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        <title type="sort" TEIform="title">Letter from John Cawte Beaglehole, 1928-08-08</title>
        <title type="245" TEIform="title">Letter from John Cawte Beaglehole to his Mother, <date value="1928-08-08" TEIform="date">8 August 1928</date></title>
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        <author TEIform="author"><name key="name-207379" type="person" TEIform="name">Beaglehole, John Cawte</name></author>
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          <name key="name-121587" type="person" TEIform="name">Kamala Bain</name>
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            <title level="u" TEIform="title"><name key="name-123684" type="title" TEIform="name">Letter from John Cawte Beaglehole to his Mother, <date value="1928-08-08" TEIform="date">8 August, 1928</date></name></title>
            <author TEIform="author"><name key="name-207379" type="person" TEIform="name">John Cawte Beaglehole</name></author>
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            <idno type="callNo" TEIform="idno">Source copy consulted: from the private collection of the Beaglehole family</idno>
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            <item TEIform="item"><rs key="subject-000007" type="subject" TEIform="rs">Autobiography; Biography; Journals; Correspondence</rs></item>
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	<opener TEIform="opener">
	  
	  <dateline TEIform="dateline">
	    <name type="geographic" TEIform="name">Paris</name>
	    <lb TEIform="lb"/>
            <date value="1928-08-08" TEIform="date"><del status="unremarkable" TEIform="del">7</del>8.8.28</date>
	  </dateline>
	  <salute TEIform="salute">My dear Mummy,</salute>
        </opener>
        <p rend="indent" TEIform="p">I bring you up to date with my 
          <lb TEIform="lb"/>travels with a last letter written from France; I go 
          <lb TEIform="lb"/>back to London at the end of this week, but whether
          <lb TEIform="lb"/>I shall catch the next <abbr expan="New Zealand" TEIform="abbr">N.Z.</abbr> mail from there I do
          <lb TEIform="lb"/>not know, so don’t expect anything till you get
          <lb TEIform="lb"/>it. — No time for anything else to come from you,
          <lb TEIform="lb"/>so nothing to answer, unless I comb out your last
          <lb TEIform="lb"/>letter for debatable points, &amp; I don’t propose to do 
          <lb TEIform="lb"/>this. Therefore I proceed at once to Chartres,
          <lb TEIform="lb"/>whither Elsie &amp; Kathleen &amp; I &amp; Hemming &amp; a cobber
          <lb TEIform="lb"/>of his called Taylor went last Wednesday. We
          <lb TEIform="lb"/>went on a Wednesday to avoid the week-end crush.
          <lb TEIform="lb"/>as well as being the day <del status="unremarkable" TEIform="del">on</del> which hard working coves
          <lb TEIform="lb"/>like <abbr expan="Hemming" TEIform="abbr">H</abbr> &amp; <abbr expan="Tayor" TEIform="abbr">T</abbr> would naturally take off; but we
          <lb TEIform="lb"/>arrived at the station to find it almost hidden
          <lb TEIform="lb"/>in singing crowds &amp; the whole train service
          <lb TEIform="lb"/>apparently hopelessly disorganized — a sign board
          <lb TEIform="lb"/>telling you one thing, &amp; every porter or other <orig reg="official" TEIform="orig">offic-
          <lb TEIform="lb"/>ial</orig> you asked telling you others, &amp; none of them
          <lb TEIform="lb"/>reconcilable with anything else. We then realised
          <lb TEIform="lb"/>that it was the 1st August, &amp; that the French as
          <lb TEIform="lb"/>well as the English were accustomed to making
          <lb TEIform="lb"/>themselves acutely uncomfortable on this occasion. 
          <lb TEIform="lb"/>
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          Also there were other confusing factors. In this <orig reg="country" TEIform="orig">coun-
          <lb TEIform="lb"/>try</orig> you often cannot travel 3rd unless for a journey
          <lb TEIform="lb"/>over a certain distance, or on certain trains. We
          <lb TEIform="lb"/>carefully looked out an early train which took 3rd
          <lb TEIform="lb"/>class passengers, performed the heroic feat of rising
          <lb TEIform="lb"/>in time to catch it, get to the station &amp; find
          <lb TEIform="lb"/>that nobody has heard of the train, or that the 
          <lb TEIform="lb"/>time-table has been suspended, or that the train
          <lb TEIform="lb"/>has gone, or <del status="unremarkable" TEIform="del">something</del> has changed its platform —
          <lb TEIform="lb"/>you can take your choice of all these possibilities,
          <lb TEIform="lb"/>as we had to — but that there is another train,
          <lb TEIform="lb"/>not down in any time-table, going ¾ hour
          <lb TEIform="lb"/>later. So we <del status="unremarkable" TEIform="del">t</del> carefully enquire — is this train
          <lb TEIform="lb"/>really going to Chartres? &amp; when? &amp; does it actually
          <lb TEIform="lb"/>take 3rd class passengers in the 3rd class <orig reg="carriages" TEIform="orig">car-
          <lb TEIform="lb"/>riages</orig>? even to Chartres? Everybody at last
          <lb TEIform="lb"/>agrees that all these things are so, &amp; we hop
          <lb TEIform="lb"/>in. Seats nowhere to be had — notices that <orig reg="standing" TEIform="orig">stand-
          <lb TEIform="lb"/>ing</orig> in the couloirs strictly forbidden — <del status="unremarkable" TEIform="del">f</del> couloirs 
          <lb TEIform="lb"/>filled with a singing mass — fat Frenchmen
          <lb TEIform="lb"/>continually getting on with large suitcases — Pardon,
          <lb TEIform="lb"/>monsieur! — push you off your feet &amp; deposit
          <lb TEIform="lb"/>suitcases where you were standing. Train at
          <lb TEIform="lb"/>last so full that even the conductors can
          <lb TEIform="lb"/>hardly get on, but they do &amp; close all the 
          <lb TEIform="lb"/>doors &amp; we move off. After standing in this
          <lb TEIform="lb"/>
          <lb TEIform="lb"/>
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          conditions [sic] for 1 ¾ hours, reach Chartres. Produce
          <lb TEIform="lb"/>tickets at gate. “Where’s your supplements?”
          <lb TEIform="lb"/>Supplements? What supplements?  “These are
          <lb TEIform="lb"/>3rd class tickets &amp; you can’t travel 3rd on this
          <lb TEIform="lb"/>train.” By Jingo! we travelled 3rd all right!
          <lb TEIform="lb"/>— Off goes ticket-collector to interview station-master,
          <lb TEIform="lb"/>off go we after him. Great flow of language on
          <lb TEIform="lb"/>chef de gare’s part, likewise Hemming’s &amp; Taylor’s,
          <lb TEIform="lb"/>hands waving all over the place. —, “No, quite <orig reg="impossible" TEIform="orig">im-
          <lb TEIform="lb"/>possible</orig>! no 3rd class passengers taken to Chartres
          <lb TEIform="lb"/>on that train! Yes, you may have been told
          <lb TEIform="lb"/>that in Paris, but that’s nothing to do with us! 
          <lb TEIform="lb"/>Oh yes, I quite believe all you say! But you 
          <lb TEIform="lb"/>pay the supplements &amp; then write in a full 
          <lb TEIform="lb"/>account of the circumstances to the State &amp; you
          <lb TEIform="lb"/>may get reimbursed.” Well, we can’t stay on
          <lb TEIform="lb"/>the station all day, &amp; even the French of the
          <lb TEIform="lb"/>experts having proved unavailing, we decide to 
          <lb TEIform="lb"/>pay up our 2nd class fare. — but each to pay our
          <lb TEIform="lb"/>own with a 100 franc note. No good — the
          <lb TEIform="lb"/>cove has to go all over the station to change the 
          <lb TEIform="lb"/>first note, so it looks as if they will have to
          <lb TEIform="lb"/>open the banks to change any more. So we
          <lb TEIform="lb"/>let it go at that, take it all out of the same
          <lb TEIform="lb"/>note, enquire very carefully what trains go to
          <lb TEIform="lb"/>Paris, which of them take 3rd class passengers, &amp; 
          <lb TEIform="lb"/>
          <pb id="n4" n="4" corresp="JCB-058d" TEIform="pb"/>
          move off, ticket-collector having had immense
          <lb TEIform="lb"/>difficulty in counting out the change, &amp; having said
          <lb TEIform="lb"/>“5! 10!! 20!!!” so often in tones of increasing
          <lb TEIform="lb"/>despair that we thought he would go straight away 
          <lb TEIform="lb"/>&amp; cut his throat. So behold us at last in Chartres.
        </p>
        <p rend="indent" TEIform="p">It was a terrifically hot day, but we <orig reg="managed" TEIform="orig">man-
          <lb TEIform="lb"/>aged</orig> to see the cathedral &amp; one or two other things,
          <lb TEIform="lb"/>which is about all that Chartres consists of. The
          <lb TEIform="lb"/>Cathedral is a fine place, &amp; has the distinction of 
          <lb TEIform="lb"/>being built almost entirely in the same style, <abbr expan="thirteenth" TEIform="abbr">13th</abbr> 
          <lb TEIform="lb"/>century. Also <del status="unremarkable" TEIform="del">that</del> they had the useful rule there
          <lb TEIform="lb"/><del status="unremarkable" TEIform="del">as</del> that as it was the church of Our Lady, it was
          <lb TEIform="lb"/>far too sacrosanct to bury anyone in it, so
          <lb TEIform="lb"/>there is a welcome absence of tombs, &amp; you are 
          <lb TEIform="lb"/>able to see the place practically unimpeded. 
          <lb TEIform="lb"/>The cathedrals here, though badly looked after
          <lb TEIform="lb"/>in comparison with the English ones, seem on the
          <lb TEIform="lb"/>whole to be less obstructed with junk. Certainly
          <lb TEIform="lb"/>none of them have been turned into a <orig reg="stone-quarry" TEIform="orig">stone-
          <lb TEIform="lb"/>quarry</orig>, without any of a stone-quarry’s dignity,
          <lb TEIform="lb"/>like Westminster Abbey. Notre Dame in
          <lb TEIform="lb"/>Paris seems even fuller of tourists than the
          <lb TEIform="lb"/>Abbey, but at least the tourists can be cleared 
          <lb TEIform="lb"/>out periodically. But the tombs of our <orig reg="undistinguished" TEIform="orig">undis-
          <lb TEIform="lb"/>tinguished</orig> English dead seem fated to outlast
          <lb TEIform="lb"/>the Abbey itself. Well, anyhow Chartres is a
          <lb TEIform="lb"/>
          <pb id="n5" n="5" corresp="JCB-058e" TEIform="pb"/>
          very beautiful dignified place. It has almost a 
          <lb TEIform="lb"/>complete set of stained glass windows, all of its
          <lb TEIform="lb"/>own period, except for 8 which the canons
          <lb TEIform="lb"/>took down &amp; threw away in the <abbr expan="eighteenth" TEIform="abbr">18th</abbr> century, to
          <lb TEIform="lb"/>let in a bit of light, &amp; four or five which the 
          <lb TEIform="lb"/>good old Revolution, slightly less destructive than
          <lb TEIform="lb"/>the Church, smashed up in sheer high spirits.
          <lb TEIform="lb"/>Otherwise the fenestration is about as perfect as
          <lb TEIform="lb"/>anything could be, though I don’t think they have
          <lb TEIform="lb"/>any individual window to touch two or three 
          <lb TEIform="lb"/>of those at Rouen. However opinions may differ.
          <lb TEIform="lb"/>My old cobber Henry Adams wrote a book on
          <lb TEIform="lb"/>Mont <abbr expan="Saint" TEIform="abbr">St</abbr> Michel &amp; Chartres, as an attempt to
          <lb TEIform="lb"/>interpret the Middle Ages (which I must read some
          <lb TEIform="lb"/>day) in which he reckoned that one of the Chartres
          <lb TEIform="lb"/>windows was the most perfect expression of <orig reg="mediaeval" TEIform="orig">mediaev-
          <lb TEIform="lb"/>al</orig> art in existence; at which I can only <orig reg="express" TEIform="orig">ex-
          <lb TEIform="lb"/>press</orig> my surprise. Of course he was an
          <lb TEIform="lb"/>American, &amp; as is well known, the Yanks
          <lb TEIform="lb"/>have no culture. (<unclear TEIform="unclear">Latent</unclear> aphorism of
          <lb TEIform="lb"/>Hemming’s — “Culture means ruins, <del status="unremarkable" TEIform="del">
	    <gap reason="unclear" TEIform="gap"/></del> &amp; the Yanks
          <lb TEIform="lb"/>haven’t got any.”) — The rest of Chartres is mainly
          <lb TEIform="lb"/>nondescript modern, with the usual <orig reg="superabundant" TEIform="orig">superabun-
          <lb TEIform="lb"/>dant</orig> restaurants &amp; appalling smells. They all seem 
          <lb TEIform="lb"/>to do their washing in the river in these small 
          <lb TEIform="lb"/>towns in France; &amp; the river is generally full of
          <lb TEIform="lb"/>
          <pb id="n6" n="6" corresp="JCB-058f" TEIform="pb"/>
          tin-cans &amp; dead dogs. And yet, from the way
          <lb TEIform="lb"/>they bang away at the clothes with bits of board
          <lb TEIform="lb"/>&amp; go over it with scrubbing brushes, you wonder
          <lb TEIform="lb"/>at <sic corr="there" TEIform="sic">their</sic> being any washing left at all. A
          <lb TEIform="lb"/>wonderful place indeed. We had a long chat
          <lb TEIform="lb"/>also with an old cove working on the tram lines
          <lb TEIform="lb"/>(no trams in sight) who had found a couple 
          <lb TEIform="lb"/>of old coins &amp; sold them to Taylor for 2 francs; &amp;
          <lb TEIform="lb"/>a large &amp; varied amount of information we got from 
          <lb TEIform="lb"/>him, including the facts that the Romans’ use of 
          <lb TEIform="lb"/>gunpowder was very imperfect, but that modern guns
          <lb TEIform="lb"/>could shoot as far as 200 yards!, that times were
          <lb TEIform="lb"/>hard, &amp; that the town was insanitary. He then
          <lb TEIform="lb"/>moved off with a couple of cobbers who downed
          <lb TEIform="lb"/>tools as soon as the 2 francs changed hands &amp; <gap reason="unclear" TEIform="gap"/>
          <lb TEIform="lb"/>it in at the nearest cafe! We managed to catch 
          <lb TEIform="lb"/>a train to Paris which took 3rd class passengers, &amp;
          <lb TEIform="lb"/>still more wonderful, left at the stated time;
          <lb TEIform="lb"/>being entertained in transit by the conversation of
          <lb TEIform="lb"/>the Yanks who occupied the rest of the compartment.
          <lb TEIform="lb"/>Recipe to be amused in this way — stick your
          <lb TEIform="lb"/>head into a French paper &amp; listen hard. You
          <lb TEIform="lb"/>can hear anything from what their brothers think
          <lb TEIform="lb"/>of cathedrals (“What’s the use of all this dead
          <lb TEIform="lb"/>stank anyway!”) to the comparison of prices paid
          <lb TEIform="lb"/>for meals in Vancouver &amp; Chicago. A wonderful
          <lb TEIform="lb"/>
          <pb id="n7" n="7" corresp="JCB-058g" TEIform="pb"/>
           people.
        </p>
        <p rend="indent" TEIform="p">Since then we have been on one or two
          <lb TEIform="lb"/>other expeditions — to a play “Vient de Paraitre”
          <lb TEIform="lb"/>(Just Out), a very funny satire on the French
          <lb TEIform="lb"/>literary prize system &amp; the antics of publishers;
          <lb TEIform="lb"/>but in which the dialogue went so rapidly that
          <lb TEIform="lb"/>it was impossible to catch more than a bit of it.
          <lb TEIform="lb"/>It has been running for a year here, but the prizes
          <lb TEIform="lb"/>still seem to be handed out. I heard of one cove
          <lb TEIform="lb"/>with a thirst for literary distinction who put up
          <lb TEIform="lb"/>the money for a prize, chose his own jury, &amp;
          <lb TEIform="lb"/>arranged that it should be awarded to him, as
          <lb TEIform="lb"/>it was. I dare say the passion will work itself 
          <lb TEIform="lb"/>out; anyhow the play was good. There are often
          <lb TEIform="lb"/>things running, as well as opera, but it seems so hard
          <lb TEIform="lb"/>to work in anything in the evening these days,
          <lb TEIform="lb"/>except arguments. However we went to see The
          <lb TEIform="lb"/>Gold Rush again last night — the French are 
          <lb TEIform="lb"/>mad on Charlot, &amp; have him running in <orig reg="different" TEIform="orig">differ-
          <lb TEIform="lb"/>ent</orig> things all over the place. And two or
          <lb TEIform="lb"/>three nights ago we went up to Montmartre to a <orig reg="highbrow" TEIform="orig">high-
          <lb TEIform="lb"/>brow</orig> movie place <del status="unremarkable" TEIform="del">cl</del> called Studio 28, where
          <lb TEIform="lb"/>they put on some old fashioned magic lantern
          <lb TEIform="lb"/>slides, a gory Chinese film of Love &amp; Passion,
          <lb TEIform="lb"/>some nutty <del status="unremarkable" TEIform="del">f</del> pictures of ordinary things taken
          <lb TEIform="lb"/>edgeways &amp; upside down (not on the proper screen, 
          <lb TEIform="lb"/>
          <pb id="n8" n="8" corresp="JCB-058h" TEIform="pb"/>
          but on both <del status="unremarkable" TEIform="del">side</del> walls of the theatre simultaneously!) Some
          <lb TEIform="lb"/>studies in light &amp; shade with cubes &amp; triangles &amp; 
          <lb TEIform="lb"/>cylinders continually in motion, an ancient
          <lb TEIform="lb"/>Buster Keaton comedy, &amp; a new French film of
          <lb TEIform="lb"/>Pres’ Fall of the House of Usher — a first rate thing,
          <lb TEIform="lb"/>the best &amp; most interesting film I have seen since the
          <lb TEIform="lb"/>Gold Rush came out. First rate photography too;
          <lb TEIform="lb"/>just one or two palpable fakes wrong. If this 
          <lb TEIform="lb"/>ever comes out your way, be sure to see it —
          <lb TEIform="lb"/>plenty of thrills too, &amp; nightmare atmosphere
          <lb TEIform="lb"/>about it. So you see you get a lot for
          <lb TEIform="lb"/>your money at Studio 28.
        </p>
        <p rend="indent" TEIform="p">Let’s see where else we have been — the girls
          <lb TEIform="lb"/>were out with a cousin who owns a silver mine 
          <lb TEIform="lb"/>or something, doing things in style, on Sunday: so 
          <lb TEIform="lb"/>Hemming, <abbr expan="de Kiewiet" TEIform="abbr">de K</abbr>, a Frenchy called Hébert, a very
          <lb TEIform="lb"/>decent cove &amp; I went to Malmaison, one of 
          <lb TEIform="lb"/>Napoleon’s country houses, now used as a museum
          <lb TEIform="lb"/>of the great man. A fearful place! What an
          <lb TEIform="lb"/>utter vulgarian he was! The more I see of 
          <lb TEIform="lb"/>palaces, &amp; the material remains of kings &amp; queens
          <lb TEIform="lb"/>&amp; emperors the more I despise them. You would 
          <lb TEIform="lb"/>think that the Empire could be summed up in
          <lb TEIform="lb"/>three words: Gold Paint &amp; Plush. The rooms
          <lb TEIform="lb"/>are very small, &amp; you are taken over the place 
          <lb TEIform="lb"/><del status="unremarkable" TEIform="del">by guides</del> in dense masses by guides who admire
          <lb TEIform="lb"/>
          <pb id="n9" n="9" corresp="JCB-058i" TEIform="pb"/>
          most profusely. Everything’s there, from the robes
          <lb TEIform="lb"/>the Emperor wore at his coronation to the 
          <lb TEIform="lb"/>handkerchief he held in his hand when he died. 
          <lb TEIform="lb"/>There was another thing there that annoyed me — 
          <lb TEIform="lb"/>a BATH belonging to Josephine — one of the 
          <lb TEIform="lb"/>first in France, said the guide. The first we saw
          <lb TEIform="lb"/>later, at Fontainebleau — this belonged to Marie
          <lb TEIform="lb"/>Antoinette; but the state of preservation of both seems
          <lb TEIform="lb"/>so good, after so many years, that it seems <orig reg="doubtful" TEIform="orig">doubt-
          <lb TEIform="lb"/>ful</orig> if either was used much. However Malmaison
          <lb TEIform="lb"/>has possibilities — if all the shutters were painted green,
          <lb TEIform="lb"/>&amp; the inside was cleaned out &amp; thoroughly re-decorated,
          <lb TEIform="lb"/>it would make quite a good country house, if 
          <lb TEIform="lb"/>a country house could be so near Paris. Paris <orig reg="extends" TEIform="orig">ex-
          <lb TEIform="lb"/>tends</orig> like London, dirtily &amp; unceasingly &amp; hideously.
          <lb TEIform="lb"/>The grounds would have to be done up too — the French
          <lb TEIform="lb"/>plant magnificent avenues, &amp; lay out magnificent 
          <lb TEIform="lb"/>parks, but they don’t know the first thing about
          <lb TEIform="lb"/>lawns — Malmaison is like a park meadow.
          <lb TEIform="lb"/>That is one direction where the English, with all
          <lb TEIform="lb"/>their faults, are supreme — I must &amp; do admit this. 
          <lb TEIform="lb"/>(Comment from Daddy unnecessary) And the 
          <lb TEIform="lb"/>gardens here, apart from general layout, are pretty
          <lb TEIform="lb"/>poor. Still the general layout, &amp; the fountains,
          <lb TEIform="lb"/>&amp; the trees, are superb. 
        </p>
        <p rend="indent" TEIform="p">On Monday we went to Fontainbleau; the
          <lb TEIform="lb"/>
          <pb id="n10" n="10" corresp="JCB-058j" TEIform="pb"/>
          woods there are fine, the palace is another museum
          <lb TEIform="lb"/>of junk of all periods, with one or two good
          <lb TEIform="lb"/>things that seem to have crept in by accident. It
          <lb TEIform="lb"/>reminded me of Schonbrunn last year — why
          <lb TEIform="lb"/>is royalty always so horribly over decorated?
          <lb TEIform="lb"/>why does it reach such abysmal depths of 
          <lb TEIform="lb"/>vulgarity? Napoleon wasn’t the only one, though
          <lb TEIform="lb"/>perhaps the most ostentatiously ugly — the rest of 
          <lb TEIform="lb"/>the stuff is almost as uniformly bad. There are 
          <lb TEIform="lb"/>one or two fine rooms at Fontainebleau — but
          <lb TEIform="lb"/>smothered in gilding &amp; admiration. A terrible 
          <lb TEIform="lb"/>place. I suppose I must go to Versailles &amp; complete
          <lb TEIform="lb"/>my impressions; but that I believe is just gold paint
          <lb TEIform="lb"/>&amp; mirrors — an even more frightful conglomeration. 
          <lb TEIform="lb"/>At Fontainebleau the combination of the waitress at
          <lb TEIform="lb"/>our restaurant &amp; the Fontainebleau tram caused us to
          <lb TEIform="lb"/>miss our train; so we had a good walk through
          <lb TEIform="lb"/>the woods for 5 or 6 miles to the station, though it
          <lb TEIform="lb"/>was three <unclear TEIform="unclear">parts</unclear> in the dark. Certainly in the
          <lb TEIform="lb"/>matter of natural scenery the Kings of France did 
          <lb TEIform="lb"/>themselves well.
        </p>
        <p rend="indent" TEIform="p">In between these expeditions we have been to 
          <lb TEIform="lb"/>museums, bookshops, up the tower of Notre Dame to
          <lb TEIform="lb"/>see the gargoyles, Rodin museum, &amp; so on &amp; so
          <lb TEIform="lb"/>forth. — Good heavens! it just occurs to me
          <lb TEIform="lb"/>that I have not answered your last letter at all!
          <lb TEIform="lb"/>
          <pb id="n11" n="11" corresp="JCB-058k" TEIform="pb"/>
          Later: I now proceed to do so. Thank you for same
          <lb TEIform="lb"/>&amp; for enclosure <abbr expan="regarding" TEIform="abbr">re</abbr> Bates College <abbr expan="versus" TEIform="abbr">v.</abbr> <abbr expan="Victoria University College" TEIform="abbr">V.U.C.</abbr> &amp; Grant’s impressions.
          <lb TEIform="lb"/>I read these in the <abbr expan="New Zealand" TEIform="abbr">N.Z.</abbr> News in the days when Harrop
          <lb TEIform="lb"/>sent it to me free in the hope of getting me for a <orig reg="subscriber" TEIform="orig">sub-
          <lb TEIform="lb"/>scriber</orig>. Debating tours seem to be becoming a disease,
          <lb TEIform="lb"/>but I suppose they’re all right as long as Bates College
          <lb TEIform="lb"/>foots the bill. — In answer to your question <del status="unremarkable" TEIform="del">as to</del><add place="supralinear" TEIform="add">whether</add> I
          <lb TEIform="lb"/>had ever felt homesick — yes, I have, but what’s the use
          <lb TEIform="lb"/>of talking about that? The world is full of things to feel
          <lb TEIform="lb"/>sick about. I wouldn’t mind coming back now that 
          <lb TEIform="lb"/>Ern has hopped off; but I had better try to get a job
          <lb TEIform="lb"/>over here first, I suppose, before burying myself. It
          <lb TEIform="lb"/>was two years ago precisely on Monday at midday since
          <lb TEIform="lb"/>I left home, &amp; there I was in the woods at Fontainebleau
          <lb TEIform="lb"/>that afternoon. However I will not go into any <orig reg="philosophical" TEIform="orig">philo-
          <lb TEIform="lb"/>sophical</orig> disquisitions on this subject. — As to my goggles,
          <lb TEIform="lb"/>they have only had about four accidents since I left — 
          <lb TEIform="lb"/>I do not wish to provoke a fresh argument on an old
          <lb TEIform="lb"/>subject, but I may point out that your average has
          <lb TEIform="lb"/>probably been far higher. — No, I don’t want photographs
          <lb TEIform="lb"/>of myself in early youth. I remember the picture of 
          <lb TEIform="lb"/>Daddy &amp; Balfour. However a Forward <abbr expan="movement" TEIform="abbr">Movt</abbr> young
          <lb TEIform="lb"/>man came to take up with a washout like that I don’t
          <lb TEIform="lb"/>know. Someone said that there hasn’t been a <orig reg="progressive" TEIform="orig">pro-
          <lb TEIform="lb"/>gressive</orig> movement of any kind in Balfour’s political 
          <lb TEIform="lb"/>life that he hasn’t been against, or a reactionary one 
          <lb TEIform="lb"/>
          <pb id="n12" n="12" corresp="JCB-058l" TEIform="pb"/>
          which he hasn’t favoured; while I always thought
          <lb TEIform="lb"/>that Daddy in those days was a bloody revolutionary, or 
          <lb TEIform="lb"/>at least a <gap reason="unclear" TEIform="gap"/> socialist. F.W. Maurice &amp; <unclear TEIform="unclear">W.</unclear>J Balfour,
          <lb TEIform="lb"/>a funny combination. Or perhaps not so funny. I 
          <lb TEIform="lb"/>gather that <abbr expan="F.W. Maurice" TEIform="abbr">F.W.M</abbr> was a bit of a muddlehead. — The
          <lb TEIform="lb"/>flower girls in London do sell freesias, &amp; most other
          <lb TEIform="lb"/>flowers. A pity you can’t see them sometimes. — It is
          <lb TEIform="lb"/>very cheering to learn that you can now walk as far
          <lb TEIform="lb"/>as <unclear TEIform="unclear">Falty</unclear> Bishop’s Church. Funny how these half-wits
          <lb TEIform="lb"/>flourish. — So Alice Brown has settled on a bloke at
          <lb TEIform="lb"/>last — I hope suitably handsome. — I have duly conveyed
          <lb TEIform="lb"/>your message to Elsie Holmes. 
        </p>
        <p rend="indent" TEIform="p">Everything else noted but does not seem to call for
          <lb TEIform="lb"/>special remark, except that (a) it seems to be a habit of 
          <lb TEIform="lb"/>these psychology birds, Ern, Fortune &amp; the rest to exploit
          <lb TEIform="lb"/>their theses to a remarkable degree, get an <abbr expan="Master of Arts" TEIform="abbr">M.A.</abbr> on
          <lb TEIform="lb"/>it, deliver a lecture on it, article in Evening
          <lb TEIform="lb"/>Post, ditto in <abbr expan="Australian" TEIform="abbr">Aus.</abbr> <abbr expan="Psychology" TEIform="abbr">Psych.</abbr> Journal, — &amp; then I <orig reg="suppose" TEIform="orig">sup-
          <lb TEIform="lb"/>pose</orig> it will be published entire [sic] in England &amp; <del status="unremarkable" TEIform="del">
	    <gap reason="unclear" TEIform="gap"/></del> get
          <lb TEIform="lb"/>two lines of patronage in the <unclear TEIform="unclear"><abbr expan="Library" TEIform="abbr">Lib</abbr><del status="unremarkable" TEIform="del">
	    <gap reason="unclear" TEIform="gap"/></del></unclear>. <abbr expan="Supplement" TEIform="abbr">Supp</abbr>. Nothing 
          <lb TEIform="lb"/>like working your ideas for all they’re worth.
          <lb TEIform="lb"/>(b) I notice Daddy is on to another stocktaking
          <lb TEIform="lb"/>again. I hope it is over by now, or that he can
          <lb TEIform="lb"/>get some help. It worries me to think of his
          <lb TEIform="lb"/>being at the same old nightly grind again. And
          <lb TEIform="lb"/>(c) why do you thank me for my letters?
          <lb TEIform="lb"/>
          <pb id="n13" n="13" corresp="JCB-058m" TEIform="pb"/>
          They are surely pretty poor &amp; few on the whole to
          <lb TEIform="lb"/>get all that appreciation. As a matter of fact,
          <lb TEIform="lb"/>I have come to the conclusion that writing letters
          <lb TEIform="lb"/>is a whole-time job. If I had Horace Walpole’s
          <lb TEIform="lb"/>time off, I might do a bit at it, &amp; revise them
          <lb TEIform="lb"/>periodically for publication. The easiest way of 
          <lb TEIform="lb"/>writing a book anyhow. 
        </p>
        <p rend="indent" TEIform="p">Talking of which, Captain Hobson has at last
          <lb TEIform="lb"/>arrived; at least, I have got one copy. It doesn’t 
          <lb TEIform="lb"/>look bad, although there are one or two misprints
          <lb TEIform="lb"/>&amp; still some very stupid alterations by Fay. Still
          <lb TEIform="lb"/>it is not as bad as it was, &amp; if I could give it
          <lb TEIform="lb"/>another thorough revision it would be able to stand
          <lb TEIform="lb"/>up on its legs fairly well. I shall be able to 
          <lb TEIform="lb"/>send you out one by the next English mail I
          <lb TEIform="lb"/>can catch; I shall try to send it corrected. Or I
          <lb TEIform="lb"/>may possibly leave you to pick out the editorial
          <lb TEIform="lb"/>alterations, as an exercise in criticism. I shall
          <lb TEIform="lb"/>be interested to see if any copies reach <abbr expan="New Zealand" TEIform="abbr">N.Z.</abbr> <orig reg="independently" TEIform="orig">inde-
          <lb TEIform="lb"/>pendently</orig> of the ones I send &amp; if they get any <orig reg="sensible" TEIform="orig">sen-
          <lb TEIform="lb"/>sible</orig> reviews. I might get C.Q.P. to do one in the 
          <lb TEIform="lb"/>Dominion! — &amp; I hope that the Spike at least will
          <lb TEIform="lb"/>come out strong, especially as I have dedicated
          <lb TEIform="lb"/>the thing to <abbr expan="Victoria University College" TEIform="abbr">V.U.C.</abbr> I reckon my <abbr expan="Governors" TEIform="abbr">Govs’</abbr> <abbr expan="Instructions" TEIform="abbr">Ints</abbr> will
          <lb TEIform="lb"/>be at least 4 times as long as this thing, probably
          <lb TEIform="lb"/>a good deal more; so you can see it will be a 
          <lb TEIform="lb"/>
          <pb id="n14" n="14" corresp="JCB-058n" TEIform="pb"/>
          fairly hefty thing. I shall be back in London
          <lb TEIform="lb"/>next week hacking away at that, <del status="remarkable" TEIform="del">if</del> according
          <lb TEIform="lb"/>to schedule. 
        </p>
        <p rend="indent" TEIform="p">I had one or two more odd things to 
          <lb TEIform="lb"/>say, but I have forgotten what they were. We
          <lb TEIform="lb"/>went to a very interesting museum of Chinese
          <lb TEIform="lb"/>art this afternoon — some beautiful pottery there —
          <lb TEIform="lb"/>also some early stuff about 5000 years old with
          <lb TEIform="lb"/>Maori patterns on them in red &amp; black for <orig reg="decoration" TEIform="orig">decor-
          <lb TEIform="lb"/>ation</orig>. Perhaps Daddy, as a student of <orig reg="anthropology" TEIform="orig">anthro-
          <lb TEIform="lb"/>pology</orig>, may be able to explain this. They are 
          <lb TEIform="lb"/>also like early Greek stuff. I am getting 
          <lb TEIform="lb"/>somewhat interested in eastern art. — The Cluny
          <lb TEIform="lb"/>Museum is another very interesting place here, full
          <lb TEIform="lb"/>of all sorts of junk, old top boots, doors, chimney
          <lb TEIform="lb"/>pieces, china, armour, spinets, lace, &amp; so on. 
          <lb TEIform="lb"/>Not a patch on the Victoria &amp; Albert though. The
          <lb TEIform="lb"/>Louvre still unexhausted but exceedingly exhausting.
          <lb TEIform="lb"/>A very fine sunset tonight up the Seine. Mr
          <lb TEIform="lb"/>Hemming &amp; I stood on a bridge, the Pont du <orig reg="Carrousel" TEIform="orig">Car-
          <lb TEIform="lb"/>rousel</orig>, &amp; admired &amp; philosophised. Afterwards
          <lb TEIform="lb"/>to a café for café. The cafés are a marvellous
          <lb TEIform="lb"/>institution. I got £10 the other day for the 
          <lb TEIform="lb"/><gap reason="unclear" TEIform="gap"/> scholarship scheme. Not bad, though
          <lb TEIform="lb"/>not over generous. And so on. And so on.
          <lb TEIform="lb"/>
        </p>
	<closer TEIform="closer">
	  <salute TEIform="salute">I conclude with very much love to you both.
          <lb TEIform="lb"/>And all aunts.</salute>
	  <signed TEIform="signed"><name key="name-207379" type="person" TEIform="name">Jack/</name></signed>
	
        </closer>
      </div1>
    </body>
  </text>
</TEI.2>