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        <title type="sort">Letter from John Cawte Beaglehole, 1927-01-23</title>
        <title type="marc245">Letter from John Cawte Beaglehole to his Mother, <date when="1927-01-23">23 January 1927</date></title>
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              <name key="name-110094" type="work">Letter from John Cawte Beaglehole to his Mother, <date when="1927-01-23">23 January, 1927</date></name>
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            <idno type="callno">Source copy consulted: from the private collection of the Tim Beaglehole family</idno>
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      <change xml:id="change-0006"><date when="2005-06-28">28 June 2005</date><label>corrector</label><name key="name-110032" type="person">Jamie Norrish</name>Resolved unclear "Is" to "In" on page 1.</change>
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	  General document-wide corrections:
            changed hyphens to em-dashes;
            added [orig] tags around all words hyphenated over line-breaks;
            changed non-monetary fractions to true fractions;
            specified full expansion for all abbreviations;
            changed hyphen in numeric ranges to en-dashes;
            specified supralinear additions where they appear in the text of the letter;
            ensured all indented paragraphs are tagged [p rend="indent"].
        
	
          Corrected text on page 1:
            changed "What happen this" to "What happens this"
            changed "ears amp; walks" to "ears &amp; walks"
        
	
          Corrected text on page 2:
            changed "offers better dispatch" to "offers a better dispatch"
            changed "[unclear: Gregynof]" to "Gregynog"
        
	
          Corrected text on page 4:
            added missing text "in the squares, but less nice after ten minutes traffic"
            changed "other night: the theatre" to "other night; the theatre"
            changed "shot out from under" to "shot from under"
        
	
          Corrected text on page 5:
            changed "our house motto" to "our house-motto"
        
	
          Corrected text on page 6:
            changed "English high brow" to "English high-brow"
        
	
          Corrected text on page 7:
            changed "Sir Hamilton Hasty" to "Sir Hamilton Harty"
            changed "Choir down to so" to "Choir down to do"
            changed "Tuba [unclear: Mirum]" to "Tuba Mirum"
            changed "[unclear: Hartz]" to "Harty"
        
	
          Corrected text on page 8:
            added missing text "The B's occasionally order one helping &amp; two plates."
        
	
          Corrected text on page 9:
            changed "piling onto the tube" to "piling into the tube"
            added missing text "some picture he'd seen &amp; was raving about, when I said with one of my usual brain-waves, I'll tell you what, the Criterion doesn't start till 8.40; Let's all go to"
            added missing text "&amp; the Criterion Palais de Danse &amp; the Criterion Whatnot"
            changed "by jingo - it" to "by jingo! it"
            changed "well perfectly" to "well all perfectly"
            changed "Farquaher's" to "[sic: Farquhar's] Farquahar's"
        
	
          Corrected text on page 11:
            changed "Fuge, which" to "Fugue, which"
            changed "Pan Europea" to "Pan Europa"
            changed "Toynbre Hall" to "Toynbee Hall"
        
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        <opener>
          <dateline>
            <address>
              <street>21 <name key="name-008679" type="place">Brunswick <choice><abbr>Sq.</abbr><expan>Square</expan></choice></name></street>
              <lb/>
              <name key="name-008904" type="place">London</name>
              <postCode>WC 1</postCode>
            </address>
            <lb/>
            <date when="1927-01-23">23/1/27</date>
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          <salute>  My dear <name key="name-006225" type="person">Mummy</name>,</salute>
        </opener>
        <p rend="indent">The ultimate mystery to me is the
               <lb/>way the <choice><abbr>NZ</abbr><expan>New Zealand</expan></choice> mail behaves. Now if you want a fit subject
               <lb/>on which to exercise your noble pen in the columns of the
               <lb/>Evening Post, here is a chance for you. I don't believe I've got
               <lb/>it on the same day in the week more than three or four
               <lb/>times since I got here. In the first month or so I gathered
               <lb/>that Thursday was the normal day for it to arrive, since
               <lb/>when it has come on Monday, Tuesday, Wednesday, Friday &amp;
               <lb/>Saturday — once it came on the preceding Tuesday, but
               <lb/>on the other occasions <del>about</del> from two to five days late.
               <lb/>What happens this week? I hadn't had a mail since my
               <lb/>last Saturday in <choice><abbr>M/C</abbr><expan>Manchester</expan></choice> so naturally I looks in the Times
               <lb/>on Wednesday expecting to see "Incoming Mails : Tomorrow.
               <lb/><choice><abbr>NZ</abbr><expan>New Zealand</expan></choice>" Nothing. I looks in on <del><unclear>Friday</unclear></del> Thursday — Nothing. I looks
               <lb/>in on Friday. "Saturday <date when="1927-01-22">Jan 22</date>. <choice><abbr>N.Z.</abbr><expan>New Zealand</expan></choice>" <del><gap reason="unclear"/></del>. Saturday morning
               <lb/>I leap out of bed &amp; tear downstairs to the hall table. Nothing.
               <lb/>I get into a tube &amp; blow down to the Bank of <choice><abbr>N.Z.</abbr><expan>New Zealand</expan></choice> (a) to draw a
               <lb/>cheque (b) to look for mail. Notice up "<choice><abbr>NZ</abbr><expan>New Zealand</expan></choice> mail due
               <lb/>on <del>S</del> Monday <date when="1927-01-24">Jan 24th</date>". On these occasions if Duncan
               <lb/>happens to be with me he draws his hat down over his
               <lb/>ears &amp; walks hurriedly in the other direction. Luckily for
               <lb/>the boy's morals he rarely is. Then last night as we were
               <lb/>all (personnel to be explained later) tailing out of the door
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               to the Opera what should there be but one letter on the
               <lb/>hall-stand addressed to me — from <choice><abbr>NZ</abbr><expan>New Zealand</expan></choice>! I'm blowed if
               <lb/>I can understand it, bad weather in the <name key="name-004315" type="place">North Atlantic</name>
               <lb/>withstanding. I see that the <choice><abbr>NZ</abbr><expan>New Zealand</expan></choice> postmaster general has
               <lb/>made arrangements to send mails via <name key="name-008963" type="place">Australia</name> when it
               <lb/>offers a better dispatch, &amp; it certainly seems about time.
               <lb/>Still if you have an overmastering desire to enter into
               <lb/>public controversy I daresay you could get a tick or two
               <lb/>out of the Post. The net result yesterday was that I went
               <lb/>along to <name key="name-110244" type="organisation">Bumpus</name>' very peeved &amp; to console myself bought a
               <lb/>very flash edition of <name key="name-004323" type="work">Selected Essays of <name key="name-102762" type="person">Edward Thomas</name></name>, with
               <lb/>twenty four wood engravings by <name type="person">R. Ashwin Maynard</name> &amp; Horace
               <lb/>W. Berry, one of three hundred copies( Nos 51 — 350) printed on Van
               <lb/>Elsder paper &amp; bound in blue buckram. Orders may be sent through
               <lb/>a Bookseller or direct to R. Ashwin Maynard, at the Gregynog
               <lb/>Press, Newtown, Montgomeryshire. I asked the cove in
               <lb/><choice><abbr>B's</abbr><expan>Bumpus's</expan></choice> if he would sell it to me half-price, but he courteously
               <lb/>declined, so I had to fork out. I've been considering it since
               <lb/>the beginning of December. It is a very beautiful book. It
               <lb/>appears that two rich Welsh sisters having cash to play
               <lb/>around with, want to publish fine editions of Welsh authors,
               <lb/>so they have got this press going. Most of it is in English.
               <lb/>They have published a hummer <name key="name-004339" type="person">George Herbert</name> &amp; an equally
               <lb/>good Vaughan, which I hadn't seen till yesterday, &amp; which
               <lb/>I may get some day. The trouble is that books are so
               <lb/>darn expensive, the ones you want. There is a great book
               <lb/>out on climbing, On High Hills by <name key="name-004343" type="person">Geoffrey Winthrop Young</name> —
               <lb/>
               <pb xml:id="n3" n="3" corresp="#JCB-016c"/>
               18/-, which I must get some day. I must wait <del><gap reason="unclear"/></del> for the next
               <lb/>Times Book Club sale; but cripes, the state of 9/10 of the books
               <lb/>you see there makes you think that the bourgeoisie who can
               <lb/>afford the <choice><abbr>T. Bk</abbr><expan>Times Book</expan></choice> Club have just as dirty fingers as the low
               <lb/>proletariat, &amp; use their <unclear>library</unclear> books to prop up the window
               <lb/>or the table or to throw at the cat just as frequently. Or pour
               <lb/>water or their beer &amp; spread jam over the cover with quite
               <lb/>as much impartiality. You see it is not much use
               <lb/>having dilettante tastes, wherever you live. You ask
               <lb/>Daddy &amp; see if he doesn't bear me out. Which reminds
               <lb/>me; quite a long time ago <name key="name-008873" type="person">Frannie</name> told me with
               <lb/>every appearance of extreme joy that her parents in law
               <lb/>to be had given the young bride &amp; bridegroom £50.
               <lb/>Now I recollect that you gave Geoffrey the same amount
               <lb/>so if this is going to be a habit of yours why not send
               <lb/>me the cheque right away? It would come in very
               <lb/>handy during the next year or so; while if you wait
               <lb/>till some unscrupulous girl trips me up &amp; smothers
               <lb/>me what would be the use of it? This is an aspect
               <lb/>of the question very well worth thinking over, I think.
               <lb/>Auntie might like to do the same thing with her cheque, not
               <lb/>to mention <name key="name-007818" type="person">Auntie Win</name>, <name key="name-008915" type="person">Keithles</name> &amp; other lesser benefactors.
               <lb/>I reckon I have saved over Keith's wedding — I told <name key="name-008873" type="person">Frannie</name>
               <lb/>I would give the young couple a quid to do what they
               <lb/>liked with; she said (she appeared to be a bit peeved
               <lb/>with me) that she would never lower herself so far as to take
               <lb/>a penny let alone a quid from my hands for herself, but
               <lb/>
               <pb xml:id="n4" n="4" corresp="#JCB-016d"/>
               but seeing that Beagle was my brother she supposed she would
               <lb/>have to allow him to take it. Well, I don't <del>see</del> <add place="supralinear">feel</add> any call
               <lb/>to me to set up <name key="name-008915" type="person">Keithles</name> in <del>M</del> matrimony, him so young too,
               <lb/>when I am struggling for dear life in a foreign land; so
               <lb/>I reckon that's <del>a</del> £1 saved. You can't say I didn't offer
               <lb/>them a wedding-present &amp; a generous one too; so you needn't
               <lb/>start slinging off any moral back chat at me when
               <lb/>you answer this as to what's done &amp; what's not done.
               <lb/>Bourgeois morality. Me &amp; <name key="name-007164" type="person">Father Johnson</name>, we've freed
               <lb/>ourself from all that stuff.
            </p>
        <p rend="indent">The weather has been a bit more wintry lately, &amp; we
               <lb/>have even had snow, which has looked very nice lying
               <lb/>in the squares, but less nice after ten minutes traffic
               <lb/>along the road, or when you <del>bg</del> begin to skid over the steps
               <lb/>of the house. We went out to Golder's Green &amp; Carmen the
               <lb/>other night; the theatre is next door to the Tube Station, but
               <lb/>there is a bit of inclined pavement between the two; about 11.30
               <lb/>we started to traverse this, when the night was nice &amp;
               <lb/>freezing; when whoosh! my feet shot from under me
               <lb/>&amp; my centre of gravity after remaining quite poised in the air
               <lb/>for a sickening second thudded to the ground — Duncan turned
               <lb/>round to say Well, what the —! when his feet also
               <lb/>suddenly fled from under him. However with immense
               <lb/>effort of coordination of brain &amp; muscle he managed to
               <lb/>regain them, so the incident was robbed of its logical
               <lb/>climax. But the British were ever an illogical race, as
               <lb/>Dean Inge remarks with great acuteness &amp; originality.
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               It is a noble thing to give free entertainment to the general
               <lb/>public, &amp; the mark of a noble mind to do so ungrudgingly.
               <lb/>Well, that's me. What you say of my early upbringing
               <lb/>(in connection with our house-motto) I regard as profoundly
               <lb/>true. Give to the uttermost &amp; expect nothing back. You don't
               <lb/>get anything anyhow. We have had fogs too &amp; mists without
               <lb/>number &amp; rain &amp; sleet &amp; smoke &amp; <unclear>grime</unclear> unending. The
               <lb/>fogs are funny some times. I came back to the house one
               <lb/>lunch time last week to get a paper I forgot; <del><gap reason="unclear"/></del> it had
               <lb/>been very clear all the morning along the Museum way
               <lb/>but coming along Guilford St, a few yards away from
               <lb/>here I could see a solid bank of fog over all this district
               <lb/>cut off quite sharply from the clear air like this;
               <figure xml:id="JCB-016e1"><graphic url="JCB-016e1.jpg" mimeType="image/jpeg" xml:id="JCB-016e1-g"/><figDesc>Sketch diagram of fog</figDesc></figure>
               it had
               <lb/>been foggy like that here all the morning, the women who
               <lb/>cleans the place told me. Then a very light wind started
               <lb/>to blow, &amp; five minutes afterwards I walked back to
               <lb/>the museum practically in black night. When I got
               <lb/>
               <del>to the M</del>,there was fog all round, but standing in
               <lb/>the courtyard I looked up &amp; clear sky. So what do you
               <lb/>make of that? Fair dinkum, it's a queer country; the
               <lb/>people are queer &amp; their customs are queer &amp; their
               <lb/>weather's queer. It's all very strange.
               <lb/>
            </p>
        <p rend="indent">I have had a pretty busy fortnight, which accounts
               <lb/>for my writing desperately in the last two or three days
               <lb/>before the mail closes — the confounded thing always
               <lb/>closes with clockwork regularity — at 2am on <choice><orig>Wed-
               <lb/>nesday</orig><reg>Wednesday</reg></choice>. Apart from work, which occupies a relatively
               <lb/>
               <pb xml:id="n6" n="6" corresp="#JCB-016f"/>
               unimportant part in my scheme of higher education, after
               <lb/>all, I have had a full measure of concerts etc. I hardly
               <lb/>ever seem to have time to do any reading; about a book
               <lb/>a fortnight is my average — I have been reading C.E.
               <lb/>Montague's The Right Place &amp; jolly good too, &amp; have been
               <lb/>week getting half-way through it; I bet even Daddy couldn't
               <lb/>beat that. Oh I had better say with regard to work, that Newton
               <lb/>improves a lot on acquaintance; he is a great teacher, I think,
               <lb/>with an extraordinary range of knowledge, &amp; he puts it across
               <lb/>well. He can be darned nasty if he likes, but he always <choice><orig>ex-
               <lb/>plains</orig><reg>explains</reg></choice> that it's for your own good, if that's any consolation.
               <lb/>He is a lot more use to a cove than Pollard, anyhow. The
               <lb/>only <choice><abbr>N.Z.</abbr><expan>New Zealand</expan></choice> teacher he has any use for is Hight, whom he
               <lb/>admires; I'd feel sorry for old F.P. is he got into Newton's
               <lb/>seminar for ½ hour. Most of us are colonials or yanks
               <lb/>too; the English high-brow girls I have met give me the pip,
               <lb/>&amp; the men on the whole aren't much of an improvement;
               <lb/>give me a Boer or an Aussie any day.
               <lb/>
            </p>
        <p rend="indent">To get back to the important things of life: The British
               <lb/>National Opera Company (herinafter referred to as the B.N.
               <lb/>O.C.) has been having a fortnight's run out at Golder's
               <lb/>Green, with practically a different opera every night.
               <lb/>Such were the exigencies of circumstance that I couldn't go
               <lb/>at all the first
               <del>night</del> week, but last Monday I went to
               <lb/>the Mastersingers, which was very good. They don't go
               <lb/>in for highly-paid stars, but the general ensemble &amp;
               <lb/>presentation is as good as anything you're likely to get
               <lb/>
               <pb xml:id="n7" n="7" corresp="#JCB-016g"/>
               I gather, &amp; it was good enough for me, in my first
               <lb/>modest introduction to Wagner. It started at ¼ past 7 &amp;
               <lb/>finished <choice><sic>&amp;</sic><corr>at</corr></choice> ½ past 11, &amp; all for 2/- in the gods. You see
               <lb/>here both the high regard I have for quality &amp; the passionate
               <lb/>lust for quantity which animates me. On Tuesday I
               <lb/>was somewhere else; on Wednesday I wanted to go to the
               <lb/>Marriage of Figaro, but stayed home instead to do some
               <lb/>German, a fiendish language which leads me to a very
               <lb/>simple &amp; satisfying explanation of why the Germans lost
               <lb/>the war — the poor cows couldn't communicate with one
               <lb/>another. Then on Thursday the <choice><abbr><name key="name-007278" type="organisation">B.B.C</name>.</abbr><expan>British Broadcasting Corporation</expan></choice> had a big
               <lb/>concert on at the <name key="name-008533" type="person">Albert Hall</name>; Sir Hamilton Harty brought
               <lb/>the Halle Choir down to do Berlioz's Requiem, in addition
               <lb/>to which he had an orchestra of 150 &amp; four brass bands.
               <lb/>I think you have read <name key="name-004435" type="person">Berlioz's Autobiography</name>, so I
               <lb/>needn't say anything about the thing. Cripes! when the
               <lb/>brass bands all got together in the Tuba Mirum it was
               <lb/>worth hearing! These brass players were all picked from
               <lb/>crack north country bands, too. The choir was first-rate,
               <lb/>with a first-rate soloist for the solitary solo, Tudor Davies.
               <lb/>The rest of the programme was
               <add place="supralinear">also</add> Berlioz of whom Hamilton
               <lb/>Harty has made a speciality, finishing up with the good
               <lb/>old Rakoczy March; with brass once more to the fore. In
               <lb/>the orchestra for this 2nd half he had 13 trumpets, 9
               <lb/>trombones, 14 doublebasses, &amp; twelve drums, while I couldn't
               <lb/>be bothered counting such things as cellos &amp; fiddles. And all
               <lb/>playing as one man too. This is the real stuff.
               <lb/>
               <pb xml:id="n8" n="8" corresp="#JCB-016h"/>
               On Friday we went to Carmen; couldn't get into the Gods &amp;
               <lb/>finished up by paying 3/- to stand at the back of the pit. <choice><orig>How-
               <lb/>ever</orig><reg>However</reg></choice> it was worth it to see the thing for the first time, although
               <lb/>Carmen herself was more of a big fat lump, to quote the
               <lb/>White Headed Boy than she should have been. The great
               <lb/>Eugene Goosens
               <choice><abbr>sen.</abbr><expan>senior</expan></choice> conductor. The evening was also
               <lb/>notable for the aforementioned exercise in skating. Last
               <lb/>night was supposed to be Tannhauser. We met the Beebes
               <add place="supralinear"><gap reason="unclear"/></add> at
               <lb/>a dago chophouse in Soho, one Poggioli's, &amp; invited them round
               <lb/>to tea on toasted crumpets provided by us, &amp; custard tart kindly
               <lb/>contributed by
               <unclear>Mr</unclear> McGrath who also came. It was the
               <lb/>Beebes who told me about Poggioli's; you can occasionally get
               <lb/>a jolly good feed there for 1/-; but whatever you get you get
               <lb/>plenty of it &amp; well-cooked. The <choice><abbr>B's</abbr><expan>Beebes</expan></choice> occasionally order one helping
               <lb/>&amp; two plates. Beebe has improved a bit, &amp; there is nothing
               <lb/>wrong with Beatrice B. Well, we had a terrific burst on
               <lb/>crumpets (14 for Gd), though it made great inroads on our
               <lb/>butter, &amp; then all trailed up to Euston to tube it out to Golder's
               <lb/>Green. And then when we got there they had changed the bill to
               <lb/>Faust &amp; there wasn't a seat to be had in the place. Nevertheless a
               <lb/>queue had formed up outside the gods door — these pathetic
               <lb/>English queues! As soon as an Englishman sees a door in
               <lb/>a large building he automatically stands outside it and waits, &amp;
               <lb/>other people come &amp; stand behind him in the most patient,
               <lb/>well-organised, well-bred way, without seemingly knowing or
               <lb/>caring in the least what they are waiting for. And the
               <lb/>fools who ran the show hadn't the sense to put out a house full
               <lb/>
               <pb xml:id="n9" n="9" corresp="#JCB-016i"/>
               notice anywhere. So we stood and watched a heaving crowd
               <lb/>jammed in the porch &amp; struggling to get into the expensive seats; &amp;
               <lb/>then stood round in the snow &amp; argued about what we'd do next;
               <lb/>which ended in our piling into the tube for Tottenham Court
               <lb/>Rd, emerging from whence we drew lots to see who should have
               <lb/>the deciding voice in what to do. McGrath won &amp; was going
               <lb/>to take us to some picture he'd seen &amp; was raving about,
               <lb/>when I said with one of my usual brain-waves, I'll tell 
               <lb/>you what, the Criterion doesn't start till 8.40; Let's all 
               <lb/>go to the White Bearded Boy; so we all piled into a bus &amp;
               <del><gap reason="unclear"/></del>
               <lb/>dashed down the <name key="name-004467" type="person">Charing Cross Rd</name> &amp; <name key="name-004468" type="person">Shaftesbury Avenue</name>
               <lb/>to <name key="name-004469" type="place">Piccadilly</name> &amp; by dint of walking round &amp; round the block
               <lb/>in which the Criterion Theatre &amp; the Criterion <choice><orig>Restaur-
               <lb/>ant</orig><reg>Restaurant</reg></choice> &amp; the Criterion Palais de Danse &amp; the Criterion Whatnot
               <lb/>are situated found our way into the pit &amp; all for 3/-.
               <lb/>And by jingo! it was a good play. Of course you have
               <lb/>it at home, but I don't think I've ever seen better
               <lb/>acting — it was pretty well all perfectly done. I must
               <lb/>say I'm darn sorry you &amp; Daddy can't see some of
               <lb/>these plays. Pygmalion started a season last week,
               <lb/>&amp; <name key="name-004475" type="person">Nigel Playfair</name>
               <del><gap reason="unclear"/></del> is running a brilliant (according to all
               <lb/>the papers) revival of <choice><sic>Farquahar's</sic><corr>Farquhar's</corr></choice> Beaux Stratagem at
               <lb/><name key="name-007724" type="place">Hammersmith</name>; while such is the multiplicity of our <choice><orig>engage-
               <lb/>ments</orig><reg>engagements</reg></choice> that we haven't had time to see Macbeth yet. However
               <lb/>we hope to get all these three done in the next fortnight
               <lb/>plus a considerable number of concerts &amp; lectures. It was
               <lb/>the Irish Players
               <choice><sic>wot</sic><corr>what</corr></choice> done the White Headed Boy; I
               <del><gap reason="unclear"/></del> will
               <lb/>
               <pb xml:id="n10" n="10" corresp="#JCB-016j"/>
               send you out the programme some time.
            </p>
        <p rend="indent">St-Martin-in-the-Fields has been putting over some
               <lb/>good stuff lately, too. Yesterday their choral society gave
               <lb/><choice><sic>Mozarts'</sic><corr>Mozart's</corr></choice> Requiem Mass &amp; a setting of one of the psalms by
               <lb/><name key="name-005748" type="person">Gustav Holst</name>, which was good rousing stuff &amp; brought in
               <lb/>the organ &amp; made me wildly excited — I haven't been to
               <lb/>any organ-recitals yet, but must work in some soon.
               <lb/>The Saturday before they had one of the crack pianists, Myra
               <lb/>Hess, giving a recital &amp; great stuff it was too — a French
               <lb/>suite by <name key="name-008798" type="person">Bach</name>, then César Franck's Prelude, chorale, &amp;
               <lb/>Fugue, which you know quite well, &amp; then the Sunken
               <lb/>Cathedral &amp; some modern Spanish stuff &amp; another bit of <name key="name-008798" type="person">Bach</name>,
               <lb/>a transcription by herself of one of the chorales. She is
               <lb/>good. So much I think for past concerts, though I have
               <lb/>got about four more ticked off for next week, including
               <lb/>the
               <unclear>Leuen</unclear> Quartet, who are giving a series in which they
               <lb/>are going to play all Beethoven's quartets in honour of
               <lb/>his centenary. There is a great exhibition of Flemish
               <lb/>&amp; Belgian art at the <name key="name-006265" type="person">Royal Academy</name> to which I must go
               <lb/>soon; &amp; they are running a small supplementary exhibition
               <lb/>at the Museum of Flemish illuminated
               <choice><abbr>mss</abbr><expan>manuscripts</expan></choice> &amp; miniatures —
               <lb/>glorious things; it would be worth a cove's while to take a
               <lb/>trip to <name key="name-004019" type="place">England</name> purely to see these. They have a big
               <lb/>room full of such things &amp; next door to it one full of
               <lb/>autograph letters of celebrated kings &amp; authors &amp; other <choice><orig>crim-
               <lb/>inals</orig><reg>criminals</reg></choice>, Scott's last journals &amp;
               <choice><abbr>mss</abbr><expan>manuscripts</expan></choice> of Lord knows how many
               <lb/>famous books &amp; early printed books &amp; so on &amp; so forth ad-
               <pb xml:id="n11" n="11" corresp="#JCB-016k"/>
               infinitum. I have had to walk through these rooms on
               <lb/>my way to &amp; from the newspaper room in the <choice><abbr>B.M.</abbr><expan>British Museum</expan></choice> where
               <lb/>I have been working for two or three days, so you see
               <lb/>that the earnest researcher's road is not entirely free from
               <lb/>pitfalls. In connection with all this art I may say
               <lb/>that I am now sitting to McGrath for my portrait — the
               <lb/>one I sent out he did in about 5 mins, so you had
               <lb/>better not judge of his abilities from that. He is an
               <lb/>erratic cove in the extreme when it comes to doing any
               <lb/>work, but after considering most of the schools of <choice><orig>architec-
               <lb/>ture</orig><reg>architecture</reg></choice> in <name key="name-004019" type="place">England</name> &amp; <name key="name-008008" type="place">Europe</name> &amp; turning them down as <choice><orig>inade-
               <lb/>quate</orig><reg>inadequate</reg></choice>, he has settled down as permanently as possible for
               <lb/>him to practical bricklaying &amp; plumbing at the Brixton
               <lb/>school of building. Duncan continues to strike the dinkum
               <lb/>oil at the
               <choice><abbr>L.S.E.</abbr><expan>London School of Economics</expan></choice> &amp; I buzz along there sometimes. There
               <lb/>is another Fabian series of lectures in progress now at
               <lb/><name key="name-004743" type="place">Essex Hall</name> to most of which I am going. Debate on
               <lb/>Thursday between G.K.C &amp; <name key="name-004577" type="person">Lady Rhondda</name>, with Shaw in
               <lb/>the chair; I have been dragged into what calls itself a
               <lb/>study-circle on the Pan Europa scheme organised by the
               <lb/><name key="name-004587" type="person">Universities League of Nations Union</name> which is interesting,
               <lb/>at Toynbee Hall, though I stayed away this afternoon to
               <lb/>get this letter off my chest on view of the many calls
               <lb/>on my time during the next week. Meanwhile the
               <lb/>air is filling with fog once more, &amp; although the days
               <lb/>are getting perceptibly longer, all I can see as I look
               <lb/>out of the window now is dark dirtiness, with one street-
               <pb xml:id="n12" n="12" corresp="#JCB-016l"/>
               lamp glimmering inadequately over on the other side of the
               <lb/>square. Also my feet have gone very cold, so I think I
               <lb/>shall stop. I shall be able to finish when I get your
               <lb/>letter tomorrow. If it comes.
            </p>
        <p rend="indent"><date when="1927-01-24">24/1/27</date> Your letter turned up all right this morning,
               <lb/>plus the Old Clay Patch, for which many thanks — I was very
               <lb/>glad to see it. You seem to be having a pretty fine time
               <lb/>together,
               <unclear>bar</unclear> the mosquitoes; still, I don't suppose Daddy minds
               <lb/>them. No doubt you are well through <name key="name-008222" type="person">Shakespeare</name> by now &amp;
               <lb/>probably well into Gibbon; so that's
               <del>will be</del> one more chance for
               <lb/>your intellectual pride to manifest itself. I suppose you
               <lb/>put a hairpin in at every second page to mark something
               <lb/>for me to read out of sheer force of habit. Well, I'm thinking
               <lb/>of going out and buying a 5 bob <name key="name-008222" type="person">Shakespeare</name> myself &amp; swallowing
               <lb/>the whole lot, just to score off you this time. No, I haven't
               <lb/>been along to see Old J.M. Robertson yet, but I dare say I shall
               <lb/>make time before long. You don't know what a busy man
               <lb/>I am. Every day &amp; every night booked up this week &amp; here I am
               <lb/>writing for dear life at my mail all tonight. I have just
               <lb/>heard that the <name key="name-007751" type="person">Kingsway Hall</name> was booked up to the last seat a
               <lb/>week ago for the G.K.C. debate; so that sets me free on Thursday
               <lb/>for an exciting concert at the Queen's Hall. You see the
               <lb/>fearful choices I have to make. Nothing much else to comment
               <lb/>on in your letters, though all very interesting. Glad Daddy liked
               <lb/>my Coming Home. I see by this
               <del><gap reason="unclear"/></del> morning's Times that the
               <lb/><choice><abbr>NZ</abbr><expan>New Zealand</expan></choice> Times has caved in to the Dominion. I hope Morris remembers
               <lb/>he owes me CASH. I should like to know the secret history of the
               <lb/>business.
            </p>
        <closer>Well, so long.
               <salute>With love from</salute>
               <signed>Jack</signed>
               <seg type="postscript"><pb xml:id="n13" n="13" corresp="#JCB-016m"/>
                  P.S. 25/1/27. I quite forgot to say anything about
                  <lb/>your birthday, Mummy. Many happy returns of same.
                  <lb/>I hope the parcel Messrs. Bumpus are sending out on
                  <lb/>my <choice><abbr>a/c</abbr><expan>account</expan></choice> will
                  <del>not</del> reach you not too far behind the date.
                  <lb/>The Rogers is for you as well — I got it for 6d outside
                  <lb/>Dobell's shop. The Peacock I thought Daddy might like, &amp;
                  <lb/>he can have them for cost price i.e. 3/-; only the covers
                  <lb/>want cleaning up a bit. I am sending you also some
                  <lb/><choice><abbr>B.M.</abbr><expan>British Museum</expan></choice> postcards which ought to please you, &amp; a picture of
                  <lb/>Pepys from the National Gallery. Hoping this finds
                  <lb/>you as it leaves me etc.
               </seg>
            </closer>
      </div>
    </body>
  </text>
</TEI>