs. Bailey, surreptitiously wiping her eyes. ‘I suppose we oughtn't to complain.’</p>
        <p>‘Complain!’ cried Mr. Bailey, rising to strong language. ‘I'd deserve to be beaten with rods if I complained. Haven't we the children? I believe, Mary Anne’—and his voice had the gravity of conviction—‘that no one else has such children. And without flattering you, my dear, I believe I've the best wife in the world.’</p>
        <p>At this climax Mr. Bailey paused. Mrs. Bailey made some modest objection to the high compliment he had paid her.</p>
        <p>‘And with all that,’ continued her husband, after a slight refreshment of cold tea, ‘to grumble and growl over my work because we've less money than is quite convenient at times! I'm getting too fond of money; I'm afraid my heart's set on it. I've noticed that failing in myself, Mary Anne, and I mean to nip it in the bud. I fear I'm inclined to Mammon worship.’</p>
        <p>Mr. Bailey had forgotten, or did not care, that the tones of his voice (a little louder perhaps than was necessary) might be audible for a long distance that still day. As a matter of fact, another person <choice><orig>be-
							<pb xml:id="n19" n="13" corresp="#Che01ARol019"/>
							sides</orig><reg>besides</reg></choice> Mrs. Bailey had heard his last observations. That person smiled quietly to himself; that Mammon should have his shrines in the forest also was a novel and amusing suggestion to him.</p>
        <p>‘We seem to be in for callers this morning,’ said Mr. Bailey. ‘There's a gentleman riding straight up to the house; we'd better go in.’</p>
      </div>
      <pb xml:id="n20" corresp="#Che01ARol020"/>
      <div xml:id="t1-body-d1-d2" type="chapter">
        <head><hi rend="c">Chapter</hi> II.</head>
        <lg type="verse">
          <l>‘Doth lofty roof delight thine eye,</l>
          <l>Or stately pillar please?</l>
          <l>Look, stranger, at yon azure sky,</l>
          <l>And pillars such as these;</l>
          <l>Where wreathing round majestic trees</l>
          <l>The verdant ivy clings;</l>
          <l>The pillared roofs the peasant sees</l>
          <l>Are fit to shelter kings.’</l>
          <byline rend="right">
            <hi rend="i">The Forester.</hi>
          </byline>
        </lg>
        <p><hi rend="sc">Mr. Bailey's</hi> second visitor was of unquestionable respectability. He was mounted on a good horse, was well dressed, and had a shrewd honest-looking face to recommend him. It was a peculiar face also, thin and long, with large features, not exactly after the pattern termed classical. Having seen it once, you were almost sure to remember it for ever afterwards. Mr. Wishart used to say that his face was at least unique. A Scotchman might have called it ‘kenspeckle.’</p>
        <p>‘Good morning, Mr. Bailey,’ said this gentleman. ‘I have been wondering why you built your house at the top of this tremendous hill. Think of the waste of time and energy in dragging up everything you want, to say nothing of dragging yourself up at night when you come home tired from your work.’</p>
        <pb xml:id="n21" n="15" corresp="#Che01ARol021"/>
        <p>‘Why, sir,’ drawled Bailey, quite confounded at being attacked on this subject by a stranger, ‘houses are mostly set up on high ground, aren't they? I've a poor memory; but I believe there's authority in Scripture for that. Any one would rather build on a hill than be smothered in a hole, and what choice have we between the two?’</p>
        <p>‘Not much, truly,’ said the gentleman smiling. ‘May I leave my horse here till I come back in the afternoon? I am going to walk through the bush.’</p>
        <p>‘Oh, certainly, leave him here and welcome. You'll find it a rough walk, and the track's not very good to follow.’</p>
        <p>‘I ought to know the way to my own land, I suppose; but, to tell you the truth, I'm not very certain about it,’ said Mr. Wishart. ‘I hardly like to take you from your work, else I was going to ask you to go on with me.’</p>
        <p>‘Oh, never mind the work,’ said the easy-tempered Bailey. ‘It won't disappear by keeping, I guess. But come in’—as his hospitable instincts were again aroused—‘and Mrs. Bailey shall make you a cup of strong tea.’</p>
        <p>‘Thanks. I shall be glad of a rest. But no tea, my good friend. I know how you hospitable country settlers make tea. I don't want to shatter my nervous system.’</p>
        <p>‘Nerves! Bless us, whoever heard of nerves in the bush! Do I look nervous? I've half lived on tea these fifteen years.’</p>
        <pb xml:id="n22" n="16" corresp="#Che01ARol022"/>
        <p>Mr. Bailey's appearance seemed to satisfy the other, for he laughed, and said, ‘Well, so be it. I'll not refuse your kindness.’ He tied up his horse, and followed the settler towards the house.</p>
        <p>It was a gray-looking little house, washed by showers and bleached by sunshine. The steep hill it was perched on, and the big trees that overhung it, made it look all the less. It had been built in such a frail and flimsy manner that one was inclined to believe at first sight that a vigorous push would send it tumbling down the hill. There was too little of everything in this house: too little space, too few windows, and too few panes in them; the roof had not enough of steepness, the doors of width, nor the ceilings of height. Nothing was large and well developed except the chimney, which was preposterously big, and admitted more wind and rain in bad weather than was agreeable. When it is added that there was nothing exactly square, level, or straight about the whole building, enough has been said of the faults of poor Mr. Bailey's house, which, having been build by himself, with few tools and a paucity of materials, could hardly have been expected to be other than it was.</p>
        <p>Inside the house Mr. Wishart noticed, though he did not appear to notice, how refreshingly clean and neat everything was; how plain and poor also. ‘Not much appearance of Mammon worship here,’ he thought to himself, and smiled. The walls and ceiling of planed kauri, were as unblemished as when fresh
						<pb xml:id="n23" n="17" corresp="#Che01ARol023"/>
						from the carpenter's hands. The floor—it was profanation to tread upon it. The table-cloth might have been taken for an emblem of purity, and the dinner which Mrs. Bailey had whisked on to it, though not one of many courses, was better cooked and more wholesome than nine-tenths of the elegant abominations which go by that name.</p>
        <p>Mr. Wishart had a strong suspicion that it was pheasant stew he was eating; in December too—a month corresponding to the English June. He was a justice, and therefore bound not to connive at any breaking of the laws; nevertheless he held his peace and accepted a second helping to the forbidden dish, which was remarkably good. He rose in Mrs. Bailey's estimation by adroit flattery of her cookery, but he fell in Mr. Bailey's at the same time by ruthlessly cutting short the story told to every new acquiantance of how he had built his house without spirit-level or plumb-line, and with a wonderfully small quantity of nails. Bailey was constrained to hurry himself, though constitutionally averse to all hurry; and while yet the afternoon was young they started for the bush.</p>
        <p>Mr. Wishart was an active man, and evidently relished a scramble, though he was inclined to complain of the numerous gullies that beset the way. ‘This country wants rolling out,’ he said.</p>
        <p>‘There'd be a sight more of it if it could be done,’ said Mr. Bailey. ‘I wish my land was rolled out, and sold for twenty pounds an acre.’</p>
        <pb xml:id="n24" n="18" corresp="#Che01ARol024"/>
        <p>‘What, is all this yours? We seem to have come a good distance already.’</p>
        <p>‘No, this is Government land. You may know it by being bad; they have the worst pick. It runs to the creek, and then comes your own.’</p>
        <p>‘So you're my nearest neighbour.’</p>
        <p>‘Yes, sir; and I hope we shall be good neighbours.’</p>
        <p>‘Well; why not? You've made a good begining, at any rate. But perhaps you like to entertain strangers.’</p>
        <p>‘I never turned but one from my door,’ said the settler, ‘and I shall always regret it.’</p>
        <p>‘How was that?’</p>
        <p>‘I'm not a bad-tempered man,’ said Bailey; ‘at least not as a rule; but that day I was as grumpy as possible. There was reason for it, if there is any reason in a man behaving like a bear. My wife was ill, and the children weren't much better; they'd just got over the measles, which had been given them by that ungrateful Stevens family,—a careless lot, who are always bringing something nasty into the neighbourhood. I had to cook, and nurse, and see to everything in the house, besides my own work, and I was clean done up. Well, one evening I'd put the children to bed before time, to be clear of them, and get the sound of their crying out of my ears before next day, and I was bustling about, making tea for Mary Anne, and feeling just able to crawl, when there was a knock.
						<pb xml:id="n25" n="19" corresp="#Che01ARol025"/>
						I wasn't pleased to hear it, and I felt savage when I was asked to take a stranger in, just for one night. I—really, sir, I'm ashamed to tell you,’—and Mr. Bailey's sunburnt face actually showed signs of a blush,—‘I said I couldn't. It was a youngish man. and he spoke well, in a half-shy, frightened way though. He was as pale and thin as a shadow, and his clothes looked worn and old. He didn't answer when I said No; only looked at me, and somehow that look cut me to the heart. I'd have said Yes in another second, only just then one of the children must wake up with such a cry and go bump out of bed. I ran for it, and the wind blew the door to in the poor fellow's face. When I came back he was gone. I went outside and cooied; but it was no use. He never was seen alive after that,’ ended Mr. Bailey, with a gulp.</p>
        <p>‘I don't understand. Did he go and make away with himself, because a hard-worked father of a family wouldn't yield to his unconscionable demands?’</p>
        <p>‘Ah, sir, there's no joke in it. He was found in the bush a day or two after, laid down as if he'd laid himself to sleep; all on the cold wet ground. We found, by a letter on him to a friend in England, that he'd tried to get work everywhere, and failed,—I expect, poor fellow, because he couldn't do much,—and he'd come to his last penny. The letter wasn't finished, so there was no name to it. He had nothing else about him, except a sixpence,
						<pb xml:id="n26" n="20" corresp="#Che01ARol026"/>
						wrapped up in the letter, which he'd kept for postage. He was writing for money to take him home again. Poor thing—poor thing!’</p>
        <p>‘Yes; a sad tale. An “ower true tale” of many a poor wretch who has left home thinking he was on the high road to fortune.’</p>
        <p>‘It was just here where we found him,’ said Mr. Bailey, lowering his voice. ‘I didn't notice before.’</p>
        <p>‘A beautiful spot,’ said his companion. ‘Those tall trees, standing row after row, with trunks as smooth and regular as pillars cut in stone, and their branches meeting above, are grander than cathedral arches. There, where the light streams through, one might fancy a window, sculptured in the most delicate tracery. It is too still; if there were but the faintest soughing in the tree-tops I could fancy I heard the organ.’</p>
        <p>‘Yes, it looks beautiful,’ assented Mr. Bailey; ‘but it's not the place I'd choose to die in. I'd rather close my eyes peaceably in my bed.’</p>
        <p>‘I incline to your opinion, Mr. Bailey,’ replied the other, ‘though, like the poor fellow of your story, we may both have to die in a place we little wot of. But I'd rather be buried here than in any cemetery I've seen.’</p>
        <p>‘You were saying how silent it is,’ said Bailey. ‘Have you ever noticed, sir, that the bush is twice as still by day as it is by night? When I'm out after dark it seems full of sound; the creaking of branches and rustling of leaves and the calls of
						<pb xml:id="n27" n="21" corresp="#Che01ARol027"/>
						birds, with all sorts of strange noises one can't account for. I've heard the twigs crack behind me so as I could have sworn some one was following me, and I should see him if I turned my head. But I couldn't have looked back to save my life.’</p>
        <p>‘Aha,’ said Mr. Wishart. ‘Bushmen have nerves, I find.’</p>
        <p>‘It's not nerves at all,’ protested Bailey. ‘A man who had none would feel the same, if he walked down this gully in the dead of night. Suppose, as he's going steadily on with all these unearthly sounds of whisperings, flutterings, and cracklings about him, there comes a screech right into his ear and something dashes at his face. I've known a man jump a yard high in such a situation, and it was only a little morepork.’</p>
        <p>They were approaching the outskirts of the bush. The sun shone cheeringly through in places, and a light wind stirred the leaves. And, strangely enough, the grateful breeze brought the sound of song to their ears.</p>
        <p>‘Is this one of your unaccountable noises?’ asked Mr. Wishart.</p>
        <p>‘I can't account for it anyhow,’ said Mr. Bailey.</p>
        <p>Though the voice was low they could hear the words, for the unseen singer was not one of those minstrels whose pronunciation encourages one to believe that they are warbling in an unknown tongue.</p>
        <pb xml:id="n28" n="22" corresp="#Che01ARol028"/>
        <lg type="verse">
          <l>‘Under the greenwood tree</l>
          <l>Who loves to lie with me</l>
          <l>And trill his merry note</l>
          <l>Unto the sweet bird's throat.’</l>
        </lg>
        <p>‘Upon my word, nothing can be more appropriate,’ said Mr. Wishart. ‘Why did I not guess before that this was the forest of Arden? There is romance in the very air, and song floats on the wind. I expect every moment to catch a glimpse of the saucy Rosalind, or to surprise Orlando carving her name on the bark of trees.’</p>
        <p>‘I've read that,’ said the settler. ‘I didn't think much of it, and there was something quite silly about that melancholy Jakes, as they called him. I don't care for Shakspere, and I think if he lived now people wouldn't make much fuss over him.’</p>
        <p>‘My dear Mr. Bailey, you positively refresh me. I've lived a good while in this world, but I never before met a man brave enough to say he didn't care for Shakspere. Let us look about and find the melancholy “Jakes,” as we have just heard his song.’</p>
        <p>‘I don't know who or where Jakes may be,’ said Bailey, ‘but here's the one who sung, and I believe I've seen him before.’</p>
        <p>The singer was indeed before them, indolently reclining under the greenwood tree, in this instance a fine large puriri, whose rich dark green was abundantly strewn with pink flowers, and here and there with cherry-like fruit. His dreamy eye and unmoved countenance showed that he had not perceived their
						<pb xml:id="n29" n="23" corresp="#Che01ARol029"/>
						approach; perhaps in imagination he trod the classic shades of Arden; at all events his thoughts were far away.</p>
        <p>‘Who is this?’ whispered Mr. Wishart. ‘A wandering artist, botanist, or what?’</p>
        <p>‘A little of both sometimes, and nearly everything else as well,’ was Mr. Bailey's comprehensive answer. ‘He often comes here. They call him Randall.’</p>
        <p>An unguarded step on some crackling fern stems, and the dreamer had come back to the realities of the nineteenth century. He rose and turned his eyes, with an inquiring look, on the others, as if to ask why they stood there watching him.</p>
        <p>‘I was looking for the melancholy Jaques,’ said Mr. Wishart, in answer to this mute inquiry. ‘You were singing to him just now.’</p>
        <p>‘I hardly knew what I was singing,’ answered Randall smiling. ‘I fancy the melancholy Jaques must have made haste to hide himself: you know he loves best to be alone.’</p>
        <p>‘And if such a sour-tempered fellow ever lived, I should say his room was better than his company,’ said Mr. Bailey.</p>
        <p>Mr. Wishart had been surveying his new acquaintance all this while. It was his custom with people whom he met for the first time. Sensitive persons who felt his eye upon them did not like it, though there was nothing offensive in its calm scrutiny. They knew they were being weighed in the balance of his mind. Once or twice he had been known to
						<pb xml:id="n30" n="24" corresp="#Che01ARol030"/>
						give expression to the decision arrived at, unconscious that he was speaking aloud, and it had not rejoiced those most concerned. This time he said nothing to reveal the current of his thoughts. But presently he turned to Randall in an easy, familiar manner, as if they had been friends for the last five years, and burst into a stream of conversation of a nature that astonished Mr. Bailey, who was soon out of his depth.</p>
        <p>‘It was wonderful,’ said the worthy man, when he repeated everything to his Mary Anne. ‘After they'd done talking of that unnatural fellow written of by Shakspere—I mean Jakes, or Jacks,—is it?—and of half a dozen others with outlandish names, they talked of everything in nature: the colour of the sky, the trees, the ferns—they knew them all by name—and everything you can think of. I always thought Mr. Randall had a great deal in him; and Mr. Wishart seemed to draw it out by the——the bucketful.’ Mr. Bailey's similes were of a strictly domestic nature, and always original.</p>
        <p>Just before his encounter with Randall Mr. Wishart had discovered that he was on his own land. He had only seen the place once before, seven years earlier. Even then he had thought it beautiful, and resolved to make it his own some day. Since the purchase had been completed he had thought and talked of little else but his newly-acquired property, and now he was soon engaged heart and soul on the same fascinating theme. Here his house should stand; there should be the
						<pb xml:id="n31" n="25" corresp="#Che01ARol031"/>
						gardens of fruit and flowers; there, amongst the trees, he would make winding walks, leading to the creek. However far he might have wandered he could not have found a pleasanter or more peaceful home, and in this place he was content to live out the rest of his days. As a sailor deems his ship to be the finest, fastest thing afloat, though it may be clumsier than any Dutch galiot; as a farmer will be stubborn in attachment to his farm, though its acres may grow thistles instead of wheat and cockles instead of barley; and as men in general have a belief that what they have chosen and appropriated to themselves must necessarily be of great value,—so was Mr. Wishart convinced that his estate was something as near an Eden as can be found in these latter days.</p>
        <p>‘There is only one thing wanting,’ he said; ‘a view of the sea. Personally, I hate its cruel, cold, and crawling waters as much as I can hate anything. I never trust myself upon it except when forced by sheer necessity. I suffer too much in such a situation. But in some cases I love the sea. I love it in a fine painting, and I love it on land, when it comes in as a distant and beautiful object, too far off to remind one unpleasantly of its real character. If we could see it shining through those trees, or if there was an opening in that range, and, somewhere beyond, a pale blue expanse, ethereal enough for a phantom ship to float upon, I should call this perfection.’</p>
        <pb xml:id="n32" n="26" corresp="#Che01ARol032"/>
        <p>‘I'm not over fond of the sea,’ remarked Mr. Bailey. ‘What a blessed relief it was to stand upon firm ground again after our passage to this country! We were hanging between heaven and earth the whole way out, only supported by the treacherous element, and the captain and sailors as unconcerned as possible.’</p>
        <p>‘Don't speak evil of what has borne you safely for so many thousand miles,’ said Randall. ‘I often wonder why I wasn't a sailor, I have always had such a passion for the sea. I was once—it was a mere chance that prevented it—on the point of running away to sea. A pity, perhaps, that I didn't. No, don't abuse the sea; it is beautiful and fascinating enough to make one forget all its treachery and cruelty.’</p>
        <p>‘If you are both so fond of it,’ said Mr. Bailey, ‘you should go up to the top of the range and have plenty of it. You may see half creation from there. You've often been up, Mr. Randall, I know.’</p>
        <p>‘I was thinking of trying that climb,’ said Mr. Wishart. ‘We'll take it on our way back.’</p>
        <p>Mr. Bailey had not expected this, and looked mournful. ‘We'd be pretty late in getting back,’ he said. ‘I don't often drag myself up there. I can get enough exercise without it. Last time I went after some of the cattle. Of course the animals weren't there; they never are where you look for them, and I tugged and tore myself half to pieces for nothing. I declare it's so thick in
						<pb xml:id="n33" n="27" corresp="#Che01ARol033"/>
						some places I don't think a wild cat could squeeze through.’</p>
        <p>‘Well, I don't pretend to be quite so active as that creature,’ said Mr. Wishart, ‘but I've gone through a good deal of dense bush in New Zealand. No, Mr. Bailey, I won't take you as a guide after you have come so far already to oblige me. Your friend will show me the way.’</p>
        <p>Mr. Wishart soon began to believe that the settler's report of the density of the undergrowth was only slightly exaggerated. Prickly brambles tore him, and sharp-leaved sedges excoriated his hands. He trod on prostrate trunks which looked perfectly sound, and sank up to the knee in a mass of decayed wood and noisome fungi; he wriggled and twisted amongst interlaced creepers and knotted loops of supplejack, and caught his foot in them, or against stems of screw pines, times without number. Sometimes he actually crawled on his hands and knees through little passages like rabbit burrows close to the ground, and sometimes he walked on tree piled on tree that had been uprooted by a tempest, or had succumbed to old age, filling up the narrow ravine till it looked like a slide for fallen timber. One plant crowded another out of existence here. The earth was made of the ashes of the dead, and every forest monarch from base to crown supported a densely populated kingdom.</p>
        <p>Should they ever get through it? Mr. Wishart began to think. He had lost his spectacles, and
						<pb xml:id="n34" n="28" corresp="#Che01ARol034"/>
						seeing everything with a dimmed vision, was like to dash his head against the trees for want of them. He had slipped on the stones in the creek into water of disagreeable depth and coldness, and he repeatedly found himself sliding down steep banks, too rapidly for personal comfort, yet all this served only to urge him onward towards the crest of the range. And, when at last this was attained, he rushed forward and hurrahed like any school-boy.</p>
        <p>Then he felt awed into silence. All that beautiful world beneath him was hushed in the silence of a summer's eve. No sound so harsh as his own voice broke the repose of nature; only confused and gentle murmurings reached him from below. This had been a place most dear to the people who had given enduring names to every hill and stream around—the Maoris dead and gone. Tradition said that chief had been carried up here to die. On the palisading round his grave his finely-woven mat, his carved weapons and ornaments, had hung through the rains and scorching suns of many seasons till they crumbled into dust. When fate drove the tribe from their homes they had turned back here to look their last on the land which would be theirs no more. ‘Remain, remain; we go but thou remainest, were the words wailed forth to the wind. Yes; the hills, the woods, and the streams remain they outlive the race that loved them.</p>
        <p>Was it so unreasonable after all to fancy that
						<pb xml:id="n35" n="29" corresp="#Che01ARol035"/>
						from this breezy height one saw the better part of creation? Northward and southward, as far as the eye can follow the dim distance, a beautiful country of softly-swelling hills and vales, green forest and winding river. Eastward and westward rolls the sea, as if to break through the narrowed island. On the nearer western coast are steep cliffs and an open shore where the sea rushes angrily in on the calmest days of summer. It is the swell of an ocean which reaches to the frozen pole. But, on the other coast, the sea meets the land in a gentler mood; it ripples over white beaches; there are sunny, land-locked bays, far-reaching promontories, and many an island scattered on the gulf's blue waves.</p>
        <p>It is all mapped out before them. The town, with its white buildings, looks so near, the churches and villages, the farms and farmhouses of the country seem to lie at their feet. Do they not fancy they hear the cry of sea-birds and the roar of waters on that wild coast where the waves are breaking in milk-white foam? or, from the farm-lands that slope to the other sheltered shore, do not the homely sounds of the lowing of kine, the barking of dogs, the chiming of bells, come dreamily through the soft air? No; it is Fancy that plays tricks with them. They only hear the booming of the breakers, and the moaning of the night wind that is rising. Oh, how fresh and cool that wind, chilled by southern snows and icy seas; how keenly it meets their flushed faces!</p>
        <pb xml:id="n36" n="30" corresp="#Che01ARol036"/>
        <p>The sun was set when they had found their way out of the bush and were on the rough track which led to the settler's house. Soon it was night, and all the stars were out—all which could hold their own against the splendour of a full moon. The sea rolled on in waves of silver now; in the dark shades of the bush each tree seemed carved of ebony. But the way was plain before them, and Bailey's cottage was reached without any misadventure.</p>
      </div>
      <pb xml:id="n37" corresp="#Che01ARol037"/>
      <div xml:id="t1-body-d1-d3" type="chapter">
        <head><hi rend="c">Chapter</hi> III.</head>
        <lg type="verse">
          <l>‘A quiet treeless nook with one green field,</l>
          <l>A liquid pool that glittered in the sun,</l>
          <l>And one bare dwelling, one abode, no more!</l>
          <l>It seemed the home of poverty and toil,</l>
          <l>Though not of want.’</l>
          <byline rend="right"><hi rend="sc">Wordsworth</hi>.</byline>
        </lg>
        <p><hi rend="sc">The</hi> Bailey family seemed to have been overtaken by some sudden calamity when Mr. Wishart and Randall returned. The eldest son, a sturdy boy of twelve, was weeping in a most unbecoming manner, his brothers and sisters occasionally joining in a mournful refrain. Mr. Bailey was trying to look very dignified and parental, while Mrs. Bailey was bearing testimony of a convincing nature to the fact that no boy had been so carefully brought up as her eldest, notwithstanding his proneness to go astray.</p>
        <p>‘So as I've warned you against disobedience,’ said the good woman. ‘O Sam, Sam!’</p>
        <p>‘O Samuel, Samuel!’ sonorously declaimed Mr. Bailey.</p>
        <p>‘What's amiss?’ inquired Mr. Wishart.</p>
        <p>‘Why, sir,’ said Mr. Bailey, ‘this bad boy has been up to his tricks while I was away. He must
						<pb xml:id="n38" n="32" corresp="#Che01ARol038"/>
						get on your horse and ride it about, till at last, as served him right, he was pitched off, and the horse galloped away, no one knows where.’</p>
        <p>‘I wasn't thrown,’ cried the boy; ‘I got off.’</p>
        <p>‘You'd have got off sooner, my son, if I'd been about,’ affirmed Mr. Bailey.</p>
        <p>‘Well, I'm horseless, it seems,’ said Mr. Wishart. ‘What's to be done? Can I hire or borrow of any one, Mr. Bailey? You don't happen to know of a horse? I'm not particular, so long as the animal isn't hopelessly aged, blind, or lame.’</p>
        <p>‘I've no horse, or you should have it. The nearest place where you can get one is three miles off, and you won't want to walk that after being on foot half the day. Besides, it would make you so late in starting you could hardly get to town by midnight. If you don't mind our plain ways I think you'd better stay here and we'll find the horse in the morning, if he isn't spirited away altogether.’</p>
        <p>‘You are exceedingly kind,’ said Mr. Wishart, ‘but really—’ He paused; he had been puzzled in the morning to imagine how a family of seven could find room in the little house; if two more were to be received into it he should expect it to burst open like an over tightly packed portmanteau. ‘I am ashamed to trouble you,’ he said.</p>
        <p>‘No trouble at all,’ declared Mr. Bailey. ‘Mr. Randall, there's room for you too.’</p>
        <p>‘Room!’ thought Mr. Wishart. ‘In the name of goodness, where?’</p>
        <pb xml:id="n39" n="33" corresp="#Che01ARol039"/>
        <p>‘Every one knows how elastic a settler's house is,’ said Randall laughing. ‘But I can go down to Steven's place.’</p>
        <p>‘No indeed!’ cried Mr. Bailey. ‘Stevens isn't going to get you. Mother! is that kettle likely to boil before the day of judgment?’</p>
        <p>‘Really, Sam,’ said his shocked wife, ‘you're rather irreverent, aren't you?’</p>
        <p>Bailey said he meant no harm, which indeed was highly probable, and led the way into the combined kitchen and parlour of the house. It was not easy to find room for every one at the table. Those who took seats at one side of this hospitable board could not get out of them without the concurrence of every one else, as to provide for a safe passage between the table and the fire it had to be placed nearly close to the wall. The children always sat there upon a form, and when the table was pushed back upon them as far as it would go, they were safe from troubling their parents with any unseasonable activity.</p>
        <p>A five-mile walk through the bush, and a climb over a range something more than a thousand feet in height, will dispose a man to think well of the meal set before him on his return. It inspired Mr. Wishart with the conviction that new soda bread and the blackest of black tea, sweetened with moist sugar, were delicious. Others must have shared this opinion, for there was a rapid disappearance of provisions that would have been scorned at a five o'clock drawing-room tea-party.</p>
        <pb xml:id="n40" n="34" corresp="#Che01ARol040"/>
        <p>Mr. and Mrs. Bailey conscientiously devoted most of the evening to drilling their children through their school tasks. The children were making great progress at the district school, and their parents were determined that their education should be thorough. Mr. Bailey dodged two of his sons through the tables of weights and measures; Mrs. Bailey heard the girls in English history; even Mr. Wishart caught the infection, and assisted the other child to explore a thorny path in grammar. He was surprised at the lucidity of his explanations, and thought he must be developing a latent talent for teaching.</p>
        <p>‘They'll be fine scholars some day,’ said the gratified Bailey, when the last lesson had been grappled with, and the young Baileys had been consigned to some mysterious sleeping-place. ‘They're surprisingly clever children.’</p>
        <p>‘Ah, they've advantages children hadn't in our time,’ said Mrs. Bailey.</p>
        <p>‘Yes. But I remember no one could drive learning into me. Our old schoolmaster turned out many a fine young fellow from his school with a head chokefull of knowledge, but he was beaten with me. He said I'd feel the want of it some day, and so I do. I might have got along in the world if I'd been educated.’</p>
        <p>‘Why didn't <hi rend="i">you</hi> get on in the world?’ thought Mr. Wishart, furtively glancing at Randall, who was silent, and looked tired. He noticed now that the
						<pb xml:id="n41" n="35" corresp="#Che01ARol041"/>
						clever expression of his face was marred by a dreamy, irresolute look. ‘Clever, but too impulsive,’ he thought. ‘Not one of your patient, cool, calculating men, who will have their opportunity though they may wait years for it, and who are as sure to come to the top in time as a cork-float. Poor fellow! he carries about enought useless talent in his brain to be the making of one or two other men. Don't know whether he is such a pitiable object though; some people have the knack of being happy when one would least expect it.’</p>
        <p>Mr. Wishart's character readings were not very wide of the mark. Yet the face he had been studying was one that could hide well a mind ill at ease, burdened with all the unsatisfied cravings and vain regrets incidental to its lot. Pride would always forbid it to lay aside the mask of happiness. Pride compels one-half of humanity to deceive the other in such matters. Not to one's dearest friend can everything be told, and perhaps there never yet was a friend who merited such confidence. No confessor, however searching, ever possessed himself of the heart's deepest mysteries. The bitterness that it knows only too well is hidden from every eye save One of infinite pity.</p>
        <p>‘Come, Mr. Randall,’ said the settler, ‘can't we persuade you to give us some music? You haven't asked after your fiddle?’</p>
        <p>‘I knew it would be safe in Mrs. Bailey's care,’ said Randall.</p>
        <pb xml:id="n42" n="36" corresp="#Che01ARol042"/>
        <p>‘And I have taken special care of it,’ said Mrs Bailey. ‘I must bring it out.’</p>
        <p>‘What is that,—a fiddle?’ said Mr. Wishart. ‘By all means let it be brought.’</p>
        <p>Mrs. Bailey soon produced the fiddle. ‘I'm almost afraid to handle it since you told me how valuable it is,’ she said, giving it to Randall. ‘There must be a great difference in fiddles. My uncle had one—a nasty screaming thing. Yours is as sweet and clear as a bell.’</p>
        <p>Mr. Wishart examined the fiddle rather curiously. ‘Ah-h,’ he said, after he had scanned it long and carefully, and drawn the bow across the strings a few times. ‘There! I don't want to be covetous, and I shall be if I hold it much longer. Where did you pick that up?’</p>
        <p>‘Nowhere,’ said Randall. ‘It has been in our family longer than I can tell you. I think it was my father's grandfather, a collector of old violins, who bought it in Venice, or rather exchanged for it jewels worth a small fortune.’</p>
        <p>‘If I were wealthy enough I would buy it of you for whatever he gave,’ hastily exclaimed Mr. Wishart.</p>
        <p>‘I beg your pardon, you would do no such thing. It is not to be bought or sold.’</p>
        <p>‘Perhaps I ought to beg your pardon,’ said the tender-hearted Wishart, noticing the slight flush on the other's face, and how his clasp had tightened involuntarily on this last and dearest of his earthly
						<pb xml:id="n43" n="37" corresp="#Che01ARol043"/>
						possessions. ‘It is pleasant to think there are some things which money cannot buy.’</p>
        <p>They waited for the music. The violinist with bent head and thoughtful brow was trying to recall some half-forgotten piece. Presently it came back to him. As he played the desponding dreamy expression of his face was softened into contented tranquillity. His friends listened in unbroken silence.</p>
        <p>It was no commonplace performance. It was not merely a display of skill that had resulted from years of practice. There was genuis here. The musician was a musician by nature not by art. He played because he could not help it, not because he had learned a system of notes and signs. And yet there was unmistakable evidence that his talent had been refined and cultured by careful study; but what would have been wearying drudgery to many had been to him only a labour of love.</p>
        <p>‘Ah, but that was grand!’ said the simple-minded Bailey. ‘It was better than a concert.’</p>
        <p>‘You have given us a great pleasure,’ said Mr. Wishart. ‘Isn't there a superstition that an old violin has but one master? only one who can bring forth its best and sweetest tones, and that it will never yield anything better than mediocrity to a stranger? I think yours has found its master. And pardon me, but was not most of that your own?’</p>
        <p>‘Partly; but I am not always certain of my own,’ said Randall. ‘Sometimes it seems to me an old piece I have heard years ago, and can only remember
						<pb xml:id="n44" n="38" corresp="#Che01ARol044"/>
						partially. And again, when I imagine I am composing I often find that what I am playing is only half my own. Some familiar passage comes in and betrays the origin of the whole.’</p>
        <p>‘Yes; it's so difficult to be original. I can never cheat myself for a moment in that way. Were my life to depend on it I couldn't compose.’</p>
        <p>‘Yes, I wonder how it's done,’ said Mr. Bailey.</p>
        <p>‘But now, Mrs. Bailey,’ said Randall, ‘wasn't there some agreement between us that whenever I played you were to sing?’</p>
        <p>‘Oh, Mr. Randall, I am sure I should be ashamed to let my poor voice be heard after your beautiful playing.’</p>
        <p>‘You've no call to say it's a poor voice, Mary Anne,’ remonstrated Mr. Bailey. ‘When we first knew each other it was as sweet as a nightingale's; a long way sweeter than Elizabeth Dobson's, who, some people said, had the finest voice in the village. To be sure, her's was stronger. I've heard it a good half mile and more; but she wasn't one you'd like to sit close to in a small room when her voice was at its best.’</p>
        <p>‘Well, I haven't sung for a long time,’ said Mrs. Bailey.</p>
        <p>‘But you haven't forgotten now. Come, let's have one of the old ones.’</p>
        <p>Mrs. Bailey gracefully yielded, and sang some of the old songs in a voice that was really sweet and pleasant to the ear, though untrained. Mr. Wishart
						<pb xml:id="n45" n="39" corresp="#Che01ARol045"/>
						thought he had heard more unsatisfactory performances in drawing-rooms by ladies possessed of great confidence in their vocal talents, and Mr. Bailey was both charmed and affected.</p>
        <p>These good country people kept early hours. Mrs. Bailey had prepared a very small chamber for Mr. Wishart, though he vainly endeavoured to obtain the privilege accorded to Randall of a ‘shakedown’ before the kitchen hearth, feeling sure that the room properly belonged to his host and hostess. His petition was not granted by Bailey, who seemed shocked at the idea. He was favoured with a tin candlestick scoured to the similitude of silver, ushered into his chamber, and left to the companionship of his thoughts. These were soon interrupted by sleep as sweet and sound as he had ever enjoyed.</p>
        <p>He awoke in the early summer dawn to the sound of music, very faint, and blended with the twittering of the birds. It was only half-past four, so he allowed himself to doze again. His eyes opened the second time to a blaze of light. Old Sol had taken the liberty of rising directly opposite to his bedroom window, and was staring him out of countenance. So also was an inquisitive blackbird that had perched in the plum-tree before the window, alternately digging its beak into the juicy fruit and darting curious glances through the half-opened casement.</p>
        <p>‘Delightful country,’ thought Mr. Wishart, as he brushed his hair, and contemplated as much of his
						<pb xml:id="n46" n="40" corresp="#Che01ARol046"/>
						countenance as four square inches of looking-glass could show him. ‘Here one can sleep with open window, the fresh air blowing on one's face all through the night, and no fear of vampire, snake, serpent, or other venomous beast intruding. Whatever, though, is the meaning of those little lumps all over my face? Bless me! the mosquitoes have been making a night of it. The little wretches must have feasted on me for hours. How odd those pictures look!’</p>
        <p>The last observation referred to the prints cut from old numbers of the <hi rend="i">Illustrated London News</hi>, with which the whole room was papered. They had been pasted on without any attempt at orderly arrangement. General Garibaldi found a place by the winner of the Derby; the charming Empress Eugènie and the quite otherwise Lord Brougham side by side. Here was a battlefield and there a ball; and, in close proximity to each other, the prizetakers at a cattle show and the leaders of the House of Commons; while mingled among all the rest were the fashions of a bygone age—balloon-like crinolines, bonnets falling off the back of the head, bishop sleeves, flounces, puffs, and paniers, with other vestiges of the inflated style in dress. It it was curious to see these on the walls, it was yet more so to look upwards, and behold them gazing down on you. An exalted position in the very middle of the ceiling had been assigned to her Majesty. There were, indeed, no fewer than nine representations of our Sovereign Lady in the room, no two of which were alike.</p>
        <pb xml:id="n47" n="41" corresp="#Che01ARol047"/>
        <p>‘I shouldn't like to be ill in this room,’ thought Mr. Wishart. ‘What delirious fancies might not seize on one in such a chamber? If the pictures weren't enough, that patchwork quilt of about twelve hundred pieces, red, blue, and white, would hopelessly disorder the mind.’</p>
        <p>Now, as he stood before the window, his eye sought the scene without. The ranges he had toiled over the other day were behind him and out of sight. He looked down a broad and level valley. There were fields here, some well grassed, others yet disfigured with black stumps and logs. In the distance were scattered little groves of trees, and each grove sheltered a house. Not trees spared from the bush which a few years ago had filled the valley. The first duty of a settler, if one may judge from his actions, is to destroy every tree or shrub around his dwelling, replacing them by the usually uglier and less interesting natives of other lands. So here had been planted gloomy pines, tall ungainly gum-trees, and thin stiff-looking poplars, in the ashes of many graceful and handsome forest trees, whose stately growth had been of centuries.</p>
        <p>Outside Mr. Wishart found that Bailey had just returned with his truant horse.</p>
        <p>‘I never heard of such a thing in my life,’ he was exclaiming to Mrs. Bailey. ‘Them Stevenses ought to be drummed out of the place. Fine morning this morning, sir.’</p>
        <p>‘A beautiful morning. So you have found the horse?’</p>
        <pb xml:id="n48" n="42" corresp="#Che01ARol048"/>
        <p>‘Yes, and where I half expected he'd be. My neighbour Stevens—I don't like to speak ill of a neighbour, indeed I don't do it; but I must say he's as ill-mannered, idle, and untrustworthy a fellow as you'll find in a long day's ride—had actually shut the horse up in his stable, thinking he'd keep him safe, to get a reward if one should be offered. I gave him a piece of my mind, which I've been longing to do for some time. “Oh, yes,” says I, “no doubt you'll get your reward, Stevens, some day, but it'll be such as you won't take much pleasure in.”’</p>
        <p>‘I don't see your friend Mr. Randall here,’ said Mr. Wishart. ‘Has he gone already?’</p>
        <p>‘Oh, he left us before you were up,’ said Mrs. Bailey. ‘He's here one day and away the next.’</p>
        <p>‘Then I was right, I suppose. I thought I heard his violin.’</p>
        <p>‘Yes, he was taking his farewell of it. He prizes that fiddle more than anything, and, poor fellow, he hasn't much to prize.’</p>
        <p>‘I should have liked to have seen more of him,’ said Mr. Wishart; ‘he interested me. He is a gentleman.’</p>
        <p>‘Was one,’ said Mrs. Bailey.</p>
        <p>‘Is one now,’ corrected Mr. Bailey. ‘A man can't alter his nature any more than the leopard can change his spots, which is Scripture. You take Stevens and dress him in purple and fine linen, to use a figure of speech, and let Mr. Randall be
						<pb xml:id="n49" n="43" corresp="#Che01ARol049"/>
						dressed as mendicant-like as possible, don't you think any one couldn't see the difference?’</p>
        <p>‘There'd be a difference, sure enough,’ said Mrs. Bailey.</p>
        <p>‘Well, I mean to say that Mr. Randall will always be the gentleman, though he does wear rough clothes and work like the rest of us.’</p>
        <p>‘He does work, then? I fancied somehow that he didn't.’</p>
        <p>‘Oh, yes, he works. Of course he can't live on air. He doesn't seem to care to plod on as others do, and save money. He'll do almost anything, but he'll not keep to anything for long.’</p>
        <p>‘Ah!’ said Mr. Wishart reflectively.</p>
        <p>‘If you are curious about him, I'll tell you all we know,’ said Mr. Bailey.</p>
        <p>He did so when they had sat down to breakfast, and the time he took in telling it was out of all proportion to the substance of the story. In reality they knew very little of Randall. He had come to their house for the first time two years ago, and had lodged with them for a few days. He was sketching then; he was an artist at times. He was fond of wandering about, and they knew from his conversation that he must have travelled a great deal. He knew all New Zealand, he had walked hundreds of miles in Tasmania and Australia. He spoke two or three languages as well as his own, Mr. Bailey said, with awe of such erudition. And, so they believed, there was nothing he did not know <choice><orig>some-
							<pb xml:id="n50" n="44" corresp="#Che01ARol050"/>
							thing</orig><reg>something</reg></choice> of, nothing he could not do if he tried, such was the versatility of his talent.</p>
        <p>‘A very bad thing for him,’ said Mr. Wishart, ‘a very bad thing indeed; men of that kind seldom succeed in anything. Pity he does not put his cleverness to some use.’</p>
        <p>‘Use, sir? Why, what do you think he did once when he was staying with us? There was no school in the district then; it wasn't built. He was so good as to get all the children together and teach them himself for weeks and weeks, not for pay, but because he didn't like to see them lost in ignorance. Afterwards, when we heard we were to have a school-house and a teacher, I wanted him to apply for the post, as I knew he had no certain means of livelihood; but he said no—he couldn't be tied to one place for long.’</p>
        <p>‘Just so,’ said Mr. Wishart.</p>
        <p>They rose from the table. Mrs. Bailey set off the five children on their way to the school, which was two miles distant.</p>
        <p>‘You ought to be proud of those fine healthy children,’ said Mr. Wishart.</p>
        <p>‘Ay, that we are,’ said Mr. Bailey. ‘They can't help being healthy, living up here; and I've heard this country is the healthiest in the world. Why, I've read somewhere how few die out of a thousand. I forget the exact number, but I know it was surprisingly small.’</p>
        <p>‘Aren't you making some mistake?’ asked his wife, doubtingly.</p>
        <pb xml:id="n51" n="45" corresp="#Che01ARol051"/>
        <p>‘Very likely; I've no head for figures. I must go and look at the maize. Them pheasants will be billing it up again. I'll lessen their numbers if they don't let it alone.’</p>
        <p>‘Aren't you afraid of being prosecuted for shooting them out of season?’ inquired Mr. Wishart, remembering the pheasant stew of the day before.</p>
        <p>‘Gracious! if I haven't a right to shoot them when I please I wonder who has. They've been brought up on my maize. Whenever I sow anything they make a dead set at it. I've often thought there's something supernatural about pheasants. How do they know when I've been planting corn? I could swear there hadn't been one in sight when I put it in and covered it nicely. Just leave it for a day or so and come back again. There they are, turning up the earth with their bills, and every now and then gulping down a corn, and giving a saucy little twist with their heads and a look with their eyes, as if to say, “Aha, old boy, you can't deceive us. Maize is uncommonly nice, only next time don't bury it quite so deep.”’</p>
        <p>‘Then I suppose, in your indignation, you take aim and bring down the impertinent bird.’</p>
        <p>‘Well, yes,’ sheepishly answered Mr. Bailey. ‘It's not lawful, but that doesn't prove it's wrong. They make so many laws nowadays, Moses himself couldn't keep them all. What did we want with game laws here? They were always a curse in the old country. I tell you, sir, when a poor
						<pb xml:id="n52" n="46" corresp="#Che01ARol052"/>
						settler wants a dinner—and dinners don't grow on trees—he's not likely to think twice about knocking over a pheasant, on his own land of course, or on Government land, which belongs to everybody. Law or no law, I'll shoot 'em.’</p>
        <p>‘Well, good-bye, Mr. Bailey,’ said the gentleman, mounting his horse. ‘We shall be neighbours soon, and then I can show you I don't forget your hospitality.’</p>
        <p>‘He's a nice gentleman,’ said Mr. Bailey, watching the retreating figure. ‘I'd better get to my work, which is good exercise, if it doesn't pay.’</p>
      </div>
      <pb xml:id="n53" corresp="#Che01ARol053"/>
      <div xml:id="t1-body-d1-d4" type="chapter">
        <head><hi rend="c">Chapter</hi> IV.</head>
        <lg type="verse">
          <l>‘And o'er those scrolls, not oft so mute,</l>
          <l>Reclines her now neglected lute,</l>
          <l>And round her lamp of fretted gold</l>
          <l>Bloom flowers in urns of China's mould;</l>
          <l>The richest work of Iran's loom,</l>
          <l>And Sheeraz' tribute of perfume;</l>
          <l>All that can eye or sense delight</l>
          <l>Are gathered in that gorgeous room;</l>
          <l>But yet it hath an air of gloom.’</l>
          <byline rend="right">
            <hi rend="i">Bride of Abydos.</hi>
          </byline>
        </lg>
        <p><hi rend="sc">With</hi> the swiftness of thought we have traversed the world, and the place is changed, but not the time. It is December still: an English one, and one of the unkindest—dismal and dreary; an untoward, captious, querulous December. Chilly rain and fog, hard frost and sloppy thaw, alternate with one another, and only now and then a few feeble sunbeams peep in between, to show that the old fires up there have not quite gone out. This is what we have gained in exchange for brilliant days of summer and a sky of unclouded blue.</p>
        <p>But one thing can always ‘expel the winter's flaw,’ and that is wealth. In the luxurious room whose threshold we have passed summer's heat or winter's snow makes little difference. Let there be
						<pb xml:id="n54" n="48" corresp="#Che01ARol054"/>
						biting frost and wintry skies outside there is warmth and comfort here. Let there be dust, and drought, and stifling heat everywhere else, here the lace and silken hanging enclose a haven of cool shade. And here it is always quiet; so that, when summer breezes are murmuring drowsily through the trees in the garden, and rustling the leaxes and blossoms of the flowers that deck the casements, it is hard to believe that within a short distance lies that great city, the modern Babylon, as some have kindly termed it.</p>
        <p>But, even, before you had taken note of all this you would have guessed that the room was some lady's bower. It was dedicated to the lady of the house. Here she hid herself when she was not at home to her friends, here she came to spend her leisure moment and here she was almost unapproachable. Even her husband had come to understand that he was not wanted here. Perhaps he had not dreamed when, some years ago, he had been happy in preparing this beautiful room for his wife, contriving with untiring care and pains that everything there in should please her fastidious caste, —it had not occured to him then that in it he should be the most unwelcome visitor of all.</p>
        <p>What was most singular about this room, and perhaps also most beautiful was the utter absence of brilliant or decided colouring. Every hue which met the eye was softened to a pale delicacy, as fine and pure in tint as the loveliest of flowers. White
						<pb xml:id="n55" n="49" corresp="#Che01ARol055"/>
						velvet the carpet seemed, strewn with pale pink flowers. The curtains were rose pink, and the light that came through them was like a faint sunset glow. The furniture indeed was of some wood dark as ebony; but it was upholstered in white and gold. There was neither picture nor mirror, but there were flowers everywhere; the costliest hothouse flowers in this winter time. The lady's husband might know how costly they were; but, judging from the careless profusion with which she arranged them in large vases and china bowls,—themselves of great price—either she did not, or did not care.</p>
        <p>Some people pretend they can discover a woman's tastes and favourite pursuits by glancing round her room. A very close investigation would have been needed in this case. There were two musical instruments—a piano and a harp, and the lady was a skilled performer on both, but both might be neglected for days at a time. There were portfolios of drawings by her hand, and they were executed in a pleasing style, but, from the dates they bore, this art must have been abandoned soon after school days had come to an end. There was always some fine needlework lying on her table, but the silk embroideries or the lace threads were so elaborately and minutely wrought that no one could suspect a sensible woman of sacrificing her eyesight by spending much time at once upon them. It was more usual to find her with a book than a needle in
						<pb xml:id="n56" n="50" corresp="#Che01ARol056"/>
						her hand; and, moreover, some book whose very title was unintelligible to the majority of her visitors. Now, if you raised the curtain that hung before an alcove, you had in view what engrossed most of the hours this lady could spare from the claims of society and the duties of her household, neither of which were neglected.</p>
        <p>Books—books. Not frivolous nor frothy literature, but good solid reading. The kind of books, for instance, which novels, periodicals, and journals leave most of us no time to read. To be sure, they were uninviting in their appearance, they were bound in dull colours, they were full of close printing, and their contents could not be seized upon by any process of light-skimming. They could not—and this would most surely prevent a large class of readers from ever opening them—be understood without some thought: once get fairly into them, and you would be compelled to think deeply. Very few of the lady's friends knew of her taste for harder and more serious studies than are generally affected by women. They never suspected that she was deep in mathematics for one thing, and that her active brain was often busied with these, when to all appearance her only desire was to go correctly through the formulæ of some select but exceedingly dull drawing-room entertainment. As for her husband, it is not too much to say that he would have beheld with delight all her books blazing on a bonfire.</p>
        <p>It was not only that such abstruse studies had
						<pb xml:id="n57" n="51" corresp="#Che01ARol057"/>
						for her, as they have for many minds, a strange fascination. They were her refuge. She had been unhappy since her marriage, and had found it possible to forget herself and her troubles in them. For the severest trials may be borne in patience if the head or the hands are kept at work. It is idleness, not sorrow, that eats like a canker into the hearts of those who have nothing to do but to brood over their misfortunes.</p>
        <p>She was young and beautiful—too young and too beautiful, people said, to be a suitable wife for a grave and elderly business man. Of course the same people were sure that she had married him for his wealth, and the reckless manner in which she spent it gave some colour to this assertion. Certainly they were an ill-matched pair—he, gray haired and stooping with age; she, tall and straight, with the brilliant complexion and the rounded figure of youth. People said again that he made an idol of her, and that he squandered for her sake the fortune he had been half a lifetime in amassing. She was one whom splendour suited, and yet who seemed to disdain it. It had been heaped around her to reconcile her to her lot, and she was not reconciled.</p>
        <p>Mrs. Moresby had been shut up in her room for nearly the whole of the cold and gloomy day. During the last week she had been more than usually constant to this retirement. There was a strange feeling throughout the house that some change was impending. The servants whispered to each other
						<pb xml:id="n58" n="52" corresp="#Che01ARol058"/>
						that all was not right between the master and mistress, and, as usual, they were correct in their suppositions.</p>
        <p>The mistress sat at her writing-table finishing a letter. Her only child, a little boy about three years old, was on the floor at her feet, amusing himself by tying in knots the heavy silk fringes of his mother's dress. He was oftener in his mother's room than in the nursery, and had many a time worked dire destruction among the fragile ornaments that abounded there. Mrs. Moresby finished her letter and signed it, and then looked up to see her husband standing behind her chair.</p>
        <p>‘Do I intrude?’ he asked, with a deference which she fancied was assumed in mockery. ‘I do not often disturb you here.’</p>
        <p>‘No. I am writing to my mother, as you see.’</p>
        <p>‘I suppose you have told her?’</p>
        <p>‘Exactly what I said to you, and almost in the same words.’</p>
        <p>‘Emily,’ said Mr. Moresby, sitting down near his wife, ‘you may not have considered what will be the consequence of the step you wish to take ?’</p>
        <p>‘You are in a conciliatory mood to-day, I perceive,’ she answered coldly. ‘I have considered. I have made my resolve, and yesterday you appeared to agree with it.’</p>
        <p>‘I agreed with you in saying that it was hopeless to expect that two people, so opposed to each other and differing so widely as we do, could spend their
						<pb xml:id="n59" n="53" corresp="#Che01ARol059"/>
						lives together in comfort, to say nothing of happiness.’</p>
        <p>‘It is impossible. We have tried it long enough to find that out. One or the other is always harping on a jarring string, and I suppose it can't be helped.’</p>
        <p>‘But,’ continued Mr. Moresby in the slow, measured tone habitual to him, ‘understand, Emily, you are the one, not I, who wishes to bring this state of things to an end. Unpleasant as it is, I am ready to bear with it always. I don't want you to leave your home, though you may be dissatisfied with it. I don't care that all our friends should know we are not at peace with one another. Our marriage may have been a great mistake. I think I have heard that from you pretty often. I think also you have been kind enough to say that it was a great sacrifice on your part and a great deception on mine.’</p>
        <p>‘Don't misquote any words of mine, if you please. Whatever I may have said I mean to say nothing further. There is only one question which we need discuss now, and that is whether it would not be better for both of us to live apart?’</p>
        <p>‘I thought we had always lived apart. Has there ever been any great intimacy, any confidence, between us? Do we ever converse except when obliged?’</p>
        <p>‘I know,’ she replied sadly; ‘and it is killing me. You may smile, if you like, but it is true. You have been generous, you have given me a great deal; give
						<pb xml:id="n60" n="54" corresp="#Che01ARol060"/>
						me a house of my own, or let me go abroad somewhere with my child. I would like to leave this country for ever, if it were possible.’</p>
        <p>‘My child! always <hi rend="i">my</hi> child. Do you think I have no right to be remembered? Don't I love the boy as well as you—isn't he my child as well—and haven't I most right to keep him ?’</p>
        <p>‘Oh, no; no one can be so much to him as I am,’ she cried, ‘and nothing can make it right to take a child from its mother. At least, while he is so young, I have the most right to him.’</p>
        <p>‘Listen to me, Emily,’ said the gentleman impatiently. ‘Of course you don't understand what you want to do.’</p>
        <p>‘Oh, of course not.’</p>
        <p>‘I say, you don't understand. It is not well with the woman who lives away from her husband. Even if she knows she has acted for the best, and even if he approves of her conduct, other people will not.’</p>
        <p>‘It may be so,’ she answered; ‘but what have others to do with us? Why should we make one another miserable? I do not blame you; it is not your fault. You were happier without me. I was happier—far happier—before I knew you. This child is ours: let me have him while he is old enough to go to school, then he shall be yours. I will be satisfied if he remembers me, and sometimes visits me. Perhaps I shall not live till he is that age; then he will be yours altogether.’</p>
        <pb xml:id="n61" n="55" corresp="#Che01ARol061"/>
        <p>He was touched by this, and took her hand. ‘Emily, why can't you stay ? Is there anything you want?’</p>
        <p>‘Yes,’ she said eagerly. ‘I want my brother. Help me to find him, and restore him to the position he has lost, and I will never leave you.’</p>
        <p>Her hand was dropped hastily. ‘Like most women, you ask the one thing impossible. For yourself and your mother I have never thought anything too much. You can hardly expect me to be as lavish with regard to your brother when you recollect how he left me. Anything but that I could have done. Answer me, what have I denied you?’</p>
        <p>‘You have never denied money,’ she replied pointedly. ‘Money is what you work with. But I don't want it for myself. I was never influenced by your money.’</p>
        <p>‘I must acknowlege I cannot understand you. You were never influenced by my money! Once at least it went for something with you. Had I been a poor man you would never have been my wife.’</p>
        <p>‘No!’ she exclaimed passionately. ‘No one shall say that. It was to save my brother. You broke your promise—you did not save him!’</p>
        <p>‘I am excessively obliged to you. It was so convenient that I could be useful to your brother once, and I shall be very hard-hearted if I do not bolster him up again with that money you affect to despise.
						<pb xml:id="n62" n="56" corresp="#Che01ARol062"/>
						I don't think he would despise it—he did not once.’</p>
        <p>A vivid colour rushed over her face. ‘You taunt me with that! But it is no use; we must make one another wretched. Does not this convince you that I am right in wishing to go?’</p>
        <p>‘Do as you please,’ said Mr. Moresby rising; ‘but remember once for all your brother shall not come between us. I know how it is with you, Mrs. Moresby. To advantage your brother the interests of husband and child are as nothing in your eyes. If he were found he would be no credit to his family. He does not even concern himself so much about you as to tell you that he still exists. Has he ever written to you or your mother since he left England? And yet, for such a brother, you would neglect every duty to the child and me.’</p>
        <p>‘I neglect no duty, and you know it,’ she said, looking him full in the face. ‘I told you at the first there could be no pretence of anything more between us. But this is the last time—I, at least, will never speak of these things again. I must go.’</p>
        <p>‘Very well. My business now will be to provide for you suitably. You have always had a separate allowance: it must be increased.’</p>
        <p>‘No, it is enough—quite enough. I want no more. I have done with all this;’ and she threw a contemptuous glance around her. ‘Did you ever think I should like you better for it?’</p>
        <p>It was the unkindest speech she had made, and
						<pb xml:id="n63" n="57" corresp="#Che01ARol063"/>
						the one which stung him the most. She was ashamed of it herself the next minute, and would have acknowledged that she was, but for that miserable species of pride which too often prevents us from making such reparation.</p>
        <p>‘Well,’ he said slowly, looking down, not at her, ‘I suppose I was a fool at that time. There is no fool like an old one, they say. I did it to please you. To please you again, I say you shall go, if you like, and if you ever return to this house it shall be at your own pleasure, not mine. I will have my way in only one thing;—a provision will be made for all your wants, and I shall expect you to live suitably to the position you hold as my wife.’</p>
        <p>‘I do not want more than I have already,’ persisted his wife.</p>
        <p>‘Nonsense! Mrs. Moresby. It would look well indeed for me to live in abundance, and you and my son to be economical on two or three hundred a year. People shall not say I grudge you anything.’</p>
        <p>‘I thought it would come to what “people” might say at last,’ she replied sarcastically.</p>
        <p>‘I shall see to it at once,’ said Mr. Moresby.</p>
        <p>He went towards the door. The boy crept back again from the corner behind a sofa where he had taken his playthings as soon as his father had come into the room. Young as he was, he knew, without understanding why, that his parents were at variance, and already he took his mother's side. Mr. Moresby went out, and fortunately for Maria, Mrs. Moresby's
						<pb xml:id="n64" n="58" corresp="#Che01ARol064"/>
						maid, his exit was slow and dignified. That excellent young woman had found herself (quite accidentally) near the unlatched door of her mistress' room, and had been an unseen witness of the interview. ‘Well,’ was her comment, ‘I don't think I'll get married, if this is what comes of it.’</p>
      </div>
      <pb xml:id="n65" corresp="#Che01ARol065"/>
      <div xml:id="t1-body-d1-d5" type="chapter">
        <head><hi rend="c">Chapter</hi> V.</head>
        <lg type="verse">
          <l>‘… That thought's return</l>
          <l>Was the worst pang that sorrow ever bore</l>
          <l>Save one, one only when I stood forlorn,</l>
          <l>Knowing my heart's best treasure was no more;</l>
          <l>That neither present time nor years unborn</l>
          <l>Could to my sight that heavenly face restore.’</l>
          <byline rend="right"><hi rend="sc">Wordsworth</hi>.</byline>
        </lg>
        <p>A <hi rend="sc">whole</hi> week gave Mr. Moresby time to accustom himself to the idea of his wife's departure. In the house everything went on as usual. His wife did not relax from any of her duties; visitors came and went, and were duly entertained; she took her place at the head of his table, and played the part of the graceful hostess as faultlessly as ever. When they were alone she never referred to the agreement concluded between them; but he knew her better than to believe that she purposed receding from it. Quietly he carried out his determination to largely increase her allowance. Poor man! he had indeed always gone to work with money when he had tried to win her affections.</p>
        <p>It would be better, he thought, and she did not object to it, that at first she should go as on a visit that had been promised long before to a distant
						<pb xml:id="n66" n="60" corresp="#Che01ARol066"/>
						relative of hits in the country. It was hoped by Mr. Moresby—Mrs. Moresby did not waste a thought on the matter—that this visit, if his wife did not falter in her resolution, would give a better appearance, to their separation in the eyes of the world (meaning by this the few score of souls who had their affairs in remembrance), and that, supposing she should alter her purpose, she might return home quietly at the end of a few weeks, none being the wiser for her temporary absence.</p>
        <p>But, thanks to Maid Maria, it was somewhat too late to think of masks and disguises. Let your servants become acquainted with a matter you would fain conceal, and you may consider it as advertised in a paper of wide circulation. Maria told Fanny the nursery-maid, and Fanny told a magnificent footman who bloomed in the hall of the next house, and he told certain chosen comrades of his own. Moreover, Maria told her admirer, a meek, inoffensive clerk in a grocery store, and it preyed upon him so that he was obliged to tell his landlady. Not satisfied yet, Maria told her bosom friend, who was maid to Mrs. Lovat, a very intimate friend of Mrs. Moresby Mrs. Lovat became possessed of the secret before the rising of another sun, and paid a whole round of calls upon the strength of it, mentioning it as a thing she had heard but really hoped wasn't true, and which it would be a pity to repeat. Several persons spoke of it to several others in the same discriminating manner. What more was
						<pb xml:id="n67" n="61" corresp="#Che01ARol067"/>
						needed? The <hi rend="i">Times</hi> or <hi rend="i">Daily News</hi> could not have done the business half so well.</p>
        <p>In such a case it is almost a pity one cannot be one's own advertiser. It is better, at any cost, to give the whole truth to the public than to allow them to swallow a garbled and exaggerated version. The lady whose name rumour suddenly became so free with had made no enemies if she had not made friends. She had been the object of a great deal of that lukewarm affection which is so prevalent in society. Unfortunately nothing sours so rapidly as this. She had been above suspicion or slander, and happily she remained above it now. But it is dangerous to be above your neighbours. To be wiser, better, handsomer than they, may prove a fatal mistake, when the days of adversity come upon you. Envy so often lurks behind admiration, and envy is always on the watch for its opportunity. It was all the worse for Mrs. Moresby that she was superior in intellect and beauty of person, that her life had been a blameless one, and that she was strict and even austere in her habits and opinions. All these excellent qualities were so many offences against those who had them not. Many very bitter things can be said without descending to anything evil enough to be particularised as slander. Such were said very abundantly.</p>
        <p>The day came that she intended to be the last spent in her husband's house. The morning passed as usual. Mr. Moresby did not go to his office as
						<pb xml:id="n68" n="62" corresp="#Che01ARol068"/>
						on other days, but remained at home, ostensibly writing in his room. It was a fine day; bright and warm for the time of year. After lunch Mrs. Moresby went out into the garden, leading her little boy by the hand. The garden was large, for the house was old, and one day had been quite in the country. Then it had fields about it. Bare and barren they were, but in process of time they grew gold for their owners; every acre produced its crop of yellow sovereigns, a rich harvesting on lands whose yields of yellow corn had been few and far between. The city swallowed them up, and most likely would have swallowed up the old house as well, if its march had not been stayed by the walled-in pleasure-grounds;—these were not to be encroached on, and not to be sold, even at a price that would have paved them with sovereigns.</p>
        <p>Within the high stone wall was an ancient garden, whose long straight walks had been trodden by so many feet for the last century or more that grass or weeds had much ado to thrust their rootlets through the hardened soil. There were clipped hedges, and unfortunate stiff little shrubs, fashioned into globes and hour-glasses, and trees which, from the same cause, had assumed yet more monstrous shapes. And there was a summer-house, damp and cold,—no gay or romantic ladies sought its shelter now,—and a sun-dial which had kept its faithful watch for many a long year. The plants of the garden were mostly old-fashioned things, which gardeners disdain
						<pb xml:id="n69" n="63" corresp="#Che01ARol069"/>
						to grow, and which no one cares to see at flower shows nowadays. Daffadowndillys, jonquils, and wallflowers, ‘carnations and streaked gillyflowers,’ had life leases here. Such vagabond fellows as ragged Robins, batchelor's buttons, and borage had thrust themselves in; widow-wail and gardener's garters were in opposite corners, and there was some rare fine honesty. There, by the wall, what tufts of purple loosestrife and straggling leopard's bane; and upon it, what a thick growth of stonecrop, of woundwort, of feverfew, and, properly enough, pellitory of the wall. Shall we speak of herbs? Here was everything scented and aromatic, from sweet basil and lavender to southernwood and rosemary, and everything bitter and pungent from horehound and wormwood to camomile and rue. There were finer tenants, though, than all these. In the summertide, when the damask and cabbage roses were all ablow, when the hollyhocks looked over the wall, and the foxgloves strained after them, what a glow of colour, what a scented air in the quaint old garden!</p>
        <p>Mr. Moresby had wished to modernise it, but his wife had begged that it might be let alone. He had altered everything on the other side of the house, where there had been a maze of shrubberies, and an orchard celebrated for producing no fruit. Here his hothouses had been built, and here were grown flowers and fruit, over which his gardeners were as proudly fierce as the dragons that guarded the golden apples of antiquity.</p>
        <pb xml:id="n70" n="64" corresp="#Che01ARol070"/>
        <p>Mrs. Moresby spent many solitary half-hours in her flower-garden. It was bereft of bud or blossom now, and the trees were leafless. So had it been when she first came to her husband's house. The dreariness of those days was present in her memory yet. She saw herself, a girl of seventeen, sitting in her room amidst its new ‘finery’—such was the contemptuous expression she used in thought—and watching the drizzling rain, like mist mingled with smoke, drift over the house, and the raindrops trickle down the window-panes. Probably out of sympathy, now and then, a tear would slowly roll down her cheek. She had been a great baby then, she thought, with a strong sense of her present superiority. Then, a kind word suddenly spoken, an unexpected reminder of home, would bring tears to her eyes. She never cried now; she had proved the futility and the foolishness of tears. At this point of her reflections she saw her husband coming towards her, and stopped to wait for him.</p>
        <p>‘I came to seek you, Mrs. Moresby,’ he said stiffly, ‘because I find it necessary to leave home this night on business that cannot be delayed. Nothing of interest to you, so I need not take up your time by explaining. I presume you will not be here when I return?’</p>
        <p>‘No,’ she answered, in a voice scarcely audible.</p>
        <p>‘Then I have merely to say good-bye. There is no need for further discussion between us; everything has been prepared for this. You know what
						<pb xml:id="n71" n="65" corresp="#Che01ARol071"/>
						to do in case you need anything from me. You know you are as free to come back, if you should ever will it so, as you are to go. If you have a want you have only to make it known.’</p>
        <p>‘Thank you. You have done more for me than I wished. I have nothing more to ask.’</p>
        <p>‘Very well. Then we have only to say goodbye.’</p>
        <p>They shook hands in a methodical, business-like manner. It was like two acquaintances parting, only neither dared look the other in the face.</p>
        <p>‘If you must think ill of me, don't let the boy,’ said Mr. Moresby.</p>
        <p>‘Oh no,’ said his wife, colouring deeply, ‘I would not have it so.’</p>
        <p>‘Good-bye, little fellow,’ said Mr. Moresby, stooping to kiss the child.</p>
        <p>The boy shrunk back, with a frightened look, and hid his face in the folds of his mother's dress.</p>
        <p>‘You have made him hate me already,’ said Mr. Moresby bitterly. ‘Good-bye once more. I hope we may meet again more pleasantly than we part.’</p>
        <p>She never looked up to see him go. Her boy began to cry, and did not receive the notice which he expected as a reward for putting himself to such trouble. Some minutes had gone before she was aware that her husband had not left the garden, but was watching her from the end of the long walk. Something in his appearance, the stooping figure, the worn face turned towards her, with a gaze that
						<pb xml:id="n72" n="66" corresp="#Che01ARol072"/>
						was pathetic in its intensity, almost moved her to follow him. She had some uneasy consciousness that there was a better way than the one she had chosen, if she could only find it. Should she change at the last moment? He was hard and cold; he was angry with her; but he was her husband after all. Perhaps it was her duty to go to him now, and make some acknowledgment of her fault. Ah, she had done that before. She felt her face flush at the remembrance of her humiliation. Mr. Moresby was neither generous nor meek to those who made submission before him. She would go—no, she would not. The memory of past taunts and bitter words crowded too quickly into her mind. There never had been peace between them—there never could be. Yet she vacillated; was there nothing she could do?</p>
        <p>Too late! He had gone when, urged by some uncontrollable impulse, she ran to the end of the walk and called after him, and listened in vain for the sound of returning footsteps. She went into the house, and sterner, harsher thoughts returning to her mind, helped to strengthen her resolution.</p>
      </div>
      <pb xml:id="n73" corresp="#Che01ARol073"/>
      <div xml:id="t1-body-d1-d6" type="chapter">
        <head><hi rend="c">Chapter</hi> VI.</head>
        <lg type="verse">
          <head><hi rend="lsc">Thou Lett'st Thy Fortune Sleep</hi>.</head>
          <l>‘Mancherlei hast du versaümet;</l>
          <l>Statt zu handeln hast vertraümet.</l>
          <l>Statt zu denken hast geschwiegen;</l>
          <l>Sollest wandern, bliebest liegen.’</l>
          <byline rend="right"><hi rend="sc">Goethe</hi>.</byline>
        </lg>
        <p><hi rend="sc">According</hi> to the almanacs of the country the New Zealand summer begins with December and ends with February. But almanacs, though pretty sure in regard to the changes of the moon, have never been safe guides in matters relating to those of the weather. Now, in that part of New Zealand with which this story has most to do, there are only two well-defined seasons—a hot one, and one which, though it is not cold, is damp enough to satisfy any worshipper at the altars of Jupiter Pluvius. What are called spring and autumn are at the best unsatisfactory compromises, so uncertain in their duration and capricious in their moods, that any morning we may be surprised by a ready-made summer or winter.</p>
        <p>On a day late in January, therefore, it was midsummer, the sun burnt fiercely in the brilliant sky, and the thirsty land waited in vain for cool and
						<pb xml:id="n74" n="68" corresp="#Che01ARol074"/>
						refreshing showers. In the sun-baked town, people crept about under umbrellas, and sought the shade whenever practicable. Business men arrayed themselves in vesture of the palest hues and the flimsiest texture, and warded off sunstroke with helmets of purest white. Very limp and languid seemed these knights-errant of the pavement, and trade also was generally allowed to be in a limp and languid condition, perhaps as a natural consequence.</p>
        <p>In such weather who that was not bound to the wheel of business would stay in town? In the country, amidst cool greenery and pure breezes, summer was queen. There, one would not wish for a ray of sunshine less, or sigh for rain, which, if it came, would fall on ripe but ungarnered harvests. The blue serenity of the heavens brooded over a land blessed with an abundance beyond that of former years. Seldom had the stooks stood so closely together in the wheat-fields. A week ago those fields were filled from side to side with the standing corn, even with the fences, and rippling in the wind like the waves of the sea. On most farms the reaping machines were now at work, and the corn was falling in thick swathes of gleaming yellow. Ah, no! rain is not wanted here. The cattle may low for it at night, but the farmer views clouds in the sky with an anxious gaze, and his bad dream of the season is one that pictures a half-thatched stack and a pouring rain.</p>
        <p>Thus business, that was languid in the town, in
						<pb xml:id="n75" n="69" corresp="#Che01ARol075"/>
						the country was remarkably brisk. The laziest fellow that can call himself a farmer will make some show of working at harvest, and try to delude himself and his neighbours into the belief that he is an industrious man. The farmer who works all the year round will, at this time, positively slave. In such a time, also, labourers are expected to be animated with some portion of their master's spirit, and to emulate his exertions. Woe to them, if they do not, and double woe to the master; for, in this paradise of hirelings, high wages are meted out to the lazy as well as to the diligent.</p>
        <p>It is not too much to affirm that, at the hour of eleven on this January morn, there was but one unemployed person in the whole of a certain agricultural district for which a name need not be invented. This person seemed to glory in his idleness. He was walking on the high road so leisurely that it was plain he had no thought of passing time, and every now and then he lingered by the way to admire the pleasant rural scenery, or perhaps to survey the toilers around him, with all the satisfaction which the sight of his fellow-creatures mightily exerting themselves never fails to impart to an idler.</p>
        <p>The idler was an acquaintance of ours, the accomplished vagrant of a previous chapter. Since the last time of meeting he had not risen in the world. A little more wayworn and shabby, that was all the eye could mark. His face was as untroubled as ever, though he knew that the
						<pb xml:id="n76" n="70" corresp="#Che01ARol076"/>
						contents of his purse had wasted away to an only shilling.</p>
        <p>We have all heard of those wonderfully determined persons who laid the foundation of a fortune on a shilling, a sixpence, or some other coin of trifling value. Men who have made their fortunes like to tell us how little they began with. But, generally speaking, it will be found that their capital was larger than they imagined. No man knows exactly how much he is worth till he has tried with all his might to find it out, and the greater part of mankind die without making the discovery. If, as an ingenious calculator has demonstrated, the commonest, most ignorant drudge is worth between two and three hundred pounds to his country, it follows that he is worth a very many sixpences and shillings to himself. What ought not a man to be worth when, besides rude health and strength, such ponderous matters as talent and ability are thrown into the scale? All things are, or ought to be possible to the power of the will; nothing is so often bound in fetters and chains. The mind without energy is in worse case than a ship without a rudder. Poor, weak, and impotent folk—doubting, unstable, and faithless, are they whose barks founder on life's ocean.</p>
        <p>The vagrant continued on his way. The hot, glaring white road made the fields look so cool and pleasant in comparison. He had walked that way before. Then, the orchards had blushed with pink and white, the grass had glittered in the sun with
						<pb xml:id="n77" n="71" corresp="#Che01ARol077"/>
						emerald sheen, and the scent of blossoming clover had filled the air. Now, with a careless hand, Summer had strewn her gifts over the land. Rosy fruit and golden grain were everywhere. It was a scene of the richest plenty that his eye rested on, and he felt like a poor stranger, face to face with want in the midst of abundance.</p>
        <p>A man whom he met on the road asked him if he wanted work. There was plenty, if he did, he informed him. No one had spoken to him of such a thing the first time he had passed that way. He knew the reason why. There is a great deal to be learnt in the Philosophy of Clothes. Most persons believe in the respectability of a good coat. He had not altered, but his clothes had, and therefore it was small wonder people should think he belonged to the labouring class, or haply to that lower class which will not labour.</p>
        <p>On and on he went. Any beggar that had entreated him, any pretty child that had smiled in his face might have gained the whole of his fortune, for it seemed too small a matter to be parsimonious about. The words of a ballad would come into his mind, and over and over again they recurred to him, as familiar verses will, with a teasing persistency.</p>
        <lg type="verse">
          <l>‘One remembered shilling</l>
          <l>Was my only wealth;</l>
          <l>But my hand was willing,</l>
          <l>I had youth and health,</l>
          <pb xml:id="n78" n="72" corresp="#Che01ARol078"/>
          <l>Fancies full of riches,</l>
          <l>And a heart of grace,</l>
          <l>And hopes, the lovely witches,</l>
          <l>That looked me in the face.’</l>
        </lg>
        <p>He could not quite say that. Hope had not been with him of late. Of fancies he had enough; the pleasures of the imagination were the best that were left to him. Some years ago, when shillings were plentiful, he had been fond of this song. It seemed ridiculously false sentiment now. Written, most probably, by a man who had never been reduced to the delights of a single shilling proprietor, and, in nine cases out of ten, admired and sung by those who systematically wasted their shillings. It was very nice to believe that—</p>
        <lg type="verse">
          <l>‘Hand for honest labour,</l>
          <l>Head to hope the best,</l>
          <l>Heart to love my neighbour,</l>
          <l>Faith for all the rest.</l>
          <l>These, and power to use them</l>
          <l>Are the wealth I hold,</l>
          <l>And fool I'd be to lose them</l>
          <l>For all Australia's gold.’</l>
        </lg>
        <p>But it didn't hold good in the way of the world. The world was apt to judge a man by the amount of substantial wealth he owned, not by the invisible and unknown quantity he might carry about in his heart or his head. The world had no pity for failures; no consolation for the vanquished. It worshipped success; the crime of misfortune it never forgave.</p>
        <pb xml:id="n79" n="73" corresp="#Che01ARol079"/>
        <p>He never expected to regain the position from which he had fallen. Ambition cannot exist without hope, and hope and he had parted company. If ever there was a man who cared for nothing beyond the passing present he had sunk into that condition. Once there had been those for whom he would gladly have worked and struggled. He could be of no use to them now; a barrier lay between him and them for evermore. And once he had had his youthful dreams of being and doing something which should make his name to be honoured and held in remembrance. Alas! he had disgraced that name. The past had its bitter memories of failure and error; of a lost home and friends. He had made up his mind that the future had nothing for him—nothing worth waiting for; nothing to work for beyond that daily bread for which the humblest toiler strove.</p>
        <p>He had gone through life in a haphazard fashion for some years; at times working steadily, then roaming about from place to place until his means were gone. He could work. He might have made the same boast as that with which the vain and accomplished Madame de Genlis asserted herself to be skilled in a multiplicity of trades. A thorough knowledge of one, and a determination to follow it, would have availed him more than all these smatterings. But as yet he had found it easy to live by one or all of them in turn.</p>
        <p>He had thought of nothing but sightseeing
						<pb xml:id="n80" n="74" corresp="#Che01ARol080"/>
						when first he found himself in New Zealand; he could not rest till he had seen it all. He worked his passage to Tasmania, going as an engineer for the trip—engineering was one of his trades. There he strayed into quite a new path of life. He painted his way through the charming woodland and river scenery of the country. The wandering artist, who was often found by other ramblers sketching on the banks of some stream deep in the woods, and who painted wonderfully fascinating pictures, soon attracted attention. He sold his pictures, which had been produced not in the hope of gain, but merely for love of the task, and for a time was rich. But he did not find liberal patrons everywhere. The door that had seemed to open before him closed again. He was disheartened—to his shame be it spoken; he must wander again in search of fresh adventures.</p>
        <p>Then he knew the sun-scorched arid Australian plains. From station to station, willing to help in any way, a pleasant workfellow, a light-hearted companion, carrying his precious violin with him, inexhaustible in song and story, he came to be known and liked over a wide stretch of country. He made friends, and again and again these would have taken him by the hand and guided him into a better way of life. But something—there was always something that prevented it. Misfortune seemed to have set her heart upon him. There were whisperers there as well as in other parts, and
						<pb xml:id="n81" n="75" corresp="#Che01ARol081"/>
						whisperers have always been renowned for separating friends. One whisperer told another what some one had told him of the circumstances which had brought this gentleman's son so low in the world, and all were offended, and he was shamed. He might be wrong and foolish; he might be morbidly sensitive; but he could not endure this. What! had he dared to hope it might be forgotten? It followed him even here; it found him out under the disguise of an assumed name. Had it been slander he might have defied it; but, unhappily, it was the truth, distorted and exaggerated though it might be, and he could not fight against that. Humbled and abased he hid himself once more from those who pitied and would have helped him. From that time he had been what he was now—content to submit to what he called his fate.</p>
        <p>‘I say you there, open that gate. Come, come! don't keep us waiting.’</p>
        <p>The wayfarer had been so lost in thought that he had not heard the approach of two riders, a lady and a gentleman, cantering softly over the grass by the roadside towards a gateway in the hawthorn hedge. They reined up their horses opposite to this gate, and it seemed strange to the gentleman, a person of pink complexion, flaxen hair, and very youthful aspect, that the only human being in sight should not immediately rush to open it. So his manner was imperious, not to say discourteous.</p>
        <p>‘These country fellows are so slow and <choice><orig>lumber-
							<pb xml:id="n82" n="76" corresp="#Che01ARol082"/>
							ing</orig><reg>lumbering</reg></choice>,’ he said impatiently, as his horse, whose temper likewise seemed chafed, fidgeted under him, resenting the tight rein and heavy hand of his master.</p>
        <p>The lady was closely veiled, but her slight smile was visible to the other person present, if not to her companion. ‘How very fortunate there should be someone here,’ she said. ‘I suppose you find it inconvenient when no slow and lumbering countryman is at hand to open gates.’</p>
        <p>Randall now advanced, with no appearance of that delighted alacrity which the gentleman desired from him, and opened the gate. The lady said ‘Thank you,’ as she rode through. Her companion remarked, in a surly tone, ‘You might have been a little quicker,’ and essayed to follow the other rider. But the gate was closed again, the fastener replaced, and the disobliging ‘country fellow’ passed on.</p>
        <p>‘Well, this is kind!’ said the astonished gentleman left on the road. ‘Colonial cheek all over! An English labourer wouldn't have dared to do such a thing.’</p>
        <p>He tugged at the fastener, but partly because anger and impatience made him awkward, and partly because it was a newly-patented American invention, it remained immovable. It was not easily opened even by a person on foot, and he soon found that he could not open it while on horseback. But, although the man who had shut the gate in his face was only a paltry fellow, he was not going to let him have the pleasure of seeing
						<pb xml:id="n83" n="77" corresp="#Che01ARol083"/>
						that the unmannerly trick had put him to the trouble of dismounting. And, if the truth must be told, he dared not jump down there and then. Though colonial by birth, this gentleman was not so well skilled in horsemanship as most colonial youths, probably because he had been educated abroad. Whatever he had learnt there, he had not learnt to ride well; and yet for some mysterious reason he would ride spirited, almost unmanageable horses. Out of mercy, perhaps, they did not throw him, but they did very much as they liked in other respects. Now he might get off, but there was no telling when his horse, which knew his weakness only too well, would allow him to get on again. Doubtless it could be done in time, with various displays of agility, and possibly several little mishaps, which he would not have seen even by the fellow on the road, and to be seen by the lady who was smiling at him now from the other side of the hedge—what mortification!</p>
        <p>There was only one way. Noticing a low place in the hedge, where there were few thorns, and only a two-railed fence behind, he urged his horse to the jump. There was a great crash, and horse and rider came down heavily on the other side, amidst a small whirlwind of bits of decayed wood, the top rail having been splintered into fragments. Fortunately the horse alighted on its fore-feet, and the gentleman, by a miracle, as he thought, remained in the saddle. He felt a little proud of the jump
						<pb xml:id="n84" n="78" corresp="#Che01ARol084"/>
						(it was his first), but his temper was ruffled again by the lady's evident amusement. She had got beyond smiling this time, and actually laughed— good, wholesome, unaffected laughter, which was quite beyond her control. And then, like a lady, when she saw that her friend was annoyed, she made haste to say something very pleasant, so that they rode away on good terms with one another. The lonely person on the road returned to the gate, and leaning upon it with folded arms, looked after the two riders long and earnestly. ‘I know that face,’ he said to himself; ‘I knew it well once.’</p>
      </div>
      <pb xml:id="n85" corresp="#Che01ARol085"/>
      <div xml:id="t1-body-d1-d7" type="chapter">
        <head><hi rend="c">Chapter</hi> VII.</head>
        <lg type="verse">
          <l>‘Gold gleams that light the sullen sea,</l>
          <l>And quickly fleet and fly,</l>
          <l>Gray fields to emerald to transform,</l>
          <l>Brown woods to glorify,</l>
          <l>And heathered hills that slept in fern</l>
          <l>Touch in to jewelry.</l>
          <l>Daisies! that star the summer fields;</l>
          <l>Feathers upon the stream;</l>
          <l>Poppies amid the sober corn</l>
          <l>That flash their scarlet gleam;</l>
          <l>Blossom upon the trees of which</l>
          <l>All the dull year they dream.’</l>
        </lg>
        <p><hi rend="sc">Twenty</hi> minutes had gone. The stillness of a burning noon was on the land. Hot and white glared the dusty road, and far as its long sinuous track was visible, no human form appeared, save the one who leaned on the gate, and with folded arms and moody brow looked across the fields of a large farm. Incessantly chirped the cicadas in the gumtrees, and incessantly whirred and clattered the reaping-machine around the wheat-field that came up to the road. Now and then the loud voice of the driver or some lively chatter from the Maoris who were binding the sheaves mingled with these sounds. In the warm languid air every sound seemed to be mellowed into softness, even as every
						<pb xml:id="n86" n="80" corresp="#Che01ARol086"/>
						colour of earth and sky was suffused with a golden haze. Nature was enjoying her siesta; man, as usual, was working hard. The sunburnt harvesters in the wheat-field plodded round and round an ever lessening circle. When once or twice there was a stoppage, the horses took advantage of the brief respite to thrust their heads into the standing corn and snatch great mouthfuls of the thickly clustering cars.</p>
        <p>A Maori boy, bearing as a banner a white handkerchief tied to a flax stalk, was carrying water to the thirsty binders. Some of them were women, dressed in bright coloured calicoes, blue, orange, or pink, that flashed out in startling contrast with the golden-hued sheaves. Poor women, their feet were tired enough, and sore, even bleeding, with the sharp points of the stubble. One or two had tied gaudy handkerchiefs round their heads; the others wore large hats, with brims so broad that there was no danger of the sun making their brown faces any browner. And some had pleasant faces, if they were brown, which at least had the beauty of blackest and brightest eyes, and a set of flashing white teeth no dentistry could have rivalled.</p>
        <p>While the Maoris drank water, the colonial labourers and their employer hailed with delight the frequent appearance of a brown earthenware jug, sometimes filled with beer, sometimes with tea. At the present time this was making its rounds, and contained tea both sweet and strong.
						<pb xml:id="n87" n="81" corresp="#Che01ARol087"/>
						It was a refreshing draught from this jug which gave the farmer strength to shout louder than ever to slack workmen, and to converse with the driver of the machine in a tone that defied distance.</p>
        <p>‘Never saw the like of this country! Eight shillings a day, and men won't work. Next, I suppose, we shall have to offer half our profits to induce them to help us. I'd sell out to-morrow if I could. I don't know whether I won't sell out after harvest and leave the place. Look at that loafer on the road; eight shillings don't tempt him to use his lazy hands.’</p>
        <p>The person thus referred to withdrew from the gate on which he had been leaning. It was not pleasant to be called a ‘loafer’; the word was ugly as well as vulgar, and the uneasy consciousness that he might be fairly accused of having earned the appellation did not make it sound any better.</p>
        <p>‘That man has been there a good while,’ said the driver, who was examining the knives of his machine.</p>
        <p>‘Some men would stand like that all day, as if they had taken root,’ remarked the farmer. ‘That's the kind the Government bring out. In reality it's we who pay their passages, and when they're here they turn round and lord it over us. Hi, you, Peter!’</p>
        <p>Peter was an amiable-looking Maori, who had been binding his sheaves so dexterously that they had all come undone.</p>
        <pb xml:id="n88" n="82" corresp="#Che01ARol088"/>
        <p>‘Kakino the maki,’ shouted the farmer, in very colonial Maori.</p>
        <p>Peter smiled most innocently, assuming an expression of great astonishment.</p>
        <p>‘You idle fellow!’ said his master, relapsing into his own language. ‘Get on and do your work better,’—at which injunction Peter bound a sheaf in a superior style.</p>
        <p>The farmer, in making the round of the field, had now come very close to Randall's position.</p>
        <p>‘If you want work,’ he said, eyeing the latter very keenly, ‘why don't you ask for it, instead of spending your day in watching industrious people?’</p>
        <p>He noticed, just after he had said this, that the man he addressed was making a rough sketch of the harvest field and its labourers on a leaf in his pocket-book. He considered that perhaps he had made a mistake.</p>
        <p>‘Oh, excuse me,’ he said. ‘I suppose you're at your own work. Capital, too, that; it looks like real life: you've hit me off to a T. I thought at a distance, you know,’ he added apologetically, ‘that you were some one looking out for work; and as I was short-handed I came to see.’</p>
        <p>‘Are you short-handed?’ said Randall. ‘I have no work of my own, for I don't call this work. I'll help willingly if you want another hand.’</p>
        <p>‘It's not in your line, I guess from your manner,’ said the farmer.</p>
        <pb xml:id="n89" n="83" corresp="#Che01ARol089"/>
        <p>‘Any work that comes my way is in my line just now,’ said the other.</p>
        <p>‘Well, if you're in earnest I suppose you'll do as well as another. We have to go out into the highways and hedges now to get our men together. You may come on in an hour's time—we're going to leave off for dinner—and I'll set you to work.’</p>
        <p>During the dinner hour the newly hired man sat in the shade of the stacks with two others who were to be his work-fellows. They were inclined to be sociable, and invited him to share their luncheon. Duncan, a careful Scotchman, opened a parcel of sandwiches which were not less than an inch in thickness, and drank the antique and neglected beverage of water. Simpkins, a wasteful and improvident Englishman, regaled himself on Tasmanian canned fruit and a meat-pie.</p>
        <p>Duncan thought the master was strict,—‘unco strict’—but showed sense in looking after the work, and his money was clearly as good as any other man's. Simpkins declared he was a ‘nigger-driver,’ and that in a new country, where one man was as good as another, laws should be made to restrain masters and protect their overworked servants. After he had disposed of the last sandwich Duncan calculated the amount of wages owing to him, and as he was not expert in arithmetical processes this took him some time. Simpkins went to sleep under a stook, and remained there unnoticed for half an hour after the others had returned to their work,
						<pb xml:id="n90" n="84" corresp="#Che01ARol090"/>
						when he was discovered by his injured master, who did not neglect to inform him that the worth of his half hour's work, supposing it could be calculated, should be deducted from his week's wages.</p>
        <p>Mr. Langridge the farmer got hoarse before the day was over, and ceased to shout to his men, much to their relief. During the afternoon he devoted himself to a rigid superintendence of the work in another wheat-field, where they were carting and stacking the corn. His newly-acquired man proved such an adept that Langridge looked upon him with other eyes, and was heard to remark that he was ‘something like a man,’ which, it may be presumed, was meant for high praise. Something in Randall's appearance moved the farmer, he knew not why, to make a difference between him and the other men, and restrained him from addressing him roughly. His eye fell on the ring which Randall still wore.</p>
        <p>‘Look here,’ he said, ‘if I were you I'd put that in my pocket. I daresay, from your speech and your manner, that you were right in wearing it once —quite in your way of life then. But working men, you know, don't sport those things. You might lose it, or what's more likely, some fellow might take a fancy to it.’</p>
        <p>The wearer of the ring looked as confused as any vain and overdressed person might who was suddenly convicted of wearing paste for diamonds. It had never struck him before how unsuitable such an ornament was to the hand of a working man.</p>
        <pb xml:id="n91" n="85" corresp="#Che01ARol091"/>
        <p>‘It was my father's,’ he said quietly; ‘but you are right—I had better not wear it now;’ and he drew it off his finger.</p>
        <p>‘Yes, yes,’ said the farmer, not unkindly; he was a good-natured man at heart. ‘Your father's, of course—keep it till you've made your fortune. But where did you learn to pitch sheaves in this style? You weren't brought up to farming, I'll lay a wager on that.’</p>
        <p>‘No; but this is not the first time I've worked in the harvest field.’</p>
        <p>‘Ah, I knew it wasn't. Now, Simpkins! I believe you're asleep while you're forking.’</p>
        <p>‘And it wouldn't be no wonder if I was,’ retorted Simpkins. ‘I've been slaving all the day.’</p>
        <p>‘Slaving, have you? Why, I was at it before six, and I'd like to see you or any other day labourer at work before eight. I don't mean to leave off till dark either. I shall have the leading done in this field to-day.’</p>
        <p>‘I didn't bargain to work more than eight hours,’ growled Simpkins.</p>
        <p>‘Don't, then,’ said the irate Langridge. ‘You're no great prize. I can get plenty who will. I think when a man's paid for overtime he's a great blockhead to stick to the eight hours' system. Well, Steve, have you come to see how we are getting on?’</p>
        <p>This question was uttered in a tone quite soft and sweet in comparison to the one in which the other part of his speech had been delivered. ‘Steve’
						<pb xml:id="n92" n="86" corresp="#Che01ARol092"/>
						was his only son, dearer in his eyes than all his daughters put together, and doubly dearer in another sense, for the young gentleman had made great inroads upon the accumulated stores resulting from twenty years' successful farming.</p>
        <p>He had been brought up to be a young gentleman and nothing else, or rather to represent in person his father's ideal young gentleman. The elder Langridge had more sense than to believe that by the acquisition of a very tolerable fortune he had been transformed into a gentleman. He was aware that he remained very much the same uneducated and homely farmer that he had been in the days of his poverty. He had no intention of trying to be anything else. But there were his children; he was ambitious for them, not for himself. If it were somewhat too late in his day for the cultivation of the habits and manners of polite society, and decidedly too late for an amendment of his education, there was yet time to make his son the equal of those whom the farmer had always reverently considered as beings of a nature superior to his own, and whom he usually spoke of as the ‘upper classes.’ He could not climb to their level, but Stephen should.</p>
        <p>Langridge was certain that this, like most things he was acquainted with, was a mere matter of money. Boys, he had always understood, were trained into gentlemen at the great English public schools, and finished at the universities. They could learn as much elsewhere: a boy of powerful will could learn
						<pb xml:id="n93" n="87" corresp="#Che01ARol093"/>
						anywhere : witness the case of that diligent Chinese youth who, that he might lose no moment, hung his book on the horn of the cow he tended. After all, education was a tolerably common thing. He himself had often met with self-taught men who had picked up a great deal of information in various irregular and unorthodox ways, whose brains—from his point of view as an ignorant man—seemed to be overloaded with knowledge, and who, nevertheless, were not much thought of. Any ordinary fellow, who could never be considered a gentleman, might take it into his head to educate himself. Of course he wanted his son to know so much that he would be able to hold his own with most men, and he would not even object to his becoming very learned if he liked to take the necessary trouble; but he must have style and finish with his learning. And to obtain these he must go to a university.</p>
        <p>And to a university the favourite child was sent; that is, he dwelt within the precincts of one, and while there studied as little as possible. He returned, and Mr. Langridge was well pleased with the change wrought in his son by the expensive ordeal he had passed through. Stephen did not know many things which his father had supposed were taught in colleges, and he was profoundly ignorant of many others which certainly are taught in common schools; but this was not likely to be of much consequence. Few people could tell from his manner whether he knew or did not know all things, such is the advantage of
						<pb xml:id="n94" n="88" corresp="#Che01ARol094"/>
						finish in education. What had been desired was the formation of gentlemanly habits and manners. In this respect Langridge felt sure that his son had not wasted his time. He had formed a great many habits, all of which, it was only reasonable to suppose, were gentlemanly.</p>
        <p>Whether he was a gentleman or not, it is quite unnecessary to decide. Five out of every ten persons who, like him, had been foolishly humoured and indulged from babyhood, would have been utterly spoilt, and it was chiefly owing to a certain straightforwardness and simplicity of character that he was not a thoroughly disagreeable fellow. No one thought him that. Strange to say, he was diffident of his merits, and averse to obtruding his opinions upon the notice of others. He was well-mannered enough, and when he pleased could make himself very agreeable. But it was not often that he made any effort for the pleasure of others. Indolence was his bane. It gave him that languid, quiet manner which his father thought so gentlemanly, and through it he had gained the reputation of being excessively good-natured, merely because he found it less fatiguing to agree with people than to oppose them.</p>
        <p>Stephen generally breakfasted more than an hour after the rest of the family, and dawdled over most of the morning, reading magazines and newspapers. He read that part of the newspaper which treats of sporting matters with most interest, and had he been
						<pb xml:id="n95" n="89" corresp="#Che01ARol095"/>
						allowed, would have kept racehorses, but this was one point on which his father stood firm. He had often thought how delightful it would be to ride them himself—to take part in some glorious steeplechase, for instance—though he was a remarkably awkward horseman, and would most likely have parted company with his horse before reaching the end of the course. He had a yacht, and it was of great assistance to him in the work of killing time. And when in town he was a kind patron of the opera and the drama; indeed, what with these and what with private entertainments, his evenings were all well occupied, and he felt quite busy.</p>
        <p>Lately, however, he had become more energetic. He had risen at the unprecedented hour of six, having fallen into the habit of taking early morning rides with his sisters and a young lady visitor, to please whom he had actually once or twice put himself to considerable inconvenience. His father could only find one explanation for such a remarkable change, and was by no means displeased. The young lady was not only handsome, but rich—a very suitable match for Stephen if he thought of marrying. Langridge inclined to the opinion cherished by a certain Quaker farmer whom most of us have read of: He would on no account advise his son to marry for money; but if he must fix his heart on some one, how much better to contrive that the chosen one should be a well-dowered person.</p>
        <p>‘I thought I would come down to see how the
						<pb xml:id="n96" n="90" corresp="#Che01ARol096"/>
						work was getting on,’ said Stephen, leaning against the fence as he spoke. It was one of his habits never to stand upright when he could lean against anything.</p>
        <p>‘Swimmingly,’ said Langridge. ‘We'll clear up in this field to-night. I'll get the men to hold on. The other will all be in the stook, and it should be stacked before the week-end; we might have rain any day. I don't like the look of the sky.’</p>
        <p>‘Why don't you have one of those new binding machines, and save the expense of hiring Maoris to follow the reaper?’ asked his son.</p>
        <p>‘I don't want to spend money in new machinery; it would be a long while before I saved the price of it in wages. They may make what machines they like, farming doesn't pay.’</p>
        <p>‘But I thought you had made it pay,’ said Stephen, surprised at this assertion.</p>
        <p>‘I?—oh, I've done pretty well,’ said Langridge, rather confusedly; ‘but I've had other strings to my bow. Any half-rocked fellow can make a living out of his farm; but he'd be a wise man who could make a fortune. Well, yours is made for you. Been out with Miss Desmond?’</p>
        <p>‘Yes,’ answered Stephen shortly. ‘I say, that is the fellow who was so rude to us. I told you about it. Why, he is one of your men.’</p>
        <p>‘Well, what if he is?’ coolly asked Langridge. ‘He isn't rude to me, and he's the best workman of the lot.’</p>
        <pb xml:id="n97" n="91" corresp="#Che01ARol097"/>
        <p>‘I thought he had a great deal of impudence,’ said Stephen.</p>
        <p>‘Don't care what he has if he does his work well,’ said Langridge.</p>
        <p>A waggon-load of sheaves came creaking over the stubble, and the farmer walked beside it towards the stacks. From the next field the jubilations of the Maoris announced that the reaping was finished. They were setting up the stooks in long lines. The sun went down in fiery splendour, and the dusky twilight had almost deepened into night before the wheat in the first field was stacked, though the men worked well. Even the independent Simpkins consented to bear a hand to the last, being quickened in spirit by a cold collation of cakes and ale.</p>
        <p>At last the starlight showed a bare waste, unmarked by stook or sheave. The tired horses were unyoked, and the men made their way to the great barn, where supper and that variety of couch known as a ‘shake-down’ awaited them. The Maoris had made a fire outside, and were boiling their favourite compound of ‘pipis’ (a kind of shellfish) and flour gruel, well sweetened with brown sugar. Their whares were three miles distant, so they had encamped on the farm. Some shelter from the wind had been obtained by a screen of brushwood, a mere apology for a hut. They were well used to having no other canopy than that one spread above them, blue and beautiful with countless stars.</p>
        <p>When all was still about the farm, and all lights
						<pb xml:id="n98" n="92" corresp="#Che01ARol098"/>
						in the house save one were extinguished, a restless figure paced up and down the yard. A long day of active employment had not helped Randall to woo sleep successfully. Now and then he carelessly glanced at the window in which a light burned so late. Suddenly it was opened and a lady with a book in her hand leaned out to gaze at the hushed and lovely night, The watcher below saw her face as the light from a lamp beside her seat fell directly upon it, and turned away with a start.</p>
      </div>
      <pb xml:id="n99" corresp="#Che01ARol099"/>
      <div xml:id="t1-body-d1-d8" type="chapter">
        <head><hi rend="c">Chapter</hi> VIII.</head>
        <lg type="verse">
          <l>‘Heap high the farmer's wintry hoard,</l>
          <l>Heap high the golden corn;</l>
          <l>No richer gift has autumn poured</l>
          <l>From out her lavish horn.’</l>
          <byline rend="right"><hi rend="sc">Whittier</hi>.</byline>
        </lg>
        <p><hi rend="sc">Having</hi> worked and worried to get his wheat reaped, Langridge was going through the same wear and tear of both mind and body with a view to getting it thrashed. A Mr. Palmer was the man who had engaged to do this work. Palmer dragged a steam engine and thrashing machinery about the country, thrashing out the crops he not unfrequently had put in by contract some months before. He was supposed to be making money. Langridge always declared that he absorbed all the profits of his farming. Palmer was in great request at two seasons of the year—seedtime and harvest—and often was not to be had for love or money, owing to a press of engagements. Farmers would wait on him at untimely hours, beseeching him to put their crops into a marketable condition without delay. He and one or two others of the same trade were accused of engaging themselves to six or seven farmers at a time, and making small affairs wait, till, in their despair,
						<pb xml:id="n100" n="94" corresp="#Che01ARol100"/>
						the baffled agriculturists were almost induced to revert to the primitive threshing-floor of the ancients.</p>
        <p>To speak plain truth, Palmer was an honest man, a little embarrassed by that desirable thing, a good business. Like the rest of the world, however, he could not escape calumny. Langridge had collected every wheat-ear that conveniently could be collected, had filled an array of waterbutts for the requirements of the engine, had ordered a ten-gallon cask of beer for the somewhat similar requirements of the men, and then, Palmer not appearing, as according to promise he ought, sat down to abuse him.</p>
        <p>But one afternoon a black mass loomed in the distance, which Langridge, by the help of Stephen's race-glass, identified as the engine. It had cracked two bridges on the road, and seriously injured the railing of a third. By the unskilful steering of the man in charge it now, like Samson, bore away Langridge's new gates, and strewed the road with their fragments.</p>
        <p>‘Where's your master?’ shouted Langridge, after gloomily surveying the wreck.</p>
        <p>‘Couldn't come to-day, sir. Of course he'll see everything put right again.’</p>
        <p>‘I should think so! Strange thing: so soon as I get new gates some one is sure to smash them. A nice time I've been waiting for you. Your master has thrown me away nearly a shilling a bushel. I wonder his conscience allows him to take more work than he can do in a reasonable time.’</p>
        <pb xml:id="n101" n="95" corresp="#Che01ARol101"/>
        <p>‘My word, sir,’ expostulated the man, ‘how can we help being up to the eyes in work? There's every farmer in the country at Mr. Palmer wanting his wheat thrashed, and every one of the lot wants his done first, and those who have to wait are fit to turn and rend us. We can't do it all at once, and we can't work any faster than we do.’</p>
        <p>‘You shouldn't make promises then. I'd have had some one else long since if I'd known. I was nearly sending for Jefferies.’</p>
        <p>‘Jefferies!’ said the engine-driver (by name Smithers) with ineffable contempt. ‘He'd blow away half your wheat into the chaff, and leave most of the other half in the straw. His rattletrap old machine won't thrash; it's done for.’</p>
        <p>‘Oh, of course, you're the pick of the universe. Well, what now?’</p>
        <p>‘I'm afraid, sir,’ said Smithers, halting with his cavalcade before a second gateway, narrower than the first, ‘that we can't get through here unless you'll allow us to pull up a panel of fencing.’</p>
        <p>‘I shall have to pull up a chain of fencing next to accommodate you,’ said Langridge. ‘Why, you got through last year; you don't mean to say your engine has grown?’</p>
        <p>‘We broke both the posts to splinters,’ the engine-driver reminded him.</p>
        <p>‘Oh, well, have it up then,’ said Langridge. ‘Pull up half a dozen panels, only get through some way.’</p>
        <pb xml:id="n102" n="96" corresp="#Che01ARol102"/>
        <p>It took some time to see the long train safely through the five gates which had to be passed before the wheat-fields were reached. At each of these gates the horses were awkward, and there was some accident. Palmer's man laid the blame on the construction of the gates and the multiplicity of their fastenings. Langridge asseverated that the gates were made after a choice pattern much in use on the best English farms, and, he believed, even on the Queen's own farms. The engine-driver replied that he was sorry to hear it, having always thought Her Majesty to be a sensible woman. They arrived in the stackyard at length. Langridge had everything in readiness for an early start the next morning, and rose at an unearthly hour himself in order to bring his men ‘up to the mark,’ to quote his own words.</p>
        <p>When they were fairly started, with all the whirr and clatter of machinery, and the clean bright straw was falling quickly from the straw elevator, and the sacks were filling fast with fine well-ripened grain, the farmer recovered his good temper. The work being almost entirely in the hands of the tribe of men sent by Palmer, he had not so much on his mind, and could amuse himself with counting the grains in ears of wheat that seemed preternaturally large, or arranging samples of the finest on sheets of blue paper, on which they showed to such advantage as to convince him that he would obtain the highest price in the market.</p>
        <pb xml:id="n103" n="97" corresp="#Che01ARol103"/>
        <p>‘It's a fine yield, Steve,’ he said, ‘a very fine one. I wish, though, Palmer were here to drive his men on; they don't do half as much without him.’</p>
        <p>‘You have that man on the stack yet,’ said Stephen. ‘Who is he?’</p>
        <p>‘You mean my gentleman stacker, as I call him? I don't know who he is, but I don't think he was brought up to work.’</p>
        <p>‘No, evidently not. I believe I have seen him before. You remember our picnic in the ranges near Wishart's property, and that man who played like a demon—I don't know of a better comparison—on the violin. He didn't take the slightest notice of us, he was so absorbed in his music. This is the same man.’</p>
        <p>‘I believe you are right. I thought I knew his face. He wasn't quite so seedy then.’</p>
        <p>‘Some broken-down gentleman,’ said Stephen.</p>
        <p>‘No doubt. Has he got his fiddle here, I wonder. You might ask him to play before your sisters and Miss Desmond; it would be a rare treat.’</p>
        <p>‘Oh, I shouldn't like to ask him. People of his kind don't like to be patronised.’</p>
        <p>‘Yes, better not, perhaps. He looks as if he'd more pride than pence after all his downcome. There's Palmer, riding like a madman. It's a wonder he doesn't break his neck.’</p>
        <p>A horseman appeared in the midst of a cloud of dust, clattering down the road at a furious rate. As
						<pb xml:id="n104" n="98" corresp="#Che01ARol104"/>
						soon as the workmen caught sight of this figure the word was passed round, ‘He's coming!’ and their exertions, which had not been remarkable, were redoubled. ‘We'll have to look alive now,’ observed one. ‘How he will go on! I know by the way he rides.’</p>
        <p>‘Just look at those fellows, Steve,’ said the farmer. ‘They've been crawling like snails all the morning, and now their master's in sight they put on a bit of a spurt. Yes, you'd better brush up to your work, or there'll be strange goings-on.’</p>
        <p>‘These gates will sweeten his temper,’ said the engine-driver, who seemed to look forward to the ‘goings-on’ with pleasure.</p>
        <p>Palmer had to slacken speed when he encountered the gates. Three of them were provided with fasteners that could only be opened by a patient and time-taking individual. Palmer was seen to tug at them desperately, ejaculating fiercely meanwhile. The others were, properly speaking, not gates at all, but slip-panels, which generally refused to slip when one had gone to the trouble of dismounting to remove the rails. His patience was exhausted when the last of these was passed, and springing on horseback again, he dashed up to the stacks at a gallop, his fine black horse white with foam.</p>
        <p>‘Good morning, Mr. Palmer,’ said the farmer, in response to a curt greeting. ‘You've been getting over the ground at a fine rate.’</p>
        <pb xml:id="n105" n="99" corresp="#Che01ARol105"/>
        <p>‘I never waste time on the road. Time is money; some people wouldn't throw it away as they do if they believed that. Why in the name of wonder have you hedged and fenced yourself in with such a number of gates? I have been doing nothing but open and shut gates for the last half-hour.’</p>
        <p>‘I've got the farm well divided at last,’ said Langridge.</p>
        <p>‘You have chopped it up into dice. I thought you must be trying to keep the caterpillars out. Now then, I'll stir up my fellows.’</p>
        <p>There was a visible increase in the alacrity of the ‘fellows’ as their employer drew near. He was a tall and meagre-looking man, his spare frame seeming to be animated by an energy that would allow it no rest. There was the evidence of ill-health on his thin and colourless face, which was rendered yet more remarkable by a tangled mass of black hair worn unusually long and a pair of fierce and sparkling dark eyes which left few objects unnoticed in their owner's path.</p>
        <p>‘That engine is in a shockingly dirty condition,’ commenced Palmer, looking at the engine-driver, who happened to be nearest him. ‘My last engine-driver took some pride in keeping it clean, but you, Smithers, have none of that about you. Why, I can hardly distinguish the brasswork, it looks as if you had tarred it.’</p>
        <p>‘I clean it as regular as clockwork, I'm sure,
						<pb xml:id="n106" n="100" corresp="#Che01ARol106"/>
						sir,’ protested the engine-driver. ‘I believe I shall scour it away in time.’</p>
        <p>‘I daresay. More likely to drive it till there isn't a drop of water in the boiler and blow us all up. You'll hardly credit it, Langridge,’ said Palmer, turning to the farmer, ‘but I once had a man who nearly did for me in that way. He got beyond my control, would heap on coal and get up more steam, till I expected an explosion every minute, and that we should be all involved in one great scald. It didn't go off, though, after all.’</p>
        <p>‘Why don't you have a man who understands such things?’</p>
        <p>‘Oh, I've had all sorts. I never keep a man long, but I take any one who asks for work. If they don't suit me they go instanter, no matter whether they've been a week, a day, or an hour. I've only had that man at the machine a week, and I expect he'll go before another's out.’</p>
        <p>‘But it's so disagreeable to be always in hot water with one's men,’ said Langridge, oblivious of his frequent outbreaks of temper.</p>
        <p>‘Hot water? I'm always as cool as a cucumber. I never have more than two words with a man who's not of my sort. I pay him his wages and say “Be off,” and he knows better than to linger. Oh, I say!’—and he addressed himself to a man who was allowing the sacks to fill to overflowing— ‘wouldn't it be as well to fill those a little fuller? You can't squeeze some more in, I suppose, Jones?’
						<pb xml:id="n107" n="101" corresp="#Che01ARol107"/>
						(this to another); ‘a machine can't grind nothing, though you may think so. Let's see you feed a little quicker. That's a man I picked up off the road, Langridge, two days ago, but I shall send him about his business to-morrow and look out for another.’</p>
        <p>‘It's only charitable to give them a turn,’ said Langridge; ‘but he's a queer-looking fellow.’</p>
        <p>‘Yes; looks as if he'd graduated at a certain institution near town. But I don't care. So long as a man will work what are character and appearance to me? I try them all.’</p>
        <p>‘Well you sometimes hit on a useful man that way,’ said Langridge. ‘Look at that young man on the straw-stack; I picked him up by accident, and he has worked like a Briton. I shan't want him after threshing is over, so if you need another you'd better take him on.’</p>
        <p>‘Oh, very likely I shall. I don't like his looks though.’</p>
        <p>‘Why, you've just said you don't care for appearances, and he's rather a good-looking fellow.’</p>
        <p>‘That's what I mean. You ought to know, Langridge, after employing labour for so many years, that good looks count for less than nothing. If I were choosing a man by his face I should pick an ugly one. A handsome fellow is always thinking of himself, how to show off with his money, and get as much out of his master as he can without spoiling his beauty by hard work. I had a man once who
						<pb xml:id="n108" n="102" corresp="#Che01ARol108"/>
						actually wore a gauze veil when we were thrashing some rather smutty wheat. I was as black as a sweep, but that was nothing to his lordship, who must preserve his fine complexion. I soon dismissed him, and he stole two new indiarubber belts and went off with them. I see I shall have to animate these men by my example: a working master is worth a dozen of the kind who stand by with their arms folded. Mr. Butterfingers’—here Palmer again addressed the unfortunate Jones— ‘you have a most remarkable way of feeding, as if you were afraid the machine would take you in as well as the wheat—and small loss it would be to the world, I must say. Put the stuff through, man, and don't moon over your work like that.’</p>
        <p>Palmer pulled off his coat and threw himself into the work with such spirit that the men caught some of his enthusiasm. There were various stoppages and mischances. The large belt broke, and a man had to be sent on horseback for another. When this was remedied the water supply failed, greatly to Langridge's surprise; he thought enough had been carted for at least two days' work. This gave occasion for an ebullition of wrath on his part, and when both he and Palmer were engaged in strife and contention with their men there was indeed a strange Babel in the stackyard. Langridge declared some one had maliciously let off the water, and finally succeeded in convicting Simpkins of the offence. He was discharged on the spot, and Palmer <choice><orig>im-
							<pb xml:id="n109" n="103" corresp="#Che01ARol109"/>
							mediately</orig><reg>immediately</reg></choice> discharged two of his men, for no reason that could be discovered, unless it were to keep him company. Then peace was restored, and as nothing could be done till more water was obtained, it was resolved to break off for that day.</p>
        <p>Palmer was pressed to stay all night at the farm, and consented, because he wished to be on the ground to start the work himself the next morning, having, as he said, no confidence in his engine-driver and foreman, though that person had been in his employ longer than any of the other men.</p>
        <p>‘I wonder you keep him, then,’ remarked Langridge.</p>
        <p>‘I suppose because the man has an oily tongue, and gets round me. I have a weak point or two, and he has found them out.’</p>
        <p>‘I'll show you your room,’ said Langridge. ‘You'll be glad of a wash before tea.’</p>
        <p>‘Oh, I'm all right,’ carelessly replied Palmer, who considered enough had been done when he had washed his hands at the tank and put on his coat again after flapping it a little.</p>
        <p>‘But you look so hot and dusty,’</p>
        <p>‘Looks! what do I care for looks?’</p>
        <p>‘But you'd feel better after a wash.’</p>
        <p>‘Feel! what do I care for feelings?’</p>
        <p>The farmer was obliged to induct the guest as he was into the presence of Mrs. Langridge and her daughters. They knew him too well to be surprised at his untidy appearance, his wild and rambling conversation,
						<pb xml:id="n110" n="104" corresp="#Che01ARol110"/>
						or the number of times his cup needed refilling with strong tea unflavoured with milk or sugar.</p>
        <p>Any intelligent listener at that tea-table ought to have amassed a great deal of valuable information concerning the statistics of the year's wheat harvest. Palmer could give the acreage of each wheat crop, and its probable or ascertained yield. Langridge knew exactly how the crop had been put in, what fertilisers had been used, and how much seed had been sown to the acre. Together they criticised the doings of their neighbours very freely. How there was no doubt that Robinson was ruining himself by slovenly farming, and how it was positively sickening to look at his fields, where docks had long since triumphed in the struggle for existence—Palmer affirming that sacks which ought to have contained wheat alone were more than half-full of dock seed. Also, how Johnson had brought thin sowing to such a pitch that in his fields the wheat ears were not within hail of one another. And how Wingrove had very fair crops, but was mortgaged head over ears, and could not hold on much longer; and how several others were in the same condition. And finally (this from Mr. Langridge), how farming did not, would not, and could not pay.</p>
        <p>The young lady visitor who had been listening to this dialogue of the bucolics took advantage of a pause in the flow of words to say, ‘But I thought all the farmers here were well off. Every one seems so
						<pb xml:id="n111" n="105" corresp="#Che01ARol111"/>
						happy and comfortable. I have always thought of New Zealand as a land of plenty, where there was no such thing as poverty.’</p>
        <p>‘Whether there may be a country where there is no such thing as poverty, I don't know,’ said Palmer; ‘but I am sure of one thing, that wherever farmers abound there you will hear grumbling. I could name a good many in this land of plenty, Miss Desmond, who neither look unhappy nor uncomfortable, and yet, if we are to believe them, they are miserably poor.’</p>
        <p>‘Poor; we're all as poor as Job,’ said Langridge.</p>
        <p>‘Before he lost his property or after?’ asked Stephen.</p>
        <p>‘Well,’ said Langridge, remembering that, like the patriarch, he was blessed with land, with sheep and cattle, with menservants and maidservants, and that moreover he had ripe corn in his fields and cash in the bank, ‘there are different ways of being poor.’</p>
        <p>‘Ah,’ said the young lady, laughing at him a little, ‘if I am ever to be poor may I be poor in your way. The poverty I saw in England was very different from yours. Your working men are rich compared with English farm-labourers. I cannot understand why you don't all grow rich.’</p>
        <p>‘Well, some of us do,’ said Palmer; ‘some of our farmers even; though, as you know, Langridge, farming doesn't pay. Nothing pays; that's the conclusion I have come to. When I go into the town I find the tradesmen croaking about the times
						<pb xml:id="n112" n="106" corresp="#Che01ARol112"/>
						being hard and trade bad, and when I'm in the country every farmer I meet swears that he's on the road to ruin. They live, of course, and support their families on nothing a year, I suppose.’</p>
        <p>‘You may joke as you please,’ said Langridge, ‘but you know as well as any one how it is with us. High wages, high rents, high rates of interest, everything dear a farmer has to buy, and everything he has to sell monstrously cheap.’</p>
        <p>‘Yes; I know how it is with many of you. High wages are good for the labourer, as Miss Desmond has found out, but they don't suit the farmer quite so well, especially when wheat's low. The worst of it is that in this country men attempt to farm without capital. Often when a farmer is favoured with a good harvest, all he can make is condemned beforehand. Very likely he has put his crop in with borrowed money, and as likely as not he has to go to the money-lender again before he can reap it. If his land is his own so much the better; but very often it isn't, and rent or interest on a big mortgage makes a hole in his profits. If he has a good harvest we'll suppose he pays his way, and has something left for himself. But if his crop is a failure—well, he sinks a little deeper in debt, and so one rubs on from year to year.’</p>
        <p>‘Yes, that's the way in this beautiful country,’ gruffly assented Langridge.</p>
        <p>‘But surely that is not the fault of the country?’ said Miss Desmond, who was lately from England,
						<pb xml:id="n113" n="107" corresp="#Che01ARol113"/>
						and felt interested in these matters because they were new to her. ‘I don't understand, perhaps, but I think farmers ought not to have much to do with money-lenders and high rates of interest.’</p>
        <p>‘I am sure Miss Desmond is quite right,’ said Stephen, who had lent his ear to the conversation as soon as that lady took a part in it, and would have agreed with any observation she had pleased to make. ‘Why don't men begin in a small way and work steadily upwards, instead of buying farms with borrowed money and cultivating them with other persons' capital?’</p>
        <p>‘Why, Steve, what do you know about it?’ cried Langridge in astonishment, for it was the first time his son had been heard to speak on such a subject. ‘Hark to him, Polly,’ he whispered to his wife, ‘the boy's coming out of his shell.’</p>
        <p>‘Yes, coming out fast enough,’ responded Mrs. Langridge in the same muffled tones.</p>
        <p>‘Oh, of course I know nothing from my own experience,’ Stephen answered, ‘but one hears of it constantly. There is plenty about it in the papers. I read an article lately which seemed to prove that we were all bankrupt together.’</p>
        <p>‘Bankrupt! rubbish!’ said Palmer, who was never very polite to the younger Langridge. ‘If you pin your faith to the newspapers I don't know what you may not come to believe in. What is the matter with us is that we don't know when we are well off. Most classes live better and spend far more—I don't know
						<pb xml:id="n114" n="108" corresp="#Che01ARol114"/>
						about saving—than those in the same rank of life in England. Only, from the Government downwards we're inclined to run to the money-lender too often. We're a nation of borrowers, and we are all in haste to be rich; we must have everything at once, so very often it's grasp all, lose all.’</p>
        <p>‘Palmer is getting quite philosophical,’ said Stephen to one of his sisters.</p>
        <p>‘People calculate most things nowadays,’ resumed Palmer. ‘I should like to see a calculation of the average number of those who succeed in each particular trade or profession. How many farmers out of the thousand make their fortunes?’—(‘None,’ interjected Langridge)—‘how many private soldiers rise from the ranks to be generals? how many lawyers reason themselves into a judgeship? or how many bank clerks become managers?’</p>
        <p>‘Very few indeed,’ said Stephen mournfully. He had been in a bank for a few months and had not liked it.</p>
        <p>‘Dear me, what does it matter if they don't succeed, if they live comfortably and bring up their families respectably?’ said good-natured Mrs. Langridge, who, in her handsome afternoon dress, and with her comely face shaded by a white lace cap, looked particularly comfortable and respectable.</p>
        <p>‘Oh, to some of us it matters everything,’ said Palmer. ‘It is easy to preach content, but who believes in it? Who is contented with his lot? I must say I don't admire the man who is. The
						<pb xml:id="n115" n="109" corresp="#Che01ARol115"/>
						leaven of discontent which is always to be found in human nature has been of great use in the world. Should we have done anything at all without it? Geniuses are always intensely discontented; talent of every kind is only discontent finding out flaws everywhere around itself and seeking to remedy them. What is success but the result of continued discontent with everything mean and commonplace, and continued striving for a higher position? Men who have that in them must get to the top of the tree.’</p>
        <p>‘Why, now, in my opinion,’ said the farmer, ‘people of that kind never do much in the world. I like to see a man stick to his work, not fly off after every fine new idea. He won't succeed in business if half his time he's up in the clouds. It amazes me to see how some men dream away their time. There's that decayed gentleman I have working here. He hadn't a shilling in his pocket, I'll be bound, and looked as if his meals hadn't been very regular lately, yet the first time I saw him he was carelessly leaning against the gate sketching us all at work, and maybe would never have thought of helping, needy as he was, if I hadn't asked him.’</p>
        <p>‘I suppose he is one of the geniuses who are intensely discontented with common things—work, for example,’ said Stephen, with a laugh.</p>
        <p>‘No, he works well,’ said the farmer. ‘Very likely he's discontented though. Such poor fellows who've lost money and position and everything can't very well be content.’</p>
        <pb xml:id="n116" n="110" corresp="#Che01ARol116"/>
        <p>‘And ought not,’ said Palmer. ‘He belongs to a class as miserable as any I know of. The outcasts of gentility have a natural tendency to drift to the colonies; but they don't make good colonists in any sense of the word.’</p>
        <p>Miss Desmond looked at the speaker with a serious and thoughtful gaze.</p>
        <p>‘Then do they never regain the position they have lost?’ she asked.</p>
        <p>‘Very few,’ said Palmer. ‘Where one succeeds in doing so ten go down lower and lower.’</p>
        <p>‘Oh,’ she said, ‘it is a great pity.’ She seemed a little nervous in her manner, and looked away from the others.</p>
        <p>‘Very good of you to pity such fellows, Miss Desmond,’ said Palmer; ‘but perhaps you wouldn't if you knew more about them. I've known many a plain working man make his way upwards step by step, but I never knew a gentleman scapegrace do anything but explore the road which leads to ruin.’</p>
        <p>‘Does no one try to help them?’ she said in a low voice.</p>
        <p>‘Yes, they are helped oftener than more deserving people, I'm afraid. But what can you do for a man who won't help himself? These men have most of them heaped such disgrace on themselves that they can never go back to their homes. Not that their families wouldn't take them back—in most cases they would—yes, even the worst of them. But they've cut themselves off from everything that is
						<pb xml:id="n117" n="111" corresp="#Che01ARol117"/>
						pure and good—they are not even worth the thought of a kind-hearted young lady like yourself.’</p>
        <p>She coloured faintly and looked down. Stephen could not help noticing her, and did not look pleased with what he saw. The farmer continued to remark on the difficulty if not impossibility of making a fortune in New Zealand. Palmer hastily affirmed that it mattered very little; fortune-making ought not to be the end and aim of every man's life. ‘What's the good of money?’ he demanded, staring almost fiercely at Langridge.</p>
        <p>‘The good of money!’ the farmer repeated, aghast at this question. ‘Whatever do you mean? Can you do without it, or can I, or any one else?’</p>
        <p>‘We can do without fortunes. Some men who get them are just as great failures as the poor fellows we've been talking about. Money smothers an immensity of talent. A rich man is weighed down by his money bags, and has no inducement to do anything. The same man without a penny in his pocket would be obliged to work either with his hands or his rusty mental machinery. If he had any worth mentioning he would use the latter and bring some lost talent to light.’</p>
        <p>‘It's all very well to talk like that,’ said Langridge, ‘but very little talent would come to light if it wasn't for money. I've always understood money encouraged talent, and, say what you like, all your geniuses sell their work for it, and sell it pretty dear too nowadays.’</p>
        <pb xml:id="n118" n="112" corresp="#Che01ARol118"/>
        <p>‘I say that money is unduly valued,’ said Palmer, ‘especially in new countries such as this. All our endeavour is for money. Money, and how to get it, is the commonest theme of conversation. You, yourself, Langridge, don't you oftener talk of what can be made by farming than anything else, unless it is to complain that you can't make enough? Do you take any interest in any subject that isn't some way or other connected with money, and do you know any farmer who does?’</p>
        <p>‘Well, if you will browbeat me at my own table,’ said Langridge good-humouredly, ‘I wish you'd say what I am to talk about. You know I'm not well-educated. I've read precious little. I've had no time to study, and I don't suppose other settlers are better in that way. We know very little; and as our travelling ended when we came to this country we haven't seen much. So what on earth are we to talk about, except what we do every day on our farms, and what we make by them?’</p>
        <p>Palmer laughed, and vouchsafed no other answer to this appeal. Langridge, who felt sure that his friend was what he called ‘off his head,’ led the conversation back again to matters nearer his heart, and forgetting Palmer's tirade against such topics, dared to talk of a rotation of crops which he had thought out, and which was the most likely to call forth all the virtues of the soil, and to yield a good profit. Palmer flatly denied the efficacy of any rotation of crops. Langridge was so deeply shocked by the
						<pb xml:id="n119" n="113" corresp="#Che01ARol119"/>
						utterance of such rank heresy that he could not combat it Mrs. Langridge and the young ladies betook themselves to the drawing-room. Palmer went down to the stacks to see if all was well there. He was haunted by the fear that some injury might be done to his machinery—a workman whom he had suddenly discharged having gone away breathing forth threatenings of dire import.</p>
        <p>‘What a tremendous fellow Palmer is to talk!’ the farmer said to his son when they were sitting on the verandah smoking. ‘He has got some queer ideas—from reading his old books, I suppose. They say he sits up till near midnight poring over them. He'll read his senses away if he doesn't take care. There's something gone in his head, you may depend on it, Steve.’</p>
        <p>‘I don't know what may be gone from it,’ said Stephen. ‘I know there's enough left in it yet to enable him to make himself thoroughly disagreeable’—Palmer had snubbed him several times that evening—‘I believe he was trying to show off before Miss Desmond.’</p>
        <p>‘Aha! I daresay you think everyone's anxious to show off before her,’ said his father with a chuckle. ‘Take care you don't overdo it yourself.’</p>
      </div>
      <pb xml:id="n120" corresp="#Che01ARol120"/>
      <div xml:id="t1-body-d1-d9" type="chapter">
        <head><hi rend="c">Chapter</hi> IX.</head>
        <lg type="verse">
          <l>‘The life where hope and memory are as one;</l>
          <l>Where earth is quiet and her face unchanged,</l>
          <l>Save by the simplest toil of human hands</l>
          <l>Or season's difference.’</l>
        </lg>
        <p><hi rend="sc">Miss Desmond</hi> had been a guest at the farmhouse for several weeks. The family, however, had not known her, even by name, for any length of time. When her stepbrother, Mr. Wishart, had come to New Zealand several years previously he had brought a letter of introduction to Mr. Langridge, who, as an experienced colonist, had been requested to assist him in selecting land, and also to enlighten him concerning the best way of making it profitable. The farmer did his best for the inexperienced gentleman, and when his pupil prospered, was not a little proud to think that he had contributed to his success.</p>
        <p>How this could be, however, is not very clear. The gentleman farmer never made a penny by farming after Langridge's plan; but he enriched himself by land speculations and by a lucky investment in twelve shares of that most celebrated mine of the Thames goldfield—the Caledonian. This was his
						<pb xml:id="n121" n="115" corresp="#Che01ARol121"/>
						first and last venture in the share market, and it brought him a fortune.</p>
        <p>The erstwhile farm-pupil ruined himself in Mr. Langridge's estimation by buying an estate which had nothing but romantic beauty of scenery to recommend it, and was, besides, out of the way, and only approachable by roads notorious for their depth of mire. But he pleaded that in the future he did not intend to farm, and that what he desired now was beauty, not utility. Roads would be made in course of time. There was some hope that they would be made speedily, since one high in authority, while making a political tour through the district, had been grieviously overthrown in an ancient quagmire. Undoubtedly this gentleman had suffered for the public good. That he should almost have broken his neck upon one of the worst of bush roads had caused a thrill of horror in Ministerial circles, and the Government had begun to think seriously of repairing this dangerous road, a result which all the periodical wailings of distressed settlers had failed to obtain. If the promises of the Minister of Public Works could be depended on, a railway was to be constructed to the district, and then—so Mr. Wishart argued—it would be seen that he had secured a charming retreat at the very gates of the city,—for what was fifteen miles by rail?—and yet affording all the restful quiet and seclusion of a country house.</p>
        <p>However, the roads were not yet made, neither
						<pb xml:id="n122" n="116" corresp="#Che01ARol122"/>
						was the house built. Mr. Wishart was inspecting plans, and like a wise man counting the cost before beginning to build. His step-sister had arrived in New Zealand before a home was ready for her. Mr. Wishart had a strong aversion to doing anything in a hurry. Miss Desmond visited at different houses while he leisurely proceeded with his preparations.</p>
        <p>Maud Desmond was only his step-sister, and therefore bore a different name. Though as strongly attached to each other as ever brother and sister were, there was not in reality the slightest relationship between them; there were even many things that might have divided them. She was rich; he had inherited very little from his father, who had died shortly after his marriage with Mrs. Desmond. That lady had been a rich widow, but her relatives had strongly disapproved of her second marriage, and their jealous influence had taken care that no penny of the Desmond wealth should fall into the hands of the Wisharts. Her mother's death, and afterwards her uncle's, left Maud well provided for—the heiress of monies as strictly tied up as money can well be. Mr. Wishart had a sister of his own, but she was older than himself, and had married young, He remembered her as a severe young lady, addicted to lecturing him, to procuring him various punishments when he thought none were needed, and to speaking of him disparagingly as a ‘noisy little bother.’</p>
        <p>When he was a boy of seventeen, Mrs. Desmond, who had then only recently lost her husband, came to
						<pb xml:id="n123" n="117" corresp="#Che01ARol123"/>
						live very near his father's house. Those who were thus made neighbours soon became friends. Mr. Wishart liked and admired his future stepmother, as most boys are pleased and flattered by the notice of a clever handsome woman some years older than themselves. And he was fond of her little daughter, then only about seven or eight years old. He did not disdain to be her big playfellow; on the contrary, he found the company of this young lady so fascinating that he could never quite make up his mind which he preferred—to play with Maud or to talk with her mother.</p>
        <p>The little girl worshipped him as a wonderful genius. Could he not build doll's houses as beautiful as fairy palaces? had he not made fireworks that were devastating in their awful effects?—this was promptly interdicted on account of the ruin it wrought in the nursery; was not every fairy tale, ghost story, or legend worth listening to enshrined in his wonderful memory? He had indeed lain awake at night inventing these stories that he might tell them to her the next day. He had been fertile in inventions and mechanical toys of all kinds—a little water-wheel turned by a small stream in the garden; a chariot of the true Roman pattern, drawn by a long-suffering kitten, and holding two dolls; a miniature castle, with wall and moat and drawbridge, strictly mediæval in design. Many an afternoon had been happily wasted in these amusements.</p>
        <p>Then, after a time, Maud was sent to school, and
						<pb xml:id="n124" n="118" corresp="#Che01ARol124"/>
						he left home for New Zealand. She wrote to him very often. He could tell by her letters, better than by the flight of time, how she was growing out of her childhood and gaining knowledge. But, somehow, he liked the first letters, written by the child in large round hand, with quaint spelling and an occasional blot, better than the finished elegance of the young lady's correspondence.</p>
        <p>It was while he was in New Zealand that the marriage took place which made him the stepbrother of his former friend and playmate. Within three years after this marriage he had lost his father and she her mother. Death had been so busy amongst her kindred that she was left without a near relative. So it happened that his first thought, after finding himself well-established in his adopted country, was to offer a home to his stepsister, who, though rich enough, was alone in the world. His elder sister, Mrs. Meade, who was now a widow, was coming to live with him, and why should not Maud accompany her? He wrote to invite her, and she was so willing to come that she arrived in the colony two months earlier than was expected, and in advance of Mrs. Meade. So there was some excuse for Mr. Wishart's unreadiness.</p>
        <p>Since her arrival she had been passed about from house to house in a manner that astonished her. She wondered if colonists made so much of every stranger. Such thoughtful kindness, such frank hospitality as she met with everywhere, even from
						<pb xml:id="n125" n="119" corresp="#Che01ARol125"/>
						those of a class beneath her own, charmed her. She was pleased with everything, principally because it was new, and was well disposed to fall in love with her new country at first sight.</p>
        <p>Mrs. Langridge had felt it her duty to invite Miss Desmond, and once installed as a guest in the hospitable farmhouse it was a difficult matter to leave it. She was pressed to stay there until her brother's house was finished, but she was already tiring of a visitor's life. Nevertheless it was a round of pleasure parties. The long rides and drives, the picnics, the dances in the evening, either at home or at some neighbour's house, left little chance for dulness. The daughters of the house were true colonial girls, tall and strong, who took even their pleasure in a vigorous manner. They could dance a whole night or ride a whole day without looking or feeling miserable the next morning. As for Stephen, though he despised colonial ways and things, and particularly disliked the excessive use of muscle in which his sisters delighted, he was now, to their surprise, always ready to join in any of their excursions, provided it did not take place at an uncomfortably early hour.</p>
        <p>These merry-makings were often discussed by the farm-servants. The maids in the house told the men in the yard little tit-bits of gossip, which formed interesting subjects of conversation during the dinnerhour.</p>
        <p>‘There'll be a wedding next, sure enough,’ said
						<pb xml:id="n126" n="120" corresp="#Che01ARol126"/>
						a fiery-haired young man, who had been so often nicknamed the Beacon that his real appellation was almost forgotten.</p>
        <p>‘Why, are you thinking of getting married?’ asked one of his comrades, who was waggishly inclined.</p>
        <p>‘Noa,’ hastily denied the Beacon, in his confusion reverting to the broad dialect he had cast off with shame some years before.</p>
        <p>‘Well, who then?’ said Simpkins, scooping out the cavernous recesses of a peach pie which was furnished with a crust of some solidity.</p>
        <p>‘I should think you might see, if you'd any eyes,’ said the Beacon, with an air of superior wisdom. ‘Mr. Stephen seems mighty anxious to please Miss Desmond, and it's likely she will be pleased with him.’</p>
        <p>‘She's a bonny leddy, and nae doubt weel provided for,’ observed Duncan solemnly.</p>
        <p>‘And he's not bad-looking, if it weren't for his hair being so light-coloured and towsy,’ said the Beacon.</p>
        <p>‘Hout, man! that's better than being the colour of vermilion,’ said Duncan.</p>
        <p>‘It doesn't matter much after all what a man's hair is like,’ said the Beacon, bestowing contemptuous glances on the laughing ones around him. ‘But in my mind he's not fit to black Miss Desmond's shoes! She's a born lady, and every one knows what his father was.’</p>
        <p>‘And what was he?’ asked Randall, to the surprise
						<pb xml:id="n127" n="121" corresp="#Che01ARol127"/>
						of all suddenly joining in the conversation, to which he had been listening with a lowering brow.</p>
        <p>‘Why, just one of us. I guess I'm as good as him any day,’ said Simpkins, who cherished advanced ideas on the subject of Liberty and Equality.</p>
        <p>‘No, thou'rt not, my lad,’ said an old man who sat next to him. ‘He's made hisself into a gentleman, and thou'It niver be nowt but a labourer.’</p>
        <p>‘Well, my father was as good as his'n, anyway,’ persisted Simpkins. ‘He's perked up, becos he's money. If I was rich I'd have just as much right to marry Miss Desmond as his son.’</p>
        <p>‘I think you need not mention that lady's name quite so often,’ said Randall, with a quick glance at the last speaker. ‘At least, don't mention it again in that manner in my hearing.’</p>
        <p>‘Yes; mind your manners,’ said the Beacon, who had a wholesome respect for his superiors. ‘Ladies ain't to be talked about like that.’</p>
        <p>Randall turned away and left the group, but not quickly enough to miss hearing Simpkins's reflection on himself: ‘He's a proud ‘un, he is.’</p>
        <p>He walked slowly down the long stubble-field. The bleached straw glared painfully in the intense light of a noonday sun. Everything was parched, and hot, and dusty, with the long drought. Even the sameness of the unshaded brilliancy of the blue sky had begun to be irritating to the eyes—day after day unchanged and unclouded, save by sultry heat-vapours. One wondered whence these arose,
						<pb xml:id="n128" n="122" corresp="#Che01ARol128"/>
						the earth seemed too baked and dry to yield them. Yet towards evening they would mass themselves in heavy banks of purple clouds, and each night the sun sank beneath them, glowing like a red-hot ball. Then they spread themselves over the face of the sky, shutting in the earth through the hours of a hot and suffocating night. But morning brought the sun again, with burning heat, and the same unchanged deep blue sky.</p>
        <p>At the farther end of the field Randall came to a hand-gate in the fence which divided the rough wheat stubble from smooth grassy sward, inviting to the eye, though no longer green. A winding path, trodden bare and dusty amidst the grass, led to the house. Two persons were presently seen following this path. One was Miss Desmond, in a white muslin dress and a straw hat large enough to prevent the sun from ever getting a sight of the fair face beneath. The other was Stephen Langridge, whose pink complexion had suffered much in these dog-days, and whose light hair, unfortunately, had a tendency to bleach still lighter. Nevertheless, as the farm servant had condescendingly remarked, Stephen was by no means ill-looking. He was not a little proud of his light blue eyes, which were of the very largest pattern, and which Palmer had impolitely spoken of as being only fit for a baby.</p>
        <p>‘I wanted to show you this place, Miss Desmond,’ said Stephen. ‘You said you would like to take a sketch. There is a pretty little picture for you.’</p>
        <pb xml:id="n129" n="123" corresp="#Che01ARol129"/>
        <p>‘I do not care to sketch,’ said Miss Desmond coldly.</p>
        <p>Stephen seemed surprised at this answer. ‘I thought you said yesterday that you liked nothing better.’</p>
        <p>‘Oh, please don't quote what I said yesterday,’ answered the lady, who, we must remember, had been a spoilt child. ‘It is so tiresome to find that one's foolish speeches haven't been forgotten.</p>
        <p>‘I don't think it was a foolish speech,’ said Stephen. ‘And you do sketch. Suppose I run up to the house and bring your drawing case?’</p>
        <p>‘Thank you. Please don't. To speak truly, I am not in the humour for sketching. I am a poor artist at the best of times.’</p>
        <p>They stood still for a few minutes. Two little flycatchers were fluttering and chirping above them in the acacia boughs.</p>
        <p>‘What pretty little birds those are, Mr. Langridge.</p>
        <p>They seem very common. Do you ever find their nests?’</p>
        <p>‘Sometimes. Would you like to have one? There ought to be plenty of old nests about. I think it's too late to find one with eggs in, though they often build twice in the season.’</p>
        <p>‘I should like a nest. They are very small and neatly made, are they not, and the eggs are pure white? I have a great many birds' nests and eggs which a schoolboy friend collected for me in England. And, long ago, I've gone birds'-nesting
						<pb xml:id="n130" n="124" corresp="#Che01ARol130"/>
						myself—a cruel thing to do, I daresay you'll think.’</p>
        <p>‘Cruel? I don't see the cruelty in it,’ said Stephen, who would have said the same whatever enormity she had accused herself of. ‘I call it kindness: saving the poor little mites the trouble and anxiety of providing for a hungry brood. There ought to be plenty of nests amongst the trees by the creck.’ And mentally he resolved to find one the very next day.</p>
        <p>The strength of this resolution enabled him to rise half an hour earlier than usual the next morning. He was ready—even with the dew on the grass, a thing he hated to encounter—to walk down to the creek and search amongst the trees and brushwood on its banks for the coveted nest. But some one had been before him: there was already a dainty little nest, so round and trim, and closely lined with horsehair, lying on the hall table. Stephen's forehead was marked with several corrugations at the sight, and he exclaimed angrily, ‘Oh, that fellow again!’</p>
        <p>‘Hallo, Steve!’ cried his father, in his usual loud and hilarious style. ‘What's matter? Cheer up, my boy!’—an invitation which invariably had a depressing effect upon his son. ‘Did Miss Desmond ask for a nest?’</p>
        <p>‘She said she would like one,’ said Stephen, sulkily, ‘and she's got one, it seems.’</p>
        <p>‘Well, why didn't you get it yourself?’</p>
        <pb xml:id="n131" n="125" corresp="#Che01ARol131"/>
        <p>‘I hadn't a chance. How was I to know some one else would rise with the sun to find it?’</p>
        <p>‘I wish I was a young lady,’ said the farmer. ‘I'm afraid very few fellows would rise with the sun to do anything for me. Who found the nest?’</p>
        <p>‘Susan says it was brought to the door by that dark-looking man who gives himself airs, and whom the men call the “gentleman”!’</p>
        <p>“Oh, Randall is his name. How did he know she wanted one?’</p>
        <p>‘I suppose he heard her say so. He was lounging about somewhere near at the time. I thought he stared at Miss Desmond very rudely. I wouldn't keep him if I were you.’</p>
        <p>‘Pooh, Steve, don't be silly! What's the man to you? It won't hurt Miss Desmond to be looked at, I suppose.’</p>
        <p>Miss Desmond sent her thanks to the finder of the nest. Stephen racked his brains to think of something else that would please her. It was in vain. In the first days of their friendship she had been frank and pleasant with him, as he noticed she was yet with everyone else. But with regard to himself all that had changed. He was convinced that he had transgressed in some way, but was unable to discover the precise nature of his offence, though he made the most searching inquisition into his conduct, torturing himself by turning over and over in his mind such scraps of his conversation
						<pb xml:id="n132" n="126" corresp="#Che01ARol132"/>
						as be could remember, and sorrowing over each ill-chosen expression.</p>
        <p>If he could have brought himself to acknowledge that this lady had a single fault it would have been that she was hard to please. If he admired anything it seemed instantly to have lost its charm for her; if he hastened to agree with her when she expressed a decided opinion, she was apt to contradict herself in a most tantalising manner, and retract what she had said, as if she were determined to oppose him. She would persist in misunderstanding him, and her matter-of-fact answers to his rash assertions made him seem ridiculous. When he was most serious he had often an uneasy suspicion that she was laughing at him. All this would have been insupportable from anyone else. He would soon have ceased to subject himself to such an annoyance simply by avoiding such a person altogether. But there are those who can say and do many things not allowable to their less prepossessing fellow-creatures. This one might have offended him every day, and the next would have found him willing to be offended again. Anything rather than utter indifference. Latterly, however, Stephen had had this worse alternative in view, and had begun to look forward with dread to a time when Miss Desmond would no longer be conscious of his existence. It appeared to be coming to that.</p>
        <p>‘You don't seem to prosper in your suit, Steve,’ said his father, who was constantly teasing him.
						<pb xml:id="n133" n="127" corresp="#Che01ARol133"/>
						This remark had the effect of causing Stephen to desert the verandah, where as usual he and his father were smoking away the twilight hour.</p>
        <p>‘Steve's on a low key to-night,’ continued Langridge to Mrs. Langridge, who, having no objection to tobacco smoke—having indeed during her twentyfive years of wedded life become almost fond of it—was sitting beside her husband swaying gently to and fro in a rocking-chair and plying her bright knitting needles.</p>
        <p>‘Steve is a silly boy,’ she answered. ‘I wonder he should think of Miss Desmond for a minute; she doesn't fancy him, that's certain.’</p>
        <p>‘Nonsense! She's pleasant enough with him; likes to tease him a little perhaps.’</p>
        <p>‘She is too much of a lady not to behave nicely to all alike, but if Stephen had any eyes he might see that he wearies her. She's handsome—there's no denying that—and accomplished; but he'd far better marry some clever colonial girl who'd have no reason to look down on his family, and who would be likely to understand housekeeping as well as fiddling with fancy work, and painting little table-tops and door panels, and so on.’</p>
        <p>‘I don't think Steve will care a pin whether she understands housekeeping or not. Besides, I thought she did. Didn't she go to some grand English school of cookery?’</p>
        <p>‘Yes, too grand to be of much use. The girls were cooking the other day, and nothing would suit
						<pb xml:id="n134" n="128" corresp="#Che01ARol134"/>
						her but she must make a cake—and such a cake! You should have seen it when it came out of the oven—as sad as sad could be, and all the currants sunk to the bottom.’</p>
        <p>‘Well?’ said the farmer, not much affected by the solemn import of these facts.</p>
        <p>‘I should like to give Steve a slice of that cake,’ said Mrs. Langridge. ‘I don't suppose she can make pastry fit to be seen, not to speak of the eating of it. And then she's been used to such high ways—always had her own maid to wait on her. Oh, no, she'll never look at our Steve.’</p>
        <p>‘Why not? Haven't I made a gentleman of him? He's had enough spent on him to make him one. I've given him everything he wanted so far, and he shall marry her if he wants to; at least it won't be my fault if he doesn't. What need has she to know housekeeping when she can hire five women to keep house for her if she likes? She can't know less about work of any kind than Stephen does: they're well suited in that respect.’</p>
        <p>‘You'll see what I say is true,’ said Mrs. Langridge decisively. ‘She'll never trouble her head about Steve, and he's a simpleton not to see it.’</p>
      </div>
      <pb xml:id="n135" corresp="#Che01ARol135"/>
      <div xml:id="t1-body-d1-d10" type="chapter">
        <head><hi rend="c">Chapter</hi> X.</head>
        <lg type="verse">
          <l>‘Wail, O ye autumn winds!</l>
          <l>She lives no more—</l>
          <l>The gentle summer, with her balmy breath,</l>
          <l>Still sweeter than before,</l>
          <l>When nearer death,</l>
          <l>And brighter every day the smile she wore.’</l>
        </lg>
        <p><hi rend="sc">The</hi> threshing was over at the farm. Stack after stack had yielded up its golden treasure; and Langridge found his most sanguine expectations realised when he counted the number of bushels. Nevertheless he would not acknowledge he had profited by this good harvest, so accustomed was he to speak of farming as a losing game, and to prove (to his own satisfaction) that his profits were invariably swallowed up by expenses. He would cover a large sheet of paper with his strange figures and stranger writing, setting down everything that by the most ingenious process of reasoning could be charged against the crop. His own time was included, and charged for at the regular wage for every hour during which he had been out of doors, since it was to be presumed that when there he was either assisting, advising, ordering, or superintending his workmen. He even debated whether
							<pb xml:id="n136" n="130" corresp="#Che01ARol136"/>
							he ought not to charge a double wage for his services.</p>
        <p>‘I ought to be worth more to myself than any two hired men,’ he observed to Stephen, who, at his request, was looking over the long column of figures to detect mistakes. ‘I defy any one to say I don't do as much as any two of them.’</p>
        <p>‘Well, I can make nothing of it,’ said Stephen in despair. ‘If your figures are correct you've lost instead of gained by this wheat-crop.’</p>
        <p>‘Well, haven't I always said farming doesn't pay in this country?’</p>
        <p>‘But what is the use of reckoning such things as these—the time of all the horses at a pound a day for each pair, or the wear and tear of harness and farm implements. And do you mean to say you yourself have worked ten hours every day from the sowing of the wheat to the threshing? That comes to something enormous. If you put all these things in, no wonder there isn't a balance. Strike them out and there's a very fair profit.’</p>
        <p>‘Let it alone, Stephen, don't meddle with my figures,’ said Langridge, drawing the paper away, and proceeding to finish the calculation according to his pleasure, inserting two items he had forgotten: the food of the horses and the cost of a new waggon—the old one had broken down with a load of sacks.</p>
        <p>Palmer had taken to the road again, and with his ponderous engine was on the way to other stubble fields and rickyards. He would not have to search
							<pb xml:id="n137" n="131" corresp="#Che01ARol137"/>
							long; a great part of the country had been white unto the harvest that year. As usual, he had changed most of his labourers before leaving the farm. Palmer was of the opinion that this frequent hiring answered two very good purposes—it helped and encouraged men who were seeking work, and it was only reasonable to suppose that more would be done by new hands than by those who had been long at the occupation and had tired of it, or, as he said, had learnt to cheat him. Otherwise there could be no truth in the well-worn saying relating to the performances of new brooms.</p>
        <p>One of the new hands was Randall. An accident had given him the best place in Palmer's employ. Smithers, the engineer, who was constantly bearing the burden of his master's wrath, had at last filled up the measure of his offences and had been summarily dismissed. What he had done was not very clear. Palmer contented himself with saying that the various sins were too many to particularise. However, when no other man capable of filling his place appeared, and, as it seemed, none was forthcoming, he began to feel that even Smithers, with all his faults and frailties, was a man to be prized. Palmer had to do the work of his departed enginedriver for two whole days, and did not like it. On the third day he would gladly have recalled Smithers, could that worthy have been found; and having awakened to the consciousness that, form ignorance of the management of the engine, he was wasting
							<pb xml:id="n138" n="132" corresp="#Che01ARol138"/>
							both time and fuel, he impressively assured Langridge—this was before leaving that farmer's place—that an appearance of Smithers would be more gratifying to him than a vision of half the saints who had been thought worthy of canonisation.</p>
        <p>‘Can you tell me how it is,’ he asked, ‘that so few men understand anything about an engine? As simple a thing as possible, and yet nine men out of ten, if one were left in their charge, would have a boiler explosion in less than six hours.’</p>
        <p>‘Can't say that I understand them,’ said Langridge. ‘I never could. L've read a little about them, you know,—about the mighty power of steam and so on,—but I never could comprehend how it was made use of. I daresay Steve does; he ought to know those things, though it beats me to find out what he did learn at college.’</p>
        <p>‘There's a great deal taught in colleges, but very little learned,’ said Palmer. ‘I wonder if your son could tell me where the safety-valve is.’</p>
        <p>‘Blessed if I know where it is!’ candidly acknowledged Langridge.</p>
        <p>‘Yes; and some men I've had have gone on as if there wasn't such a thing about the engine. They are ticklish things, these engines. They're always wanting tinkering at, for one thing. They and my other machinery cost me a tremendous sum in wear and tear. I don't understand them; I wish I could get a man who does. Last year I paid for enough oil to freight a ship, I believe, and where it has all
							<pb xml:id="n139" n="133" corresp="#Che01ARol139"/>
							gone to is a mystery. I'm sure the oil I've bought during the last month would have lubricated the engines of the <hi rend="i">Great Eastern.</hi>’</p>
        <p>‘Bless me! where does it all go to?’ exclaimed Langridge.</p>
        <p>‘How am I to know? Ask Smithers; he could throw some light on that subject.’</p>
        <p>‘I've just thought of a man who'd drive that engine capitally for you,’ said the farmer, his countenance suddenly illumined by this discovery.</p>
        <p>‘Have you? There are plenty who say they can do it.’</p>
        <p>‘But he can; he's a knowledge of most things—a sort of Jack-of-all-trades. Pity he should be here, when one considers what he must have been a few years ago. That extraordinary man, you know, that I picked up. Randall's his name. One of the other men who knew him at the Thames says he was engineer there for the battery of the <hi rend="i">Fiery Star.</hi>’</p>
        <p>‘Oh, I know whom you mean. I don't care to have to do with people who have seen better days; they're generally disappointing. But if he can do it he shall, for I'm sick of attending to my beautiful black diamond. It's smoking like a furnace now. What's that? We'd better look after our men. There's no trusting them even for five minutes.’</p>
        <p>There was a loud jarring noise, and the sounds of quick snapping and cracking. Langridge and Palmer both rushed to the spot in hot haste, to find
							<pb xml:id="n140" n="134" corresp="#Che01ARol140"/>
							that a careless workman had dropped his fork into the threshing machine.</p>
        <p>‘You'll be in yourself next,’ said Palmer, extracting the implement in small pieces. ‘Mind what you're about; remember that though I can give you a new fork I can't fix on an arm or a leg. Now, Langridge, where's that man? I mean to engage him at once. Randall—Randall, you said—that name's familiar to me.’</p>
        <p>The name seemed to interest Palmer, for he wrote it down in his memorandum book, with a slight description of the owner underneath. ‘I haven't seen him before,’ he said to himself, ‘or I should remember. I seldom forget a face.’</p>
        <p>The performances of the new engine-driver were very satisfactory to Palmer. ‘Why didn't you tell me about him before?’ he said. ‘I believe he could take an engine to pieces and put it together again blindfolded.’</p>
        <p>‘I always said he was out of the common way, didn't I?’ cried Langridge.</p>
        <p>‘You see the advantage of taking on men as they come,’ proceeded Palmer. ‘You are sure to light on a clever fellow at intervals. I've had some remarkable characters in my service, Langridge. I could write a book about them. Perhaps I shall some day.’</p>
        <p>Palmer brought out these words with a jerk, as he attained to a secure seat on horseback. Although a skilled rider this was a work of some difficulty. He had a fondness for horses so spirited as to be
							<pb xml:id="n141" n="135" corresp="#Che01ARol141"/>
							almost unmanageable at times. He seldom had a riding horse that would stand patiently to be mounted. His method, therefore, was to make a sudden dash, and, instantly after, a spring that would have done credit to a professional acrobat, invariably alighting in the proper place. No one who witnessed this for the first time could tell exactly how it was done, or fail to be both surprised and amused at the feat.</p>
        <p>‘Open the gate!’ commanded Palmer, as with much jumping and prancing on the part of his horse he progressed sideways towards the road. A boy flung the gate open, and the cavalcade of men, horses, and carts filed through with clatter and clash.</p>
        <p>‘Thank goodness! they've gone,’ said Langridge, looking after them, ‘and they've broken that post again.’</p>
        <p>A fortnight after, Palmer and his men were on the same road again, the produce of several farms having passed through the machines in the meantime. The road was dry and dusty as ever. The hawthorn hedges were choked with white dust, or they would have been beautiful with clusters of coral red berries. Scattered by the way were many bushes of sweetbriar, a plant which at least twice a year is fair to see—when its pale pink flowers are out, and when (as was the case now) it is decked with the showy fruit which school children love to string into necklaces. In the orchards and gardens the leaves were yellowing on the trees, and each gust of wind showered them down on the paths. The overcast
							<pb xml:id="n142" n="136" corresp="#Che01ARol142"/>
							sky and the cold wind which swept along the road with clouds of blinding dust were tokens of summer's swift decline.</p>
        <p>Through the dust and against the wind men and horses struggled wearily. Even Palmer rode at a slow and steady pace. When they came to a turn in the road where a long green lane branched off, he suffered the men to pass into this lane, but himself remained on the highway, calling to Randall to join him. ‘Come and walk beside me,’ he said. ‘You needn't go with the men to Wingrove's. You won't be wanted there.’</p>
        <p>‘But I thought,’ said Randall, who concluded that this was another instance of Palmer's extraordinary celerity in getting rid of his workmen, ‘that I should be wanted for a month at least. I understood you to say so.’</p>
        <p>‘Oh, I want you; but you don't suit me at all as my engine-driver,’ said Palmer, with a peculiar glance and smile which were unintelligible to Randall.</p>
        <p>It occurred to him, however, that the whole of that day Palmer had behaved and spoken to him in the strangest manner. He had been continually questioning him, not as if he simply wished to satisfy idle curiosity, but as if something he had found out stimulated his desire to know more of one who was supposed by his fellow-workers to have a history worth hearing, but who would not easily be persuaded to tell it.</p>
        <p>‘I say you don't suit me,’ repeated Palmer—
							<pb xml:id="n143" n="137" corresp="#Che01ARol143"/>
							‘not as you are now; but I think you'll do very well for another place I want to fill. Besides, Smithers, who wasn't such a bad fellow after all, has written to me, begging to be taken on again. Really I feel that I ought to give him another chance. I don't believe anyone who knew him as I do would have him, but such men must live; they're in the world like the rest of us, and can't subsist on air, however balmy it may be. Just read his letter; it's a great sham, but it's really a wonderful composition for Smithers. I forgave him as soon as I read it.’</p>
        <p>Palmer handed a dirty little scrap of paper to Randall who managed to decipher the following:—</p>
        <quote>
          <p>Respeckted Sir,</p>
          <p>Ever since you turned me off, which I will say was Richly deserved by me, as I had never done what you wanted, and had acted in the ingratefullest manner, I have been preying that I might be in your survice again. As true as this is written by me, I have had no Peace of Mind since, and can't hear of no work, and am like to starve before long if this goes on. I hoap you will let me come back. I would try to give Sattisfaction. I never took no Oil; not enough to grease a pear of boots. I'm sure I don't know where it went to. I would clean the Ingine raggarly if I had to sit up all night over it. Hoaping to be with you again, and humbly begging pardon for things said and done when I was besides myself,</p>
          <p>Respeckted Sir, yrs. Obeadiently,</p>
          <p><hi rend="sc">Timothy Smithers</hi>.</p>
        </quote>
        <p>‘I shall try him again,’ said Palmer. ‘The scamp has directed it to Mr. Palmer, Thrasher.’</p>
        <pb xml:id="n144" n="138" corresp="#Che01ARol144"/>
        <p>By this time they had come in sight of a long, low, dingy house, surrounded by sheds built after strange and new orders of architecture, and of various kinds of materials—corrugated iron, palings, rough slabs, or old timber that had been used before in other buildings. Some of the sheds were falling down, and others leaned like the tower of Pisa, and for the same reason—because they had been built so.</p>
        <p>‘My house, such as it is,’ said Palmer. ‘Hallo! that woman again.’</p>
        <p>Randall had caught sight of a pink gingham dress surmounted by a buff-coloured parasol, rapidly whisked across the road before them. Now that the dress and parasol approached, their owner also became visible, in the person of a lady who might be any age from thirty to fifty, and who, judging from her appearance, was not only on excellent terms with herself but desirous of being so with other people. The lady was neither good nor illlooking. She had also attained the happy medium in her figure: she was neither short nor tall, neither slim nor stout. She had a round fresh-coloured face, a hard gray eye, and a suspicious abundance of black hair. It was strange that part of this—that part which every one could see was attached by mean of firm roots to her head—was turning gray, and that the other part, tastefully arranged beneath a bonnet of a colour which really might be said to ‘strike the eye,’ yet bore the dark and
							<pb xml:id="n145" n="139" corresp="#Che01ARol145"/>
							glossy hue poetically attributed to the raven's wing.</p>
        <p>‘I've half a mind to gallop past without speaking,’ grumbled Palmer.</p>
        <p>‘How do you do, Mr. Palmer?’ said a voice drawn out to the extreme of silvery thinness. ‘Better than you look, I hope. You don't seem so well as your friends could wish.’</p>
        <p>‘Good day, Mrs. Sligo,’ responded Palmer, in a gruff tone of voice. ‘Oh, yes, I'm all right; much obliged for your kind inquiries.’</p>
        <p>‘I hope you take more care of yourself than you used to do a while since,’ continued the lady, coming a little nearer. ‘Oh, Mr. Palmer, when I think of that time——’</p>
        <p>‘When I think of it,’ said Palmer, ‘I'm thankful it's over.’</p>
        <p>‘I never know how to understand you,’ giggled Mrs. Sligo. ‘How are my poor flowers looking this dry weather, Mr Palmer?—those polargamiums I planted. Who'll water them now, I wonder?’</p>
        <p>‘Don't think they'll need much attention,’ said Palmer. ‘I've had that piece ploughed up and sown with maize.’</p>
        <p>‘Oh, you barbarous man! And the bees, my poor bees, dear, industrious little insects?’</p>
        <p>‘Brimstoned!’ fiercely answered Palmer, preparing to ride on.</p>
        <p>‘Cruel, cruel!’ cried Mrs. Sligo, shaking her parasol at him. This had the effect of frightening
							<pb xml:id="n146" n="140" corresp="#Che01ARol146"/>
							his horse, which plunged sideways into a deep rut.</p>
        <p>‘You'll have me off if you don't mind, ma'am,’ said Palmer. ‘My horse isn't accustomed to being poked in the eye with parasols.’</p>
        <p>‘Ah, what a beautiful creature!’ said Mrs. Sligo, attempting to stroke the horse's neck.</p>
        <p>‘Mrs. Sligo, you'll oblige me by not detaining me any longer. I've been out ever since six this morning, and I want to get home.’</p>
        <p>‘Oh, Mr. Palmer, you overwork yourself. I always say so. Do allow yourself some rest.’</p>
        <p>‘People won't allow me to rest, ma'am. There isn't such a thing as rest in this world. Good afternoon.’</p>
        <p>Mrs. Sligo smiled and bowed, and went round a turn in the road with a jaunty little skip.</p>
        <p>‘She is a mass of falsity,’ said Palmer. ‘No one knows how much of that woman is natural and how much comes from the hairdresser, milliner, and draper. She was my housekeeper—only for six months though, and that was long enough. Now, Randall, come in; this is my castle.’</p>
      </div>
      <pb xml:id="n147" corresp="#Che01ARol147"/>
      <div xml:id="t1-body-d1-d11" type="chapter">
        <head><hi rend="c">Chapter</hi> XI.</head>
        <lg type="verse">
          <l>‘O give me thy hand,</l>
          <l>One writ with me in sour misfortune's book!’</l>
          <byline rend="right">
            <hi rend="i">Romeo and Juliet.</hi>
          </byline>
        </lg>
        <p><hi rend="sc">Palmer's</hi> house stood almost close to the high road. There was a gravelled yard in front, and on each side and extending for some distance at the back, an ill-kept piece of ground which once had been a garden. Its flowers had perished long since; but there still remained some clumps of sicklylooking shrubs and overgrown trees which were choking one another. Near the gateway Randall noticed a heap of blackened and broken beehives. ‘Yes, I did for them!’ said Palmer triumphantly. ‘Mrs. Sligo had her headquarters here; in summer she was always after a swarm or fixing a beehive when I wanted my dinner. She was such a sight, too, covered up with a thick green veil, tied round the neck with mufflers, and the biggest and thickest gloves I've ever seen on her hands. People wondered whom I had about the place, and well they might. She never got stung, of course! but as surely as I went across the yard some bee made a bee-line for me.’</p>
        <pb xml:id="n148" n="142" corresp="#Che01ARol148"/>
        <p>Palmer led the way to a side-door, which was so low that Randall instinctively stooped as he entered, and so narrow that it could hardly have admitted two at once. Within was a passage equally low and narrow, and dark in addition, and pervaded with a curious musty odour—the odour of a house that has been empty and shut up for a time, or, it might be said, of one which is neither cleaned nor ventilated regularly.</p>
        <p>From the passage they entered the sitting-room. It had been swept and garnished once, doubtless, but the records of that cleansing must have been lost in the mists of antiquity. Dust was here, in thickness sufficient to have afforded sustenance for small herbs. Cobwebs were here, old and hoary, such as thrifty housewives would have groaned over. Spiders also, the patriarchs of their race, who had seemingly spun their webs and caught their prey here for the whole of their abnormally prolonged lives. What there was of furniture was good, even expensive, of its kind, but had suffered much from careless usage. A heavy mahogany table was strewn all over with books, papers, pens lying loose or sticking in the open inkstand, letters half written, others that had been read and crumpled into little balls, knives with open blades in a dangerous state of sharpness, little heaps of screws and nails, and various small parts of machinery—in short, all those little waifs and strays which may be expected to accumulate on the table of a busily-occupied man
						<pb xml:id="n149" n="143" corresp="#Che01ARol149"/>
						who seldom puts anything away until he is obliged.</p>
        <p>The whole room was in a hopeless-looking state of disorder. The mantelpiece was crowded with things; there were things on the sofa, things under the table, things on the window-ledges, and things on the floor in each corner of the room. It was not often that a stranger was admitted into this room; but on such rare occasions it had happened that the visitor, after remaining for a moment, as if spellbound, in the doorway, had timidly seated himself as near that place as possible, feeling sure that an excursion amongst the débris which encumbered and encompassed everything could only result in disaster.</p>
        <p>There was a large bookcase in each of the recesses by the fireplace. Palmer was an insatiable reader. Most of the books appeared to be kept for use, not show, and to be often removed from the shelves, which accounted for a comparative scarcity of cobwebs and spiders in these corners. There was a carpet on the floor, and in one respect it was like a net cast into the sea—it had gathered of every kind. Its pattern had nearly disappeared beneath a layer of dust, but there was a tolerably bright and clean portion, where the frayed and faded window curtains hung down, and a large musical-box stood in their shelter.</p>
        <p>Over the mantelpiece hung an oil-painting—a portrait that was almost lifelike, so well and faithfully had the artist done his work. It was the
						<pb xml:id="n150" n="144" corresp="#Che01ARol150"/>
						portrait of a lady whose pleasing face was shadowed by the thick masses of her black hair, curling in little waves and ripples over the forehead, and hanging in heavy plaits low on the neck. The large and brilliant eyes seemed as if just turned to meet one's glance; the lips were slightly parted as if she would speak.</p>
        <p>‘That's my mother,’ said Palmer, when he noticed how often Randall's eyes wandered to this singular and attractive portrait. ‘There are no such women nowadays, and that's the reason I'm here by myself, a lone old bachelor. It's a great delusion, however, to suppose that a man can't keep house. I'm perfectly comfortable. I have my meals sent in every day from the cottage over the road, where one of my men lives. His wife looks after the cleaning and washing; and this room—I won't have any woman meddling here—I attend to myself well enough.’</p>
        <p>The conclusion of this sentence, gravely delivered by Palmer sitting in the midst of cobwebs, dust, and disorder, was too much for Randall, who was obliged to laugh. Palmer also laughed loudly, and then drew back the curtains, when the dingy room was filled with a glow of warm sunshine. He opened one of the windows, and leaning out of it began to ring violently a bell he had taken from the table, that common resting-place of all things.</p>
        <p>At the ringing of the bell the door of the cottage on the other side of the road was suddenly burst
						<pb xml:id="n151" n="145" corresp="#Che01ARol151"/>
						open, and a little girl carrying a tray staggered out and across the road. Palmer received the tray at the window, and with difficulty found a place for it on the table.</p>
        <p>‘Sit down, Randall, and have something with me. It will be a charity if you do; I don't often have company. Tush! don't object. I want to make a friend of you, not a——’</p>
        <p>He did not finish the sentence; but the other could easily supply the blank. The former vagrant coloured a little, but sat down to the strangely-decked table; or rather he was about to sit down, when Palmer suddenly drew his chair away.</p>
        <p>‘Can't trust you with that; one leg is as nearly gone as possible. Take this one; it has a ragged covering, but it's strong. Now I'll brew the tea. I always do that; no woman can suit me in teamaking. My late housekeeper used to offer me dish-water.’</p>
        <p>‘Mrs. Sligo? She seems of an amiable disposition.’</p>
        <p>‘Amiable? yes—too amiable by half. It was on account of that I had to dispense with her services.’</p>
        <p>‘On account of that?’</p>
        <p>‘Yes. Would you believe it?’—and Palmer looked as if he were about to impart some information of a thoroughly disgusting nature—‘she entered my house with the design of marrying me, whether I liked it or not. And—I don't care; you may
						<pb xml:id="n152" n="146" corresp="#Che01ARol152"/>
						laugh, if you please; but sometimes I'm afraid she'll do it yet.’</p>
        <p>‘What! against your will?’</p>
        <p>‘Do you think a man never has been married against his will? You can have no idea of the deepness of that woman. She's a widow. I hope both you and I may be preserved from widows.’</p>
        <p>‘You must have had the experiences of Mr. Weller,’ said Randall, dexterously capturing a large spider that had fastened a light rope-ladder to the sugar basin.</p>
        <p>‘Of ten Wellers,’ said Palmer. ‘Some men have a horror of old maids, and are always suspecting them of designs. I don't. Poor things, the very fact that they are old maids is a proof of their harmlessness. But a widow! there's no end to the duplicity of a widow. She has already captured one man, and he hasn't survived it very long. She has' twice the experience of other women in laying traps for ignorant helpless fellows like myself. I don't know what possessed me to engage one. I will acknowledge she kept the house well, but I had no comfort while she was in it. It was always, “Oh, Mr. Palmer, don't come in here, please, with those boots,” or,—in the sweetest, softest voice she could produce—“Mr. Palmer, mayn't I dust amongst those papers of yours; they're a sight,” or, “Mr. Palmer, I really must have that carpet up and the room cleaned;”—and then, scrub, rub; hurry, scurry; water by the gallon, and a smell of soap that kept
						<pb xml:id="n153" n="147" corresp="#Che01ARol153"/>
						me awake at night. How would you have liked that?’</p>
        <p>‘Well, provided it was done when I was out of the way I think I could have borne it.’</p>
        <p>‘It was always doing! Of course the house was clean—painfully, horribly clean. She made me take off my boots and put slippers on whenever I came in. Bah! when I think of the things that woman made me do I rage. I had a little bag given me to put my comb and brush in, and a little stand for my tooth-brush. I'd always stuck it in the window-frame before, and now she's gone I stick it there again. I'd different pegs for my different hats, and she sorted out all my clothes into best, second, and third best, and wouldn't let me wear the best except when she liked. She took me to church with her, and by and by people would smile at each other when they saw us going into the pew together; and lastly, it came to this—a report, got up by her of course, flew over all the neighbourhood, that I was going to marry her!’</p>
        <p>Palmer was out of breath when he arrived at this climax. He gulped down half a cup of tea, and continued, ‘Yes, our agreement struck on that rock. She didn't stay long after that. She'd expected to stay always, and had made herself quite at home. There was her flower garden in one corner and in another her detestable bees, which were always swarming and stinging me. And she'd have friends to take tea with her or spend the evening; in fact, she made
						<pb xml:id="n154" n="148" corresp="#Che01ARol154"/>
						so free with my house that strangers would often call her Mrs. Palmer, which didn't displease her at all. I couldn't stand that. It took me a week to get clear of her and her luggage, mostly trunks and boxes which held her nine hundred and odd dresses or thereabouts. So now I'm alone, and all the better for it.’</p>
        <p>‘You like solitude then!’ said Randall, when he had overcome a strong desire to laugh, which he thought it better not to indulge, as Palmer had recounted the foregoing with impressive seriousness.</p>
        <p>‘No, I don't; but solitude is better than some company. It's because I don't like being alone that I've brought you here. But I like to read here undisturbed by bustle and bother, with my musical box jingling beside me. If there's anything I love it's music, and you are a musician, I've found that out. I've no idea how your violin will go with a musical box; but we'll try them together. That's right, laugh at me. I've done you some good to-night, if it's only by making you laugh; you're not the same man with a smile on your face.’</p>
        <p>‘Indeed, you have done me a great deal of good,’ said Randall.</p>
        <p>‘I remember now,’ said Palmer, balancing his empty tea-cup on the tips of his fingers, ‘that there's another musical instrument in the house; but I fear it isn't <hi rend="sc">Ai.</hi> There's an old piano in the next room. It belonged to a sister of minne. She was coming out to join me here—it was thought that her life
						<pb xml:id="n155" n="149" corresp="#Che01ARol155"/>
						might be saved by the change to a warmer climate, —and she brought her piano with her. It arrived all right, but she didn't, poor girl. My housekeeper used to thump on it and sing to it in her cracked voice, till I put a stop to her discords by locking it. You might tune it up, if it isn't too far gone. There's another inducement for you to stay with me.’</p>
        <p>‘But, Mr. Palmer,’ said his guest, looking him very earnestly in the face, ‘how and for what purpose am I to stay with you? You have told me plainly that you will not employ me as a workman. To-night you have said that you want me as a friend, not as a—servant, I believe you meant to say. But if I stay here I must work for my living in some way or other. I can only be what I am now—a working man, and your servant.’</p>
        <p>‘You shall be my right-hand man, my lieutenant, my manager, my bookkeeper, secretary—anything you like to call yourself. Oh, don't be afraid, there'll be plenty of work.’</p>
        <p>‘And are you willing to take me into such a place without the slightest knowledge of what I have been or what I am able to do!’</p>
        <p>‘I know what you've been: you've been very unfortunate,’ said Palmer simply.</p>
        <p>‘Don't waste your pity on me. It is no use. Others have tried to help me. I have always disappointed them in the end. I have almost vowed to myself not to accept help again.’</p>
        <p>‘That was one of the vows which are made to be
						<pb xml:id="n156" n="150" corresp="#Che01ARol156"/>
						broken. Do you think I don't guess how it has been with you? Let me ask you a plain question, and answer it or not, as you please. What are you doing here?—you! among labouring men, sharing their work and pretending to be one of them. It's a sorry pretence, for you can't walk, speak, look, or do anything without showing what you are. Nay, now, don't start up and leave me,’ and he laid his hand with a close grasp on Randall's arm. ‘I don't want to pry into your affairs, though what I'm going to say may make you wince a little. I don't care to know what you've been or what has brought you here. But it's a shame, I tell you, that you should accept such a lot, and care, or seem to care for nothing else.’</p>
        <p>‘What else have I to care for, then?’ There was an affectation of recklessness in the voice and manner.</p>
        <p>‘You know well enough. To care for? You have the world! the whole world!’ Palmer brought his hand down on the table vehemently. ‘And what are you doing with it? As the common saying goes, all honest work is honourable; but it is not honourable for a man to shirk the work he was taught and trained for, and fall back upon some lower kind; something which any one can do who is willing to tell the strength of his arm. People have nothing but praise for the labourer's son who does better than his father, and makes the scanty education that was spent upon him return a hundredfold.
						<pb xml:id="n157" n="151" corresp="#Che01ARol157"/>
						Everyone speaks well of such a man when he raises himself to a higher class; and he deserves it. What do they say of the gentleman who goes down to work with day labourers? Doesn't he confess himself a failure—a waste of talent, of training, of education, of time, of money even, spent on all these. Don't you know, such men as yourself represent a frightful waste—one of the greatest in this world—and all nature cries out against waste. People don't generally, I believe, send their sons to universities that they may eventually be good hands in a harvest field. Rather an expensive education for a farmlabourer, and a useless one too, in such a case. It would be just as ridiculous for me to silverplate my engine and have my threshing machine ornamented with polished and inlaid woods. It's waste again, as well as folly, to use fine tools for rough coarse work.’</p>
        <p>He waited for a few seconds in expectation of a reply, but none came, and he went on again.</p>
        <p>‘I've thought all this over for the last fortnight. It has been bottled up till now for your benefit, and had to come out. I've watched you till I've fancied I could read your thoughts. My good friend, you are not so contented with what you've come to, nor so careless of your future as you pretend to be. You've swallowed down a good deal of your pride, but it has been a hard swallow. There is some good stuff in you—don't let it be wasted.’</p>
        <p>‘It is wasted. I threw away my chances long ago.’</p>
        <pb xml:id="n158" n="152" corresp="#Che01ARol158"/>
        <p>‘No,’ said Palmer. ‘How can it be so when you are here yet, with a world full of opportunities waiting for you? Let me read you a leaf out of my own book. I tell you, instead of the world being like a great lottery, with few prizes and abundance of blanks, there are prizes for every one who is born into it, and the saddest thing of all is to see how we poor shortsighted mortals go blundering past them. Come, draw your chair up by the window in the moonlight and listen to me a little longer. I mean to help you because—well, because of a reason you needn't know at present, and I'll do it in spite of yourself if you're restive.’</p>
        <p>‘Don't think me ungracious,’ said the other, looking much moved. ‘It is only because I do not trust myself. Others have tried to help me and I disappointed them.’</p>
        <p>‘Well, if you can't be helped, you can't. But you are surely not so fond of the Slough of Despond as to want to stick fast in it for ever? Now, without any sham about it, I really want a man to do these things for me: keep my books in order—figures curdle my brain—oversee some of the men, as I can't be in two places at once, and help me generally. If you hadn't been here I should have engaged some one else; so it isn't out of pure charity, you see, but springs from that selfishness which is inherent in the human breast. I daresay I shall get the best of the bargain. We'll talk no more of it just now. You shall tell me in the morning whether it is Ay or
						<pb xml:id="n159" n="153" corresp="#Che01ARol159"/>
						No. Wind up my collection of preserved tunes, will you? That's right; now we have both moonlight and music.’</p>
        <p>The musical box played through its fifteen popular airs to an audience of two thoughtful persons sitting by the open window. The breeze blew freshly in, laden with delicious odours from the cottage garden over the road, where roses and verbenas were in their prime. When the moon drooped lower and lower, and at last seemed to dissolve away on the misty horizon, Palmer filled a lamp, with fearful waste of kerosene, and lighting it, applied himself to the study of an old copy of Bacon's essays, which his frequent readings were hastening to its end. He observed to Randall that no such books were written nowadays.</p>
        <p>‘Look at this page. Every line of it has been quoted over and over again by writers who can see it is good but haven't brains to invent anything of equal merit. Why, whenever I read a passable newspaper article, and come to a well-turned, sonorous sentence, properly put together, and not like those jerky little ones modern writers fire off like snap-shots—I know, I feel it's Bacon's, no matter how well his copyist may have disguised him. Do you like books? When I was your age I devoured rather than read every one which came in my way.’</p>
        <p>‘I used to spend whole days amongst my father's books,’ said Randall; ‘but that was a long while ago.
						<pb xml:id="n160" n="154" corresp="#Che01ARol160"/>
						Lately I have not read much, because books have been out of my way.’</p>
        <p>‘I give you the freedom of my library,’ said Palmer. ‘Look, some of the best are in rags and tatters, like princes in a beggar's gabardine. I wouldn't exchange them for all the splendour of gilt and morocco bindings. I saved up my shillings—my pence even—when I was a boy, to buy them one by one. Half-a-crown was a fortune to me then. Did you ever do that? Did you go every day to the bookstall to look with hungry eyes at the book you were pinching and saving for, fearing lest it should be bought by some one else before you'd got the little sum together, and rejoicing when you found it there?’</p>
        <p>‘No,’ said Randall. ‘I never did that, because then I never knew what it was to wait for anything I wanted.’</p>
        <p>Randall took a book from the shelves, but it could not chain his restless thoughts, and his eye often wandered from the page to watch the engrossed reader of Bacon. Palmer was seated in a manner supposed to be strictly American, with the heels of his boots propped against the chimney-piece. His chair was tilted as much as was safe, and when at times he turned to Randall, with some words on what they were reading, it was with a swift semicircular sweep of the same much-enduring article of furniture. It was probably owing to this habit that most of his chairs were rickety, and behaved
						<pb xml:id="n161" n="155" corresp="#Che01ARol161"/>
						in an alarming manner when used by incautious persons.</p>
        <p>A little clock on the chimney-piece struck eleven. Palmer lighted two tarnished silver candlestick which occupied positions on each side of the clock.</p>
        <p>‘I never sit up later than eleven, and I never go to bed before that hour. I suppose Mrs. Hickson has swept out and fixed your room; I know I ordered it. I'll show you the way.’</p>
        <p>They went along the passage by several doors, all closed and locked, till they came to a stairway. Palmer ascended, taking two of the narrow steps at a time.</p>
        <p>‘First door on the right hand. The other rooms have been a prey to dust and spiders for I don't know how long. I've no use for half this large house.’</p>
        <p>The bedchamber was large, and being one of the rooms which Mrs. Hickson was allowed to supervise at stated periods, was tolerably clean and well-arranged. It had, as Palmer remarked, formerly been occupied by Mrs. Sligo, and all trace of her sojourn had not yet disappeared. A holland wall-pocket, embroidered with very coarse wool in very large stitches, and a pink silk pincushion, adorned the toilet-table with their faded charms. The housekeeper also had, doubtless, once fastened her abundance of hair with one or two exceedingly long hairpins bent into many strange contortion. Other souvenirs of the same lady were a framed woolwork
						<pb xml:id="n162" n="156" corresp="#Che01ARol162"/>
						picture of a patriarchal person, who, she had always said, was Jacob sitting under a palm-tree, and a pencil drawing which showed that Mrs. Sligo had been proficient in a style of art that outdid Pre-Raphaelism in its attention to detail and its scorn of more beauty, but which was not so devoted to truth.</p>
        <p>‘If you've any artistic feeling, you'll long to tear that down and burn it,’ said Palmer. ‘You may do so it you like. She would leave it, and that other eyesore, like a piece of carpeting, as a present for me. Well,—remember it is to be Ay or No in the morning.’</p>
        <p>Morning again. The impartial sun shone as brightly on the dingy old house and its ill-kept grounds as on a palace and its gardens. There had been rain in the night, the dust was subdued, and the air had a delicious freshness. Towards the clear pure sky, faint wreaths of smoke went up from sheltered spots among the fields wherever there was hearth and a home. It was very quiet; the day was too young for many people to be abroad. But Palmer had left his room soon after the appearance of daylight; he was noted for his early rising, and despised all sluggards without reservation. If the night were meant for sleep daylight had undoubtedly been provided in order that men might work thereby, from dawn till the dusk of eve if possible. Had he lived in high latitudes Palmer might have found it necessary to modify his opinions; but in a country much nearer to the equator than to
						<pb xml:id="n163" n="157" corresp="#Che01ARol163"/>
						the poles he seldom failed to rise with the sun during summer time, and in winter utterly put that glorious luminary to shame.</p>
        <p>To say that his workmen dreaded him in the early morning would be no exaggeration. At that time, refreshed by a night's rest, he was more exacting and capricious, more active himself and less tolerant of the sluggishness of his hirelings than at any other hour. It was the time he generally chose for convincing them of their errors, and for dis-charging them, unless they gave proofs of a sincere desire for the mending of their ways. This very morning, while the sweet sounds of a creaking grindstone in full work were enlivening the backyard, Palmer and a refractory workman were arguing together in voices neither soft nor low.</p>
        <p>‘Oh, so you object to be called up at six. You knew when you came what you'd have to do, and your wage is high enough to cover all you've done for me so far, and more than that.’</p>
        <p>‘Ay, you'd better speak of the wage, sir,’ said the man, who was very nearly a match for his master in fluency of speech. ‘A pretty wage it is; nigh upon all the men I know are getting more.’</p>
        <p>‘And do more,’ said Palmer. ‘Wages according to merit is my motto. You fellows ought to be subjected to a competitive examination to weed out the worthless.’</p>
        <p>‘Well, sir,’ stoutly answered the man, ‘if you say wages is according to merit, I say work according
						<pb xml:id="n164" n="158" corresp="#Che01ARol164"/>
						to wages. You give me a low wage; now, where's the sense in me furnishing a high quality of work? But bring up your wage and I'll bring up my work to suit it. But fact is, you want to get thirty shillings' worth of work out of me and only pay me a pound.’</p>
        <p>‘Man,’ said Palmer, astounded at this application of his argument, but not altogether displeased that he had at last found a man who could fight him with his own weapons, ‘you misunderstand the question. I pay you a pound a week, and you do about fifteen shillings' worth of labour; and allow me to remind you that half of what you did yesterday will have to be done over again. As for high quality of work—preserve us! I've yet to find the labourer who has it in him. If I ever do find such a man I shall be inclined to bid him sit down and to serve him myself. But as you hint that I'm defrauding you, for goodness sake don't injure yourself by staying with me any longer. I'll pay you, and you can go.’</p>
        <p>‘And if this is the way with masters in New Zealand,’ cried the man, ‘I wish I'd never seen it! I thought one ‘ud have fair play here, short hours and easy work, but it's not much better than at home. I must say, sir, and I'll say it to your face, that it's not Christian nor right to hire men one day and send them about their business the next for little things like this.’</p>
        <p>‘Well, perhaps it isn't,’ said Palmer, struck by
						<pb xml:id="n165" n="159" corresp="#Che01ARol165"/>
						this remark. ‘I thought you wanted to be off, but I don't mind giving you another chance. I didn't suppose it would kill you to turn a grindstone round a few times before breakfast.’</p>
        <p>‘You can't deny, sir, that I've stuck to the work in working-hours. We was told fortunes might be made here, but it's mortal hard to support a family just as it is anywhere else.’</p>
        <p>‘Support a family!’ said Palmer, with scornful emphasis. ‘Don't attempt to bamboozle me with that. It's far more likely that your family support you. I feel for your family!’</p>
        <p>The man, who was determined to have the last word, replied to this with much spirit, but Palmer heard him not, for his attention was arrested by the appearance of another person, so begrimed about the face and hands, and with clothes which were so sooty in their hue that, as he vaulted over the fence, to save himself the trouble of going round to the gate, he looked like a huge black crow flapping to the ground. It was his former engine-driver, the much-desired Smithers, who flew to meet him with outspread arms.</p>
        <p>‘Smithers!’ said Palmer, receding a few steps, ‘although at this moment you are a most welcome sight, I have no desire to embrace you.’</p>
        <p>‘How's the ingine, sir?’ inquired Smithers, as anxiously as if he had been asking after the health of some dear friend.</p>
        <p>‘In a much better condition than it ever was in
						<pb xml:id="n166" n="160" corresp="#Che01ARol166"/>
						your time. I've found out things about the working of that engine during your absence, Smithers, that have convinced me you are one of the greatest shams I have ever known. But I suppose it's no use talking to you now about oil or——’</p>
        <p>‘Oil, sir!’ exclaimed Smithers, catching at this word. ‘Why, I'd rather stint myself of bread than an ingine or machinery of whatever kind of oil. It's the life of ‘em, Mr. Palmer.’</p>
        <p>‘It may be,’ said Palmer, ‘but we got along very well while you were away with about half the quantity you would have used. You'd better see about joining the other men, and quickly too, if you want to begin work at eight.’</p>
        <p>‘I shall know at once if it's been neglected or ill-used,’ said Smithers, referring to the engine.</p>
        <p>Palmer went into the house, and having ascertained that his guest had been up for some time, rang the bell, which as usual was answered by the punctual appearance of the little maid from the cottage, bearing the breakfast tray. Breakfast with Palmer was a very early and uncomfortable meal. Generally he ate it as the Israelites of old partook of their passover feast—in haste and solemn silence, and girded for a journey. He wasted no time over any of his meals; gravely and swiftly despatching them in a manner which would lead one to suppose that he deplored the necessity for eating. He had sat silent at the table with Randall for some minutes before he remembered that he was not alone.</p>
        <pb xml:id="n167" n="161" corresp="#Che01ARol167"/>
        <p>‘I'm so used to solitude that I had almost forgotten you,’ he said. ‘You haven't told me yet, and I haven't asked, whether you go or stay.’</p>
        <p>‘If I can do the work you have to give me I will stay,’ said Randall.</p>
        <p>‘Do you know I was afraid you wouldn't. I hate to be disappointed, but I expected it.’</p>
        <p>‘And would it have been any disappointment? You promised I should know why you are so anxious to befriend a stranger. I am nothing to you.’</p>
        <p>‘Another time you shall know. You are not like a stranger to me.’</p>
        <p>‘It is only a few days since I saw you for the first time. I don't believe we had ever met before.’</p>
        <p>‘You are quite right. Neither of us had seen the other before that first day of the threshing at Langridge's. But as soon as I knew who you were I made up my mind that you ought not to be a stranger to me.’</p>
        <p>‘I am very dull, I suppose; but I really don't understand you.’</p>
        <p>‘Because there really is nothing to understand,’ said Palmer, impatiently twisting about on his chair; ‘nothing you need puzzle about, at any rate. Can't one man engage another to help him without mystery? I liked you from the first, I don't mind telling you that. I know enough of you—more than you suppose.’</p>
        <p>‘I believe you mean to be kind to me,’ said Randall.</p>
        <pb xml:id="n168" n="162" corresp="#Che01ARol168"/>
        <p>‘You needn't believe it unless you like,’ said Palmer. ‘We shall get on well enough provided you leave off talking this stuff about “befriending a stranger,” and “kindnesses.” I dislike to have that kind of thing thrown in my face. What I offer to you isn't much after all; if you look at it properly it ought only to be a stepping-stone. You'll have to work, I can assure you, at all sorts of things, and you'll find me queer enough at times. But come into my workshop, and I'll give you something to do. Langridge says you are a mechanical genius. I'm in what Smithers calls a “quandary”—got a machine all in pieces, and can't put it together again.’</p>
      </div>
      <pb xml:id="n169" corresp="#Che01ARol169"/>
      <div xml:id="t1-body-d1-d12" type="chapter">
        <head><hi rend="c">Chapter</hi> XII.</head>
        <lg type="verse">
          <l>‘And thou, while summer skies are clear,</l>
          <l>Within my greenwood bower,</l>
          <l>Shalt scorn the pleasures once so dear</l>
          <l>That dwell in town or tower.’</l>
          <byline rend="right"><hi rend="i">The Forester</hi>.</byline>
        </lg>
        <p><hi rend="sc">At</hi> last Mr. Wishart had begun to build his house. For more than a month he had vacillated between three plans which had been submitted to him by his architect, Mr. Mooney. They were in the Italian villa style, so that gentleman averred, and they were extremely unlike any Italian villa that has been built since Cicero rejoiced in that one at Tusculum, so fondly remembered by Mrs. Blimber.</p>
        <p>Possibly Mr. Wishart never would have decided which was the best of these products of Mr. Mooney's fertile imagination had not his step-sister implored him, in a letter which graphically described the weariness of an unsettled life, to hasten on the work and to provide some sort of a home for her, were it only a nut-shell of four rooms. He determined to make up his mind, and his eye fell approvingly on a design that had kept Mr. Mooney awake for two nights. Mooney, it must be explained, was young and ambitious, and had not been in business long
						<pb xml:id="n170" n="164" corresp="#Che01ARol170"/>
						enough to lose his enthusiasm by slow evaporation, as happens with so many professionals. His mind was constantly being illumined by new ideas, and this particular Italian villa, grand and stately, with colonnade, terrace, and tower, was one of the greatest which had been vouchsafed to him for many days.</p>
        <p>‘Too large,’ thought Mr. Wishart. ‘It is a palace. Mooncy must have exaggerated ideas about my income. He will have to cut something off this; it can easily be reduced. I'll go down and see him at once.’</p>
        <p>Mooney was seen, and professed his readiness to alter any part; to make a perfect hotch-potch of all the orders of architecture, in fact, if it were desired. The design was pared down; much that was dear to the architect's heart was renounced by him; some of Mr. Wishart's suggestions were adopted; and finally, there was completed a representation of a house which, Mr. Mooney said, in a burst of enthusiasm, any English nobleman might be proud of.</p>
        <p>Then the work began. All day long the clang of the workmen's hammers echoed from side to side of the creek. There were great stacks of timber, odorous with the pleasant scent of freshly-sawn kauri, and piles of bricks and mortar, in front of the cleared space where the house was to stand; there was great rattling and jolting of drags over the road which had been levelled and cut through the bush; and there was great shouting of drivers whose tempers were always being tried to the utmost, so it
						<pb xml:id="n171" n="165" corresp="#Che01ARol171"/>
						seemed from the tone of their remonstrances with disobliging or overworked horses. Men were fencing, other men were levelling the ground near the house and planting the garden and shrubberies. Noise and bustle and the busiest activity were everywhere.</p>
        <p>The strange and sudden change from the old sweet solitude of the place frightened away the birds that had been wont to sing among the trees. Abashed little wrens and cautious clever tuis fled away into the darkest thickets of the bush, there to warble out their songs in quietude. The pheasants made their nests in more private places than ever that season; and no wild duck was so simple as to convoy her young brood along the waters of the creek where, in quieter times, so many downy little ducklings had taken their first swim.</p>
        <p>‘Yes, it's wonderful what money will do, Mary Anne,’ said Mr. Bailey, who, owing to his convenient propinquity, had all these improvements directly under his eye, and had benefited himself by taking part in the work. ‘We've had this place of ours eight years, and in our humble way we've tried to improve. Haven't I almost gone to the length of swearing—that doesn't sound well—haven't I vowed every year that I'd build a good dairy, and put two more rooms to the house, and never done it? And haven't I always had it in my mind to make an easy road up to the house, and never done that? While here's Mr. Wishart, it's just like a fairy tale with him. He's only to hold up a wand, as one may say,
						<pb xml:id="n172" n="166" corresp="#Che01ARol172"/>
						and things grow like magic. I'm not envious; if I was, I'd soon root such a nasty feeling out of myself; but it does make one feel melancholy when one has to work years for what comes so easy to some people.’</p>
        <p>‘Don't be downhearted,’ said Mrs. Bailey. ‘I thought you'd resolved to give up complaining.’</p>
        <p>‘Oh, I'm not complaining. Bless you! I'd not change places with him; but there's this tendency in me, as I've often told you, I feel I'm too fond of money. I'm sure it's mercifully designed I'm not to have any. I'm certain, Mary Anne, that if such an unlikely thing should happen as our getting rich,’—Mrs. Bailey sighed softly,—‘I should turn out a regular old miser, hoarding up my gold in flower-pots, maybe, as I've heard of being done, and going out at night to count it.’</p>
        <p>‘I don't see much chance of that,’ observed his wife.</p>
        <p>‘There's such an unnatural kind of joy comes over me at the sight of money—when I see a sovereign even,’ said Mr. Bailey.</p>
        <p>‘Perhaps it's because you don't see them often enough,’ said Mrs. Bailey, shrewdly.</p>
        <p>‘Well, we do without it. I wonder whether Mr. Wishart ever was poor,’</p>
        <p>‘Like enough,’ said Mrs. Bailey. ‘I should'nt wonder now if he had begun life with next to nothing.’</p>
        <p>‘Why, you know every one begins life with nothing,’ truthfully asserted Mr. Bailey; ‘but I believe that when a man once gets into the way of making
						<pb xml:id="n173" n="167" corresp="#Che01ARol173"/>
						money he can't very well stop himself. It's the start that's wanted, that's all. Money attracts money; rich men keep on getting richer——’</p>
        <p>‘Oh, dear me,’ implored his wife, ‘why will you always be talking about riches?’</p>
        <p>‘I can't help it,’ said poor Mr. Bailey. ‘I know I ought to think of better things. I'll go to my work which is of a paying kind this time. If it turns out well, Mary Anne, you shall have a new dress of the colour of gold. I've seen ladies wearing it.’</p>
        <p>The time wore on. The house grew from an unsightly framework into a stately pile, and gardens began to bloom around it. Mr. Wishart would not allow any of the fine old trees to be needlessly felled, so that the beautiful park-like groves and coppices remained unharmed, and one might fancy that the house, peeping out from amongst the trees, had been a home for generations, and that its first owners had been more than ordinarily skilled in landscape gardening.</p>
        <p>But Mr. Wishart's endeavours to alter and destroy as little as possible were very unwillingly seconded by his gardener, a man of despotic tendencies, as most gardeners are. Accustomed to mete out life or death to the plants depending on his care; to lop, prune, or cut down whenever he felt disposed, he had come to consider himself absolute in his sovereignty of the garden, and accountable to no man in his management of it, while he was even very chary of paying the usual tribute of fruit and flowers
						<pb xml:id="n174" n="168" corresp="#Che01ARol174"/>
						to his master. His ideas were framed on a pattern peculiar to gardeners. He hated everything that had not been done in his time. Every tree which he had not planted he longed to cut down, and no flower which his hand had not tended could find favour in his eyes. Unhappily his destructive tendencies were strongest when he came into contact with Nature herself. Then indeed he hacked, hewed, and mutilated without merecy. He was now prepared to destroy every representative of the vegetable kingdom which did not exactly fit into his plans. A tree six inches out of some imaginary line, a branch a foot nearer the ground than he thought any branch should be, were doomed. Fearing that two-thirds of his forest-trees would be annihilated, and the remainder be trimmed up like hop poles, too high even for giraffes to browse upon, Mr. Wishart superintended his gardener closely, argued with him, and quarrelled with him more than once. Murdoch (the gardener) chose to consider himself an injured man, and being obliged to yield made a virtue of it, going about his work in the most resigned and self-sacrificing spirit. He determined to console himself with a design in carpet-bedding which should blaze with colour—rings within squares, and stars within rings of brilliant blue, orange, and scarlet. He could hardly believe his own ears when Mr. Wishart refused to Countenance this great idea.</p>
        <p>‘Carpet-bedding is an abomination, Murdoch,’ he said, shortly.</p>
        <pb xml:id="n175" n="169" corresp="#Che01ARol175"/>
        <p>‘Well, sir,’ said Murdoch, ‘it's seen in every gentleman's garden at home. Any place that's laid out in real good style has it.’</p>
        <p>‘Very likely,’ said his master. ‘I don't see why we should have it here. I prefer to follow my own plan, though it may not be stylish.’</p>
        <p>‘At the Laird of Balgownie's,’ continued Murdoch, ‘we turr-rned up the whole of the lawn, and put it into carrpet-beds—a grand design!’</p>
        <p>‘The Laird of Balgownie may surround himself with carpet-beds, but I shan't follow his example,’ said Mr. Wishart.</p>
        <p>‘There's no accounting for tastes, of course, sir,’ remarked Murdoch lugubriously, ‘especially of those who've not studied horticultural matters; but if I were laying out a garden to suit myself——’</p>
        <p>‘It would be a mass of carpet-bedding,’ said Mr. Wishart. ‘Unfortunately, Murdoch, you are laying out a garden to suit me.’</p>
        <p>Which Murdoch did, after much grumbling. He was deeply wounded in his feelings, and groaned in spirit as he planted his flowers indiscriminately, in the most old-fashioned way, all to please his master, as he was careful to explain to every other gardener who saw the place.</p>
        <p>When the house was almost finished, and when Murdoch's flowers were taking root and blooming in a manner that soothed his bruised and broken spirit, Mr. Wishart, instead of riding out alone, would often bring his sister with him, thinking it was time she
						<pb xml:id="n176" n="170" corresp="#Che01ARol176"/>
						should see with her own eyes what had been accomplished. And one day they had another companion, a lively little lady who rode light as a fairy, and was as merry as one; often carolling a song; oftener still, laughing, and chattering nonsense, it might be, but nonsense that was very pleasant to listen to. It was creditable to her good temper and cheerful disposition that she could thus beguile the way, for she found it long and tiring. She took no pleasure in the finest views when conjoined with bad roads, and she was not accustomed to rising early and riding far away into the country while yet the shadows were long and the dew white upon the grass. Maud enjoyed these things, or pretended to enjoy them. For herself, she would have liked to travel through beautiful scenery, reposing on velvety cushions, in a luxuriously easy carriage, and with a companion who could either talk amusingly when she pleased to be silent, or listen with graciousness to her softly-murmured approval of the entertainment nature had been good enough to provide. But to toil through the same romantic country on horseback or on foot, ah, what hard work, and how unreasonable that others should expect her to admire all she saw, and to rejoice in the discomforts of the journey!</p>
        <p>To her also it was wearying to stand so long on that tower of observation, which, thanks to Mr. Mooney's art, was now a stately appanage of the house, and which had been built in order to gain a view of the sea. Maud and Mr. Wishart seemed
						<pb xml:id="n177" n="171" corresp="#Che01ARol177"/>
						never to tire of gazing from this elevated position. And their enthusiasm was not uncalled for, though this captious lady could not share it. There was a prospect from that tower which ought not to have palled upon her so soon. The autumn day had all the softened beauty of an Indian summer; the forest was wrapped in a blue mist, bluer and bluer in the distance. The sun could not dazzle through the silvery veil that overspread the sky, and the smoke of far-off bush-fires curled slowly upwards, vanishing in a blue purer and more profound than ever artist dreamed of.</p>
        <p>There were no rich autumnal tints, no flashes of brilliant orange or crimson among the dark evergreens. Only grave soft shades of green and purple; dark brown green on the low hills, clothed with fern and tea-tree, light green where the tree-ferns grew by the hidden streams, and sombre purplish green where the forest folded over range after range. Miles of forest—dark, mysterious, impenetrable only a few years past; but now sadly wasted in many parts, blackened with fire, maimed and scarred by the axe. Here and there on the cleared lands stood some little gray house amidst its roughly-farmed fields. There was the glint of a stream, now and again, through the dark masses of trees. A stream! there are scores—hundreds. Every shaded hollow in the forest, every dark furrow on the hills, has its stream, rushing clear and cold from the heights, over the rocks in cascades, into deep still pools blacker than night, out
						<pb xml:id="n178" n="172" corresp="#Che01ARol178"/>
						into the sunshine at last, to meander slowly through the valley. It is a land of running waters.</p>
        <p>But beyond all this, far to the westward, what is that shimmering, changing sheet of blue, gilded by the sun in the day, silvered by the moon at night? It is the sea; and that dull murmur is the sound of its restless waves breaking on the coast.</p>
        <p>Yes, it was beautiful, the tired lady assented, but she was all the while thinking of that rough ride over hill and dale which would have to be repeated before nightfall. However, she was too good-natured to show any signs of weariness or impatience, so she admired with the other two, and occasionally added a soft, ‘How lovely!’ or ‘So nice!’ to their conversation.</p>
        <p>When you looked at her face for the first time you would probably think it the prettiest you had ever seen. Features that were finely moulded, if they were very small; eyes that were beautifully bright and clear; a complexion that defied criticism, and that never paled from its delicate rose tints or grew coarse in colouring. Nothing could be prettier; nothing pleasanter than such a face smiling upon you, and it was nearly always smiling upon some one. But you might notice that no change of expression played upon its features. The everlasting smile would seem a simper before long, and possibly you might wish for a more intelligent expression of opinion than ‘So nice’;—you might even think, after a time, that some of the dovelike prettiness
						<pb xml:id="n179" n="173" corresp="#Che01ARol179"/>
						might have been advantageously exchanged for a few ideas.</p>
        <p>However,—and well for human kind that it is so,—there are some happily-constituted people who can get on very well without ideas—can, in fact, manage to go through life creditably with a mind that is but ill-ballasted, while many of their fellow-creatures, clever but clumsy, are never able to bring their freights of great value into port. And there is this about ideas—not only has no human being ever loved another merely because he had them, but their presence in the brain of many an unlucky person (especially if they were new ones, and he was anxious to get them into other person's brains) has been known to stir up envy, hatred, and all uncharitableness. A modicum of talent is not nearly so dangerous. And no one knows how much may be made of a little talent, especially by a pretty young lady of whom every one must needs think charitably.</p>
        <p>But it is impertinent thus to discourse of the qualities of one who has not been introduced by name. It was Miss Violet Palmer of whom this has been said, just seventeen years old, and seventeen times as pretty, amiable, and innocently ignorant as any description of mine can represent her.</p>
      </div>
      <pb xml:id="n180" corresp="#Che01ARol180"/>
      <div xml:id="t1-body-d1-d13" type="chapter">
        <head><hi rend="c">Chapter</hi> XIII.</head>
        <lg type="verse">
          <l>‘Some lives stand ever on the brink</l>
          <l>Of joy. They wait through all life's day</l>
          <l>To see hope's sun shine out, and sink,</l>
          <l>And drag their sunset-tints to gray.’</l>
        </lg>
        <p><hi rend="sc">Violet Palmer</hi> was the niece of one who has already appeared in this narrative. Her father was an elder brother of the Palmer whom we already know. But though so nearly related, even those who knew them best could discover little or no resemblance between the two. It was not only in appearance that they differed: in tastes, habits, and manners they were utterly unlike. And one who knew the history of their family would have found this no cause for surprise.</p>
        <p>The elder brother had been brought up during the days of abundance, not to say extravagance; had received a liberal education; had lived in good society; and in his early youth had been so favoured by fortune and so helped by friends that ever since he had found great difficulty in helping himself. The younger brother had been the child of poverty, and under her iron rule his life had been one of work and self-denial. But in this hard taskmistress's
						<pb xml:id="n181" n="175" corresp="#Che01ARol181"/>
						school many useful lessons are taught, and some of the finer virtues encouraged. Though some natures may be warped or stunted by her severity others are strengthened by it. We may generally conclude that those who are soured and disheartened by poverty would not have stood the test of prosperity any better. If Palmer lacked those qualities of culture and refinement which his brother, as a poor proud gentleman had held fast throughout the vicissitudes of colonial life, and if his training had induced him to undervalue such things, he had none of the selfishness, the petty vanity, and the meanness with which weak and pampered natures torment themselves and others. He had never had time to think of himself. He had been the only worker in his family—the one on whom all the others leaned, and to whom they all looked when difficulties overtook them. For them had been spent the best part of his life in doing what others ought to have done for themselves. He was fitted for better work than this. The same energy and good judgment which had helped him in his business would have ensured his success in a much higher profession. But he had been held fast in one position by a hundred disadvantages, till it was too late. Want of education, want of time, want of money, and worse still, the wants of others, had kept him back. How many lives are lost thus?—how many talents are thrown away to satisfy sordid necessity?—to the world's incalculable loss.</p>
        <pb xml:id="n182" n="176" corresp="#Che01ARol182"/>
        <p>It must be added that Palmer would have been the last person to complain of these disadvantages. He had never grudged his early privations and struggles for the poor helpless brothers and sisters, most of whom were now removed from being a trouble to any one. Those who bear the little burdens often make the most outcry, and the wail for a wasted life and lost opportunities is generally raised by those who have wrought their own sorrow. Palmer would not have allowed any one to condole with him because his life had been wasted. And after all, though such lives may be said to be sacrificed, they are not wasted.</p>
        <p>Violet's father was quite another sort of man. There are some persons—there are a great many persons, good, amiable, and not without talent—who cannot exist without being propped. They are destitute of a moral backbone. Mr. Everard Palmer had always been propped by one person and another, until the duty devolved upon his brother. He could do nothing without his advice; he had been partly dependent upon him before he inherited a small property, and he had followed him from England to New Zealand, because separation from his prop would have resulted in his collapse.</p>
        <p>Palmer had never tired of acting as a prop, and his brother had never felt ashamed of being propped. He was in a faint way sensible of a superiority to his rough uncultured brother, and he was also sensible of his own weakness. There was, indeed,
						<pb xml:id="n183" n="177" corresp="#Che01ARol183"/>
						some excuse for this: his health had always been feeble. Both brothers had inherited a fatal tendency to consumption, which had brought many of their family to an early grave; but in nothing was the difference between them more marked than in the way one nursed and watched over his defective constitution, trembling at every bad sign, and the other disregarded his health altogether.</p>
        <p>As has been implied, Everard Palmer was eminently gentlemanly. He would almost have sacrificed life itself rather than not have been so. Like many another punctilious person, however, he had not in choosing a wife chosen one who even approached to his own high standard. He had been so unfortunate as to marry beneath himself, and we may safely judge that no one who has not done this knows exactly what it amounts to. To have been a fitting match for the very much polished Mr. Everard, Mrs. Palmer should have been endowed with all the charming attributes of a perfect lady. Even Mrs. Palmer's best friends could not say that she was a lady. It was not only that her father had held a position very slightly raised above that of a labourer; it was not only that she herself had, when very young, associated with labourers' daughters, and that she had never acquired more knowledge than would just enable her to read and write fairly well. She might have been all this, and yet not so vulgar, so ill-informed, and so narrow-minded as her husband, to his sorrow,
						<pb xml:id="n184" n="178" corresp="#Che01ARol184"/>
						found her to be before the honeymoon was over.</p>
        <p>He had married her for her pretty face—that was the conclusion people were obliged to come to. And Mrs. Palmer was pretty, and had once had a lively, saucy manner, dangerously verging on pertness, but very attractive when it is assumed by those who are sufficiently good-looking. Ugly people should not try it. But after a while pertness and flippancy irritate rather than amuse, and bad temper soon ruins the prettiest face. A house where there was neither peace, cleanliness, nor order, and the companionship of a railing woman, was what the unfortunate Mr. Everard gained by his ill-advised marriage. Mrs. Palmer's querulous voice was seldom silent, and her husband's sole refuge lay in escaping to his own room, leaving her at liberty to scold the maid-of-all-work. Perhaps he could have borne with her temper, however, had other things been right. But many a time he had to blush for her ignorance and ill-manners. She humiliated him before his friends; he was even ashamed to ask them to come into his house. In every trifle of household management and daily life she vexed him. ‘She cannot even set a table out properly,’ confided the poor gentleman to his brother. ‘Would you believe it John, I had to show her how to do it?’</p>
        <p>‘Well, I suppose it will be done properly in future, then,’ said his brother, not at all surprised by this affecting information. ‘So long as one
						<pb xml:id="n185" n="179" corresp="#Che01ARol185"/>
						of you knows how things should be done it's all right.’</p>
        <p>‘And I don't know how it is,’ went on Mr. Everard, almost with tears in his eyes, ‘but every plain country woman seems to be able to keep a nicer house and to dress herself and her children better than my wife. I am sure I never deny her anything that can be afforded; but I believe if she had five hundred dresses she would keep an old shabby one to wear at the breakfast-table.’</p>
        <p>‘Why don't you burn it?’ inquired Palmer, who could always suggest a practical solution of a difficulty.</p>
        <p>Mr. Everard sighed and shook his head. He knew better than to burn anything belonging to Mrs. Palmer.</p>
        <p>Mr. Everard's great excuse for manifold weaknesses and shortcomings was his bad health; Mrs. Palmer's—alleged as the cause of every discomfort—was her children. It was the children who wearied her to death, who left her no time for anything, who spoilt everything, and disarranged a house which otherwise would have been a striking example of the beauty of order. When it was considered that from their uprising to the moment when their restless little bodies were laid in their beds at night these children ran wild in the garden and the fields, and that Mrs. Palmer dispensed with, as superfluous, one-half of the little cares with which a good woman tends her children, most people failed to see how
						<pb xml:id="n186" n="180" corresp="#Che01ARol186"/>
						they could be responsible for the state either of the house or its mistress. The young Palmers were generally in a sorry plight, with moplike heads of hair, and unmended, stringless, or buttonless garments. A neglected child is one of the saddest sights on this earth; so no wonder that poor Mr. Palmer actually cried over his children, and often with awkward fumbling fingers tried to do little things for them, not to much purpose, however.</p>
        <p>As if these miseries had not been sufficient to dispirit and crush him, Mr. Palmer had since his youth always felt the want of money, which is acknowledged to be a great sweetener of even the sourest cup of woe. Though his riches alone may not make him happy, a rich man can escape from a hundred heartaches and troubles which a poor one is compelled to endure. Mr. Palmer had never had money of his own, and his friends would sooner have expected him to discover the secret of perpetual motion than to hear of his making any. He had drudged as a clerk in a telegraph office until a distant relative had thought fit to leave him a small property. On the income from this the family made shift to live, and lived on it somewhat less comfortably than most other families would have done. Thus it was that, from year to year, Mrs. Palmer complained and fretted, the children were arrayed in clothes fit for the rag-basket, and Mr. Everard drooped and pined in his study, where he solaced himself by researches in first one branch of science
						<pb xml:id="n187" n="181" corresp="#Che01ARol187"/>
						and then another. Steady and continuous application to one subject was an impossibility to him; he roved about all over the field of knowledge.</p>
        <p>Now, in the deepest and darkest period of privation, before the legacy had been heard of, and when Violet, the eldest daughter, was a little girl in frocks and pinafores, Mr. Wishart, who was then learning farming under Mr. Langridge's care, made the acquaintance of Mr. Everard. He became more and more attracted by the quiet, studious gentleman, and came often to the house. And by and by he began to notice the graceful child whose prettiness even torn frocks and tangled hair could not spoil. It was Violet alone of all the children who was allowed to come into her father's room. She would build houses of his books on the floor, or sit on the hearthrug before the fire, listening with wide-open blue eyes to the conversation between the two friends. She was the spoilt child of the house, or she would not have been favoured in this way. Mrs. Palmer was proud of her because she was handsome. Mr. Palmer was proud of her because, strange to say, she had the promise of all the ladylike graces in which her mother was deficient. Violet knew by intuition what was becoming. She was never at a loss for a pretty speech, never awkward, and from babyhood had all the arts and wiles of a finished coquette. Her aim was to please, and even those who detected her shallowness could not help being pleased.</p>
        <pb xml:id="n188" n="182" corresp="#Che01ARol188"/>
        <p>Mr. Wishart liked to talk with this interesting little girl. He seldom forgot to bring her some present, so that she began to expect his little gifts of bon-bons, toys, or dolls, and to receive them as a tribute which was her due. The dolls were soon given away to the younger children. Violet had never cared for dolls; what she liked was to be with grown-up people, and fancy herself one of them.</p>
        <p>Mr. Wishart had a romantic imagination. This is often a source of happiness to the possessor, but if not accompanied by a sound judgment and curbed occasionally it may become dangerously ensnaring. The idea occurred to him—how delightful to educate one's wife! It was by no means a new idea, but to him it seemed so—nay, more, an inspiration. If it were commonly done, he thought, we should seldom hear of unhappy unions and ill-matched pairs.</p>
        <p>There is no man but thinks he knows what a woman should learn, and in what direction her mind should be trained. From the very liberal man, who would give her not only academical honours and a right of entry to every profession, but also the questionable privilege of the ballot-box, to the practical individual who would confine her intellect within the study of books of devotion or treatises on cookery, each believes he has the recipe for the making of a perfect woman. Mr. Wishart did not doubt that he was competent to direct the education of the model woman whom mentally he saw from
						<pb xml:id="n189" n="183" corresp="#Che01ARol189"/>
						afar. And we may be certain he had not allowed his thoughts to wander in this direction without having something more substantial than a vision before his eyes. When his imagination pictured to him that model woman of the future, he saw Violet grown older, and with every grace and charm enhanced.</p>
        <p>Schemes like this of Mr. Wishart's seem feasible to no one but the originator. At first he had only Mrs. Palmer on his side. Her vanity was flattered by the proposal, and it exactly suited her indolence to be relieved of the care of one daughter. Her husband was anxious, and doubted. Though he was weak he had always wished to do right. He withstood for some time the arguments prompted by Mr. Wishart's enthusiasm, nor did he surrender to the force which Mrs. Palmer could bring against him, either of artful cajolery or hysterics and sulks. As usual, in serious cases, he sent for his brother.</p>
        <p>‘What on earth have I to do with it?’ demanded that person when consulted.</p>
        <p>‘Advise me in the matter,’ said Mr. Everard.</p>
        <p>‘You should ask that of your own commonsense,’ answered his brother.</p>
        <p>‘Oh, but I wanted the assistance of your commonsense. I confess that mine is baffled by this affair. I like Wishart better than anyone I know. If Violet were twenty instead of twelve I would not hesitate a moment.’</p>
        <p>‘Are there no young ladies in the neighbourhood older than twelve for Wishart to choose from?’</p>
        <pb xml:id="n190" n="184" corresp="#Che01ARol190"/>
        <p>‘I should say there are plenty who would not object to be chosen. You know common report says he has been angled for over and over again.’</p>
        <p>‘And, most humiliating thought, is caught at last by a mere baby of twelve.’</p>
        <p>‘Well; but you don't help me,’ said Mr. Everard. ‘What am I to say to Wishart? I don't like the idea of making promises for a child who is too young to have any say in the matter; but, on the other hand, I believe he will provide for her much better than we can, and if she is not happy in her future life it won't be his fault. I am poor, and our family has lost its position—lost caste, as some people say. I can't expect many suitors like Wishart for my daughters. If I only knew!—perhaps this is the best chance of happiness and a comfortable home little Vi is likely to have; and in that case I should be loth to throw it away.’</p>
        <p>‘I suppose he doesn't want to marry this elderly lady of twelve at once?’</p>
        <p>‘Certainly not. He wishes to have the control of her education, to provide for her in every way till she is eighteen, and then it will be for her to decide.’</p>
        <p>‘Indeed. It seems to me that he runs a great risk. I shouldn't like to venture anything on a young lady's decision six years hence. Six years of expensive education, and at the end of it, as likely as not, the adored one will bestow herself with all her perfections on some one who has gone to neither trouble nor expense in the matter.’</p>
        <pb xml:id="n191" n="185" corresp="#Che01ARol191"/>
        <p>‘I see you won't think of it seriously. If it had been any one else I should have treated it as ridiculous nonsense, but Wishart has shown himself such a sensible fellow in other things that any proposition of his deserves consideration. What would you say if Violet were your daughter?’</p>
        <p>Palmer tilted back his chair, and propped his feet against the mantelpiece.</p>
        <p>‘Well?’ inquired Mr. Everard, after a long pause.</p>
        <p>‘I tell you what it is, Everard,’ said his brother, ‘I suppose I've advised you in every imaginable thing, from the disposal of your vote to the insurance of your life. I must draw the line somewhere. I really can't pretend to interfere in the marriages of your children.’</p>
        <p>‘You are so absurd. You laugh at my difficulties,’ complained Mr. Everard.</p>
        <p>‘No, indeed; but I can't and won't advise you in this.’</p>
        <p>Palmer jerked back his chair and hastily went out, not heeding the humble appeal from his brother, ‘John, do wait a moment; do be an obliging fellow for once.’</p>
        <p>‘Well, Miss Violet,’ said Palmer, as on his way to the gate he espied his niece swinging herself under the boughs of a large willow-tree. ‘They tell me wonderful things of you. Shall I send a doll's silver service as my wedding present?’</p>
        <p>‘No, thank you. I have given up my dolls,’ answered the child, with great composure.</p>
        <pb xml:id="n192" n="186" corresp="#Che01ARol192"/>
        <p>‘Ah, quite too old for that sort of thing,’ said Palmer, and turned to go; but Mrs. Palmer, who had come out to call Violet in, detained him and began to tell him what a comfort it was that she knew what would become of one of the children.</p>
        <p>‘Such a great thing for Violet! We couldn't have brought her up in the style she'll have now. She is going to the best school, and is to learn all the accomplishments.’</p>
        <p>‘Then it's all settled, is it?’ cried Palmer. ‘Why, Everard didn't say so.’</p>
        <p>‘I don't know what Everard wants,’ peevishly replied Mrs. Palmer. ‘He's sure to come round, though; he must see it's the best thing we can do for the child.’</p>
        <p>‘I suppose she doesn't know?’ asked Palmer. ‘I'm afraid I made rather a foolish remark to her just now. Of course you've not told her?’</p>
        <p>‘That's another thing Everard's been vexed about. As if she wouldn't have found it out soon enough! He worries me to death nearly; he says it'll do her harm, and it ought to have been kept from her.’</p>
        <p>‘And I think he is right,’ said Palmer.</p>
        <p>The matter drifted into a settled state. Mr. Everard's misgivings were allayed by Violet's happiness at school and her rapid improvement when removed from home influences. He was prouder and fonder of his daughter each time she came home for the holidays. But he began to notice before long how often it was contrived that she
						<pb xml:id="n193" n="187" corresp="#Che01ARol193"/>
						should not spend her holidays at home. The little romance attaching to her position soon became the secret of every schoolfellow, and this, as well as her own personal advantages, marked her out from the other girls, and gave her a great popularity. The lady principal was never harsh with Violet, and there was little reason: she adapted herself so cleverly to Mrs. Plushey's superficial system. She was Mrs. Plushey's pride; always to be depended on for ladylike deportment; always ready to go through a showy pianoforte piece with rattle, tinkle, and crash, or to warble some little song without nervousness or lamentable breakdowns. She was admired and imitated by the other girls, and word of her merits came so often to their parents' ears that she was constantly being invited to spend the holidays at one house or another. Violet soon became a stranger to her own family, and Mrs. Palmer began to feel uncomfortable in her presence during the few times she was at home. Violet was so stylish and so handsomely dressed that her mother would even have qualms of conscience about her morning gowns and the loopy state of her back hair, which never troubled her when Mr. Everard was the only one who saw them.</p>
        <p>Though it had not been part of Mr. Wishart's design, this estrangement of Violet from her family, and particularly from her mother, seemed to him not undesirable. He liked Mr. Everard, and respected him, notwithstanding his weaknesses. But he neither
						<pb xml:id="n194" n="188" corresp="#Che01ARol194"/>
						liked nor respected his future mother-in-law, and thus early he had made up his mind that she should have no authority in the house which Violet would be mistress of some day. It was far better for Violet that she should not see much of her mother. Mrs. Palmer's example was not one he would have set before the young schoolgirl whose character (he supposed) was in process of formation. For it never occurred to him that Violet's character might be already formed, nor had he ever considered what sort of a character could be formed in the school of fashionable superficialities where he had placed her. As is often the case with such schools, this was kept by an exceedingly silly woman who had good manners and a poor mind. Mrs. Plushey set little value on those plain and inconspicuous acquirements which make the better part of a fine woman. On the other hand, she delighted in smatterings, and had a vague idea that to know a thing thoroughly was unladylike. She had not transgressed in this way herself, and few of her pupils knew overmuch. Smatterings tell, however, if they are used cleverly. Violet made good use of her smatterings. And although Mr. Wishart soon discovered that she would never be either brilliant or learned, he was easily consoled for her deficiencies. To be charming and amiable was much better. And, no doubt, Violet thought so too.</p>
      </div>
      <pb xml:id="n195" corresp="#Che01ARol195"/>
      <div xml:id="t1-body-d1-d14" type="chapter">
        <head><hi rend="c">Chapter</hi> XIV.</head>
        <lg type="verse">
          <l>‘The dreams of ease are clouds that lie</l>
          <l>On mountain peaks where none can stand;</l>
          <l>Toil's golden fruit is ripening by</l>
          <l>The sweet streams of the Promised Land.’</l>
        </lg>
        <p><hi rend="sc">As</hi> he had promised, Palmer provided work in abundance for Randall. Even at night there was often much to be done: accounts to be looked into, letters to be written, or calculations made for some new work. Palmer's business was extraordinarily comprehensive. He would contract to do anything which seemed likely to be profitable. Clearing and breaking up new land, fencing, putting in crops or taking them out, road and bridge making, were all useful and lucrative occupations in which he had made himself conspicuous. He was thought to be rich because he was always working. No one but himself knew how many irons he might have on the anvil at one time, or how many men in his employ. Palmer's men became a by-word. One could not ride far into the country without seeing a gang of them, working hard when their master was on the spot, and very gently exercising their muscles when he was absent. Palmer was aware that his men
						<pb xml:id="n196" n="190" corresp="#Che01ARol196"/>
						had this failing, and consequently was perpetually galloping from place to place to look after them, and emulating Hercules in his attempts to show them how a man of spirit ought to work. ‘No wonder,’ the sympathising Mrs. Sligo would say, ‘that he's worn to a transparency.’ Palmer had, without doubt, found as effectual a way of mortifying the flesh as the most rigid ascetic could attain to with fastings and vigils.</p>
        <p>Mrs. Sligo tormented him. He was almost afraid of her. To avoid meeting her or being entrapped into her company he took by-paths across fields when he went to church, or circuitous roads that seemed to lead anywhere but to the church. He came in at the last moment, and left hastily before any of the congregation could get out of their seats. It was said that in one desperate emergency, when Mrs. Sligo had lain in wait for him in the aisle, he had escaped by the vestry door, to the astonishment and indignation of the officiating clergyman. Palmer strenuously denied this; but he did not scruple to add that he would not have hesitated a moment in fleeing through the vestry had Mrs. Sligo been in pursuit and no other way open to him. He had changed his pew three times, and had at last secured one in which the basilisk glances of his persecutress could not reach him unless she craned her neck more than was becoming or convenient. But although she could no longer look at him, another person, almost as interesting just now, came within
						<pb xml:id="n197" n="191" corresp="#Che01ARol197"/>
						the line of her visual rays. A fierce curiosity was torturing Mrs. Sligo, and Randall was its object. She was not the only one who was curious because the unsociable Palmer had taken unto himself a companion. Mrs. Everard Palmer was much exercised in mind. She wanted to know, and could not get to know, and in this unhappy condition passed several weeks. Every Sunday she made an attempt to accost her brother-in-law, and failed; the fear of Mrs. Sligo making him too active in leaving the church. She had no chance of seeing him at other times, unless he came to her house, which, as it happened, he neglected to do. In this difficulty she bethought herself of Mrs. Hickson, his labourer's wife, the only woman who was admitted into his house. She ought to know if she had the sense to use her opportunities. Mrs. Palmer did not think it beneath herself to go to Mrs. Hickson's, and there to her disgust she found Mrs. Sligo, who had come on the same errand.</p>
        <p>Mrs. Palmer had a pretext for her visit. The children in the cottage had been ill with whooping-cough, measles, or influenza (she had forgotten which), and she had kindly and condescendingly come to visit the family in their affliction, bringing some strengthening jelly for the invalids. She had not forgotten that her marriage had lifted her above the heads of these humble people. She had once lived in just such a little cottage as theirs, but that was a long time ago. To mark the difference
						<pb xml:id="n198" n="192" corresp="#Che01ARol198"/>
						between herself and them, she assumed with her smartest dress her most affected manner. Mrs. Slice's fine flow of gossip was frozen hard and fast, and Mrs. Hickson dared not sit in the presence of her visitor, to say nothing of speaking.</p>
        <p>This would not do at all. Mrs. Palmer wanted information, and rather than go home without it would sacrifice a little dignity. She began to unbend after producing the jelly and inquiring after the health of the children, who were making sufficient noise in the backyard to testify to strength of lungs and soundness of limb. Mrs. Hickson made tea, and a thaw set in. She and Mrs. Sligo began to feel that after all the visitor was very like themselves, in which indeed they were not mistaken.</p>
        <p>‘With minding your children and seeing to Mr. Palmer's house you must have plenty to do, Mrs. Hickson,’ said Mrs. Palmer, sipping her tea. ‘But, very likely, now he has this young gentleman staying with him, he may get a housekeeper.’</p>
        <p>Mrs. Sligo looked interested. ‘Ah, ma'am! ah, Mrs. Palmer! if you would only advise Mr. Palmer, for his own good, to have some one to look after his comforts. It may seem strange for me to mention it as I've been keeping house for him so lately; but I know what's needed, if anyone does.’</p>
        <p>‘My good Mrs. Sligo, I have no influence with him. Of course, I've often said he ought to live in a more comfortable style.’</p>
        <pb xml:id="n199" n="193" corresp="#Che01ARol199"/>
        <p>‘Yes; he ought, if I may make bold to say so,’ said Mrs. Hickson.</p>
        <p>‘So lonely as he must feel,’ said Mrs. Sligo.</p>
        <p>‘Well, he's not alone now,’ said Mrs. Palmer.</p>
        <p>‘You will know all about this young man—or is he a gentleman—Mrs. Hickson?’</p>
        <p>Mrs. Hickson knew next to nothing, but she had not the heart to say so. She answered, ‘Well, yes, ma'am. He's quite the gentleman.’</p>
        <p>‘So I always thought,’ said Mrs. Sligo. ‘First there's Mr. Palmer making a friend of him, which, of course, he wouldn't have done with a common man, and then there's his looks. He has quite an aristocratic face. I'm sure, Mrs. Palmer, there's a romance about that young gentleman, and Mrs. Hickson here has seen enough to be sure of it, only perhaps she wouldn't like to repeat everything she may have got to know.’</p>
        <p>‘Certainly not,’ said Mrs. Palmer. ‘In your position, Mrs. Hickson, you are called upon to be very careful. I have no doubt Mr. Palmer has chosen you to wait on him on account of your faithfulness, and he depends on you not to repeat everything you may see or hear.’</p>
        <p>‘I'm sure, ma'am, I wouldn't, not for riches untold,’ said poor Mrs. Hickson, striving to recollect if she had ever heard anything that was worth repeating.</p>
        <p>‘That you wouldn't!’ emphatically declared Mrs. Sligo. ‘And if there should ever be such temptation
						<pb xml:id="n200" n="194" corresp="#Che01ARol200"/>
						set before you, I say to you, 'Liza, don't tell, <hi rend="i">don't</hi> do it.’</p>
        <p>‘I won't,’ said Mrs. Hickson.</p>
        <p>‘What do they call the young gentleman, Mrs. Hickson?’ said Mrs. Palmer, striking out with vigour into the desired subject.</p>
        <p>‘Mr. Palmer calls him “Randall.” I don't know whether its a christian name or surname.’</p>
        <p>‘They're very friendly, aren't they?’ asked Mrs. Sligo.</p>
        <p>‘Uncommon. Hickson says they're more like brothers than anythink. I don't know what they can find to say to each other, sitting up so late together. I hear the piano often. Mr. Randall can play as you never heard the like, all off too, without a book, when he pleases.’</p>
        <p>‘Well, really!’ exclaimed Mrs. Sligo, ‘and Mr. Palmer would never let me play on that piano, he said it split his ears.’</p>
        <p>‘Well, you know, there's a difference in playing,’ said Mrs. Hickson, innocently. ‘But they've made that old piano sound like silver bells. Mr. Randall's had the front opened, and all the keys off, and he strung up the wires with something like a screwkey.’</p>
        <p>‘Oh, a tuning-fork,’ said Mrs. Palmer, with the calmness of superior wisdom.</p>
        <p>‘Then what does he do all the day, this Mr. Randall?’ said Mrs. Sligo.</p>
        <p>‘Do? Why, he rides about like Mr. Palmer, to
						<pb xml:id="n201" n="195" corresp="#Che01ARol201"/>
						oversee the men, and he has to keep account of everything. He just helps Mr. Palmer in whatsomever he has on hand, and Hickson says he's no soft one to deal with; he keeps the men up to the mark.’</p>
        <p>‘And he hasn't been a working-man himself?’</p>
        <p>‘Well, some says he has, and some says he hasn't,’ oracularly responded Mrs. Hickson. ‘Some is certain he worked for Mr. Palmer in the harvest, but others seeing him so gentlemanlike, says it wasn't him, but another man very much like him. But Hickson says he did, and that he's some gentleman doing all this for a wager.’</p>
        <p>‘I shouldn't wonder!’ gasped Mrs. Sligo, gurgling over her cup of tea in her excitement. ‘I've heard of such things. There was a nobleman made a bet he'd walk through the streets of London dressed like a mendicant, and there was another wagered he'd grind a barrel-organ for a year.’</p>
        <p>‘Oh yes, such things are quite common,’ said Mrs. Palmer confidently.</p>
        <p>‘Well, I'm sure I wouldn't leave a nice house and everything that's grand and fine to rough it like that unless I was obliged,’ said Mrs. Hickson. ‘They must be simpletons that do it. Mr. Randall doesn't look simple. He's a melancholy look, though.’</p>
        <p>‘Ah, poor gentleman, perhaps he's had some great affliction or disappointment, and has changed to rough work to distract his thoughts,’ opined Mrs. Sligo.</p>
        <pb xml:id="n202" n="196" corresp="#Che01ARol202"/>
        <p>‘Does he dress well?’ asked Mrs. Palmer.</p>
        <p>‘When first he came he wasn't dressed over well; at any rate his clothes looked as if they'd been worn long enough. He doesn't dress up much now; though, of course, he's decent things on. I mean, ma'am, on Sundays; when, as you know, a gentleman will go to church in a good black coat if he goes at all. Hickson always keeps one for Sundays; but Mr. Randall and Mr. Palmer seem to go in all kinds of colours, and I've actually seen Mr. Palmer with a soft felt hat on!’</p>
        <p>‘Mr. Palmer never would attend to that when I was keeping house for him,’ said Mrs. Sligo. ‘I could <hi rend="i">not</hi> get him to keep a suit for Sundays only.’</p>
        <p>‘Mr. Palmer, I know, undervalues the advantage good dress is to a person,’ said Mrs. Palmer.</p>
        <p>‘I think,’ said Mrs. Sligo, taking a new view of the case, ‘that's one sign of a gentleman. Common people like to be smart’ (Mrs. Palmer felt uneasy at this remark, and glanced downwards at her beruffled and puffed skirt); ‘but a gentleman's above such things, and generally, you may notice, has a pride in being rather rough and plain, to show that he can do without finery.’</p>
        <p>‘Yes. There's nothing rough about Mr. Randall, though,’ said Mrs. Hickson. ‘I declare his manners are enough to make one wish he could be set up somewhere for a pattern.’</p>
        <p>‘I've noticed nothing remarkable,’ said Mrs. Sligo, who felt jealous of this praise, lest Palmer should be
						<pb xml:id="n203" n="197" corresp="#Che01ARol203"/>
						eclipsed by his satellite. ‘People who've not been used to good society might think them so.’</p>
        <p>‘Have you ever heard him say anything to prove he was doing all this for a fancy or some wager?’ said Mrs. Palmer.</p>
        <p>‘Well, not exactly; but one morning when I took the breakfast over myself I heard Mr. Palmer ask him if he didn't look forward to going home some day, and he said, at times he thought of it, but a deal would have to be gone through first. He said he'd never go back till he'd done it; what it was I couldn't gather.’</p>
        <p>‘That seems to prove it,’ said Mrs. Sligo. ‘I may tell you, too, Mrs. Hickson, that Smithers, who's engineer for Mr. Palmer, says he knows it's so, and he knows the reason too. There was a young lady to whom this Mr. Randall was engaged, and she broke it off because his father had made his money in trade; so to show her he didn't care for her pride he's gone and made himself as much like a workingman as possible.’</p>
        <p>‘Why, but what a spooney!’ said Mrs. Hickson. ‘If she wouldn't look at him before will she have anything to do with him now? Why, I've seen him myself taking the machines to pieces; I've seen him oiling and setting them right, or driving that engine, as black about the hands as a sweep. And I've seen him gardening with Mr. Palmer, or grooming and saddling his own horse. He does all kinds of things.’</p>
        <p>‘A man who's been up pretty high sticks at
						<pb xml:id="n204" n="198" corresp="#Che01ARol204"/>
						nothing when he's made up his mind to come down. You can see he's a determined man, Mrs. Hickson, by the look of his chin.’</p>
        <p>‘I haven't noticed it,’ said Mrs. Hickson. ‘Deary me, bless us all! there's Mr. Palmer a-hammering at the door.’</p>
        <p>Mrs. Palmer fluttered from her seat into a corner where she could not be seen from window or door. Mrs. Hickson, nearly dropping the teapot in her agitation, flew to answer the summons. ‘I've forgotten all about his dinner,’ she cried, ‘and it's past six. The potatoes are not warmed through! Deary, deary me!’</p>
        <p>Mrs. Sligo alone preserved her composure. She smoothed her hair, settled her white tulle cap, spread out her voluminous train, and moved her chair to where she could be seen.</p>
        <p>‘Now, Mrs. Hickson, do you want me to fast after riding fifteen miles?’ demanded Palmer. ‘I've rung the clapper out of my bell and got neither dinner nor answer. I could see you, my good woman, all the time, gossiping away with two old busybodies instead of minding your work.’</p>
        <p>Two old busybodies! Mrs. Sligo was almost purple with indignation. She might be a poor lone widow whom people were ready enough to scoff at, but she wouldn't be old just yet. Mrs. Palmer, too, bridled and chafed at the insult in the seclusion of her corner, and registered a vow that her brother-in-law should be fully repaid for it.</p>
        <pb xml:id="n205" n="199" corresp="#Che01ARol205"/>
        <p>‘I don't know, Mr. Palmer,’ whimpered Mrs. Hickson, ‘how I made such a mistake. It comes from trusting to that old clock of ours, which is always late when it isn't fast.’</p>
        <p>‘I should think you know what's o'clock when the sun goes down. Come now, don't waste time in talking, get the thing done. You may send over about twice as much as usual. I can tell you I've an appetite after waiting so long.’</p>
        <p>Palmer went back to his house. Mrs. Palmer thought she had better escape while he was out of the way. She did not wish her brother-in-law to know that she had been one of the busybodies referred to. Perhaps she had lowered herself by joining in the tea-table tattle of her inferiors. It Everard should hear of it! Better get home at once, and to be secure from observation take the back way across the fields. She took her leave with dignified hauteur, for now it seemed to her that she had been too condescending. Mrs. Sligo and Mrs. Hickson were chilled and overawed again. Their tongues were loosened as soon as she had crossed the threshold, and they were beginning to comment with great freedom of speech on her dress, manners, and conversation when the appearance of another person diverted them from this pleasing theme. There was a stranger on the road—a tall, ill-clad, and disreputable-looking man, whose tattered Mackintosh and brimless hat would have disgraced a scarecrow. He did not appear to be ashamed of his habiliments.
						<pb xml:id="n206" n="200" corresp="#Che01ARol206"/>
						He came on with a bold carriage, and with the step of one who knew how to walk, an accomplishment rarer than most people imagine. He neither shambled, nor stooped, nor shrunk away from well-to-do passers-by, as a shamefaced tramp might have done, but kept the middle of the path, looked every one full in the face, and whistled melodiously.</p>
        <p>‘There's a pretty kind of a fellow,’ said Mrs. Hickson, ‘going about as bold as brass; a man who'd as soon pick your pocket as look at you. And, bless us! Mrs. Sligo, he's gone into Mr. Palme's; just opened the door and stalked in as if he was lord of all.’</p>
        <p>‘He'll come out again quicker than he went in,’ predicted Mrs. Sligo.</p>
        <p>But he did not come out again that evening. ‘Well, Mr. Palmer's taking up with queer folk now,’ Mrs. Hickson remarked. ‘That Mr. Randall is a mystery to me, and this man looks no better than the offscourings of the streets.’</p>
        <p>‘And him so particular too!’ cried Mrs. Sligo. ‘There's something strange about it, 'Liza.’</p>
        <p>‘To sit down to dinner with a man dressed worse nor a mawkin!’ said Mrs. Hickson. ‘But I'll tell you how it is. These two are his relatives, and he's ashamed to own them.’</p>
      </div>
      <pb xml:id="n207" corresp="#Che01ARol207"/>
      <div xml:id="t1-body-d1-d15" type="chapter">
        <head><hi rend="c">Chapter</hi> XV.</head>
        <lg type="verse">
          <l>‘Grieve not that I am fallen to this for you,</l>
          <l>For herein fortune shows herself more kind</l>
          <l>Than is her custom.’</l>
          <byline rend="right">
            <hi rend="i">Merchant of Venice.</hi>
          </byline>
        </lg>
        <p><hi rend="sc">Palmer</hi> met the unprepossessing stranger at the door. ‘I thought I knew you half a mile away,’ he said. ‘There are not many who step out as you do. Come here into the light and let me look at you.’</p>
        <p>‘Am I such a gladdening sight then? Really, when I look at myself in these shreds and patches—I won't call them clothes—I can hardly believe that I was once considered quite a handsome fellow.’</p>
        <p>‘You haven't changed your nature, I see,’ said Palmer, ‘though you've changed in appearance a good deal. You are growing old before your time, Godfrey.’</p>
        <p>‘I suppose the life I lead isn't good for the looks. You gentlemen who live at home at ease have the advantage of us poor knights of the road. Who is that man I passed in the yard? He stared at me as if I were from the dog-star, instead of being an unworthy fellow-citizen of earth.’</p>
        <pb xml:id="n208" n="202" corresp="#Che01ARol208"/>
        <p>‘A man I've engaged to help me to manage.’</p>
        <p>‘I've seen him before. I wonder where. Never mind; it tires one to remember. What's his name?’</p>
        <p>‘What does it matter to you?’ replied Palmer, almost dragging him into the passage. ‘There's my room, go in and put on what you like of mine. Make yourself more human like, and then we'll sit down to dinner together, as we used to do years ago.’</p>
        <p>‘Very well; but don't alter your household arrangements for me. I feel like a returned prodigal, but I wouldn't have you go to the trouble of making ready a fatted calf.’</p>
        <p>‘Don't expect it,’ said Palmer. ‘The prodigal came home but once. Had he been continually turning up, the supply of fatted calves might have found its limit.’</p>
        <p>‘Poor prodigals! One soon tires of receiving and forgiving them, and so at last they don't come home at all. If they've any regard for the feelings of their respectable relatives, they quietly shuffle off the mortal coil in some obscure corner, and cumber this earth no more.’</p>
        <p>He laughed at the conclusion of this speech.</p>
        <p>‘Have I ever tired of you?’ said Palmer, looking at him with a melancholy smile.</p>
        <p>‘You, John? If I were ten times the renegade that I am, you'd make me welcome to your house. You'd share your last crust with me,—
						<pb xml:id="n209" n="203" corresp="#Che01ARol209"/>
						and, faith, that reminds me I'm desperately hungry now.’</p>
        <p>‘And you'll get nothing till you're clothed and in your right mind. Come, don't talk any more stuff, but go into that room and do as I told you.’</p>
        <p>Palmer left him, and going into his sitting-room, cleared a larger space than usual for the tray, piling up everything that came in his way in a great heap at one end of the table.</p>
        <p>‘Oh, you're there, Randall, are you?’ he said, when, glancing round, he saw that he was not alone. ‘There will be three of us to-night. It's my brother. I may as well say so at once; you'd find it out if I didn't. One ought not to be ashamed of a brother either, though this one has not given us much reason to be proud of him, poor fellow. If you should have known him anywhere’—he looked keenly at Randall—‘it would be best not to show him that you remember him.’</p>
        <p>In a few minutes Mr. Godfrey Palmer entered, wonderfully improved in appearance.</p>
        <p>‘How thin you've got, John! I could hardly squeeze into this waistcoat; your clothes used to fit me to a nicety, but if you mean to continue this wasting process I shall soon have to go elsewhere for a rig-out.’</p>
        <p>‘I can't help that,’ said Palmer. ‘You look better in my clothes, nevertheless, than I do.’</p>
        <p>‘Thanks. Have you a pair of easy old slippers? I have been wearing detestable old boots till I am
						<pb xml:id="n210" n="204" corresp="#Che01ARol210"/>
						footsore. Ah, I see a pair delightfully roomy and downtrodden at the heels. How comfortable!’</p>
        <p>He took a seat at the table, but left it abruptly the next moment. ‘That portrait! I can't sit opposite to those eyes. Be so good as to change places with me,’ he said, looking at Randall.</p>
        <p>‘So you cannot look your mother's picture in the face, Godfrey,’ said Palmer. ‘I like to fancy her eyes are always on me.’</p>
        <p>‘Very likely. You were her favourite son, which makes a difference—the only sensible and useful member of the family. Oh, I forgot Everard; there wasn't much amiss with him except incapability. How is he now?’</p>
        <p>‘Well enough,’ said Palmer; ‘with a houseful of children around him.’</p>
        <p>‘That's what people call a happy lot, isn't it? And Charlotte and Edith, do they write to you yet?’</p>
        <p>‘No; but they are well too,’ said Palmer, looking down. ‘Better off than any they have left behind them.’</p>
        <p>‘Poor Lottie!’ said the prodigal, turning his face away as if to hide the changed expression,—or was it a tear?</p>
        <p>‘So we three are left, out of a family of eight,’ he resumed. ‘Perhaps we shan't be left long. Take care of yourself, John; but you don't believe in that kind of thing. Everard now, who was always the delicate one, is likely to outlive us all, with coddling and nursing himself. I was the only one
						<pb xml:id="n211" n="205" corresp="#Che01ARol211"/>
						among you who had a constitution worth speaking of; but I've played too many tricks with it to keep it for long. I was really the only one who had strength enough to be wicked. Don't take credit to yourself for having kept in the right path; weak people can't go far astray. It's those who have iron nerves and a splendid digestion—who've a keen relish for all things of this life, and to whom any other seems a very doubtful, shadowy thing—who run riot amongst all that is forbidden and unlawful.’</p>
        <p>‘I wonder you have a constitution at all,’ said Palmer. ‘We are to believe, then, that if your health hadn't been so good your habits would have been better. It's the first time I've heard that weakness was a preservative against wickedness. I suppose when your constitution is worn out you'll settle down into sobriety.’</p>
        <p>This strange conversation was carried on by the two brothers before Randall with as little restraint as if they had been alone. Occasionally, when Godfrey Palmer was not talking, or when he was not too much occupied with the food set before him, he furtively examined Randall's countenance. This attention was not repaid by the object of his scrutiny. Randall knew the face before him well enough already.</p>
        <p>It was a handsome face, and it was an evil-looking face. Plenty of intellect behind the massive forehead; plenty of animation in the large black
						<pb xml:id="n212" n="206" corresp="#Che01ARol212"/>
						eyes, and on the thin curling lips always a sinister expression—cold and cruel-looking even when they smiled good-humouredly, hatefully ugly when they were curved in a sneer. He might have been young or middle-aged—which, it was difficult to say. In the life he had led youth and health had been squandered as recklessly as everything else. There was gray amongst his black hair and there were deep lines on his face. Not the lines slowly traced from year to year by a kindly old age, nor those which may early mark the brow with ineffaceable records of thoughtful study or wearying anxious labour. These told a different tale.</p>
        <p>He could never have worked. No lady's hand could be softer or whiter than that slim and taperfingered member he was so fond of displaying in impressive gesticulations. He had a most disagreeable habit, moreover, of laying his long clammy and cold fingers upon the person he might be conversing with. It was a hateful touch; and in spite of an undeniable beauty of countenance and a voice that was singularly musical in its tones his whole presence was repulsive.</p>
        <p>‘You seem to be pretty comfortable here,’ he said, after a while. ‘Quiet old house; dingy and dusty, but roomy enough for both you and the spiders. I suppose you're not much troubled with cleaning, or any of that sloppy work.’</p>
        <p>‘Not since the departure of my housekeeper. There weren't many spiders about then.’</p>
        <pb xml:id="n213" n="207" corresp="#Che01ARol213"/>
        <p>‘But you prefer their company to a housekeeper's? You haven't half a bad time, John. Enough to live on, no need to work unless you like, and a house all to yourself.’</p>
        <p>‘Much you know about it. How in the world do you suppose I'm to get my time over if I don't work? There is no rest except in work, though you may think that a paradox. I was drilled into it from an early age.’</p>
        <p>‘True. I haven't forgotten. What would have become of us but for you? Don't you remember when we went to those wretched lodgings? The girls could do nothing but cry. Everard gave up entirely—he was always ill when there was a probability that he would have to exert himself. Our respected parents spent most of their time in wailing over him, and wishing this hadn't happened and that had. You, a little fellow in a schoolboy's short jacket and cap—you went out, without saying a word to any one, and found a place as errand-boy.’</p>
        <p>‘Do I remember! I think I see myself going up to that tall big man in the shop—I suppose, though, he was no bigger than most men; but he seemed a giant to me, as I stood before him and looked up into his face. “Please, sir,” I said, feeling as valiant as if my life were staked upon the question, “don't you want a boy?” “Want a boy?” he cried, and he burst out laughing, “why you're a manikin, what can you do?” “I mayn't be very tall,” I said—and I tried to stretch myself upwards—
						<pb xml:id="n214" n="208" corresp="#Che01ARol214"/>
						“but I can do as much as any boy of my age, and I'll run errands with any one.”’</p>
        <p>‘Well done, John,’ said Godfrey Palmer, laying a snaky white finger on his brother's arm. ‘He took you for that speech.’</p>
        <p>‘He didn't laugh at me any more, for he saw I was hurt. He whispered to his partner, and I heard one or the other say “poor Palmer's boy.” Yes; they took me, and, as I found out afterwards, gave me more than was usual. But I worked hard for them, child though I was. I was on my feet from morning to night. I got into the way of sleeping standing, whenever I had a minute to spare. Anywhere, in a corner, propped against a wall, or leaning on a pile of cases, I could sleep, and sleep as I never do now. And I was cold or hungry most of the time. I think what keeps up such hard-worked little fellows as I was is sleep. Oh, how I slept at night when I crawled into my small den, where the moon shone in upon me, and draughts were so plentiful that on windy nights it was very much like being outside!’</p>
        <p>‘Poor little wretch! You must have been miserable.’</p>
        <p>‘No, I was happy. I never cared for cold or hunger. My life was illuminated by glorious dreams of what I should do when I grew to be a man. There are some lines which reminded me so strongly of that time when first I read them that I've never been able to forget them:—</p>
        <pb xml:id="n215" n="209" corresp="#Che01ARol215"/>
        <lg type="verse">
          <l>‘“When I was a beggarly boy,</l>
          <l>And lived in a cellar damp,</l>
          <l>I had not a friend or a toy,</l>
          <l>But I had Aladdin's lamp.</l>
          <l>When I could not sleep for the cold,</l>
          <l>I had fire enough in my brain,</l>
          <l>And builded with roofs of gold</l>
          <l>My beautiful castles in Spain.”’</l>
        </lg>
        <p>‘Preserve me from the man who quotes poetry! You don't mean to say you've taken to that sort of thing. It was Everard who used to droop and languish over poetry.’</p>
        <p>‘His wife and children have driven all the poetry out of him years ago.’</p>
        <p>‘Then his wife and children have greatly benefited him. Since we are talking of old times, do you remember getting Everard his situation? He had always the most excellent intentions, but, like my own, they never came to much. If you hadn't spoken for him I don't think he could have worked himself up to the pitch of applying for a situation.’</p>
        <p>‘I wonder at my own audacity,’ said Palmer. ‘Old Mr. Wallford was perfectly astounded when the little urchin he had taken as errand-boy came before him just three weeks after to beg that his brother might have the vacant clerkship. But I believe children know no fear, unless it's some rubbish and nonsense inculcated by their elders. I never thought for a moment I was doing anything unusual, and I never doubted that my recommendation would be of service to Everard. As it <choice><orig>hap-
							<pb xml:id="n216" n="210" corresp="#Che01ARol216"/>
							pened</orig><reg>happened</reg></choice>, it answered the purpose Mr. Wallford said he wished he'd had a brother to recommend him in the same manner when he went to his first place. “You'll get on in life,” he told me; “at least you won't lose anything for want of asking.”’</p>
        <p>‘Wise old gentleman! Now, I've lost a great deal for want of asking. I've always been hampered by an uncontrollable diffidence in the matter of applying for situations.’</p>
        <p>‘You've lost a great deal for want of working, you mean,’ said Palmer.</p>
        <p>‘Which way you like. You can't live without work; I can't live with it. There's so much said in praise of work by persons who can't do anything else, that the beauty and utility of idleness is overlooked. Now it takes a very clever man to succeed in living a thoroughly idle life. He must have plenty of ideas to occupy himself with, or time will hang heavy on his hands when they are doing nothing. People don't think much when they work. I don't suppose a ploughman thinks deeply. He may reflect a little on the merits of his horses, or he may wish to turn a furrow as straight as a ruler, but he won't exercise himself much in intellectual gymnastics. I don't believe the unfortunate men who have to do such work as coal-heaving, stonebreaking, quarrying, or mining think at all. I don't see how they can. While you industrious people, John, are wearing away your muscles and priding yourselves on your diligence, we, the despised sluggards
						<pb xml:id="n217" n="211" corresp="#Che01ARol217"/>
						and slothful ones, are revelling in mental visions and intellectual creations which you can neither understand nor appreciate. I've no doubt at all that the sluggard to whom Solomon refers in such a waspish manner was something of a genius, who would rather spend his time in philosophical contemplation, even though thistles surrounded him and tares choked his wheat, than in hoarding up gold and spices or gossiping with the Queen of Sheba. Perhaps, after all, he was the person whom the Queen came to see, though Solomon in his vanity took all the attention to himself.’</p>
        <p>‘You are getting extravagant,’ said Palmer. ‘Smoke and be silent. Look, I've pipe and tobacco ready. I've kept them for you. I never touch the weed.’</p>
        <p>‘Thank you, but I can't say much for your choice in tobacco. What's become of that solemn young man who sat opposite to me at dinner? Does he go to bed at the early hour of eight?’</p>
        <p>‘Not since I've known him. He went into the other room that we might not be deterred by his presence from unbosoming ourselves to each other.’</p>
        <p>‘How considerate! But I don't know that we've anything to unbosom. I don't know why I spoke of old times to-night. I never asked you about them before. That old Mr. Wallford who took you into his favour, is he or Mrs. Wallford living yet?’</p>
        <p>‘No; dead years since.’</p>
        <pb xml:id="n218" n="212" corresp="#Che01ARol218"/>
        <p>‘What became of the family? I remember—don't you remember Julia?’</p>
        <p>‘I should say you do remember her,’ said Palmer quickly. ‘Why do you want to talk about her?’</p>
        <p>‘I don't. I don't want to revive that affair. You got your way—you and my mother, and her prudent relatives. I suppose she's married some one else these ten years since.’</p>
        <p>‘No, she died unmarried.’</p>
        <p>‘Dead! Then I don't want to hear anything more about old times. Every one's dead. Don't tell me any more. I want to know no more.’</p>
        <p>There was silence for a long time. One brother smoked; the other with a penknife notched and renotched the edge of the mantelpiece, a thoughtful habit he was so much addicted to that he had almost whittled the board away at one side. Then the sound of music broke in upon their thoughts.</p>
        <p>‘Who is that?’ asked Godfrey Palmer.</p>
        <p>‘My bookkeeper, playing in the next room.’</p>
        <p>‘Your bookkeeper is a genius. Keep him playing like that, and let me stay here to listen, and that horrible nightmare we call life would be endurable.’</p>
        <p>‘There is rest in music,’ said Palmer.</p>
        <p>‘There is everything in it: everything that the heart of man can conceive. I will go to sleep with that music in my ears. I can still command sleep, if I'm lord of nothing else, and I'm glad to say I never dream.’</p>
        <pb xml:id="n219" n="213" corresp="#Che01ARol219"/>
        <p>He threw himself down on the sofa, and in a few minutes appeared to sleep. His brother sat opposite, watching the face, calmed and beautified by sleep, till it was late in the night.</p>
        <p>When Randall passed the open door on the way to his own room Palmer beckoned him in.</p>
        <p>‘Look here. It is only when he is like this that I can fully believe he was ever the beautiful innocent child that I remember. I told you he was my brother, did I not?’</p>
        <p>‘Yes.’</p>
        <p>‘And you recognised him—you knew him once?’</p>
        <p>‘Once we were friends.’</p>
        <p>‘I heard a story once,’ said Palmer, looking away from Randall,—‘of two friends. One was guilty, and, like a coward, he allowed the other to suffer for his fault. The one who was falsely accused had gone wrong before, so of course people were disposed to suspect him, and to believe that he might go wrong again. But since his first fault he had tried hard to work his way back to the position he had lost, and this cruel injury from a false friend thrust him down again. You can understand, perhaps you know, how it blackened his character and ruined his prospects. Would you not think that the family of the guilty man owed this poor fellow something? If there were a brother, for instance, who knew of this, and if he were ever to meet with the one his nearest relative had injured, wouldn't it be his duty
						<pb xml:id="n220" n="214" corresp="#Che01ARol220"/>
						to help him up again out of the mire? I needn't say any more, except that your name, when first I heard it in the harvest-field, brought this old story into my mind; and then I knew I owed you a debt all the more binding on me because my brother, who had incurred it, would never pay it.’</p>
        <p>He looked Randall full in the face, and their hands met in a warm grasp.</p>
        <p>‘No, no,’ cried Randall; ‘you owe me nothing now. It is I who am in your debt. It was not alone your brother that ruined me; it was my own folly; and you have saved me from worse than he ever brought upon me—from an idle and selfish life.’</p>
        <p>‘Don't speak loud; he will wake,’ said Palmer. ‘After all,’ he continued, smiling, and with his usual manner, ‘I believe I picked you up to gratify my own selfishness. I was lonely, and loneliness is terrible when one is growing old. I wanted a friend.’</p>
        <p>‘And so you made yourself my friend.’</p>
        <p>‘Well, to gain friends one must be friendly, you know. As for this poor brother of mine, he was left in my keeping, and so I have to make up for his deficiencies, and lay all his debts on my shoulders. When he is in want he comes to me, and I give him as much as he can be trusted with. I've no children to save for, so I can afford to support him. I've tried to keep him with me, but he likes his own way too well. And he was so clever too—such
						<pb xml:id="n221" n="215" corresp="#Che01ARol221"/>
						splendid abilities! Ah, if he would only have worked, what might he not have done!’</p>
        <p>Palmer walked to the sofa and threw a rug over the soundly sleeping Godfrey.</p>
        <p>‘There, I shall leave him; it is time we both followed his example.’</p>
      </div>
      <pb xml:id="n222" corresp="#Che01ARol222"/>
      <div xml:id="t1-body-d1-d16" type="chapter">
        <head><hi rend="c">Chapter</hi> XVI.</head>
        <lg type="verse">
          <l>‘As the hushed night glides gentlier on</l>
          <l>Our music shall break forth its strain.’</l>
        </lg>
        <p><hi rend="sc">Worlds</hi> would not have kept Mrs. Sligo away from her window on the next morning. A fortnight's wash of no common magnitude, the importunities of six children as cross as they were hungry, and the necessity of providing an early dinner for them, did not keep Mrs. Hickson away from hers.</p>
        <p>Very few people make the most of their window opportunities. Instead of sitting in his tub (a most uncomfortable habitation, which, I believe, is in old engravings generally represented as a large earthern pipkin) Diogenes ought to have stationed himself before some window whence he could have looked on his fellow-citizens rushing to and fro in the streets, and philosophised to his heart's content, without laying himself open to the charge of eccentricity. But window philosophers, strange though it may seem, are oftener found in the country than in the town. When a crowd is always moving past it soon becomes too common to be looked at. But in the little country place where, in the course of the day, perhaps a child going to school, a man driving
							<pb xml:id="n223" n="217" corresp="#Che01ARol223"/>
							a cow, a waggon-load of hay slowly lumbering by, a farmer's wife going to see her next-door neighbour (two miles off), or the minister on his pastoral visitations, are all that a poor body can expect to see—there, there is the place where people gape from open windows or peep through muslin blinds; where often each pane of glass means an eye, and each door slightly ajar implies a person behind it. Should you ever be coming home in a particularly unpresentable condition—after a day of adventures in the bush, for instance—do not fancy that you can slip past one of these sweet unpretending rural cottages unobserved. You can't do it, my dear friend: you might walk through a crowd and no one would notice if your hat was battered in or your coat giving way in the seams; but here!—why you might as well stand before a camera.</p>
        <p>‘Mrs. Sligo,’ Mrs. Hickson hastily announced, ‘I believe he's going.’</p>
        <p>Ordinarily, in the interesting conversations between these two ladies, ‘he’ was understood to mean Palmer. Now, however, Mrs. Sligo rightly conjectured that the pronoun referred to the disreputable-looking stranger. Her eyes were dilated to the utmost when he came out of Palmer's door, not in the ragged attire he had worn but yesterday, but in the best clothes—she knew them well—of the master of the house.</p>
        <p>‘Well, really, if he isn't going off in Mr. Palmer's clothes!’ she exclaimed, ‘and smoking like a furnace.
							<pb xml:id="n224" n="218" corresp="#Che01ARol224"/>
							The house will need some ventilation now he's out of it, and you may be sure neither Mr. Palmer nor Mr. Randall will think of opening the windows to let the fumes out.’</p>
        <p>‘Men never do,’ said Mrs. Hickson.</p>
        <p>Palmer had seen the faces of Mrs. Hickson and her friend pressed close to the window. ‘I wish that woman had twelve young children instead of six,’ he said, ‘and then she'd have to look indoors and not outside. As for Mrs. Sligo, she's a widow, and it's her nature. If she were on one side of an iron wall and there was a man on the other she would drill a hole through to look at him.’</p>
        <p>He was turning to go into the house when a barefooted little boy, whose coat, if it was not as variegated as Joseph's, was made of quite as many pieces, came in at the gate and presented a letter to him. Palmer identified the weak-looking hand-writing as his sister-in-law's, and had this proof been wanting, stronger evidence was supplied in the person of the messenger. The boy was the help of Mrs. Palmer's help, and did all which that hardworked girl could not do in the house.</p>
        <p>He seemed such a forlorn little creature that Palmer ordered Mrs. Hickson to give him some slices of bread and butter of her largest size, and sat down to read the letter, wondering why Mrs. Palmer had written to him for the first time, and why she had not consulted the dictionary or employed a secretary who could compose a creditable
							<pb xml:id="n225" n="219" corresp="#Che01ARol225"/>
							letter. He was more astonished, however, at the purport of the letter than at the very original spelling therein.</p>
        <p>‘A musical party! The talented young gentleman living with me! What have I to do with parties? A quiet little affair, quite informal. I declare I thought that last word was “infernal,” the writing is so bad. I've no doubt that's what the noise will be. Randall, come here! What have you been doing to get known about the neighbourhood as a musical celebrity? Here's an invitation for you to a musical party to meet Professor Crasher, and to engage in a thumping contest with him.’</p>
        <p>‘A musical party!’ echoed Randall. ‘To meet Professor Crasher!’</p>
        <p>‘Yes; don't be overcome with the idea. You ought to know who Professor Crasher is. I, a common plodder on this earth, must confess I don't. I knew a man of that name, but he was plain Tom Crasher, and I can't believe that he's jumped into a professorship.’</p>
        <p>‘I never heard of Professor Crasher in my life; but he may be a very great man notwithstanding. As for the musical party, I should think there is some mistake. I don't know any one who would invite me to such an entertainment.’</p>
        <p>‘Don't be modest now; don't stand in your own light,’ said Palmer.</p>
        <p>The little boy having demolished one supply of bread and butter, Palmer ordered a second for him,
							<pb xml:id="n226" n="220" corresp="#Che01ARol226"/>
							and exhorted him to make the most of his opportunities. He then scrawled the following letter with a quill pen on a sheet of paper, which on the other side had a rough sketch of the different parts of some machine.</p>
        <quote>
          <p>My dear Alice—Since you have been so kind as to invite us, and since Everard, as you say, will feel acute disappointment if we do not come, I will try to remember the musical flare-up on Wednesday, and bring my prodigy along with me. He'll astonish you. Don't expect to see me in evening dress, or any of that toggery. I shall stick to my usual gray tweed, and my friend Mr. Randall will suit himself; but I expect he'll have to come in what he has. You can tell people we're eccentric, like all geniuses.—Yours most sincerely,</p>
          <p>
            <hi rend="sc">John Palmer</hi>
          </p>
        </quote>
        <p>‘Just like your brother, Everard,’ said Mrs. Palmer when she read this letter.</p>
        <p>‘Why, you never told me you were going to give a musical party, Alice!’ said her husband in amazement. Mr. Everard had been purposely kept in ignorance of this brilliant idea of Mrs. Palmer's until it was too late for him to ruin everything by his interference.</p>
        <p>‘What's the use of telling you, Everard? You object to everything.’</p>
        <p>‘I should certainly have objected to this,’ said Mr. Everard, rousing himself a little. ‘We cannot, in this small house and with our small means give a party of the kind you propose that will do us credit or give pleasure to our friends, and we don't want to make ourselves ridiculous.’</p>
        <pb xml:id="n227" n="221" corresp="#Che01ARol227"/>
        <p>‘Now, Everard,’ said Mrs. Palmer, in the plaintive whine which experience had taught her made a conversation too irritating to be kept up very long, ‘you always go to such extremes. It's only a little party. I've only asked twenty.’</p>
        <p>‘Twenty!’ gasped Mr. Everard. ‘Where are they to stand or sit? Have we twenty presentable chairs, twenty wineglasses, or twenty uncracked cups and saucers?’</p>
        <p>‘You always despise what I do,’ said Mrs. Palmer, almost crying. ‘We have plenty of chairs, and people don't care so much about wine as you seem to think. You don't like any one to come, and you don't like me to go out, and I'm always shabby—no wonder I'm not much thought of. And the girls will soon be grown up, and they'll have no advantages nor any chance of seeing people; but you don't care’—Mrs. Palmer ended with a sob.</p>
        <p>‘Well, well, Alice, don't cry. You know I don't mean to vex you. Have it your own way; have a marquee put up in the garden, and order champagne if you like.’</p>
        <p>Mr. Everard secured the last number of Blackwood and escaped to his own room—the only tidy room in the house, because he put it straight and dusted it himself. He had a passion for order; and so fate, with her usual irony, had wedded him to a wife who felt no inmost pangs when blinds were askew, or when chaircovers were wrong side outward or upside down, and who preferred sudden
							<pb xml:id="n228" n="222" corresp="#Che01ARol228"/>
							and infrequent cleansings to the regular procession of working days with which a good manager orders her household.</p>
        <p>But none of Mrs. Palmer's spasmodic cleansings had been so effectual as the one which preceded the party. Her husband secretly thought it would not be a bad idea to give a musical party once a fortnight or so. Mrs. Palmer was worn out with her exertions, and Bridget Ann was so fatigued that she washed the dishes and pared the potatoes in a half-somnolent condition, and one night actually fell into a nursery crib, going to sleep before half the children were put to bed.</p>
        <p>All this was forgotten on the night of the party. Mrs. Palmer was happy to behold the house transfigured by a preternatural cleanliness, and she had been especially rejoiced by a formal acceptance from Professor and Mrs. Crasher, who were understood to be so much in request that anyone who got them ought to be thankful. Mr. Everard was happy because the thing would be over in a few hours. Bridget Ann was happy for much the same reason, and also because she expected to have a good sight of the party and to hear everything. Moreover, Mrs. Sligo was a sharer in this happiness. She had been called in to assist in preparing the supper. As a confectioner her reputation deservedly stood very high, and on this occasion success, in spite of overwhelming difficulties, had filled her with an exalted joy. Besides, she had decorated the room. Every
							<pb xml:id="n229" n="223" corresp="#Che01ARol229"/>
							vase, and several vessels which not by the utmost stretch of courtesy could be called vases, had been filled by her hands with magnificent bouquets, which unfortunately, as she had had an overplus of yellow flowers, resembled Whistlerian arrangements in yellow and green.</p>
        <p>The invited twenty made their appearance with more or less punctuality. Professor Crasher, who was troubled with nervousness, was so afraid of being too early that he waited at the gate until he had counted sixteen persons go in. Palmer, who was never punctual except in business appointments, followed the Professor with Randall, whom he had compelled to accompany him.</p>
        <p>The Professor was very sentimental in manner, and had a weak voice; so that one who heard him without being visually aware of his presence, might have imagined him as a frail and feeble specimen of humanity. On the contrary, he was about six feet in height, and weighed twice as many stones. His hands seemed better adapted for wieldin a sledge-hammer than for fingering the keys of a piano, and his complexion was of that ardent hue that better becomes the countenance of some hale and hearty farming man than of a student and composer of music.</p>
        <p>There was no doubt that he could play. Three hired pianos had succumbed to his delicate touch within the last twelve months. And when he did play it was no commonplace performance that might
							<pb xml:id="n230" n="224" corresp="#Che01ARol230"/>
							escape the ears of the people who lived three doors off, and be only faintly audible to those who inhabited the next house. The whole street rang with his doings, and there were those who wondered how so much noise could be got out of any ordinary piano.</p>
        <p>There was a lesser lion in the room, a Mr. Emmanuel Paul Peters. There were not wanting envious people to say that this singular appellation had been invented by him as one likely to catch the eye of the public, but in the absence of proofs to the contrary many felt justified in believing that was his by baptism and inheritance. Mr. Paul Peters was very inferior in size to Professor Crasher, but he had twice his confidence. He was all confidence indeed, and this useful quality had carried him safely through many failures, or what would have been such to other men. There was nothing he did not know, no instrument he was not a master of, and very few things that he had not taught at time or another.</p>
        <p>The Professor, by special request, sat down to the piano. Mrs. Palmer remarked to her husband, loud enough for others to hear, that Professor Crasher was always excessively displeased if he heard much talking amongst his audience.</p>
        <p>‘Silas is so nervous,’ said Mrs. Crasher sweetly.</p>
        <p>‘Sh—sh,’ said a sharp-looking lady on hearing her own daughter and a young gentleman engaged in a lively conversation. Both were frightened
							<pb xml:id="n231" n="225" corresp="#Che01ARol231"/>
							into silence, and the company in general felt as if gagged.</p>
        <p>A roll as of thunder shook the piano and jingled all the little ornaments of china and glass on a bracket above it. The Professor's hands took a grand sweep from left to right, then back again, and came down heavily in the bass. During the next two minutes chords were showered down with great impartiality from end to end of the keyboard. A pause, and the Professor executed some sweet little trills in a very high key. Another pause, and the booming of heavy artillery agitated the nerves of his audience, and was followed by something like a succession of chromatic scales. Faster and faster flew the Professor's fingers, and louder and louder responded the suffering instrument. He was not nervous now; he plunged boldly into an indescribable medley of runs and rolls, crashes and thumps, that lasted for about twenty minutes. He rose from the music-stool with perspiration gemming his forehead, and left the piano trembling and vibrating in every part of its frame.</p>
        <p>A young lady who ‘could not sing’ was made to sing, and managed very well. Meanwhile people congratulated Professor Crasher.</p>
        <p>‘So nice,’ said Mrs. Palmer, ‘such a treat to us, Professor.’</p>
        <p>‘One does not often hear such music,’ said Mr. Everard, feeling obliged to say something, and determined not to overstep the bounds of truth.</p>
        <pb xml:id="n232" n="226" corresp="#Che01ARol232"/>
        <p>‘Nice easy little piece,’ said Mr. Emmanuel Paul Peters. ‘Let's see, whose is it? Just fancy! can't remember. Played it a hundred times when I was quite a boy.’</p>
        <p>‘I don't think it's very easy,’ said the Professor meekly. Poor man, he remembered the weary hours of practice, and although he was not vain, he felt sure Mr. Paul Peters could not have played the piece.</p>
        <p>‘It is one of Madame Arabella Goddard's favourite pieces,’ said Mrs. Crasher.</p>
        <p>‘And of course she won't play anything easy,’ said Mrs. Palmer.</p>
        <p>‘But, my dear,’ said Professor Crasher softly, ‘you mistake. It is one of my own compositions.’</p>
        <p>‘Oh, really, Professor Crasher!’ cried Mrs. Palmer.</p>
        <p>‘How nice to be able to make your own music.’</p>
        <p>‘My dear Silas, I had quite forgotten,’ said Mrs.</p>
        <p>Crasher penitently.</p>
        <p>‘I thought there was a lot of originality in it,’ said Palmer, giving his opinion for the first time.</p>
        <p>‘I thought I'd never heard it before,’ said Mr. Paul Peters, who being blessed with a happy memory had quite forgotten what he had said three minutes ago.</p>
        <p>‘And I suppose you've heard about everything worth hearing, Mr. Peters?’ said Palmer.</p>
        <p>Mr. Peters wondered whether this remark was intended to be complimentary or quite otherwise.
							<pb xml:id="n233" n="227" corresp="#Che01ARol233"/>
							He took the most comforting view of the case and answered, ‘Well of course, Mr. Palmer, there really are, all things considered, but few compositions worthy of unreserved praise, and any musician of taste will make those his study, and form his own works after their style.’</p>
        <p>‘Oh, copy them a little?’ said Palmer.</p>
        <p>‘By no means,’ said Mr. Paul Peters, with a deprecatory gesture. ‘But I should see no harm in a composer incorporating valuable suggestions, as one may call them, in his own work.’</p>
        <p>‘What! taking a piece of some one else's, and putting it in holus-bolus?’ said Palmer.</p>
        <p>‘You misunderstand me, Mr. Palmer,’ said Mr. Paul Peters, losing patience. ‘For my part I think most people should let musical composition alone.’</p>
        <p>‘I am sure I agree with you,’ responded Palmer.</p>
        <p>‘For one especial reason—that perfection has already been attained by the great masters, and that all modern music is only, and probably can only be, an imitation of their works.’</p>
        <p>‘Your words open to me new fields of thought, Mr. Peters,’ said Palmer. ‘I had never suspected that the musicians had outstripped the rest of our race so far as to have attained perfection.’</p>
        <p>‘But it seems it is so,’ said Randall, ‘and all that remains to the musicians of this and of future ages is the melancholy pleasure of copying their great predecessors.’</p>
        <p>‘Do you believe?’ said Mr. Paul Peters, beginning
							<pb xml:id="n234" n="228" corresp="#Che01ARol234"/>
							to be excited, ‘that another Beethoven will ever arise? Or Mozart—shall we have him with us again?’</p>
        <p>‘I think it is very unlikely,’ said Randall.</p>
        <p>‘I'm afraid their reappearance would create a strange rumpus in musical circles,’ said Palmer. ‘But any spirit medium will rap them up for you.’</p>
        <p>‘Well then, Mr. Randall,’ said Mr. Paul Peters, only deigning to notice Palmer's observation with a smile of scorn, ‘you will also acknowledge that their works, and those of other eminent musicians whom we need not name, are above criticism.’</p>
        <p>‘I do not think I shall ever attempt to criticise them, Mr. Peters,’ said Randall.</p>
        <p>‘You had better not!’ cried Mr. Peters, irritated at the mere suggestion of such presumption. ‘Will you criticise this? Please begin.’ And Mr. Peters defiantly waved a piece of music towards Randall.</p>
        <p>‘Wouldn't it be better to play it first, and then we can all criticise it,’ said Palmer.</p>
        <p>Mr. Peters acted on this suggestion, being opportunely pressed to do so by Mrs. Palmer, who was beginning to think that musical people, however sweetly they might play or sing, were not sweet-tempered. Mr. Paul Peters said he should be happy to oblige the company, and he was indeed very happy to be able to make some noise by way of relieving his feelings.</p>
        <p>‘I am so sorry I forgot to introduce you to Professor Crasher,’ said Mrs. Palmer to her brother-in-law.</p>
        <pb xml:id="n235" n="229" corresp="#Che01ARol235"/>
        <p>‘Introduce me to Crasher! My good Alice, I knew him years ago. Don't disturb him now. I'll remind him of my presence soon.’</p>
        <p>‘Oh, but you must be mistaken. Professor Crasher is an American. He was professor of music to some college in some place I forget the name of, and he has studied music in Paris.’</p>
        <p>‘Has he really? Why, when I knew him, he kept an hotel. He was remarkably musical even then; he could sing a good song, and he played fearfully on an old piano that rattled like tin. It was for the good of his house: any number of customers were attracted by it. But strangely enough, though the house was full all day long, no one who knew Crasher and his ways ever slept there. He practised at night, and thought nothing of keeping it up till two o'clock in the morning.’</p>
        <p>‘Oh, I'm sure there is some mistake,’ repeated Mrs. Palmer. ‘The professor is a perfect gentleman; he can never have been in any common station.’</p>
        <p>‘The Professor couldn't be mistaken for any one but himself. I could swear to his identity with the Crasher I used to know. He wasn't half a bad fellow, and I rather liked him; but notwithstanding his fascinating music, his hotel didn't pay, and in the end he and Mrs. Crasher disappeared mysteriously—went to New Caledonia, I heard afterwards—leaving nothing behind them but debts and disappointed creditors, one of whom was myself.’</p>
        <pb xml:id="n236" n="230" corresp="#Che01ARol236"/>
        <p>‘I'm certain it wasn't the Professor,’ said Mrs. Palmer.</p>
        <p>This colloquy had been carried on in a retired part of the room, while Mr. Peters was conscientiously going through a sonata. No one had said that he disliked the accompaniment of an animated conversation, so no one thought it necessary to be silent, and no one paid much attention to the sonata. Mr. Peters had many airs and graces. He displayed his long, white talon-shaped fingers as much as possible, arched his bony wrists, and moved his head about from side to side; so that his sleek black hair, which was long and thick enough to have made a fair-sized chignon, flew about his face in Medusa-like coils. He did not stop when the sonata was finished, but taking it for granted that people would like to hear more of him, played a fantasia, which, it was whispered round the room, was partly original.</p>
        <p>While Professor Crasher delighted in heavy gun practice, Mr. Paul Peters loved soft little trills and a pianissimo, which died away so gradually into absolute silence that it was difficult to say where it ended. He was very fond of using the pedals. Professor Crasher told a story about a piano, the pedals of which were completely worn away by the feet of Mr. Paul Peters. It was to match this story that Mr. Peters had industriously disseminated a thrilling account of the utter collapse of an iron frame grand piano during one of the Professor's most vigorous performances.</p>
        <pb xml:id="n237" n="231" corresp="#Che01ARol237"/>
        <p>It was quite true that the pedals of Mr. Peters's pianos were always more worn and scratched than any other part. He worked very hard with them all through the fantasia. He had a way of looking round on the audience with a smile when he had got through any part which he considered difficult or particularly effective. Many musicians hate encores: Mr. Peters rejoiced in them. Professor Crasher told another story about Mr. Peters being encored eight times by a derisive audience, and each time favouring them with the same piece. Mr. Peters was not able to invent anything that would match this.</p>
        <p>There were some impressive pauses in the fantasia, and one of these was of such long duration that Mrs. Palmer thought the joyful end had come at last, and hastened to thank Mr. Peters for his ‘sweetly pretty music,’ which she was sure must be very difficult. Mr. Peters had not finished by three pages, for his most fantastic fantasia was of inordinate length, but he forebore to say so. He retired to a corner of the room and sulked there.</p>
        <p>Poor Mr. Everard groaned in secrecy; he was wearied of sounds that were not sweet, and eke of those that were.</p>
        <p>‘Isn't it nearly over?’ he whispered to his wife. ‘Can't you have something handed round, and then they'll go? That last discord has given me a splitting headache.’</p>
        <p>‘I thought you told me it was bad manners to whisper in company,’ said Mrs. Palmer. ‘It is quite
							<pb xml:id="n238" n="232" corresp="#Che01ARol238"/>
							early yet; it would be like telling them to go, if supper were brought in. I haven't asked Mr. Randall to play yet.’</p>
        <p>‘Heaven grant he may play differently from the others!’ said Mr. Everard.</p>
        <p>‘Now, Randall,’ Palmer entreated his companion, ‘show these benighted people how the thing ought to be done. I shall feel disappointed if you allow Crasher and the other gentleman with the apostolical name to triumph.’</p>
        <p>Mr. Paul Peters craned his long neck forward in curiosity. Professor Crasher looked up with animation from the little low chair he was sitting on—a chair ridiculously disproportionate to his size, and, as Mrs. Palmer felt with tremblings, not quite equal to his weight.</p>
        <p>Palmer rubbed his hands with delighted anticipation. ‘He'll astonish you,’ he said to his brother. ‘He can beat the other two without trying.’</p>
        <p>‘What? surely he doesn't make more noise than they do!’ said Mr. Everard despairingly.</p>
        <p>How it was, they could not understand, but silence fell on the company. Even the most talkative wanted to listen now. The piano sounded differently somehow, and though it was an old piece they were listening to—good old music that had been esteemed by their grandparents, and would hold its own for many more generations—that also had a difference to their ears. It had never been rendered to them as it was now.</p>
        <pb xml:id="n239" n="233" corresp="#Che01ARol239"/>
        <p>‘Yes, that young man is a musician,’ said Professor Crasher. The Professor, whatever his faults might be, was neither vain of his own nor jealous of another's talent.</p>
        <p>‘He has no style,’ said Mr. Paul Peters critically.</p>
        <p>‘None at all,’ assented a lady friend.</p>
        <p>‘None of my pupils, I hope,’ said Mr. Peters, ‘would sit so awkwardly to a piano. He crouches over it.’</p>
        <p>‘He can play, though, Mr. Peters,’ said the Professor, overhearing these words. The music ceasing, he marched straight to Randall and solemnly congratulated him. ‘You have done well—excellently,’ he said, ‘I like your playing. I didn't know I should hear music like that when I came here to-night.’</p>
        <p>‘Yes; very nice indeed,’ said Mr. Peters, thinking he must speak also if Professor Crasher applauded. ‘I know that piece as well as I know anything. I remember playing it at a concert when I was only just high enough to reach the keys.’</p>
        <p>‘Were you encored?’ asked the Professor, with a broad smile.</p>
        <p>‘I was, sir,’ said Mr. Peters, with dignity; ‘but on account of my extreme youth, I was not allowed to play more than one piece at a time.’</p>
        <p>‘I suppose you play several at a time now,’ said Palmer.</p>
        <p>‘I should have said more than one on the same occasion,’ said Mr. Peters, retreating again to his corner.</p>
        <pb xml:id="n240" n="234" corresp="#Che01ARol240"/>
        <p>It was just about this time that Mrs. Palmer was struck by the ghastly pallor and the startled expression of Professor Crasher's face. He was positively cowering in his little chair, resting his elbows on his knees and supporting his head on the palms of his hands, while staring at Palmer with an intensity of gaze remarkable to behold. Palmer, becoming aware of this, nodded to him, and rising from his seat, came towards him. His approach seemed to fill the professor with dread; he actually shook from head to foot.</p>
        <p>‘He must be going to be ill,’ thought Mrs. Palmer. ‘Oh dear! what shall I do if he faints? I'm sure the whole of us put together couldn't carry him out of the room. Everard dear, look at the Professor.’</p>
        <p>‘Well, what's the matter with him?’ said Mr. Everard. ‘If he's as tired as I am he may well look strange.’</p>
        <p>‘Are the people of New Caledonia very musical, Professor Crasher?’ said Palmer, sitting down close beside the afflicted musician.</p>
        <p>The Professor started from his chair, and dropped down upon it again with a force that was severely felt in every part of its wealkly frame.</p>
        <p>‘New Caledonia,’ he repeated nervously. ‘I suppose they're like other people.’</p>
        <p>‘I thought you might know something about the place,’ said Palmer. ‘I have heard of a gentleman of your name who would go to New Caledonia long
							<pb xml:id="n241" n="235" corresp="#Che01ARol241"/>
							ago, much to the sorrow of his friends. I suppose it wasn't you, for he had not the title of Professor. Perhaps it was a relation, though?’</p>
        <p>‘I don't think so,’ said the Professor. ‘I am sure I never had a relative in New Caledonia.’</p>
        <p>‘As sly as ever,’ thought Palmer. ‘You haven't been in that charming country yourself?’ he inquired.</p>
        <p>‘Well,’ said the Professor, twisting about in his little cane chair, which creaked ominously, ‘you see I am from Boston. That's very far from New Caledonia.’</p>
        <p>‘Ah, I suppose it was quite another Crasher I used to hear about,’ said Palmer; ‘but it's a singular coincidence that he should have been so musical. It may interest you to hear a little about him.’</p>
        <p>‘Oh, very much,’ said the Professor, almost with a moan. Several others were listening. He felt as if he would have liked to choke Palmer.</p>
        <p>‘He was in a humble walk of life,’ said Palmer, ‘but he performed all his duties conscientiously. It was generally acknowledged that no house within twenty miles of town offered better accommodation for travellers than his. Everything clean, comfortable, and cheap, and music gratis from morn till eve, and a good way on towards morning again. He must have had a remarkably fine ear for music: he taught himself; and he knew about a thousand different tunes, and could run them all off the reel without looking at a book. The strangest thing is,
							<pb xml:id="n242" n="236" corresp="#Che01ARol242"/>
							that from the descriptions of those who knew him, I think he must have resembled you very strongly.’</p>
        <p>‘Very likely,’ said the Professor, as calmly as he could. ‘What of that? Many persons are alike.’</p>
        <p>‘My experience is quite the other way,’ said Palmer. ‘Often and often I have wondered what has become of him. His musical talents may have brought him to eminence. He may be a distinguished man.’</p>
        <p>‘Very likely,’ said the Professor again. ‘If he was a true Crasher he would be sure to get on.’</p>
        <p>Mrs. Palmer interrupted this dialogue, for which action the Professor felt truly grateful. She besought him to give them some more music Mr. Everard, who desired no more from him, faintly ventured a remark to the effect that they were imposing on the Professor's good nature. The Professor, who wished to escape from Palmer, said ‘Not at all,’ and such haste to get to the piano that he did not see a small table which was before him, and attempting to walk through it instead of past it, threw it down and stumbled over it. He was much abashed by this mischance, and when he attempted to play was attacked by such nervous tremblings that he blundered amongs the keys in a sad way. No one knew what he was playing; he hardly knew himself. Mr. Peters said it was a mazurka, and the time was not at all well-marked. Mrs. Crasher said it was a nocturne of the Professor's own composition, and another lady was certain it was a sonata
							<pb xml:id="n243" n="237" corresp="#Che01ARol243"/>
							of Mozart's. Whatever it was, it was soon over; for the Professor's nervousness getting the mastery of him, he ended with a sort of musical explosion, in which notes flew about in all directions; and rising, abruptly, threw down the music-stool. It was a home-made article of furniture, so of course it had no stamina, and broke immediately.</p>
        <p>‘Oh dear!’ exclaimed Mrs. Palmer. What a pity—and it was borrow——’</p>
        <p>‘Alice, <hi rend="i">do</hi> be quiet,’ said Mr. Everard, stopping her.</p>
        <p>‘Catch me coming out to another of these private botherations,’ grumbled the Professor to himself, while picking up the music-stool. Aloud, he said, ‘You must think me a regular behemoth, Mrs. Palmer.’</p>
        <p>‘Oh, not at all, Professor Crasher,’ said Mrs. Palmer, wondering what a ‘behemoth’ was.</p>
        <p>‘Whatever possessed you to borrow a thing like that?’ inquired Mr. Everard of his wife.</p>
        <p>‘How could I tell any one would be so clumsy?’ she answered, pettishly.</p>
        <p>The poor Professor looked so distressed that, with the kind intention of comforting him, Mr. Everard asked him to play again. The Professor mildly acquiesced, and was about to sit down to the piano when, to his astonishment, Mr. Paul Peters stepped before him and rattled off some noisy dance music in quick time; so quick that those who would have kept pace with it must needs have been gifted with special agility. Mr. Paul Peters had been asked to
							<pb xml:id="n244" n="238" corresp="#Che01ARol244"/>
							perform by Mrs. Palmer, who was unaware that a similar invitation had just been extended to the Professor by her husband. The Professor buried himself and his woes amongst the soft cushions of the sofa, sitting down on a young lady's fan, and ending its days of usefulness on earth.</p>
        <p>Mr. Peters clanged away, and used the pedal, tinkling on the treble notes, and slurring over the bass, till Mr. Everard, saying he could bear it no longer, escaped into the next room, disturbing Bridget Ann and Mrs. Sligo at their post of observation. There was more music yet; for Mrs. Palmer felt that her duty would not be done if any members of the company departed without having fully exercised their talent. The grand culmination of all was a performance by two gentlemen amateurs of a piece so arranged as to try to the utmost the strength and endurance of two pianos. It drove Mr. Everard quite out of the house, and he wandered lonely in the garden till quietness was restored by supper being served.</p>
        <p>As Palmer was leaving Professor Crasher laid his large heavy hand on his shoulder, and begged for a few minutes' conversation.</p>
        <p>‘It's no use denying it,’ he said. ‘I see you know me.’</p>
        <p>‘Certainly. Well, my old friend?’</p>
        <p>‘I don't mind about you, but it would do me a lot of harm if even one knew what I've really been. I've no professorship. I never studied at Paris any
							<pb xml:id="n245" n="239" corresp="#Che01ARol245"/>
							more than I ever taught in Boston. But a man must live, Mr. Palmer, and support his family.’</p>
        <p>‘So he must, dear Professor; and in the struggles and emergencies of life I daresay a man sometimes finds it convenient to embellish plain truth. I hope you make a good living to repay you for the suffering which, I am sure, these necessary little shams and disguises must inflict on one of your naturally upright disposition.’</p>
        <p>‘I tell you what,’ said the Professor, ‘the handle to my name does no one any harm, and it's worth six hundred a year to me at the very least. The people who gladly pay me three guineas a quarter for music lessons wouldn't look in my direction if they knew I was a self-taught man and had never had a distinction of the kind. I've tried music without Professor tacked to my name, and I've tried it with it, and there's an immense difference.’</p>
        <p>‘How does Mr. Paul Peters get on without it?’ asked Palmer.</p>
        <p>‘Did you never see his little pamphlet containing a hundred and two testimonials from people of distinction? I never printed anything like that and sowed it broadcast through the town. And Crasher really is my name; but I don't think he can say as much for Emmanuel Paul Peters. But I didn't want to talk about Mr. Peters with you. You remember when I left so suddenly I wasn't in very good circumstances, Mr. Palmer.’ The Professor's voice had a tremor in it as he said this, and his usually blooming
							<pb xml:id="n246" n="240" corresp="#Che01ARol246"/>
							complexion was three shades paler. ‘I'm no better off now, whatever people may think. I find it just as much as I can do to make a living. A family of eleven children, Mr. Palmer, calls for great exertions on the part of their parent.’</p>
        <p>The Professor was only blessed with four little children, but when speaking of them his memory often played him false. He had been known to magnify their number unto thirteen, and he had also been known, under the pressure of circumstances, to deny their existence altogether. Fortunately they were very quiet children, and were seldom seen.</p>
        <p>‘I couldn't pay any of those accounts, Mr. Palmer, I couldn't indeed, without taking the bread away from my poor children.’</p>
        <p>‘Professor,’ said Palmer, ‘what do you take me for? Am I a man or a vampire? Whoever asked you to pay them? Eleven children clamouring for bread! You have indeed your quiver full.’</p>
        <p>‘Yes, it's a terrible responsibility,’ said the Professor. ‘The thought of that, and of those old debts, which I am sure I shall never be able to pay, keeps me awake at nights.’</p>
        <p>‘Well, you can wipe a certain sum of sixty pounds out of the score,’ said Palmer. ‘I shall not take that from your eleven youngsters; and as in a few more months you won't be legally liable for the other amounts, I think you may comfort yourself and sleep in peace. Your creditors are not likely to
							<pb xml:id="n247" n="241" corresp="#Che01ARol247"/>
							trouble you. I believe I'm the only one that knows you're here.’</p>
        <p>‘Ah, I always knew you wouldn't be hard on a poor man,’ said the Professor, squeezing Palmer's hand convulsively. He hastened back to Mrs. Crasher, to whom he remarked, as he struggled into his greatcoat, ‘I've made it all right with him, Selina.’ Mrs. Crasher sighed; she was quite dolorous enough to have been the hardworked parent of eleven.</p>
        <p>‘Poor old Crasher!’ said Palmer to Randall. ‘He is an awful hypocrite! I am just as ready to believe he has only one child as eleven, and it's quite likely he has a few little nest-eggs somewhere instead of only being able to live. Crasher never could keep to plain truth; it seemed to hurt him when he was tied down to facts.’</p>
      </div>
      <pb xml:id="n248" corresp="#Che01ARol248"/>
      <div xml:id="t1-body-d1-d17" type="chapter">
        <head><hi rend="c">Chapter</hi> XVII.</head>
        <lg type="verse">
          <l>‘Tell then our friend of boyhood,</l>
          <l>That yet his name is heard</l>
          <l>On the blue mountains, whence his youth</l>
          <l>Passed like a swift bright bird.</l>
          <l>The light of his exulting brow,</l>
          <l>The vision of his glee</l>
          <l>Are on me still. Oh! still I trust</l>
          <l>That smile again to see.</l>
          <byline rend="right"><hi rend="sc">Mrs. Hemans</hi>.</byline>
        </lg>
        <p><hi rend="sc">A House</hi> craftily prepared to entrap lodgers may generally be recognised at the first glance. It may be disguised in all the form and semblance of a private dwelling; it may lack the most modest of door-plates, or the most inconspicuous of placards; but there will always be present one or other of certain signs characteristic of the habitation which is not a home.</p>
        <p>There is the door, usually open, as if inviting all the world to enter and choose apartments. Or the eye is struck by the obtrusive smartness of such upholstery as may be viewed from the street. Lace curtains are fascinatingly looped about; easy chairs set before the open windows; books and flowers are on the table. This is the show side, and in some cases the only one it would be expedient to offer for public inspection. Imagine the dreariness of neglected
						<pb xml:id="n249" n="243" corresp="#Che01ARol249"/>
						back rooms, the stuffiness of little dens called bedchambers. There is a ghastly cleanliness about the front part of the house where lodgers congregate, and frequently an astonishing otherwiseness in that small and secluded portion reserved for the use of the landlady and her family. Should there be a verandah, very often there will be people upon it, reclining in comfortable chairs, and looking so serenely idle and so indifferent to the flight of time that you may know at once they have thrown off the great incubus of housekeeping. All these are signs, and signs that seldom fail.</p>
        <p>Mrs. Sherlock kept a boarding-house, and kept it remarkably well. Concerning this worthy woman, it may be observed that she had followed many professions with such measure of success as to give weight to the words often uttered by her husband—that there was nothing his Martha could not do, and do well.</p>
        <p>She had been a cook, a housekeeper, a stewardess on a coasting steamer; then had kept an eating-house; after that had kept a shop, retailing various useful commodities, and finally had thrown herself heart and soul into the lodging-house business, as combining respectability with great possibilities in the way of profit.</p>
        <p>Although well able to protect herself, Mrs. Sherlock was by no means alone in the world. Mr. Sherlock existed, and it was partly owing to this fact, and also to the fact of the existence of several
						<pb xml:id="n250" n="244" corresp="#Che01ARol250"/>
						junior Sherlocks, that Mrs. Sherlock had been so energetic and so multifarious in her pursuits. Not that her husband had ever refused to support his family or had wasted their substance. He was a most affectionate parent, and also a very helpless one. Mr. Sherlock was wont to refer to his marriage as having been providentially arranged. Undoubtedly it had been a most providential arrangement for him, and one that for some thirty years had saved him the trouble of earning his own living. He had every reason thankful for such a striking interposition of Providence.</p>
        <p>But he, worthy soul, did not look at it exactly in this way. At length, from having always wished that circumstances would permit him to do it without overmuch trouble or exertion on his part, he had come to believe that he had maintained his family, and that they owed even-thing to him. What was stranger still, this belief had also been adopted by Mrs. Sherlock as part of her creed. She was firmly persuaded that Sherlock was gifted with great talent, and she was less surprised that he should make so little use of it than that he should be so little thought of.</p>
        <p>One afternoon, when Mrs. Sherlock was in the kitchen very carefully preparing some cold meat so that it might make its second appearance with credit to her house, and when Sherlock was in the garden repairing a summer-house that no sane person would have sat in—it was so damp and
						<pb xml:id="n251" n="245" corresp="#Che01ARol251"/>
						draughty—a cab drove up to the gate. Sherlock retreated to the backyard, being mindful of the tattered condition of his working clothes. Mrs. Sherlock retired to her room to improve her toilet. The solitary person on the verandah, Mr. Borage, a feeble-looking gentleman, six feet in height and of no breadth worth mentioning, pocketed his pipe and fled.</p>
        <p>A lady, leading a little boy by the hand, came slowly up the gravelled walk. The lady was young, almost girlish in appearance. She was tall, and of a very dark complexion, with large melancholy black eyes that seemed to notice nothing but the ground before her. She walked with the air of a woman wearied and fagged to the last point of endurance, and the child, cross from very tiredness, tugged at her dress and cried.</p>
        <p>When they came to the verandah the little boy hung back, peevishly refusing to go up the steps. His mother quickly took him in her arms and carried him on to the verandah. It would have been a slight exertion for any but a very delicate woman, and her appearance was not suggestive of weakness. A careless observer might have pronounced her to be in perfect health; but her colour changed from a clear pallor to a deep flush, and for a few minutes she breathed with short quick gasps.</p>
        <p>Mrs. Sherlock had had time to put on a cap made beautiful by a profusion of violet ribbon, and
						<pb xml:id="n252" n="246" corresp="#Che01ARol252"/>
						an embroidered apron in which several colours struggled with each other for the mastery. As she had conjectured, the lady had come in quest of lodgings. There was room for her in the house. Mrs. Sherlock generally determined there should be room when lodgings were inquired for, and in making it had often resorted to curious expedients. Her own family were liable to be turned out of their rooms at a moment's notice; indeed it was believed that Sherlock and his son James made frequent migrations to a small apartment over a detached back kitchen. There was always a suggestion of soapsuds about this spare chamber, and not without reason, for the family wash was done in the room beneath; but James and his father were too well-trained to be fastidious. Mrs. Sherlock mentally banished them once more, and planned other arrangements which would make it quite possible to accommodate this interesting applicant for lodgings. She was much impressed with the manner and appearance of the lady, and particularly with her handsome and costly attire. She was worthy of her best rooms, and must have them though every other lodger should be offended at the readjustments this would render necessary. It was Mrs. Sherlock's boast that she treated each individual lodger like one of her family, and in one respect at least this was perfectly true: in ordering their daily life she dispensed with all ceremony. But then, so she excused herself, it was very seldom she had a lady
						<pb xml:id="n253" n="247" corresp="#Che01ARol253"/>
						staying in the house; those whom she entertained were usually clerks or salesmen in the town—young men who ought not to expect much attention; who indeed, if they had only sense enough to think so, were better without it. If they didn't like her management there were other houses where there was lots of style if there was nothing else; they could go away. What was most wonderful was that so few of them hastened to avail themselves of this privilege; perhaps they found their landlady's originalities amusing, or, which was more likely, they discovered that she was, after all, a kindly sensible woman.</p>
        <p>Mrs. Sherlock did not spend more than a second in consideration. ‘Oh certainly, ma'am,’ she answered. ‘I shall have two rooms vacant this evening.’</p>
        <p>‘I am very glad,’ said the lady, lying back on the sofa with her arm round the little boy. ‘I am too tired to seek for other lodgings, and I know no one in this town. Before I came here I tired myself with looking for a maid. The one who has waited on me ever since I was a girl left me unexpectedly in Melbourne, and for the first time in my life I have been obliged to travel alone. Perhaps you could help me to find another?’</p>
        <p>Mrs. Sherlock thought she could. She drew up the blinds and was about to leave the room when the lady suddenly asked, ‘You have been here for
						<pb xml:id="n254" n="248" corresp="#Che01ARol254"/>
						many years, I suppose? Have you kept this boarding-house for a long while?’</p>
        <p>‘Well, I've lived here more than half my life, and it's eight years since I began to take in lodgers.’</p>
        <p>‘And in a boarding-house,’ said the lady, looking at her with a strange anxiety of expression, ‘you will see a great many different persons. People will be constantly coming and going.’</p>
        <p>‘Oh, yes. But not so many here as in some houses. I can only take in a few, and some of them stay with me for a long while.’</p>
        <p>‘Did you ever see a face like this?’ asked the lady, taking off a locket and giving it to Mrs. Sherlock.</p>
        <p>Mrs. Shelock took the protrait to the window and looked at it long and intently.</p>
        <p>‘No; I can't remember that I have. It's a striking face too, ma'am.’</p>
        <p>‘I have come to New Zealand to find that face,’ said the lady.</p>
        <p>‘Of course you've advertised?’ said Mrs. Sherlock.</p>
        <p>‘Repeatedly in Australia, where he was last heard of. I have been to the private inquiry offices in Melbourne, and they could not help me.’</p>
        <p>‘Ah, it's not easy to find a lost friend out in colonies,’ said Mrs. Sherlock, wondering which it was, friend or relative.</p>
        <p>‘I have one clue,’ continued the lady, sadly, ‘that is, I think I have, for I have often been
						<pb xml:id="n255" n="249" corresp="#Che01ARol255"/>
						deceived. It is my last chance, and now that I feel rested I will go to the place. I am too anxious to wait another hour.’</p>
        <p>‘Surely you won't think of going out again, so tired as you are,’ said Mrs. Sherlock, looking at her closely. ‘And, excuse me, but you're looking ill as well as tired; leave it to another day.’</p>
        <p>‘Yes, I am ill,’ she answered. ‘I have been ill for a long while. I leave nothing now to another day. I don't know that another day may come.’</p>
        <p>It was spoken with such seriousness of tone that Mrs. Sherlock felt awed, and a chill passed over her. She was reminded of people who had had premonitions of death; but this woman was in the bloom of youth; the colour would return at times to her face, and her eyes, though often downcast, shone with a clear brightness.</p>
        <p>‘I will leave my boy with you,’ she said. ‘He has fallen asleep, and perhaps will not wake before I return. I hope he won't miss me, for he is a spoilt child.’</p>
        <p>She went out, inspirited by the hope that the clue might lead her to what she sought. All trace of weariness and exhaustion had disappeared. She walked with a quick firm step, and was soon out of Mrs. Sherlock's sight.</p>
        <p>‘There's something wrong about that lady,’ said the observant landlady, shaking her head. ‘Yes, if I'm not mistaken, she's where she oughtn't to be. Dear me! she never told me her name, and I forgot to ask.’</p>
      </div>
      <pb xml:id="n256" corresp="#Che01ARol256"/>
      <div xml:id="t1-body-d1-d18" type="chapter">
        <head><hi rend="c">Chapter</hi> XVIII.</head>
        <lg type="verse">
          <l>‘O hateful error, melancholy's child!’</l>
          <byline rend="right"><hi rend="i">Julius Cæsar</hi>.</byline>
        </lg>
        <p><hi rend="sc">Trevet and Stapleton's</hi> business premises were advantageously situated in a street which, looked at from a tradesman's point of view, was the best in the town. Had it not been, rest assured neither Stapleton nor Trevet would have done business therein. They were too wise in their generation to flee from ‘the maddin crowd’ into any back street or lane, and their constancy to their post had its reward in a continual influx of this crowd into their dim and dingy house of business. They went not out again without leaving behind coins of the realm (terms strictly cash), and Trevet and Stapleton flourished.</p>
        <p>The usual number of purchasers had visited the shop during the morning of a certain day. There had been a lull in the trade about noon, when, as a rule, even shopping has to give way to the claims of the midday meal. During this temporary depression of trade, when Mr. Stapleton was invisible, as indeed was generally the case, he being somewhat of a sleeping partner, and when Mr. Trevet was re-marking certain neckties which, by some accident, he
						<pb xml:id="n257" n="251" corresp="#Che01ARol257"/>
						really had been selling below cost price, a lady entered the shop with hurried step and asked an assistant if Mr. Trevet could be spoken with.</p>
        <p>Mr. Trevet saw the lady come in, and concluded that she had been drawn thither, as many others had been, by his great sacrifice in household sheeting and window holland. He immediately ordered his assistant, Mr. Pinnock, to lay some eighty yards of the sacrificed commodities on the counter, and to hold himself in readiness to offer them up before the supposed purchaser. Mr. Pinnock vainly represented that the lady had expressed no desire either for sheeting or window holland, but had simply asked to see Mr. Trevet.</p>
        <p>‘Very well,’ said that gentleman. ‘What of that? Do as I tell you, Mr. Pinnock’—and he made his way amongst mountainous masses of drapery in the direction of the lady.</p>
        <p>‘I hear you have asked to see me, madam,’ he said, adroitly offering a tall spindle-shanked chair. ‘Most happy, I am sure, to do anything special for you. We are clearing off a great deal of this at present; obliged to sell low to make room for new stock. Good, useful material; wear like cast-iron, and last your lifetime. Mr. Pinnock! bring down some of the extra stout linen——’</p>
        <p>Mr. Trevet had jerked out these fragments of sentences before the lady was able to interpose a word.</p>
        <p>‘Oh, do not trouble to show me anything,’ she
						<pb xml:id="n258" n="252" corresp="#Che01ARol258"/>
						interrupted. ‘I only wish to ask you a few questions about a person who was once in your employ. I will not take up many moments of your time, but I should like to speak with you in private.’</p>
        <p>‘Certainly, certainly, ma'am,’ said Mr. Trevet, piloting the lady down a long lane, shut in on either side by a row of carpeting and a festooned arrangement of curtains and tablecloths, which was very effective. ‘It's rather difficult to be private in this establishment, but I don't think even one of our young men could hear through all these goods. I should say this place is as nearly sound-proof as possible.’</p>
        <p>Mr. Trevet led the way into a little square dark hole, barricaded with bale upon bale and box over box to the very roof. There was a window, high in the wall, but only one pane was allowed to fulfil its mission; the others were covered by a pile of hatboxes. There was an indescribable chaos in Mr. Trevet's shop, and he wasted no time in vain attempts to reduce it to order.</p>
        <p>Again he offered a chair to the lady, and took his usual position of rest, leaning against a pile of carpeting, and waited for her to speak.</p>
        <p>‘Some years ago,’ she said, fixing her keen dark eyes upon him, with an eager and anxious gaze, ‘you had a bookkeeper named Henry Randall. Do you remember him?’</p>
        <p>‘Do I remember him!’ The felt carpeting swayed to and fro in response to Mr. Trevet's excited gesticulations. ‘A precious scamp! Yes;
						<pb xml:id="n259" n="253" corresp="#Che01ARol259"/>
						he was my first and last bookkeeper. We went into the cash system after that. We keep no books now, ma'am, nor bookkeepers either—had enough of ‘em.’</p>
        <p>The lady turned very pale and gave a little gasp, as if for breath, at this answer; but with an effort she steadied her voice and asked, ‘Did he do anything wrong that you speak of him in such a manner.’</p>
        <p>‘Well, he took what wasn't his; that's all,’ said Mr. Trevet. ‘Oh, he was a castaway. We heard all about him after we'd put a stop to his little game in our establishment. Why, he'd been guilty of the same thing before he left England. It was hushed up there: the family was high and proud; they sent him out of the country. But he was without any principle, so it was no warning to him.’</p>
        <p>‘Oh,’ she said, ‘surely this is not true. A second time!’</p>
        <p>‘True? True as I am here. As for its being the second time, for all I know it may have been the seventh time. He was a deep fellow, but the case was clear. I was for giving him the benefit of the law but Stapleton's soft-hearted in such things, so we only sent him about his business, with a caution.</p>
        <p>‘True!—it can't be true,’ murmured the lady, rather to herself than to Mr. Trevet.</p>
        <p>‘Ma'am, there wasn't the least doubt of his guilt. No one else could have taken the money; and it was a large sum. Besides, there was his previous bad character to be considered. That was against him.’</p>
        <pb xml:id="n260" n="254" corresp="#Che01ARol260"/>
        <p>‘No!’ she cried, indignantly. ‘It was unjust to reason from that. Because he had done wrong once, because he had yielded to some pressing temptation in one instance, you were ready to believe him guilty. And did he not deny it—did he take no steps to prove his innocence?’</p>
        <p>‘Of course he denied it; he carried himself very high and lofty about the affair, but he couldn't prove his innocence. Couldn't be done, you see: things that don't exist can't be proved.’</p>
        <p>Mr. Trevet sneered disagreeably, and the lady drew herself away from him with a hardly perceptible shiver. She was silent for a while, busying herself in clasping and reclasping her trembling hands. Mr. Trevet was impatient; he wanted to return to his favourite occupation of marking.</p>
        <p>‘Well, madam,’ he said, in a harsh, rasping voice, ‘I suppose you don't want any more information about Mr. Henry Randall. He's one of those who are best left to themselves; that's my opinion.’</p>
        <p>‘Yes,’ she answered. ‘I want to know everything you can tell me. What became of him when he left you, where he went to, and where he is now.’</p>
        <p>‘Who knows where he is now? Ma'am, that sort of men find their way into places where their lady friends had best not follow them. I don't know what he did after he left us. I don't suppose any one else would take him. I felt it my duty to let others know the sort of character he had. I can tell you this—he went to the bad at the fastest
						<pb xml:id="n261" n="255" corresp="#Che01ARol261"/>
						rate he could, and the last time I heard of him he was working as a labourer in the harvest field.’</p>
        <p>There was a dimness before the listener's eyes, and she felt as if she were slowly sinking down, down into some unfathomable deep. The bales and boxes that lined the walls of the room appeared to be whirling round her; Mr. Trevet seemed himself to be soaring above her, and to be speaking to her from some great distance, while his voice sounded loud and harsh as the voice of one who was proclaiming from the housetops the sad disgrace and fall of his neighbour.</p>
        <p>Still he went on speaking, and still she listened. Oh, that she could persuade herself it was only a dream, or that it was of some stranger, of some man who was no more to her than other lost unfortunates that she heard those words:—‘A ne'er-do-well—not much better than a common vagrant, working at whatever came first, when he was obliged; doing nothing mostly—had been at the diggings—been an engineer he believed—been everything nearly, but done no good—lazy, worthless reprobate, whom hardworking men (such as Trevet) would have to keep some day in a public institution—very well if it weren't the gaol. Sorry for his friends and relatives; but pity would be wasted on him—he was lost.’</p>
        <p>‘Lost, lost!’ she repeated to herself.</p>
        <p>‘That's all I know, ma'am. If you'll allow me to give you some advice don't look after this young
						<pb xml:id="n262" n="256" corresp="#Che01ARol262"/>
						man any more. You may find him and wish afterwards you'd never looked for him. Trust me, he'd be no credit nor joy to any one if he should be helped into some respectable place again.’</p>
        <p>The mist had cleared away now. She rose from her seat, thanked Mr. Trevet for his information, and turned to go.</p>
        <p>Mr. Trevet never looked at her face; he had hardly noticed it during the interview, but Mr. Pinnock, his much-snubbed assistant, was frightened by the glimpse he caught of that pale countenance. The lady was passing him on her way out of the shop, but she walked very slowly, and put out her hands before her as if she were feeling her way or needed some support. She was going to faint, he thought, and he was wondering whether he should rush for a glass of water, when Mr. Trevet in a loud voice ordered him to show the object of his solicitude some cashmeres. ‘Splendid wearing material; all wool; immense width; save your money in the width; fashionable shades. Shall I cut you off a dress?’</p>
        <p>All this Mr. Trevet had time to say while his assistant hesitated whether he should bring water or smelling salts, or whether he should bring anything at all. He became painfully conscious that there were tears in the lady's eyes, and that she was trying to put down her veil with fingers that trembled too much to be of any use. Mr. Trevet, to whom nothing was sacred, would not cease his attempts to effect a sale till he heard a positive refusal of his goods.</p>
        <pb xml:id="n263" n="257" corresp="#Che01ARol263"/>
        <p>‘Anything else we can show you, ma'am?’ he said, following her. He had no answer; the lady had gone, just as Mr. Pinnock brought in a glass of water.</p>
        <p>‘Mr. Pinnock, what's that for?’ said Mr. Trevet, jerking his thumb toward the glass. ‘Can't you get through your work without drinking cold water? A silly trick; it'll ruin your digestion. I never take it.’</p>
        <p>Mr. Trevet certainly did not take water in the pure and unmixed form.</p>
        <p>‘I thought the lady was going to be ill,’ said Mr. Pinnock. ‘I never saw any one so deathly pale.’</p>
        <p>‘Stuff!’ said Mr. Trevet.</p>
        <p>He was so lost in thought a moment after this, while wondering whether it would do to make further reduction in the price of certain Aberdeen winceys which would not ‘go off,’ that he did not hear his partner, Mr. Stapleton, come in. Mr. Stapleton went home to his lunch; he liked to have things comfortable. He was of a jovial appearance, younger and better-looking than Mr. Trevet, and (what was of more importance) better-tempered. He aroused his partner by a friendly nudge.</p>
        <p>‘Well, what now?’ said Mr. Trevet, making a cabalistic mark, by which one of the initiated was to understand 11¾d. a yard.</p>
        <p>‘What have you been after?’ said Stapleton. ‘As I came in I met a lady crying, or trying not to cry, and as pale as a sheet. Pinnock says you've
						<pb xml:id="n264" n="258" corresp="#Che01ARol264"/>
						been talking with her. Seems to me that's not the way to get customers, sending them away in tears.’</p>
        <p>‘Pinnock is a blockhead,’ said Mr. Trevet. ‘She came to inquire after that young Randall—you remember him?’</p>
        <p>‘That's it!’ cried Mr. Stapleton, bringing down his fist on the counter. ‘I wondered who she was like. She's as like Randall as a sister. What did you tell her? Aren't you ashamed? you've nearly broken her heart. Trevet, I shan't forget her face in a hurry.’</p>
        <p>‘What a soft fellow you are!’ said his partner. ‘I only answered her questions. I told her Randall had ruined himself, and so he has. Was she his wife, do you think, or some near relative?’</p>
        <p>‘Wife? He wasn't married. I believe she is his sister, and you might have spared her feelings.’</p>
        <p>‘Well, you needn't make a fuss over it,’ said Trevet. ‘How was I to know his sister? I thought at first she might be some young woman he'd been engaged to, or something of the kind; and that the best thing I could do was to show the fellow up in his true light. His sister! I never thought of that. Mr. Pinnock! attend to that young lady.’</p>
      </div>
      <pb xml:id="n265" corresp="#Che01ARol265"/>
      <div xml:id="t1-body-d1-d19" type="chapter">
        <head><hi rend="c">Chapter</hi> XIX.</head>
        <lg type="verse">
          <l>‘Traveller, in the stranger's land,</l>
          <l>Far from thine own household band;</l>
          <l>Mourner, haunted by the tone</l>
          <l>Of a voice from this earth gone;</l>
          <l>Captive, in whose narrow cell</l>
          <l>Sunshine hath not leave to dwell;</l>
          <l>Sailor, on the darkening sea,—</l>
          <l>Lift the heart and bend the knee.’</l>
          <byline rend="right"><hi rend="sc">Mrs. Hemans</hi>.</byline>
        </lg>
        <p><hi rend="sc">She</hi> went on her way through the crowded streets. To and fro along her path rushed the ceaseless traffic of the busy town. The tramp of feet on the pavement, the sound of wheels, the confusion of many voices, were unheeded, if not unheard by her. She was listening yet, over and over again to Mr. Trevet's harsh words, and in response but one cry went up from her heart, ‘Lost!—my brother, oh, my brother!’</p>
        <p>She did not think her search was ended. Oh, no; he could not have fallen so low as to be out of her reach. But he had fallen, fallen! it was the agony of that thought which made her cheek grow paler still, and dried the tears within her burning eyes. Where was he now?—in some place where no woman, not even his own sister, could follow him. No, no; that was impossible. There was no place, not in all the dark haunts of the lost and forsaken,
						<pb xml:id="n266" n="260" corresp="#Che01ARol266"/>
						into which she would not go if he were there—from which she would not lead him away. Her imagination terrified her; she shuddered at each degraded and repulsive waif of humanity that met her eye; he might be such a one, But even then, in his rags, and misery, and sin, he would be her brother yet. When he saw her, when he heard her voice, not accusing, but beseeching, pleading, entreating—he would surely turn and follow her. It was not—it should not be too late: she would save him yet.</p>
        <p>But at the same time with the passionate energy of these thoughts came upon her the chilling conviction of her weakness. She was feeble and unwell—she felt herself crawling rather than walking through the hurrying crowd. This was to be struggled against; she must not be ill now. Her work must be done, whatever it might cost. And what would become of her child if she were to fall ill, to die perhaps amongst strangers? The thought forced itself upon her that she knew not a soul in this strange city; that she had put thousands of miles between herself and friends and kinsfolk. People passed her by, jostled against her, stared in her face; they had all cold, strange faces. No one knew her trouble, no one cared for her, she was desolate, she was alone.</p>
        <p>In course of time—how long it was she could not have told—she found herself again at the lodging-house. She knew that Mrs. Sherlock eyed her carefully and read the ill-success of her errand
						<pb xml:id="n267" n="261" corresp="#Che01ARol267"/>
						in her face. The landlady, however, asked no questions, and had nothing but sympathy for her tired and feeble lodger. Her daughter Rosa was ordered to amuse the little boy that he might not prevent his mother from resting, and Mrs. Sherlock herself prepared some refreshment and took in the tray. She had intended to ask the name of her new lodger, but she fell into such an interesting conversation, principally sustained by herself, about the best food for young children—the subject being suggested by the sight of little Harry enjoying his bread and milk—that the important question was once more forgotten.</p>
        <p>‘I hope we shan't put you about, ma'am,’ she said at length. ‘We're expecting some friends—a large party, in fact—to-night, and of course you'll like to be quiet. But they'll all be in the room on the other side of the house, so the noise won't be heard much here. I always say, though, that a party without noise is a failure; for where there's plenty of noise you may depend on it people are enjoying themselves. It's my wedding-day—thirty years since—and my son James's twenty-first birth day we're keeping. They both fall in the same week, so we thought we must get something up for the occasion.’</p>
        <p>‘And you have been married thirty years,’ said the lady, with some appearance of interest.</p>
        <p>‘Yes, ma'am, and on the whole they've been happy years. We've had troubles, of course, but
						<pb xml:id="n268" n="262" corresp="#Che01ARol268"/>
						we didn't expect to find life all rose-water. Then it's not every woman who gets such a good husband as Sherlock—the best of husbands, I may say.’</p>
        <p>‘I wonder whether I shall care to keep the thirtieth anniversary of my wedding-day, if I live so long,’ said the lady reflectively.</p>
        <p>‘Well, it won't be just yet,’ observed Mrs. Sherlock. ‘Why, if I may make the remark, you can't have been married more than three or four years.’</p>
        <p>‘More than six years.’</p>
        <p>‘Six years! You must have been very young,’ Mrs. Sherlock could not help exclaiming.</p>
        <p>‘Yes, too young. I suppose I am young yet, but I do not feel so. I feel old and tired already.’</p>
        <p>‘Ah, perhaps it's natural. When one has had a great loss like yours,’ said Mrs. Sherlock, feeling certain the lady was a widow, though she bore no signs of widowhood, ‘one's often tempted to think there's nothing more to live for. I know if I were to lose Sherlock it would be the death of me nearly, and at your age I should have felt it more.’</p>
        <p>‘I think you are mistaken in something,’ said her lodger, flushing a little. ‘My husband is alive and well.’</p>
        <p>‘Oh,’ said Mrs. Sherlock, rather confusedly. ‘Well, I'm glad of it, and I hope, when it comes to your thirtieth wedding-day, you may keep it together as happily as Sherlock and I are keeping ours.</p>
        <p>The lady smiled sarcastically, Mrs. Sherlock
						<pb xml:id="n269" n="263" corresp="#Che01ARol269"/>
						thought. She evidently resented the familiarity of the speech, and did not encourage further conversation. Mrs. Sherlock withdrew to confer with another lodger, Mr. Borage. ‘I'll ask him to join our party,’ she said, ‘it will liven him up, poor man!’</p>
        <p>Mr. Borage either was, or fancied himself to be, a confirmed invalid. He was a young gentleman from Victoria, who for some thirteen or fourteen years of his existence had afflicted his parents by being remarkably short and stout. All at once he began to grow, and grew with a rapidity that frightened his anxious family. He grew and grew until he had passed the much-admired height of six feet, and his father and mother were filled with dread lest he should become a giant. They besought the family physician, almost with tears in their eyes, to stop him from growing. Dr. Magruder could not promise to do that, but he advised change of air for the young gentleman. Mr. and Mrs. Borage were afraid that the increased vigour produced by the change might result in a fresh growth of five or six inches, but as their son and heir was without doubt very ill they determined to do as advised. They sent him to New Zealand, and charged him to return at once should he find his rate of growth accelerated. ‘We shall have him seven feet high—I know we shall,’ sobbed Mrs. Borage; ‘and he will be pointed at as the Victorian giant.’</p>
        <p>But she was comforted by receiving intelligence
						<pb xml:id="n270" n="264" corresp="#Che01ARol270"/>
						from her son to the effect that he was ‘not going to grow any more,’ to quote his own words. Either his great growth had exhausted him or he was constitutionally weak, for Mr. Borage had not regained his health, although he had been living for more than three years in a climate which, by many respectable people, is proclaimed to be the healthiest in the world. He almost supported a doctor, and was of great benefit to the chemist who kept the nearest pharmacy to Mrs. Sherlock's. His chief ailment was want of sleep. He never slept, so he protested, and he looked white and feeble enough to bear out this testimony. Viewing him from a distance, one might have taken him to be about fifty, and his conversation was elderly, if one may apply such a term to a man's words. His real age was twenty-two.</p>
        <p>‘Well, Mr. Borage,’ said Mrs. Sherlock, bursting in upon his privacy, ‘I've come to ask you to make one of us to-night, and I shan't take No for an answer. Come! I shall have some young people about your own age.’</p>
        <p>‘Thank you, Mrs. Sherlock,’ mournfully responded her lodger, raising his hollow eyes to look upon her. ‘If I feel pretty well I may look in. It is very kind of you.’</p>
        <p>‘Oh, you must rouse yourself,’ said Mrs. Sherlock, briskly. ‘If I was you, Mr. Borage, I'd shake off this depression. Get up early, and walk or ride out before breakfast. I'd join a football club, if I was
						<pb xml:id="n271" n="265" corresp="#Che01ARol271"/>
						you, and engage in all the athletic sports with other young men.’</p>
        <p>‘Get up early! Mrs. Sherlock. Oh, if I could sleep as others do, I might rise early; but when you've been lying awake for seven or eight hours, how can you have the strength to rise early? And I couldn't play at football. Imagine me amongst the rough fellows who like that game! If I were hustled about, or knocked down, or—kicked, Mrs. Sherlock, there'd be an end of me.’</p>
        <p>‘You're coming, then?’ said Mrs. Sherlock. ‘You'd better say so at once.’</p>
        <p>‘Thanks, I'll try to manage it,’ said Mr. Borage, rising to close the door after his landlady. ‘Draughts, draughts!’ he muttered to himself; ‘this house is full of them.’</p>
        <p>He felt well enough about eight o'clock to join the party. Mrs. Sherlock acted up to her theory that successful parties are always noisy. Every one was noisy, and all enjoyed themselves. Oh, how loudly some of the young ladies laughed, and no one thought it vulgar. The young gentlemen were particularly boisterous while playing a game called post, and some of the furniture was damaged. Mrs. Sherlock settled the matter of forfeits for the games, and her awards were received with uproarious merriment Mr. Borage actually found himself laughing once or twice, and reflected whether he was not incautious so to exert himself, considering the delicate equipoise of his health. Sherlock and
						<pb xml:id="n272" n="266" corresp="#Che01ARol272"/>
						three of his oldest friends played a rubber of whist. It was well they were such old friends, for any new and ill-consolidated attachment might have been broken up by Sherlock's play. He never could understand whist, and for that reason probably he loved to play at it.</p>
        <p>‘Now that's right, Mr. Borage,’ said Mrs. Sherlock, when she caught sight of her lodger, sitting alone in a peaceful corner of the room. ‘But don't mope there; we want you to make up the number.’</p>
        <p>‘Thanks; I'm very well here,’ said the unfortunate Borage, who hated all noisy round games.</p>
        <p>‘Oh, nonsense, that won't do at all,’ said Mrs. Sherlock, and on Mr. Borage making other faint objections he was dragged into the circle by main force, two young ladies displaying such vigorous strength in his capture that he felt the uselessness of resistance. During the course of that game he was always being caught; indeed, it seemed as if every one would rather catch him than any other person, and it was with great difficulty he could catch any one, although surrounded by his tormentors. He reckoned that he was caught some thirty times from first to last during the evening. He was chased from end to end of the room; his necktie came off in the hands of one determined young lady, and his wrist was nealy sprained by the vice-like grasp of another. When he was blindfolded he fell over everything in his way, ending his calamitous career by falling on James, who muttered something not complimentary
						<pb xml:id="n273" n="267" corresp="#Che01ARol273"/>
						as he assisted him to rise. He trod on the flounces and hems of dresses, tearing off long jagged strips, and he afflicted the gentlemen of the company by treading on their toes. Then it was unkind of James, who properly was caught, to crawl under the sofa where he could not be followed, and it was yet more unkind of that disagreeable young man to raise the alarm and cut off his retreat just as he was escaping, with the intention of going directly to his own room, and also going to bed at once, as the only place where he would be safe.</p>
        <p>‘Well, really we must have you with us again,’ said Mrs. Sherlock; ‘you're a capital hand at games, and you said you didn't know any.’</p>
        <p>‘And I don't,’ said Mr. Borage, panting for breath. ‘I haven't the—strength for them.’</p>
        <p>He was not allowed a long rest, for some one having proposed singing, James was wicked enough to remark that Mr. Borage sang a good song.</p>
        <p>‘I'm sure I can't!’ he exclaimed, in a great fright. ‘I never could—not even “God Save the Queen.”’</p>
        <p>‘Pooh! I've heard you,’ said James. ‘I've heard you sing “Gentle Annie.”’</p>
        <p>‘I never did,’ protested Mr. Borage, ‘and I wouldn't if I could. I detest that kind of song.’</p>
        <p>‘Just listen to him,’ said James, in affected surprise. ‘Why, last night he was singing away in his room till after eleven.’</p>
        <p>‘If I was, I was out of my mind,’ said Borage firmly.</p>
        <pb xml:id="n274" n="268" corresp="#Che01ARol274"/>
        <p>‘Well, if you really do sing you might oblige us,’ said Mrs. Sherlock. ‘I'm sure you needn't be bashful before us.’</p>
        <p>‘Oh, Mr. Borage, <hi rend="i">do</hi>,’ cried four young ladies at once.</p>
        <p>‘Yes, let's have it,’ said Sherlock and his three cronies in a breath.</p>
        <p>‘Come, come, Borage, it's too bad of you’—this from James, and ‘Come, do,’ from Mrs. Sherlock.</p>
        <p>Mr. Borage was undecided; he had half a mind to do it; anything would be better than this hue and cry after him. In this moment of hesitation he was seized upon, and amidst the plaudits of the company dragged to the piano.</p>
        <p>And he sang, although even to himself his voice sounded like a hollow moan, and his accompanist broke down twice, unnerved by some violent emotion. When he finished, one or two who had been making curious choking noises had tears in their eyes, though they did not look sorrowful. Sherlock said it was ‘first-rate;’ Mrs. Sherlock said she was sure Mr. Borage had done his best; and James, whose remarks were never pleasing, said it was the best thing he had heard for a long time.</p>
        <p>After this half a dozen people sang, one after another, and then they all sang together. The young ladies had voices as loud and clear as clarions, and the young gentlemen made the best use of such voices as Nature had given them by exerting them to their fullest power and compass.</p>
        <pb xml:id="n275" n="269" corresp="#Che01ARol275"/>
        <p>There never. had been such a pealing forth of popular songs and ballads in that house, perhaps never in that neighbourhood. When ‘Rule Britannia’ was performed by the whole strength of the company, even Mrs. Sherlock thought there was too much noise, and advised them to bring the musical part of the entertainment to a close, as their voices seemed to grow stronger by exercise. James said it would be disloyal to omit ‘God Save the Queen.’ Mrs. Sherlock guessed Her Majesty would never hear of the omission; but being overruled, the National Anthem was given, and in this the vocal powers of the company reached their climax.</p>
        <p>That they should all feel quite ready for supper after this will surprise no person of sense. There was, indeed, a vigorous onslaught on the great store of comestibles provided by the far-seeing Mrs. Sherlock. We all know or have heard of the excellent appetites of ploughmen, farmers' boys, and other industrious countryfolk. That such individuals are on all convenient occasions healthily hungry, and are able to dispose of much solid and substantial food in Benjamin-like portions, is indisputable. But country people are much overrated in this matter. There is much talk of their appetites, but who takes note of the ravenings and cravings of those who live in towns? Believe me, as one who knows, they are not more abstemious than their country cousins. In colonial towns especially, where wages are high and food is cheap, the tradespeople, finding no reason
						<pb xml:id="n276" n="270" corresp="#Che01ARol276"/>
						why they should stint themselves, and being of energetic habits, have appetites which would well match, if not surpass, that attributed to the proverbially ravenous youth who follows the plough.</p>
        <p>This explains how it was that very soon nothing was left of Mrs. Sherlock's supper. Perhaps it was the good cheer which made Sherlock eloquent, for before the end of the banquet he rose, and in a flow of words unusual for him, proposed the health of James, which was drunk in something which had been sold to Mrs. Sherlock for port wine.</p>
        <p>‘I'm proud of him!’ said Sherlock. ‘I've not done much in my time—no, Martha, I haven't; you needn't say anything in compliment. I've been a most sing'lar, unlucky, and unfortunate man. Seemed as if Nature itself was again me sometimes. Why, I've been on the pint of making a fortune time after time, and something awkward has always shunted it off my line. When the Thames goldfield broke out, wasn't I offered half a claim for ten pounds? and of course I refused it, just because I'm a careful man with money. I needn't tell you that in six weeks' time that claim was worth hundreds of thousands. It was bound to go ahead when I'd declined to have anything to do with it. I believe, sure as I'm here, that if I'd jined they'd never have turned out an ounce. I never was in any company yet but it burst up, and I never had any shares but somehow I didn't buy when they were high and sell when they dropped. So you
						<pb xml:id="n277" n="271" corresp="#Che01ARol277"/>
						see things have been again me. But I've struggled through these misfortunes, and though I've not made money, I've brought up a family. To provide for eight children and set ‘em up in the world, is no joke. And now, on this affecting occasion, when our youngest son's come of age, we ought to rejoice that we've got through the wood, as one may say, and see our way clear to an old age of joy and peace and felicity in the midst of our children, who, if I'm not saying more than's becoming to say of ourselves, will, if they know their duty, rise up and call us blessed.’</p>
        <p>This peroration was received with a storm of applause. After a pause, allowed for mutual gratulations, Sherlock showed signs of wishing to uplift his voice again.</p>
        <p>‘Hasn't enough been said?’ whispered Mrs. Sherlock.</p>
        <p>‘Martha, my heart's full; I must speak out,’ said her husband. ‘We've forgotten the absent—our sons who are fighting their way through the world—I hope it won't get the better of them Here's to them!—to Josiah in Queensland, and William in Fiji, and Ben somewhere on the mighty deep; I hope it's calm wherever he may be. Prosperity to them, and may they be an honour to their father, who toiled for their sustenance, and remember their mother, who inculcated the first principles of virtue. Martha, I'm going right on; I must, or something will give way here,’ and Sherlock indicated
						<pb xml:id="n278" n="272" corresp="#Che01ARol278"/>
						the place where he supposed his heart to be. ‘You see, my friends, a man's often consoled for his bad luck in the success of his sons. I've often thought, when something I've hung my hopes on has collapsed, “Never mind, my sons 'll do it some day.” Nature designed me for a great deal; I've not been able to carry out her intentions. I've all along been devoted to my family, or I might have been an orator—a public man, and helped in the Government, I'd thoughts of getting into the Provincial Council, or serving my country in the House of Representatives; but I gave all that up for the sake of my children. However, here's James; he can go in for that; he's had advantages I never had. Martha, I'm at the end now; let me alone. I'll just say, success to our sons, and may they go on improving, right clear up to the mark.’</p>
        <p>Mr. Sherlock sat down with a beaming face, feeling that he had distinguished himself. Mrs. Sherlock also was happy in the belief that her party had been a success.</p>
        <p>‘But these things tire one,’ she said, when, at a quarter to twelve, she was thinking of taking some rest, ‘I don't know how fashionable people bear up with having them every night. I shan't turn my house upside down again for some time.’</p>
        <p>‘These social opportunities should not be neglected, Martha,’ said Mr. Sherlock. ‘They bind neighbours together in enduring bands of friendship.’</p>
        <pb xml:id="n279" n="273" corresp="#Che01ARol279"/>
        <p>‘Dear me, Sherlock, how you talk! you've been reading some silly novel again. I'm afraid we've been more noisy than would be pleasant for that poor lady. I didn't like her looks when she came back this afternoon. If she isn't going to be ill I'm much mistaken.’</p>
        <p>‘Why, I never saw any one look so well,’ said Sherlock.</p>
        <p>‘You've no discrimination, Sherlock. I feel anxious. I wish I'd gone in again to see how she was.’</p>
        <p>Mrs. Sherlock was anxious. She had a sense of having neglected some duty, or of having forgotten something that ought to have been done, and this kept her awake to an hour she was wont to pass in soundest slumber. ‘I wish I'd seen her again, and asked her name,’ she thought. ‘I don't know why it troubles me, but I wish I'd not forgotten that.’</p>
      </div>
      <pb xml:id="n280" corresp="#Che01ARol280"/>
      <div xml:id="t1-body-d1-d20" type="chapter">
        <head><hi rend="c">Chapter</hi> XX.</head>
        <lg type="verse">
          <l>‘She should have died hereafter.’</l>
          <byline rend="right"><hi rend="i">Macbeth</hi>.</byline>
        </lg>
        <lg type="verse">
          <l>‘A gem that glitters while it lives,</l>
          <l>And no forewarning gives;</l>
          <l>But at the touch of wrong, without a strife,</l>
          <l>Slips in a moment out of life.’</l>
          <byline rend="right"><hi rend="sc">Wordsworth</hi>.</byline>
        </lg>
        <p><hi rend="sc">While</hi> Mrs. Sherlock's guests rejoiced themselves with games, with music, and with song, the stranger lady sat alone in her room. She had the companionship of her little boy till it was nearly eight o'clock, when Rosa, who had constituted herself his nurse, came to put him to bed. Rosa, like her mother, was much interested in the new lodger. She had an opportunity now to look closely at her face, when it was unshaded by bonnet or veil, and was surprised at its remarkable and uncommon beauty. The lady was very dark, and when the flush returned to her cheek, as it would for a moment, her complexion was brilliant in its colouring. But the large dark eyes were seldom lifted from the floor, and the lips might have forgotten to smile, so firmly were they pressed together. If she had never seen any one so beautiful before, Rosa
						<pb xml:id="n281" n="275" corresp="#Che01ARol281"/>
						thought, neither had she seen any one who looked so sad.</p>
        <p>When the boy was sound asleep she went into the room again. She found the lady still in the same listless attitude in which she had already passed more than two hours—leaning her head on her hand, and with a vacancy of expression in her eyes which denoted a mind too well occupied with its own workings to take interest in aught besides. She started violently, even at the quiet tone in which Rosa asked if there was anything more she could do.</p>
        <p>‘No; I do not want you again to-night,’ was the answer.</p>
        <p>Rosa hesitated, and as she did not go, the lady looked up and seemed to repent of her answer as being almost unkind.</p>
        <p>‘People who are ill and tired are often cross,’ she said; ‘but you who have lived in a lodging-house so long will know that. You are a good, kind girl, and have done enough for me already.’</p>
        <p>She turned her face away again, and Rosa went out, leaving her alone.</p>
        <p>The instant the door was closed she repented having sent the girl away. To have been able to glance at her pleasant face now and then, or even to know that she was sitting quietly in the room, would have relieved her from the sense of utter loneliness which pressed upon her sorely. Sounds of merriment reached her from the room in which Mrs.
						<pb xml:id="n282" n="276" corresp="#Che01ARol282"/>
						Sherlock's friends were enjoying themselves. She heard the din of voices whose very tones seemed full of joy, and sometimes a clear ringing laugh—the laughter of light-hearted girls. ‘And once I could laugh like that,’ she thought. ‘Once I went about singing. I wonder if any one sat apart as I am sitting now, and listened to me, and felt that my happiness taunted her grief. I never thought of others then. I hated to be troubled with people who were gloomy and sorrowful. I thought it must be their own fault somehow. I kept away from them. It is my turn now to be left to myself. If some one—I would not care who—were sitting beside me! now I had only a friendly face to look at! fancied I could do without friendship; but oh! when illness and trouble have come, when thoughts that will not be put aside, and fears that would be dismissed with a smile by a person who was in health, crowd into the mind—then it is not well to be alone.’</p>
        <p>She knew she was very ill. She had known it ever since her short stay in Melbourne, where her suddenly failing health had compelled her to consult a doctor. He had talked to her very gravely and kindly, without holding out flattering hopes which could only have given her a false and dangerous security. There was to be no getting well for her. It might be months; possibly it might be years; perhaps it was very near at hand: he could not tell when the day which was to have no morrow would
						<pb xml:id="n283" n="277" corresp="#Che01ARol283"/>
						come; but its shadow already rested on her life. She was not to dream of restored health and strength—neither would be hers any more.</p>
        <p>It is hard to be told this at twenty-three. She had assured herself frequently that her life had been a most unhappy one, and like many another woman she had in some sort hugged her unhappiness to her and made a luxury of sorrow. How often had she said bitterly that life was not worth having? Had she not in a moment of anguish cried out that, had it been hers to choose, and had the scroll of her days been spread before her like an open book, she would have refused the gift of life? It has been said that all who are born into this world have, at one time or another, that thought in their hearts. The man of old, who in the depth of his afflictions opened his mouth and cursed his day, was not the first who had been brought to loathe life and length of days. In the beginning it was so, and to the end it will be so with those who see no way out of their misery.</p>
        <p>The Heaven against which such reproaches are levelled knows their insincerity. Life is sweet, even when, like children fretting over their broken toys, we thrust it from us because we cannot mould it as we please. Some do not know how sweet it is until they have come near losing it. And the lady of whom we write was unwilling to lay it down now. At the last hour she found that there was yet much to live for; much to do; much also to
						<pb xml:id="n284" n="278" corresp="#Che01ARol284"/>
						undo. Ah, why would the sands run out so quickly?</p>
        <p>She was restless that evening, and the consciousness of an unperformed duty urged her to a task she disliked. She had sat with writing materials before her for nearly half an hour, without tracing a single letter. Then she wrote the date and address, and in an unsteady hand beneath, ‘My dear husband.’ It was a long time before anything more was added to this. A few short sentences were written at last; but when she read them over the sense seemed so obscure and so likely to be misunderstood that she tore up the letter and began afresh. A confusion of ideas that was unusual to her prevented her from doing better in the next essay. And the poor aching head was so heavy, the hands would tremble, and a dimness come before the eyes: she could not write that night. ‘But to-morrow—to-morrow I will finish it,’ she said. ‘To-morrow I shall feel better.’ And yet she had been told to trust in no to-morrow.</p>
        <p>Soundly slumbered every one in the house at last. Blinds down, and lights extinguished, and in the streets only the faint brightness of a waning moon. It shone into the lady's room through the thin white curtains, and the ghostly shadows of waving trees moved across the window. How terrible these shadows seemed to Harry, who had suddenly awakened. Some were like giants stretching out their long arms; some were like monstrous shapes of birds or beasts. But, as he opened his eyes
						<pb xml:id="n285" n="279" corresp="#Che01ARol285"/>
						wider, they did not look so dreadful. Besides, there could not be anything dangerous near, for he had heard his mother call him. At least he thought he had heard his name, and he listened again; but she did not repeat it. Had he dreamed it? In after life he always felt that it had been no dream.</p>
        <p>As she had called he must go to her. He never thought of disobeying, though it frightened him that he must get out of his little bed, where he always felt safe, and go across the room in that dusky light, which, with its gleams of moonshine and its moving shadows, excited his active imagination into peopling it with many dread presences. But he pattered across the floor with his bare feet, and came safely to the large armchair that stood by his mother's bed. When he clambered into this he was just on a level with her pillow. ‘Mamma,’ he whispered—for he was afraid to speak loud, and he knew she would wake even to a whisper from her little child—‘Mamma, I'm here, and it is so cold.’</p>
        <p>Why did she not speak? He put his hand on her cheek; it was warm; but oh, how cold the hand that lay outside the coverlid! To his dying day he was never to forget the icy coldness of that hand.</p>
        <p>‘Mamma is very fast asleep,’ he thought to himself. He saw that she must have partly thrown the coverings away from her neck and arms, and he gently drew them over her again, thinking of that cold hand. Once again he spoke to her; but no
						<pb xml:id="n286" n="280" corresp="#Che01ARol286"/>
						answer came. Child as he was, a great dread fell on him of something fearfully sad and strange that was here. He dared not go back to his own bed. There was a thick shawl lying on the chair; he wrapped it round him, also folding one end over that cold hand, and leaning against his mother's pillow fell asleep while waiting for her to wake and speak to him.</p>
        <p>And whiter and whiter paled the still face on the pillow—as to marble whiteness amidst its tresses of black hair. The soft breathing of the child sounded loud in that chamber of silence. No other breath was drawn there. The covering he had wrapped around him gently rose and fell; he moved once or twice in his sleep. But on that white couch, in the glare of the moon, there was noi movement, not the tremor of a breath. A sound sleep had fallen on the one who lay there. In its majestic presence life's care intrudes no more; the throbbing of the passionate heart is stilled; the weary soul is folded in the arms of rest.</p>
        <p>Yes, she slept. The moon shone on her white face for hours; then came the morning light, the sunrising, the cheerful bustle in the streets, and all the noise of day; but still she did not wake.</p>
      </div>
      <pb xml:id="n287" corresp="#Che01ARol287"/>
      <div xml:id="t1-body-d1-d21" type="chapter">
        <head><hi rend="c">Chapter</hi> XXI.</head>
        <lg type="verse">
          <l>‘Thee never more the sunshine shall awake,</l>
          <l>Beaming all redly through the lattice pane;</l>
          <l>The steps of friends thy slumbers may not break,</l>
          <l>Nor fond familiar voice arouse again.</l>
          <l>Death's silent shadow veils thy darkened brow</l>
          <l>Why did'st thou linger? thou art happier now.’</l>
          <byline rend="right"><hi rend="sc">Mrs. Norton</hi>.</byline>
        </lg>
        <p><hi rend="sc">At</hi> nine o'clock in the morning the light and warmth of his room, which was on the sunny side of the house, and the unrelaxing attentiveness of a buzzing fly awoke Mr. Borage. As soon as he could collect his thoughts he reflected how passing strange it was that he should have slept for ten hours at a stretch. He had gone to bed in the fullest expectation of a night of unrest. After being pulled hither and thither in agitating games, after being tormented and teased in every manner, it had been every way likely that his excited mind and unstrung nerves would have rebelled against the soothing power of sleep. While meditating on this he became aware of unusual commotion in the house. A sound of hastening feet, of quick speaking, in the lowered tones which belong to grave and important matters, and, after a short silence, an exclamation—a cry of
						<pb xml:id="n288" n="282" corresp="#Che01ARol288"/>
						distress, it must have been, from the tone. He was sure it was Mrs. Sherlock who had cried out. Mr. Borage felt curious, and had he not been subject to that distressing moral and mental failing which, to many persons, makes it extremely difficult to get out of bed at a moment's notice, he would have risen and inquired what was the matter.</p>
        <p>Quietness again for a few seconds, and then it was as if two persons, wearing very thick-soled boots, had made a stampede down the passage towards his dormitory. They stopped at the door, and immediately afterwards there descended upon it a blow which would have driven in the panel had its strength been commensurate with the noise it produced.</p>
        <p>‘Mr. Borage, get up! Come, come!’ cried Mrs. Sherlock, and another blow shook the door.</p>
        <p>Nothing is more disagreeable to a late riser than summary order to leave his couch. He may have resolved long ago that he must, and ought to, and will get up; he may be wondering why he does not get up; he may even be on the very point of arising; but let some one advise or exhort him to this step, and immediately he is confirmed in his evil way. When thus summoned, Mr. Borage resolved that he would not get up just yet.</p>
        <p>‘I never saw such a man!’ indignantly continued Mrs. Sherlock. ‘Talk about not sleeping! here he is as fast as a church at nine o'clock. Mr. Borage,—I say, Mr. Borage!’</p>
        <pb xml:id="n289" n="283" corresp="#Che01ARol289"/>
        <p>‘All men are alike,’ complained the irate landlady. ‘They hang about you when they're not wanted; but when one's in trouble and needs support they're not to be found.—Mr. Borage!’</p>
        <p>‘Mamma, we are wasting time,’ cried Rosa. ‘We ought not to lose a moment. I'll go. I'll run all the way.’</p>
        <p>‘Rosa, you can't; you've that dear child to get out of the room, and dress, and look after. You ought to see about that directly. Where Sherlock's gone to goodness knows—I sent Mary to look for him, and she hasn't come back—and James has been off to his work this hour. There's only Mr. Borage, and he shall go! I'll make him!’</p>
        <p>The blow that accompanied this speech was terrific.</p>
        <p>Mr. Borage's perceptions were not of the keenest, but he fancied that Rosa spoke as if she were crying. He determined at once to get up. Mrs. Sherlock might have battered at his door much longer without producing this salutary resolution. He knew she was addicted to making much ado about nothing. But if Rosa were in distress, there must be something amiss, and if he could help her he would yield to no one in activity.</p>
        <p>His awkward attempts to dress himself in about a tenth of the time he usually gave to that work soon apprised Mrs. Sherlock that he was actually awake and moving about in his room. She gave a cry of indignation.</p>
        <pb xml:id="n290" n="284" corresp="#Che01ARol290"/>
        <p>‘Well, I declare he's been up all this while! Mr. Borage, you call yourself a gentleman, I suppose. I call you an ungrateful hard-hearted man. Are your feelings withered up? I hope when you are in distress people won't listen to you.’</p>
        <p>‘Mrs. Sherlock!’ said the injured man, goaded into answering, and putting on his coat with such violence that the seams cracked, ‘give me time to dress myself.’</p>
        <p>‘Dress! who thinks of dress this morning?’ melodramatically exclaimed Mrs. Sherlock.</p>
        <p>Mr. Borage emerged from his room, looking as if his clothes had been flung on him by some machine. ‘What's the matter?’ he demanded, staring at Mrs. Sherlock, who was out of breath.</p>
        <p>‘Matter! run—fly for a doctor,’ gasped the landlady.</p>
        <p>‘Doctor? who's ill?’ asked Mr. Borage.</p>
        <p>‘Man! never mind; go!’ said Mrs. Sherlock, pushing him.</p>
        <p>Mr. Borage looked for Rosa, hoping that she would enlighten him, but she had gone, and Mrs. Sherlock, apparently, was hardly able to speak now that she had got possession of him. ‘The first doctor you can find,’ she gasped in his ear.</p>
        <p>‘My hat, where is it?’ cried Mr. Borage.</p>
        <p>‘Go without it,’ ordered Mrs. Sherlock.</p>
        <p>But he seized an old felt one of Sherlock's which, being too large, fell over his ears. Mrs. Sherlock rushed before him, and set the front door wide open,
						<pb xml:id="n291" n="285" corresp="#Che01ARol291"/>
						and also the garden gate, that he might have a clear course, and Mr. Borage shot through.</p>
        <p>He was very swift-footed, so he had put quite a long distance between him and the lodging-house before it flashed upon him that he was running in exactly the opposite direction to that he ought to have taken. ‘Mrs. Sherlock's violence has quite unsettled my mind,’ he thought. He was just preparing to turn round and run the other way when he saw a doctor's carriage driving to meet him, as it were. He ran into the middle of the street, and called to the driver to stop, throwing up his arms with such wild gestures that the frightened horse plunged and reared. The driver used vigorous language; and the doctor, a man of choleric temperament, thrust forth his head, and rated Mr. Borage soundly.</p>
        <p>‘I beg pardon,’ said that gentleman in confusion, ‘I was in such a hurry I couldn't help it. You are wanted at Mrs. Sherlock's; something dreadful has happened.’</p>
        <p>‘Something dreadful?’ said the doctor, ‘what is it?’</p>
        <p>‘That's just what I don't know,’ said Mr. Borage. ‘Mrs. Sherlock wouldn't, or couldn't tell me. All I know is that a doctor's wanted as soon as possible.’</p>
        <p>‘Well, that will do,’ said the doctor, giving the order to his servant, and with something like a groan falling back again upon the padded seat of his buggy. He had been summoned at three that morning, and
						<pb xml:id="n292" n="286" corresp="#Che01ARol292"/>
						after attending to a case, a disagreeable and trying one, was going home with the intention of doctoring himself. Although a healer by profession, he could seldom find time to cure his own ailments, and lately he had been so constantly employed in patching up other people's constitutions that his own was sadly in need of repair. If it were possible to arrange such matters a doctor ought never to be unwell. His patients resent it as an insult to themselves. On seeing their adviser stricken down they are apt to doubt the efficacy of his prescriptions, and to think, if they do not say so, that a physician who cannot keep himself in health is not likely to be of much use to other sufferers. Thus it is very difficult for an ailing doctor to find sympathy.</p>
        <p>The doctor had felt so worn out, so racked with rheumatic pains, and so much weakened by loss of sleep and want of food that he had determined, for one day, to stay at home and treat his own case, which, after all, was more important than any other to him. He had recommended his patients to the care of another member of the profession, one whose method he could conscientiously approve of, as being inferior only to his own, and with whom he had long since made a treaty of reciprocity. It vexed him so much that Mr. Borage's unseasonable interruption had compelled him to forego the peaceful pleasures he had been anticipating that he scolded that unlucky person whom he had taken into his carriage all the way to Mrs. Sherlock's.</p>
        <pb xml:id="n293" n="287" corresp="#Che01ARol293"/>
        <p>‘You are one of the vague people, Mr. Borage,’ he said, ‘who make half the troubles of this world. Do you mean to say you have not the slightest idea of what has occurred?’</p>
        <p>‘Upon my word, doctor, I haven't,’ said Mr. Borage.</p>
        <p>‘So, for all I know, you may be taking me all this way because some child has swallowed a button, or because some one has cut his finger a little deeper than ordinarily.’</p>
        <p>‘Well, I can't help it if I am,’ said Mr. Borage valiantly, ‘only if you'd seen Mrs. Sherlock, you would have thought something serious had happened; and I hope something has—no, I don't mean that: I hope you'll see I've only done what's proper.’</p>
        <p>‘I'm sick of being jolted up and down these roads,’ complained the disquieted physician. ‘People will see the doctor, whether they're ill or not; and when they do see him, and he gives them a little wholesome advice, they take offence and think him an unfeeling old bear because he won't coddle and pet them when there's nothing amiss with them but whims. I suppose you've not chosen a profession yet, Mr. Borage?’</p>
        <p>‘Why, I don't know that there's any need,’ said Mr. Borage, who was plentifully supplied with this world's dross, his father having done very well at Bendigo.</p>
        <p>‘Well, don't be a doctor, unless you're fond of watchings and fastings and ingratitude,’ growled his companion. A few days before he had eulogised the medical profession as the noblest of all, and had
						<pb xml:id="n294" n="288" corresp="#Che01ARol294"/>
						declared that he never wearied of his labours. But at that time he had enjoyed good spirits and an immunity from rheumatic twinges; and, moreover, had just effected a great cure on the person of an old lady who had been bedridden for seven years.</p>
        <p>As may be guessed Mrs. Sherlock was watching with intense anxiety for the doctor's arrival. She heard footsteps on the verandah, and darted to the door. It was only Mr. Wishart, who had spent the last night at a friend's house, and was now returning to his lodgings.</p>
        <p>‘Good morning, Mrs. Sherlock,’ he began cheerily; but was stopped by a sight of her perturbed face and disordered cap, which, by some unexplained sympathy with its wearer, was always awry when she was grieved or vexed in spirit. ‘What has happened?’ he asked. ‘Why, Mrs. Sherlock, you are in trouble, are you not?’</p>
        <p>‘Oh, Mr. Wishart, I'd have given worlds to have had you here! As usual, in such mishaps, not a man about the place, except that poor, simple Mr. Borage, who has run like an antelope for a doctor; but its odd to me if he brings one in any reasonable time.’</p>
        <p>‘But, Mrs. Sherlock, what do you want the doctor for? Is any one of your family or of the lodgers ill?’</p>
        <p>‘Ill!’ said Mrs. Sherlock, sitting down, and rocking herself to and fro. ‘Such a dreadful thing to happen in my house! It breaks my heart to
						<pb xml:id="n295" n="289" corresp="#Che01ARol295"/>
						speak of it’—and the poor woman corroborated this by shedding a flood of tears. ‘The most beautiful young lady I ever saw. She took lodgings for herself and her child, and she left him with me while she went away to do some business in the town. It was late when she came back, and I was busy with a party of friends we had last night, so I had no chance to see her, except for a minute or two at a time; but I noticed that she looked very ill. And this morning’—Mrs. Sherlock's voice became choked and husky—‘when Rosa went into her room, as she'd told her before, to get up the little boy—there she was lying cold and white—I can't speak of it.’</p>
        <p>‘Dead!’ exclaimed Mr. Wishart.</p>
        <p>‘Oh, sir, I assure you I never felt so shocked and grieved before. The child too, poor dear lamb, had left his little crib and got into the chair close by his mother's pillow, as if he'd known how it was with her; and there we found him asleep. A beautiful picture they made. I think now, after I've seen her face, I know what is meant by “as beautiful as an angel.”’ She continued, without waiting to hear Mr. Wishart's words of sympathy, ‘But I've not told you all. Being hurried so during the little time she was in the house I neglected to ask her name, and strange enough, she never gave it. I know no more than you do who she is or where she came from. She was a stranger in the town; she came to me straight from some hotel—which one I don't know—where she'd only stayed
						<pb xml:id="n296" n="290" corresp="#Che01ARol296"/>
						one night. Who's to find out the address of her family, and what's to be done with the child?’</p>
        <p>Mr. Wishart opened his eyes very wide, as his habit was when surprised, and pondered for a moment. ‘You have no idea whether she was a traveller from England, or Australia, or some other part of this country?’</p>
        <p>‘She may have come from Melbourne, for she said her maid had left her when she was there.’</p>
        <p>‘And the steamer from Melbourne and Southern ports was in yesterday. You might find out her name from looking in the passenger list, and making inquiries of others who were on board.’</p>
        <p>‘Yes; I've looked at the passenger list; but there are several names, any one of which might be hers for all I can tell. The steamer's gone again, or I might have asked Captain Waller. I knew him well when he was second officer on the <hi rend="i">Rona</hi> and I was stewardess. He would have helped me. However, I'll send a telegram to Wellington—that's it, and he'll get it when he calls there the day after to-morrow.’</p>
        <p>‘That would be best, and as it is hardly possible this lady can have travelled far without letting her name be known, I think you need not distress yourself It is easy to trace a person nowadays. It is a great misfortune for her child.’</p>
        <p>‘You may say so, sir. He's crying now, poor motherless child!’</p>
        <p>And just at that moment Harry ran into the
						<pb xml:id="n297" n="291" corresp="#Che01ARol297"/>
						room. Of what had befallen him he was yet ignorant. He only knew he had been taken away from his mother while he was asleep, and that now her room was shut up, and they would not let him go in.</p>
        <p>‘Is that the little boy?’ said Mr. Wishart. ‘What a beautiful child! Depend upon it, Mrs. Sherlock, he will be claimed before long. If his father is living I don't think he will allow him to be lost for any length of time.’</p>
        <p>‘His father's alive; yes, she said so,’ answered Mrs. Sherlock. ‘Come here, Harry, come to me.’</p>
        <p>Harry came towards her, but stopping just out of reach, said, with a bold defiant air, and with his large bright eyes fixed on her face, ‘No; I hate you! you won't let me go to mamma. You have shut mamma up, and I can't get to her.’</p>
        <p>‘Oh, poor dear!’ said Mrs. Sherlock, breaking down again.</p>
        <p>The boy looked at her intently, then his lip quivered, and with a passionate outburst of grief he flung himself on the sofa beside Mr. Wishart. Some consciousness that his mother was lost to him had found its way into his mind; but as yet he did not fully understand.</p>
        <p>Mr. Wishart, who was fond of children, gently raised him, and smoothed away the thick dark hair from his tear-stained face. ‘Don't cry,’ he said. ‘It would grieve your mother if she heard you.’</p>
        <p>‘If mamma heard she would come quick!’—he
						<pb xml:id="n298" n="292" corresp="#Che01ARol298"/>
						said with much emphasis, and a glance at Mrs. Sherlock—‘and she would let me stay with her.’</p>
        <p>‘But you know you can't always be with her. Some people have no mothers; I don't remember having one. Perhaps it isn't right you should go to her just now. You shall stay with me; we will be friends.’</p>
        <p>‘Will you take me to mamma?’ whispered Harry, putting his lips almost close to Mr. Wishart's ear, so that Mrs. Sherlock might not hear the request. ‘She won't; but you will, won't you?’</p>
        <p>‘No, I can't do that; but you shall see what I can do for a good boy.’</p>
        <p>‘I'll be good if you take me.’</p>
        <p>‘And not if I don't? That's not quite fair, Harry. Mrs. Sherlock, if you've no objection, I'll take this young barbarian off your hands for an hour or two. I think the best way is to get him outside, where he'll find something to amuse him.’</p>
        <p>‘Well, it's very good of you, I'm sure,’ said Mrs. Sherlock. ‘It's heartrending, the way he goes on.’</p>
        <p>Mr. Wishart took his charge into the town, and they walked about the streets, where Harry saw so many interesting things that he soon forgot his sorrow. As Mr. Wishart seemed to be just as interested as he was in the crowds of people, the strong horses drawing heavily-laden drays or bright shining carriages, and the beautiful dogs—which Harry was always wanting to stroke or pat on the head,—he thought him, next to his mother, nicer and more
						<pb xml:id="n299" n="293" corresp="#Che01ARol299"/>
						companionable than any one else. They went on the wharf, and saw the steamers and ships unloading there; they bought fruit at one shop and toys at another—splendid toys; a steamer with a funnel red as fire, and a waggon with two horses. What a day of pleasure they had!</p>
        <p>Mr. Wishart was well pleased in his turn with his intelligent little companion. The boy had many quaint, unchildlike ways of thought and speech. He was different from most children; he had none of the babyish forms of expression which, it is to be suspected, are taught children by their mothers and nurses, and are no more natural to them than Hebrew. He was so handsome, too, and winning in his manner, when he chose to be gracious; and those who can resist the charm of a beautiful graceful child may be considered proof against all personal attractions. Mr. Wishart was by no means one of this sort.</p>
        <p>‘I think, if this boy were mine,’ he said to Mrs. Sherlock, when he returned, ‘and he were lost, I'd find him though I might have to search through the whole world.’</p>
        <p>Mrs. Sherlock drew Mr. Wishart into her sittingroom, and gave him an account of the doctor's visit. She had hoped against hope that he might find some spark of life lingering yet. It might be a trance, she had thought; she had read of such things. But the doctor had soon dispelled these vain hopes.</p>
        <p>‘Had I been here hours ago,’ he said, ‘I could
						<pb xml:id="n300" n="294" corresp="#Che01ARol300"/>
						have done nothing. She is beyond our reach. A stranger, did you say? very lovely and young to be called away so suddenly. But “those whom the gods love die young.”’</p>
        <p>‘Which I thought a strange remark for him to make,’ said Mrs. Sherlock, who was reporting verbatim.</p>
        <p>Mr. Wishart had disquieted her by saying that probably there would be an inquest. Much to her comfort the doctor would be able to certify to the cause of death. Not from his own suspicions only, nor from what Mrs. Sherlock could tell him, which was little enough, though she was able to describe the lady's appearance and manner with great minuteness, and to repeat every one of the few sentences she had uttered, not forgetting the avowal she had made of her uncertain hold on life. They had better evidence than this. They had looked in the writingcase she had used the night before, and had found there a letter from a doctor in Melbourne, whom she must have consulted some time before. It contained a plain statement of her case, telling her that the form of heart disease she suffered from was incurable. She might, by a careful way of life, ward off the fatal termination for some time, but it might come suddenly, when she little expected it. The letter was a kind and sensible one, the writer evidently having taken more than a passing interest in the ‘case.’ Unfortunately the envelope had not been preserved, and he had addressed his correspondent as ‘Madam,’ so
						<pb xml:id="n301" n="295" corresp="#Che01ARol301"/>
						there was no clue to her name. But there was his own, and the address in full, and possibly, on being written to, he would be able to tell them who she was.</p>
        <p>Before leaving, the doctor had relieved his feelings by lecturing Mrs. Sherlock with such severity that, for about the twentieth time that day, she burst into tears. Her carelessness in neglecting to ascertain the name and condition of her lodger (a fault which no woman of shrewd sense and businesslike habits would have been guilty of), and her neglect of that lady, when, by her own confession, she knew her to be seriously ill and disturbed in mind, were the subjects of his recriminations, and he concluded with solemn warnings and injunctions, leaving Mrs. Sherlock in a painfully lachrymose condition.</p>
        <p>When her feelings were somewhat calmed, she began, as the doctor had advised, to examine the dead lady's effects, in the hope of finding her name on some of them. She opened the trunks, and emptied them of their contents. There was nothing but a large and elegantly made outfit for a lady and child. Everything was marked, but only with the initials E. M. She found a Bible and prayer-book, but in neither of these was there any name. In a case which opened with a key attached to the lady's watch-chain was some valuable jewellery, and a large sum of money in bank notes, enough to have supplied her needs while travelling for a considerable time.</p>
        <p>‘She must have been a lady of property,’ said
						<pb xml:id="n302" n="296" corresp="#Che01ARol302"/>
						Mrs. Sherlock. ‘Some of the dresses are fit for a duchess. Whatever is to be done with them?’</p>
        <p>‘We can do nothing with them. As you are aware, no doubt, there is a person appointed by the Government to take charge of the property of those who have died intestate, and whose relatives are not known. Most likely all these things will be sold, and the money will remain in the hands of the Government until some one can prove he has a right to it. But we may succeed in finding out her relatives.’</p>
        <p>Mr. Wishart had said ‘we’ unconsciously, or at least without thinking that the use of the pronoun implied that he was going to interest himself in the matter. The young lady lying in the closed and hushed room not very far from his own was nothing to him; he had not even seen her face. He might, and did feel sorrow for the peculiar circumstances of her death, and for the little child whom she had left to the compassion of strangers; but there was no reason why he, more than another, should take upon himself the care of this child. Yet this was what he had almost resolved to do. He acted upon impulse; and provided impulses were always as good and kind as those which found their way into his heart, it would be a blessing to humanity if they were more frequently obeyed. Mr. Wishart could no more help being romantic than most of us can help being prosaic and commonplace. His imagination would gloss over plain probabilities with fanciful visions.</p>
        <pb xml:id="n303" n="297" corresp="#Che01ARol303"/>
        <p>He saw himself presenting his ward to the delighted relatives who had mourned him as lost. That might be years hence; if it should be never, what then? His fancy supplied this blank also with a delightful vista, reaching far into the future. He said nothing of this, however, only charging Mrs. Sherlock to tend the child well, assuring her he would do all he could to assist her, whatever difficulty might arise out of the affair.</p>
        <p>
          <hi rend="lsc">End of Vol. 1.</hi>
        </p>
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    </body>
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    <!--		<back id="t1-back">
			<div1 id="t1-back-d1" type="advert">
				<argument><p>To be obtained at all Booksellers.<lb/>
					<hi rend="c">The Novels of Rhoda Broughton</hi>.<lb/>
					<hi rend="i">Each Volume in Crown</hi> 8<hi rend="i">vo, Cloth, price</hi> 6<hi rend="i">s</hi>.</p></argument>
				<div2 id="t1-back-d1-d1" type="subsection">
					<head><hi rend="c">Second Thoughts</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“I love the romances of Miss Broughton; I think them much truer to nature than Ouida's and more impassioned than George Eliot's. Miss Broughton's heroines are living beings, having not only flesh and blood, but also <hi rend="i">esprit</hi> and soul; in a word, they are real women, neither animals nor angels, but allied to both.”—<hi rend="i">Andre Theuriet</hi>.</p>
				</div2>
				<div2 id="t1-back-d1-d2" type="subsection">
					<head><hi rend="c">Belinda</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“Miss Broughton's story <hi rend="i">Belinda</hi> is admirably told, with the happiest humour, the closest and clearest character-sketching. Sarah is a gem—one of the truest, liveliest, and most amusing persons of modern fiction.”—<hi rend="i">The World</hi>.</p>
				</div2>
				<div2 id="t1-back-d1-d3" type="subsection">
					<head><hi rend="c">Joan</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“There is something very distinct and original in <hi rend="i">Joan</hi>. It is more worthy, more noble, more unselfish than any of her predecessors, while the story is to the full as bright and entertaining as any of those which first made Miss Broughton famous.”—<hi rend="i">The Daily News</hi>.</p>
					<p>“Were there ever more delightful figures in fiction than ‘Mr. Brown’ and his fellow doggies in Miss Broughton's <hi rend="i">Joan?</hi>”—<hi rend="i">The Daily News</hi> (<hi rend="i">on another occasion</hi>).</p>
				</div2>
				<div2 id="t1-back-d1-d4" type="subsection">
					<head><hi rend="c">Nancy</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“As a work of art decidedly superior to any of Miss Broughton's previous novels.”—<hi rend="i">The Graphic</hi>.</p>
					<p>“If unwearied brilliancy of style, picturesque description, humorous and original dialogue, and a keen insight into human nature, can make a novel popular, there is no doubt whatever that <hi rend="i">Nancy</hi> will take a higher place than anything which Miss Broughton has yet written. It is admirable from first to last.”—<hi rend="i">The Standard</hi>.</p>
				</div2>
				<pb id="n306" corresp="Che01ARol306"/>
				<div2 id="t1-back-d1-d5" type="subsection">
					<head><hi rend="c">Red as A rose is She</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“There are few readers who will not be fascinated by this tale.”.—<hi rend="i">The Times</hi>.</p>
				</div2>
				<div2 id="t1-back-d1-d6" type="subsection">
					<head><hi rend="c">Good-Bye, Sweetheart!</hi></head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“We are more impressed by this than by any of Miss Broughton's previous works. It is more carefully worked out, and conceived in a much higher spirit. Miss Broughton writes from the very bottom of her heart. There is a terrible realism about her.”—<hi rend="i">The Echo</hi>.</p>
				</div2>
				<div2 id="t1-back-d1-d7" type="subsection">
					<head><hi rend="c">Cometh up as A Flower</hi>.</head>
					<byline rend="right"><hi rend="sc">By</hi> <hi rend="c">Rhoda Broughton</hi>.</byline>
					<p>“A strikingly original and clever tale, the chief merits of which consist in the powerful, vigorous manner of its telling, in the exceeding beauty and poetry of its sketches of scenery, and in the soliloquies, sometimes quaintly humorous, sometimes eynically bitter, somet