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<title type="245" TEIform="title">The Aloe</title>
<title type="sort" TEIform="title">Aloe</title>
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<author TEIform="author"><name key="name-208662" type="person" TEIform="name">Katherine Mansfield</name></author>
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<name key="name-141366" type="person" TEIform="name">Samantha Callaghan</name>
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<pubPlace TEIform="pubPlace">Wellington, New Zealand</pubPlace>
<idno type="ETC" TEIform="idno">Modern English, ManAloe</idno>
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<p TEIform="p">Publicly accessible</p>
<p n="public" TEIform="p">URL: http://www.nzetc.org/collections.html</p>
<p TEIform="p">copyright 2007, by Victoria University of Wellington</p>
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<date value="2007" TEIform="date">2007</date>
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<title TEIform="title"><name key="name-102829" type="title" TEIform="name">The Aloe</name></title>
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<publisher TEIform="publisher"><name key="name-102830" type="organisation" TEIform="name">Howard Fertig</name></publisher>
<pubPlace TEIform="pubPlace">New York</pubPlace>
<idno type="callNo" TEIform="idno">Source copy consulted: Victoria University of Wellington Library, PR9699 M287 A65 1974</idno>
<date value="1974" TEIform="date">1974</date>
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<title TEIform="title"><name key="name-102831" type="title" TEIform="name">Introduction to The Aloe</name></title>
<author TEIform="author"><name key="name-122974" type="person" reg="John Middleton Murry" TEIform="name">John Middleton Murry</name></author>
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<figDesc TEIform="figDesc">Front Cover</figDesc>
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<figDesc TEIform="figDesc">Spine</figDesc>
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<figDesc TEIform="figDesc">Back Cover</figDesc>
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<figDesc TEIform="figDesc">Title Page</figDesc>
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<div1 id="t1-front-d2" type="halftitle" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head">The Aloe</head>
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<docAuthor TEIform="docAuthor"><hi rend="c" TEIform="hi"><name key="name-208662" type="person" TEIform="name">Katherine Mansfield</name></hi></docAuthor>
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<titlePart type="main" TEIform="titlePart"><hi rend="c" TEIform="hi">The Aloe</hi>
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<pubPlace TEIform="pubPlace">New York</pubPlace>
<publisher TEIform="publisher"><hi rend="c" TEIform="hi"><name key="name-102830" type="organisation" TEIform="name">Howard Fertig</name></hi></publisher>
<date value="1974" TEIform="date">1974</date>
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<lg org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l">Copyright 1930 by Alfred A. Knopf,Inc.</l>
<l part="N" TEIform="l">Renewal copyright © 1958 by Alfred A. Knopf, Inc.</l>
<l part="N" TEIform="l">Howard Fertig, Inc. Edition 1974</l>
<l part="N" TEIform="l">All rights reserved.</l>
<l part="N" TEIform="l">Library of Congress Cataloging in Publication Data</l>
<l part="N" TEIform="l">Mansfield, Katherine, 1888–1923.</l>
<l part="N" TEIform="l">The Aloe.</l>
<l part="N" TEIform="l">Reprint of the ed. published by Knopf, New York.</l>
<l part="N" TEIform="l">I. Title.</l>
<l part="N" TEIform="l">PZ3.M32355A15 [PR6025.A57] 823 74-16074</l>
<l part="N" TEIform="l">Printed in the United States of America</l>
<l part="N" TEIform="l">by Noble offset Printers, Inc.
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<p TEIform="p"><table rows="8" cols="1" TEIform="table">
<head TEIform="head"><hi rend="c" TEIform="hi">Contents</hi></head>
<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">One</cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">Last Moments Before</cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">· <ref target="n16" targOrder="U" TEIform="ref">I</ref> ·</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">Two</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">A Journey With<lb TEIform="lb"/>The Storeman</cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">· <ref target="n33" targOrder="U" TEIform="ref">19</ref> ·</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">Three</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">The Day After</cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">· <ref target="n87" targOrder="U" TEIform="ref">73</ref> ·</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">Four</cell>
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<cell role="data" rows="1" cols="1" TEIform="cell">The Aloe</cell>
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<row role="data" TEIform="row">
<cell role="data" rows="1" cols="1" TEIform="cell">· <ref target="n99" targOrder="U" TEIform="ref">85</ref> ·</cell>
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<head TEIform="head"><hi rend="c" TEIform="hi">Introduction</hi></head>
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<p TEIform="p"><hi rend="c" TEIform="hi">Introduction</hi></p>
<p TEIform="p"><hi rend="i" TEIform="hi"><hi rend="c" TEIform="hi">It Is Probable</hi> that Katherine Mansfield destroyed more than three-quarters of her manuscripts. She preserved only those to which she attached importance, as notes for future work. That is the reason why she so carefully kept the manuscript of <hi rend="lsc" TEIform="hi">The Aloe</hi>, which she wrote in the early spring of 1916.</hi></p>
<p TEIform="p"><hi rend="i" TEIform="hi">The greater part of <hi rend="lsc" TEIform="hi">The Aloe</hi>, after much reshaping and rewriting, was incorporated into <hi rend="lsc" TEIform="hi">prelude</hi>, a year later, in 1917. But <hi rend="lsc" TEIform="hi">The Aloe</hi> contains much material that was
<pb id="n12" TEIform="pb"/>
not used in this way, as readers familiar with <hi rend="lsc" TEIform="hi">prelude</hi> will quickly discover.</hi></p>
<p TEIform="p"><hi rend="i" TEIform="hi">It could not, however, fairly be included in the ordinary edition of Katherine Mansfield's work, because it repeats, in a less perfect form, the material of <hi rend="lsc" TEIform="hi">prelude</hi>. Nor was it possible to separate the additional matter, which needs the context in order to be properly understood. On the other hand there were two cogent reasons for printing it: first, because Kezia and Lottie and Linda and the Burnell family as a whole have become so dear to admirers of Katherine Mansfield's work that it would be ungenerous to withhold from them these further particulars-for instance, the account of Linda's father and her courting by Stanley Burnell, or the description of Linda's sister, Mrs. Trout, at the sewing party; secondly, because a comparison of <hi rend="lsc" TEIform="hi">The Aloe</hi> with <hi rend="lsc" TEIform="hi">prelude</hi> gives the more critically-minded a unique opportunity for studying Katherine Mansfield's methods of work.</hi></p>
<p TEIform="p"><hi rend="i" TEIform="hi">On their account I have been careful to avoid tinkering with the structure of <hi rend="lsc" TEIform="hi">The Aloe</hi>, although it is clear that the narrative, as it stands, is inconsistent. At a certain point Katherine Mansfield changed her plan and went back on her narrative. She decided that the Grandmother should not take Linda's breakfast up to her. Instead Linda in her bedroom was forgotten, as she so often longed to be forgotten, and was thus able to make her sudden and beautiful appearance at the
<pb id="n13" TEIform="pb"/>
kitchen window. So that we can conceive the part of the story between p. 51 and p. 66 as representing a side track which Katherine Mansfield came to consider irrelevant to the purpose of her journey. She returned to the point where she had branched off, but she did not destroy the record of her exploration, because she intended to make use of the material in a third story after the fashion of <hi rend="lsc" TEIform="hi">prelude</hi> and <hi rend="lsc" TEIform="hi">at the bay</hi>. There is no other manuscript of Katherine Mansfield's which throws so clear a light upon her methods of work. And it is chiefly for the sake of those interested in them that I have retained three characteristic little notes which interrupt the course of the narrative.</hi></p>
<closer rend="right" TEIform="closer"><name key="name-122974" type="person" reg="John Middleton Murry" TEIform="name">J. M. M.</name></closer>
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<head TEIform="head"><hi rend="lsc" TEIform="hi">One</hi><lb TEIform="lb"/><hi rend="c" TEIform="hi">Last Moments Before</hi></head>
<pb id="n17" TEIform="pb"/>
<p TEIform="p"><hi rend="lsc" TEIform="hi">One</hi><lb TEIform="lb"/><hi rend="c" TEIform="hi">Last Moments Before</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">There Was</hi> not an inch of room for Lottie and Kezia in the buggy. When Pat swung them on top of the luggage they wobbled; the Grandmother's lap was full and Linda Burnell could <hi rend="i" TEIform="hi">not possibly</hi> have held a lump of a child on hers for such a distance. Isabel, very superior, perched beside Pat on the driver's seat. Hold-alls, bags and bandboxes were piled upon the floor.</p>
<p TEIform="p">‘These are <hi rend="i" TEIform="hi">absolute</hi> necessities that I will not let out of my sight for <hi rend="i" TEIform="hi">one instant</hi>,’ said Linda Burnell,
<pb id="n18" n="4" TEIform="pb"/>
her voice trembling with fatigue and over-excitement.</p>
<p TEIform="p">Lottie and Kezia stood on the patch of lawn just inside the gate all ready for the fray, in their reefer coats with brass anchor buttons and little round caps with battle-ship ribbons. Hand in hand. They stared with round inquiring eyes, first at the ‘absolute necessities’ and then at their Mother.</p>
<p TEIform="p">‘We shall simply have to leave them. That is all. We shall simply have to cast them off,’ said Linda Burnell. A strange little laugh flew from her lips; she leaned back upon the buttoned leather cushions and shut her eyes … laughing silently.</p>
<p TEIform="p">Happily, at that moment, Mrs. Samuel Josephs, who lived next door and had been watching the scene from behind her drawing-room blind, rustled down the garden path.</p>
<p TEIform="p">‘Why nod leave the children with <hi rend="i" TEIform="hi">be</hi> for the after-doon, Brs. Burnell? They could go on the dray with the storeban when he comes in the eveding. Those thigs on the path have to go. Dodn't they?'</p>
<p TEIform="p">‘Yes, everything outside the house has to go,’ said Linda Burnell, waving a white hand at the tables and chairs that stood, impudently, on their heads in front of the empty house.</p>
<pb id="n19" n="5" TEIform="pb"/>
<p TEIform="p">‘Well, dodn't you worry, Brs. Burnell. Loddie and Kezia can have tea with by children and I'll see them safely on the dray afterwards.'</p>
<p TEIform="p">She leaned her fat, creaking body across the gate and smiled reassuringly. Linda Burnell pretended to consider.</p>
<p TEIform="p">‘Yes, it really is quite the best plan. I am <hi rend="i" TEIform="hi">extremely</hi> obliged to you, Mrs. Samuel Josephs, I'm <hi rend="i" TEIform="hi">sure</hi>. Children, say “Thank you” to Mrs. Samuel Josephs….'</p>
<p TEIform="p">(Two subdued chirrups: ‘Thank you, Mrs. Samuel Josephs.')</p>
<p TEIform="p">‘And be good, obedient little girls and—come closer'—they advanced—‘do not forget to tell Mrs. Samuel Josephs when you want to …'</p>
<p TEIform="p">‘Yes, Mother.'</p>
<p TEIform="p">‘Dodn't worry, Brs. Burnell.'</p>
<p TEIform="p">At the last moment Kezia let go Lottie's hand and darted towards the buggy.</p>
<p TEIform="p">‘I want to kiss Grandma “good-bye” again.’ Her heart was bursting.</p>
<p TEIform="p">‘Oh, <hi rend="i" TEIform="hi">dear</hi> me!’ wailed Linda Burnell.</p>
<p TEIform="p">But the grandmother leant her charming head in the lilac flowery bonnet towards Kezia, and when Kezia searched her face she said—‘It's all right, my darling. Be good.'</p>
<pb id="n20" n="6" TEIform="pb"/>
<p TEIform="p">The buggy rolled off up the road, Isabel, proudly sitting by Pat, her nose turned up at all the world, Linda Burnell, prostrate and crying behind her veil, and the grandmother rummaging among the curious oddments she had put in her black silk reticule at the last moment for lavender smelling salts to give her daughter.</p>
<p TEIform="p">The buggy twinkled away in the sunlight and fine golden dust—up the hill and over. Kezia bit her lip hard, but Lottie, carefully finding her handkerchief first, set up a howl.</p>
<p TEIform="p">‘Mo-ther! Gran'<hi rend="i" TEIform="hi">ma!</hi>'</p>
<p TEIform="p">Mrs. Samuel Josephs, like an animated black silk tea-cosy, waddled to Lottie's rescue.</p>
<p TEIform="p">‘It's all right, by dear. There-there, ducky! Be a brave child. You come and blay in the nursery.'</p>
<p TEIform="p">She put her arm round weeping Lottie and led her away. Kezia followed, making a face at Mrs. Samuel Josephs’ placket, which was undone <hi rend="i" TEIform="hi">as</hi> usual with two long pink corset laces hanging out of it.</p>
<p TEIform="p">The Samuel Josephs were not a family. They were a swarm. The moment you entered the house they cropped up and jumped out at you from under
<pb id="n21" n="7" TEIform="pb"/>
the tables, through the stair rails, behind the doors, behind the coats in the passage. Impossible to count them: impossible to distinguish between them. Even in the family groups that Mrs. Samuel Josephs caused to be taken twice yearly—herself and Samuel in the middle—Samuel with parchment roll clenched on knee and she with the youngest girl on hers—you never could be sure how many children really were there. You counted them, and then you saw another head or another small boy in a white sailor suit perched on the arm of a basket chair. All the girls were fat, with black hair tied up in red ribbons and eyes like buttons. The little ones had scarlet faces but the big ones were white, with blackheads and dawning moustaches. The boys had the same jetty hair, the same button eyes, but they were further adorned with ink black finger nails. (The girls bit theirs, so the black didn't show.) And every single one of them started a pitched battle as soon as possible after birth with every single other.</p>
<p TEIform="p">When Mrs. Samuel Josephs was not turning up their clothes or down their clothes (as the sex might be) and beating them with a hair brush, she called this pitched battle ‘airing their lungs.’ She seemed to take a pride in it and to bask in it from far away
<pb id="n22" n="8" TEIform="pb"/>
like a fat general watching through field glasses his troops in violent action …</p>
<p TEIform="p">Lottie's weeping died down as she ascended the Samuel Josephs’ stairs, but the sight of her at the nursery door with swollen eyes and a blob of a nose gave great satisfaction to the little S. J.'s, who sat on two benches before a long table covered with American cloth and set out with immense platters of bread and dripping and two brown jugs that fairly steamed.</p>
<p TEIform="p">‘Hullo! You've been crying!'</p>
<p TEIform="p">‘Ooh! Your eyes have gone right in!'</p>
<p TEIform="p">‘Doesn't her nose look funny!'</p>
<p TEIform="p">‘You're all red-an'-patchy!'</p>
<p TEIform="p">Lottie was quite a success. She felt it and swelled, smiling timidly.</p>
<p TEIform="p">‘Go and sit by Zaidee, ducky,’ said Mrs. Samuel Josephs. ‘And Kezia—you sit at the end by Boses.'</p>
<p TEIform="p">Moses grinned and pinched her behind as she sat down, but she pretended to take no notice. She did hate boys!</p>
<p TEIform="p">‘Which will you have?’ asked Stanley (a big one), leaning across the table very politely and smiling at Kezia. ‘Which will you have to begin with—strawberries and cream or bread and dripping?'</p>
<p TEIform="p">‘Strawberries and cream, please,’ said she.</p>
<pb id="n23" n="9" TEIform="pb"/>
<p TEIform="p">‘Ah-h-h!’ How they all laughed and beat the table with their teaspoons! ‘Wasn't that a take in! Wasn't it! Wasn't it, now! Didn't he fox her! Good old Stan!'</p>
<p TEIform="p">‘Ma! She thought it was real!'</p>
<p TEIform="p">Even Mrs. Samuel Josephs, pouring out the milk and water, smiled indulgently. It was a merry tea.</p>
<p TEIform="p">After tea the young Samuel Josephs were turned out to grass until summoned to bed by their servant girl standing in the yard and banging on a tin tray with a potato masher.</p>
<p TEIform="p">‘Know what we'll do,’ said Miriam. ‘Let's go an’ play hide-an'-seek all over Burnell's. Their back door is still open, because they haven't got the sideboard out yet. I heard Ma tell Glad Eyes <hi rend="i" TEIform="hi">she</hi> wouldn't take such ole rubbish to a new house! Come on! Come on!'</p>
<p TEIform="p">‘No, I don't want to,’ said Kezia, shaking her head.</p>
<p TEIform="p">‘Ooh! Don't be soft. Come on—do!'</p>
<p TEIform="p">Miriam caught hold of one of her hands. Zaidee snatched at the other.</p>
<p TEIform="p">‘I don't not want to either, if Kezia doesn't,’ said Lottie, standing firm. But she, too, was whirled
<pb id="n24" n="10" TEIform="pb"/>
away. Now, the whole fun of the game for the S. J.'s was that the Burnell kids didn't want to play. In the yard they paused. Burnell's yard was small and square with flower beds on either side. All down one side big clumps of arum lilies aired their rich beauty, on the other side there was nothing but a straggle of what the children called ‘Grandmother's pincushions,’ a dull, pinkish flower, but so strong it would push its way and grow through a crack of concrete.</p>
<p TEIform="p">‘You've only got one w. at your place,’ said Miriam scornfully. ‘We've got two at ours. One for men and one for ladies. The one for men hasn't got a seat.'</p>
<p TEIform="p">‘Hasn't got a seat!’ cried Kezia. ‘I <hi rend="i" TEIform="hi">don't</hi> believe you.'</p>
<p TEIform="p">‘It's-true-it's-true-it's-true! Isn't it, Zaidee?’ And Miriam began to dance and hop, showing her flannelette drawers.</p>
<p TEIform="p">‘Course it is,’ said Zaidee. ‘Well, you <hi rend="i" TEIform="hi">are</hi> a baby, Kezia!'</p>
<p TEIform="p">‘I don't not believe it either if Kezia doesn't,’ said Lottie, after a pause.</p>
<p TEIform="p">But they never paid any attention to what Lottie said.</p>
<pb id="n25" n="11" TEIform="pb"/>
<p TEIform="p">Alice Samuel Josephs tugged at a lily leaf, twisted it off, turned it over. It was covered on the under side with tiny blue and grey snails.</p>
<p TEIform="p">‘How much does your Pa give you for collecting snails?’ she demanded.</p>
<p TEIform="p">‘Nothing!’ said Kezia.</p>
<p TEIform="p">‘Reely? Doesn't he give you anything? Our Pa gives us ha'penny a hundred. We put them in a bucket with salt and they all go bubbly like spittle. Don't you get any pocket money?'</p>
<p TEIform="p">‘Yes, I get a penny for having my hair washed,’ said Kezia.</p>
<p TEIform="p">‘An' a penny a tooth,’ said Lottie, softly.</p>
<p TEIform="p">‘My! Is that <hi rend="i" TEIform="hi">all?</hi> One day Stanley took the money out of all our money boxes and Pa was so mad he rang up the police station.'</p>
<p TEIform="p">‘No, he didn't. Not reely,’ said Zaidee. ‘He only took the telephone down an’ spoke in it to frighten Stan.'</p>
<p TEIform="p">‘Ooh, youfibber! Ooh, you are a fibber,’ screamed Alice, feeling her story totter. ‘But Stan was so frightened he caught hold of Pa and screamed and bit him and then he lay on the floor and banged with his head as hard as ever.'</p>
<p TEIform="p">‘Yes,’ said Zaidee, warming. ‘And at dinner when
<pb id="n26" n="12" TEIform="pb"/>
the door bell rang an’ Pa said to Stan “There they are—they've come for you,” do you know what Stan did?’ Her button eyes snapped with joy. ‘He was sick—all over the table!'</p>
<p TEIform="p">‘How perfeckly <hi rend="i" TEIform="hi">horrid</hi>,’ said Kezia, but even as she spoke she had one of her ‘ideas.’ It frightened her so that her knees trembled, but it made her so happy she nearly screamed aloud with joy.</p>
<p TEIform="p">‘Know a new game,’ said she. ‘All of you stand in a row and each person holds a narum lily head. I count one—two—three, and when “three” comes all of you have to bite out the yellow bit and scrunch it up—and who swallows first—wins.'</p>
<p TEIform="p">The Samuel Josephs suspected nothing. They liked the game. A game where something had to be destroyed always fetched them. Savagely they broke off the big white blooms and stood in a row before Kezia.</p>
<p TEIform="p">‘Lottie can't play,’ said Kezia.</p>
<p TEIform="p">But any way it didn't matter. Lottie was still patiently bending a lily head this way and that—it would not come off the stem for her.</p>
<p TEIform="p">‘One—two—three!’ said Kezia.</p>
<p TEIform="p">She flung up her hands with joy as the Samuel Josephs bit, chewed, made dreadful faces, spat,
<pb id="n27" n="13" TEIform="pb"/>
screamed, and rushed to Burnell's garden tap. But that was no good—only a trickle came out. Away they sped, yelling.</p>
<p TEIform="p">‘Ma! Ma! Kezia's poisoned us.'</p>
<p TEIform="p">‘Ma! Ma! Me tongue's burning off.'</p>
<p TEIform="p">‘Ma! Ooh, Ma!'</p>
<p TEIform="p">‘Whatever <hi rend="i" TEIform="hi">is</hi> the matter?’ asked Lottie, mildly, still twisting the frayed, oozing stem. ‘Kin I bite my lily off like this, Kezia?'</p>
<p TEIform="p">‘No, silly.’ Kezia caught her hand. ‘It burns your tongue like anything.'</p>
<p TEIform="p">‘Is that why they all ran away?’ said Lottie. She did not wait for an answer. She drifted to the front of the house and began to dust the chair-legs on the lawn with a corner of her pinafore.</p>
<p TEIform="p">Kezia felt very pleased. Slowly she walked up the back steps and through the scullery into the kitchen. Nothing was left in it except a lump of gritty yellow soap in one corner of the window-sill and a piece of flannel stained with a blue bag in another. The fireplace was choked with a litter of rubbish. She poked among it for treasure, but found nothing except a hair-tidy with a heart painted on it that had belonged to the servant girl. Even that she left lying,
<pb id="n28" n="14" TEIform="pb"/>
and she slipped through the narrow passage into the drawing-room. The venetian blind was pulled down but not drawn close. Sunlight, piercing the green chinks, shone once again upon the purple urns brimming over with yellow chrysanthemums that patterned the walls. The hideous box was quite bare, so was the dining-room except for the sideboard that stood in the middle, forlorn, its shelves edged with a scallop of black leather. But this room had a ‘funny’ smell. Kezia lifted her head and sniffed again, to remember. Silent as a kitten she crept up the ladder-like stairs. In Mr. and Mrs. Burnell's room she found a pill box, black and shiny outside and red in, holding a blob of cotton wool. ‘I could keep a bird's egg in that,’ she decided. The only other room in the house (the little tin bathroom did not count) was <hi rend="i" TEIform="hi">their</hi> room where Isabel and Lottie had slept in one bed and she and Grandma in another. She knew there was nothing there—she had watched Grandma pack. Oh, yes, there was! A stay button stuck in a crack of the floor and in another crack some beads and a long needle. She went over to the window and leaned against it, pressing her hands against the pane.</p>
<p TEIform="p">From the window you saw beyond the yard a deep gully filled with tree ferns and a thick tangle of
<pb id="n29" n="15" TEIform="pb"/>
wild green, and beyond that there stretched the esplanade bounded by a broad stone wall against which the sea chafed and thundered. (Kezia had been born in that room. She had come forth squealing out of a reluctant mother in the teeth of a ‘Southerly Buster.’ The Grandmother, shaking her before the window, had seen the sea rise in green mountains and sweep the esplanade. The little house was like a shell to its loud booming. Down in the gully the wild trees lashed together and big gulls wheeling and crying skimmed past the misty window.)</p>
<p TEIform="p">Kezia liked to stand so before the window. She liked the feeling of the cold shining glass against her hot little palms and she liked to watch the funny white tops that came on her fingers when she pressed them hard against the pane.</p>
<p TEIform="p">As she stood the day flickered out and sombre dusk entered the empty house, thievish dusk stealing the shapes of things, sly dusk painting the shadows. At her heels crept the wind, snuffling and howling. The windows shook, a creaking came from the walls and floors, a piece of loose iron on the roof banged forlornly—Kezia did not notice these things severally, but she was suddenly quite, quite still with wide
<pb id="n30" n="16" TEIform="pb"/>
open eyes and knees pressed together—terribly frightened. Her old bogey, the dark, had overtaken her, and now there was no lighted room to make a despairing dash for. Useless to call ‘Grandma'—useless to wait for the servant girl's cheerful stumping up the stairs to pull down the blinds and light the bracket lamp … There was only Lottie in the garden. If she began to call Lottie <hi rend="i" TEIform="hi">now</hi> and went on calling her loudly all the while she flew down the stairs and out of the house she might escape from <hi rend="i" TEIform="hi">It</hi> in time. <hi rend="i" TEIform="hi">It</hi> was round like the sun. <hi rend="i" TEIform="hi">It</hi> had a face. <hi rend="i" TEIform="hi">It</hi> smiled, but <hi rend="i" TEIform="hi">It</hi> had no eyes. <hi rend="i" TEIform="hi">It</hi> was yellow. When she was put to bed with two drops of aconite in a medicine glass <hi rend="i" TEIform="hi">It</hi> breathed very loudly and firmly and <hi rend="i" TEIform="hi">It</hi> had been known on certain particularly fearful occasions to turn round and round. <hi rend="i" TEIform="hi">It</hi> hung in the air. That was all she knew and even that much had been very difficult to explain to the Grandmother. Nearer came the terror and more plain to feel the ‘silly’ smile. She snatched her hands from the window pane, opened her mouth to call Lottie, and fancied that she did call loudly, though she made no sound … <hi rend="i" TEIform="hi">It</hi> was at the top of the stairs; <hi rend="i" TEIform="hi">It</hi> was at the bottom of the stairs, waiting in the little dark passage, guarding the back door—But Lottie was at the back door, too.</p>
<pb id="n31" n="17" TEIform="pb"/>
<p TEIform="p">‘Oh, there you are!’ she said cheerfully. ‘The storeman's here. Everything's on the dray —and <hi rend="i" TEIform="hi">three</hi> horses, Kezia. Mrs. Samuel Josephs has given us a big shawl to wear round us, and she says button up your coat. She won't come out because of asthma, and she says “never do it again”.’ Lottie was very important.</p>
<p TEIform="p">‘Now then, you kids,’ called the storeman. He hooked his big thumbs under their arms. Up they swung. Lottie arranged the shawl ‘most beautifully,’ and the storeman tucked up their feet in a piece of old blanket. ‘<hi rend="i" TEIform="hi">Lift</hi> up—easy does it.’ They might have been a couple of young ponies.</p>
<p TEIform="p">The storeman felt over the cords holding his load, unhooked the brake chain from the wheel, and whistling, he swung up beside them.</p>
<p TEIform="p">‘Keep close to <hi rend="i" TEIform="hi">me</hi>,’ said Lottie, ‘because otherwise you pull the shawl away from my side, Kezia.'</p>
<p TEIform="p">But Kezia edged up to the storeman. He towered beside her, big as a giant, and he smelled of nuts and wooden boxes.</p>
<pb id="n32" TEIform="pb"/>
</div1>
<pb id="n33" TEIform="pb"/>
<div1 id="t1-body-d2" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head"><hi rend="lsc" TEIform="hi">Two</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">A</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Journey</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">With The Storeman</hi></head>
<pb id="n34" TEIform="pb"/>
<pb id="n35" TEIform="pb"/>
<p TEIform="p"><hi rend="lsc" TEIform="hi">Two</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">A</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">Journey</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">With The Storeman</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">It Was The First</hi> time that Lottie and Kezia had ever been out so late. Everything looked different—the painted wooden houses much smaller than they did by day, the trees and the gardens far bigger and wilder. Bright stars speckled the sky and the moon hung over the harbour dabbling the waves with gold. They could see the lighthouse shining from Quarantine Island, the green lights fore and aft the old black coal hulks.</p>
<p TEIform="p">‘There comes the Picton boat,’ said the storeman,
<pb id="n36" n="22" TEIform="pb"/>
pointing with his whip to a little steamer all hung with bright beads.</p>
<p TEIform="p">But when they reached the top of the hill and began to go down the other side, the harbour disappeared and although they were still in the town they were quite lost. Other carts rattled past. Everybody knew the storeman.</p>
<p TEIform="p">‘Night, Fred!'</p>
<p TEIform="p">‘Night-o!’ he shouted.</p>
<p TEIform="p">Kezia liked very much to hear him. Whenever a cart appeared in the distance she looked up and waited for his voice. In fact, she liked him altogether; he was an old friend; she and the Grandmother had often been to his place to buy grapes. The storeman lived alone in a cottage with a glass-house that he had built himself leaning against it. All the glasshouse was spanned and arched over with one beautiful vine. He took her brown basket from her, lined it with three large leaves, and then he felt in his belt for a little horn knife, reached up and snipped off a big blue cluster and laid it on the leaves as tenderly as you might put a doll to bed. He was a very big man. He wore brown velvet trousers and he had a long brown beard, but he never wore a collar—not even on Sundays. The back of his neck was dark red.</p>
<pb id="n37" n="23" TEIform="pb"/>
<p TEIform="p">‘Where are we now?’ Every few minutes one of the children asked him the question, and he was patient.</p>
<p TEIform="p">‘Why! this is Hawstone Street,’ or ‘Hill Street,’ or ‘Charlotte Crescent.'</p>
<p TEIform="p">‘Of course it is.’ Lottie pricked up her ears at the last name; she always felt that Charlotte Crescent belonged specially to her. Very few people had streets with the same name as theirs.</p>
<p TEIform="p">‘Look, Kezia! There is Charlotte Crescent. Doesn't it look different?'</p>
<p TEIform="p">They reached their last boundary marks—the fire alarm station—a little wooden affair painted red and sheltering a huge bell—and the white gates of the Botanical Gardens, gleaming in the moonlight. Now everything familiar was left behind; now the big dray rattled into unknown country, along the new roads with high clay banks on either side, up the steep towering hills, down into valleys where the bush drew back on either side just enough to let them past, through a wide shallow river—the horses pulled up to drink, and made a rare scramble at starting again—on and on—further and further. Lottie drooped; her head wagged, she slipped half into Kezia's lap and lay there. But Kezia could not
<pb id="n38" n="24" TEIform="pb"/>
open her eyes wide enough. The wind blew on them; she shivered, but her cheeks and her ears burned. She looked up at the stars.</p>
<p TEIform="p">'Do stars ever blow about?’ she asked.</p>
<p TEIform="p">'Well, I never <hi rend="i" TEIform="hi">noticed</hi> ‘em,’ said the storeman.</p>
<p TEIform="p">Came a thin scatter of lights and the shape of a tin church, rising out of a ring of tombstones.</p>
<p TEIform="p">'They call this we're coming to—“The Flats”,’ said the storeman.</p>
<p TEIform="p">'We got a nuncle and a naunt living near here,’ said Kezia—'Aunt Doady and Uncle Dick. They've got two children, Pip the eldest is called, and the youngest's name is Rags. He's got a ram. He has to feed it with a nenamel teapot and a glove top over the spout. He's going to show us. What is the difference between a ram and a sheep?'</p>
<p TEIform="p">'Well, a ram has got horns and it goes for you.'</p>
<p TEIform="p">Kezia considered.</p>
<p TEIform="p">'I don't want to see it <hi rend="i" TEIform="hi">frightfully</hi>,’ she said. ‘I hate <hi rend="i" TEIform="hi">rushing</hi> animals like dogs and parrots—don't you? I often dream that animals rush at me—even camels, and while they're rushing, their heads swell—e-nor-mous!'</p>
<p TEIform="p">'My word!’ said the storeman.</p>
<p TEIform="p">A very bright little place shone ahead of them,
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and in front of it was gathered a collection of traps and carts. As they drew near someone ran out of the bright place and stood in the middle of the road, waving his apron.</p>
<p TEIform="p">'Going to Mr. Burnell's?’ shouted the someone.</p>
<p TEIform="p">'That's right,’ said Fred, and drew rein.</p>
<p TEIform="p">'Well I got a passel for them in the store. Come inside half a jiffy, will you?</p>
<p TEIform="p">'We-ell! I got a couple of little kids along with me,’ said Fred. But the someone had already darted back, across his verandah and through the glass door. The storeman muttered something about ‘stretching their legs’ and swung off the dray.</p>
<p TEIform="p">'Where are we?’ said Lottie, raising herself up. The bright light from the shop window shone over the little girls; Lottie's reefer cap was all on one side and on her cheek there was the print of an anchor button she had pressed against while sleeping. Tenderly the storeman lifted her, set her cap straight and pulled down her crumpled clothes. She stood blinking on the verandah, watching Kezia, who seemed to come flying through the air to her feet. Into the warm, smoky shop they went. Kezia and Lottie sat on two barrels, their legs dangling.</p>
<p TEIform="p">'Ma!’ shouted the man in the apron. He leaned
<pb id="n40" n="26" TEIform="pb"/>
over the counter. ‘Name of Tubb!’ he said, shaking hands with Fred. ‘Ma!’ he bawled. ‘Gotter couple of young ladies here.’ Came a wheeze from behind a curtain. ‘Arf a mo, dearie.'</p>
<p TEIform="p">Everything was in that shop. Bluchers and sand shoes, straw hats and onions were strung across the ceiling, mixed with bunches of cans and tin teapots and broom-heads and brushes. There were bins and canisters against the walls and shelves of pickles and jams and things in tins. One corner was fitted up as a draper's—you could smell the rolls of flannelette—and one as a chemist's with cards of rubber dummies and jars of worm chocolate. One barrel brimmed with apples—one had a tap and a bowl under it half full of molasses, a third was stained deep red inside, and a wooden ladle with a crimson handle was balanced across it. It held raspberries. And every spare inch of space was covered with a flypaper or an advertisement. Sitting on stools or boxes or lounging against things a collection of big untidy men yarned and smoked. One very old one with a dirty beard sat with his back half turned to the other, chewing tobacco and spitting a long distance into a huge round spittoon peppered with sawdust. After he had spat he combed his beard with a shaking hand. ‘We-ell!
<pb id="n41" n="27" TEIform="pb"/>
that's how it is!’ or—'That's ‘ow ti'appens'—or ‘There you've got it, yer see,’ he would quaver. But nobody paid any attention to him but Mr. Tubb, who cocked an occasional eye and roared ‘Now, then, Father!’ And then the combing hand would be curved over the ear, and the silly face screwed up—‘Ay?'—to droop again and then start chewing.</p>
<p TEIform="p">From the store the road completely changed. Very slowly, twisting as if loath to go, turning as if shy to follow, it slipped into a deep valley. In front and on either side there were paddocks and beyond them bush-covered hills thrust up into the morning air like dark heaving water. You could not imagine that the road led beyond the valley. Here it seemed to reach its perfect end—the valley knotted upon the bend of the road like a big jade tassel.</p>
<p TEIform="p">'Can we see the house from here—the house from here?’ piped the children. Houses were to be seen—little houses—they counted three, but not their house. The storeman knew. He had made the journey twice before that day. At last he raised his whip and pointed.</p>
<p TEIform="p">‘That's one of your paddocks belonging, ‘he said, ‘an’ the next, and the next.’ Over the edge of the
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last paddock pushed tree boughs and bushes from an immense garden.</p>
<p TEIform="p">A corrugated iron fence painted white held back the garden from the road. In the middle there was a gap—the iron gates were open wide. They clanked through, up a drive cutting through the garden like a whip lash, looping suddenly an island of green and behind the island, out of sight until you came upon it, was the house. It was long and low built, with a pillared verandah and balcony running all the way round—shallow steps led to the door. The soft white bulk of it lay stretched upon the green garden like a sleeping beast, and now one, and now another, of the windows leapt into light. Someone was walking through the empty rooms, carrying a lighted candle. From a window downstairs the light of a fire flickered; a strange, beautiful excitement seemed to stream from the house in quivering ripples. Over the roofs, the verandah poles, the window sashes, the moon swung her lantern.</p>
<p TEIform="p">‘Ooh!’ Kezia flung out her arms. The Grandmother had appeared on the top step; she carried a little lamp—she was smiling. ‘Has this house got a name?’ asked Kezia, fluttering for the last time out of the storeman's hands.</p>
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<p TEIform="p">‘Yes,’ said the Grandmother, ‘it is called Tarana.'</p>
<p TEIform="p">‘Tarana,’ she repeated, and put her hands upon the big glass door knob.</p>
<p TEIform="p">‘Stay where you are one moment, children!’ The Grandmother turned to the storeman. ‘Fred, these things can be unloaded and left on the verandah for the night. Pat will help you. She turned and called into the hollow hall: ‘Pat, are you there?’</p>
<p TEIform="p">‘I <hi rend="i" TEIform="hi">am</hi>’ came a voice, and the Irish handy man squeaked in new boots over the bare boards.</p>
<p TEIform="p">But Lottie staggered over the verandah like a bird fallen out of a nest. If she stood still for a moment, her eyes closed—if she leaned, she fell asleep; she could not walk another step.</p>
<p TEIform="p">‘Kezia,’ said the Grandmother, ‘can I trust you to carry the lamp?'</p>
<p TEIform="p">‘Yes, my Grandma.’ The old woman knelt and gave the bright breathing thing into her hands, and then she raised herself and caught up Lottie. ‘This way.'</p>
<p TEIform="p">Through a square hall filled with furniture bales and hundreds of parrots (but the parrots were on the wallpaper), down a narrow passage where the parrots persisted on either side, walked Kezia with her lamp.</p>
<pb id="n44" n="30" TEIform="pb"/>
<p TEIform="p">‘You are to have some supper before you go to bed,’ said the Grandmother, putting down Lottie to open the dining-room door. ‘Be very quiet,’ she warned, ‘poor little Mother has got such a headache.'</p>
<p TEIform="p">Linda Burnell lay before a crackling fire, in a long cane chair, her feet on a hassock, a plaid rug over her knees. Burnell and Beryl sat at a table in the middle of the room, eating a dish of fried chops and drinking tea out of a brown china teapot. Over the back of her Mother's chair leaned Isabel. She had a white comb in her fingers, and in a gentle, absorbed way, she was combing back the curls from her Mother's forehead. Outside the pool of lamp and firelight the room stretched dark and bare to the hollow windows.</p>
<p TEIform="p">‘Are those the children?’ Mrs. Burnell did not even open her eyes—her voice was tired and trembling. ‘Have either of them been maimed for life?'</p>
<p TEIform="p">‘No, dear, perfectly safe and sound.'</p>
<p TEIform="p">‘Put down that lamp, Kezia,’ said Aunt Beryl, ‘or we shall have the house on fire before we're out of the packing cases. More tea—Stan?'</p>
<p TEIform="p">‘Well, you might just give me five-eighths of a
<pb id="n45" n="31" TEIform="pb"/>
cup,’ said Burnell, leaning across the table. ‘Have another chop, Beryl. Tip-top meat, isn't it? First rate, first rate. Not too lean, not too fat.’ He turned to his wife. ‘Sure you won't change your mind, Linda, darling?'</p>
<p TEIform="p">‘Oh, the very thought of it ….!’ She raised one eyebrow in a way she had.</p>
<p TEIform="p">The Grandmother brought the children two bowls of bread and milk, and they sat up to the table, their faces flushed and sleepy behind the waving steam …</p>
<p TEIform="p">‘I had meat for my supper,’ said Isabel, still combing gently. ‘I had a whole chop for my supper —the bone an’ all, an’ Worcestershire sauce. Didn't I, Father?'</p>
<p TEIform="p">‘Oh, don't boast, Isabel,’ said Aunt Beryl. Isabel looked astounded.</p>
<p TEIform="p">‘I wasn't boasting, was I, Mummy? I never thought of boasting. I thought they'd like to know. I only meant to tell them.'</p>
<p TEIform="p">‘Very well, that's enough,’ said Burnell. He pushed back his plate, took a toothpick out of his waistcoat pocket, and began picking his strong, white teeth.</p>
<p TEIform="p">‘You might see that Fred has a bite of something in the kitchen before he goes, will you, Mother?'</p>
<pb id="n46" n="32" TEIform="pb"/>
<p TEIform="p">‘Yes, Stanley.’ The old woman turned to go.</p>
<p TEIform="p">‘Oh, and hold on a jiffy. I suppose nobody knows where my slippers were put? I suppose I shan't be able to get at ‘em for a month or two, eh?'</p>
<p TEIform="p">‘Yes,’ came from Linda. ‘In the top of the canvas holdall marked “Urgent Necessities”.'</p>
<p TEIform="p">‘Well, you might bring them to me, will you, Mother?'</p>
<p TEIform="p">‘Yes, Stanley.'</p>
<p TEIform="p">Burnell got up, stretched himself, turned his back to the fire and lifted up his coat tail.</p>
<p TEIform="p">‘By Jove this is a pretty pickle. Eh, Beryl?'</p>
<p TEIform="p">Beryl, sipping tea, her elbow on the table, smiled over the cup at him. She wore an unfamiliar pink pinafore. The sleeves of her blouse were rolled up to her shoulders, showing her lovely freckled arms, and she had let her hair fall down her back in a long pig-tail.</p>
<p TEIform="p">‘How long do you think it will take you to get straight—couple of weeks, eh?’ he chaffed.</p>
<p TEIform="p">‘Good Heavens, no,’ said Beryl ‘The worst is over already. All the beds are up. Everything's in the house—your and Linda's room is finished already. The servant girl and I have simply slaved all day, and ever since Mother came she's worked like a horse,
<pb id="n47" n="33" TEIform="pb"/>
too. We've never sat down for a moment. We <hi rend="i" TEIform="hi">have</hi> had a day.'</p>
<p TEIform="p">Stanley scented a rebuke.</p>
<p TEIform="p">‘Well, I suppose you didn't expect me to tear away from the office and nail carpets, did you?'</p>
<p TEIform="p">‘Certainly not,’ said Beryl airily. She put down her cup and ran out of the dining-room.</p>
<p TEIform="p">‘What the hell did she expect to do?’ asked Stanley. ‘Sit down and fan herself with a palm-leaf fan while I hired a gang of professionals to do the job? Eh? By Jove, if she can't do a hand's turn occasionally without shouting about it in return for …’ And he gloomed as the chops began to fight the tea in his sensitive stomach. But Linda put up a hand and dragged him down on to the side of her long cane chair.</p>
<p TEIform="p">‘This is a wretched time for you, old boy,’ she said fondly. Her cheeks were very white, but she smiled and curled her fingers round the big red hand she held. ‘And with a wife about as bright and gay as a yesterday's buttonhole,’ she said. ‘You've been awfully patient, darling.'</p>
<p TEIform="p">‘Rot,’ said Burnell, but he began to whistle The Holy City—a good sign.</p>
<p TEIform="p">‘Think you're going to like it?’ he asked.</p>
<pb id="n48" n="34" TEIform="pb"/>
<p TEIform="p">‘I don't want to tell you, but I think I ought to, Mother,’ said Isabel. ‘Kezia's drinking tea out of Aunt Beryl's cup.'</p>
<p TEIform="p">They were trooped off to bed by the Grandmother. She went first with a candle; the stairs rang to their climbing feet. Isabel and Lottie lay in a room to themselves, Kezia curled in the Grandmother's big bed.</p>
<p TEIform="p">‘Aren't there any sheets, my Grandma?'</p>
<p TEIform="p">‘No, not to-night.'</p>
<p TEIform="p">‘It's very tickly,’ said Kezia. ‘It's like Indians. Come to bed soon an’ be my Indian brave.'</p>
<p TEIform="p">‘What a silly you are,’ said the old woman, tucking her in as she loved to be tucked.</p>
<p TEIform="p">‘Are you going to leave the candle?'</p>
<p TEIform="p">‘No. Hush, go to sleep.'</p>
<p TEIform="p">‘Well, kin I have the door left open?'</p>
<p TEIform="p">She rolled herself into a round, but she did not go to sleep. From all over the house came the sound of steps. The house itself creaked and popped. Loud whispery voices rose and fell. Once she heard Aunt Beryl's rush of high laughter. Once there came a loud trumpeting from Burnell blowing his nose. Outside the windows hundreds of black cats with yellow
<pb id="n49" n="35" TEIform="pb"/>
eyes sat in the sky watching her, but she was not frightened.</p>
<p TEIform="p">Lottie was saying to Isabel: ‘I'm going to say my prayers in bed to-night.'</p>
<p TEIform="p">‘No, you can't, Lottie.’ Isabel was very firm. ‘God only excuses you saying your prayers in bed if you've got a temperature.’ So Lottie yielded:</p>
<quote TEIform="quote">
<lg type="prayer" org="uniform" sample="complete" part="N" TEIform="lg">
<lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">'Gentle Jesus meek an’ mile</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Look ‘pon little chil’</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Pity me simple Lizzie</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Suffer me come to Thee.</hi></l>
</lg>
<lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Fain would I to Thee be brought</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Dearest Lor’ forbd it not</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">In the Kinkdom of Thy grace</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Make a little chil’ a place. Amen.'</hi></l>
</lg>
</lg>
</quote>
<p TEIform="p">And then they lay down back to back, just touching, and fell asleep.</p>
<p TEIform="p">Standing in a pool of moonlight Beryl Fairfield undressed herself. She was tired, but she pretended to be more tired than she really was—letting her clothes fall, pushing back with a charming gesture her warm heavy hair.</p>
<p TEIform="p">‘Oh, how tired I am, very tired!’ She shut her eyes a moment but her lips smiled, her breath rose and fell in her breast like fairy wings. The window
<pb id="n50" n="36" TEIform="pb"/>
awas open, it was warm and still. Somewhere out there in the garden, a young man, dark and slender, with mocking eyes, tip-toed among the bushes and gathered the garden into a big bouquet and slipped under her window and held it up to her. She saw herself bending forward. He thrust his head among the white waxy flowers.</p>
<p TEIform="p">‘No, no!’ said Beryl. She turned from the window, she dropped her nightgown over her head.</p>
<p TEIform="p">‘How frightfully unreasonable Stanley is sometimes,’ she thought, buttoning. And then as she lay down came the old thought, the cruel, leaping thought, ‘If I had money,’ only to be shaken off and beaten down by calling to her rescue her endless pack of dreams. A young man, immensely rich, just arrived from England, meets her quite by chance. The new Governor is married. There is a ball at Government House to celebrate his wedding. Who is that exquisite creature in eau de nil satin? … Beryl Fairfield.</p>
<p TEIform="p">‘The thing that pleases me,’ said Stanley, leaning against the side of the bed in his shirt and giving himself a good scratch before turning in, ‘is that, on the strict q.t., Linda, I've got the place dirt cheap. I was talking about it to little Teddy Dear to-day, and he said he simply couldn't understand why they'd
<pb id="n51" n="37" TEIform="pb"/>
accepted my figure. You see land about here is bound to become more and more valuable—in about ten years time…. Of course we shall have to go very slow from now on and keep down expenses … cut ‘em as fine as possible. Not asleep, are you?'</p>
<p TEIform="p">‘No, dear, I'm listening,’ said Linda.</p>
<p TEIform="p">He sprang into bed, leaned over her and blew out the candle.</p>
<p TEIform="p">‘Good-night, Mr. Business Man,’ she said, and she took hold of his head by the ears and gave him a quick kiss. Her faint, far away voice seemed to come from a deep well.</p>
<p TEIform="p">‘Good-night, darling.’ He slipped his arm under her neck and drew her to him.</p>
<p TEIform="p">‘Yes, clasp me,’ she said faintly, in her far away sleeping voice….</p>
<p TEIform="p">Pat, the handy man, sprawled in his little room behind the kitchen. His sponge-bag coat and trousers hung from the door peg like a hanged man. From the blanket edge his twisted feet protruded; and on the floor of his room there was an empty cane bird cage. He looked like a comic picture.</p>
<p TEIform="p">‘Honk, honk,’ came from the snoring servant girl next door; she had adenoids.</p>
<p TEIform="p">Last to go to bed was the Grandmother.</p>
<pb id="n52" n="38" TEIform="pb"/>
<p TEIform="p">‘What, not asleep yet?'</p>
<p TEIform="p">‘No, I'm waiting for you,’ said Kezia.</p>
<p TEIform="p">The old woman sighed and lay down beside her. Kezia thrust her head under the Grandmother's arm.</p>
<p TEIform="p">‘Who am I?’ she whispered. This was an old established ritual to be gone through between them.</p>
<p TEIform="p">‘You are my little brown bird,’ said the Grandmother.</p>
<p TEIform="p">Kezia gave a guilty chuckle. The Grandmother took out her teeth and put them in a glass of water beside her on the floor.</p>
<p TEIform="p">Then the house was still.</p>
<p TEIform="p">In the garden some owls called, perched on the branches of a lace bark tree: ‘More pork, more pork.’ And far away, from the bush came a harsh rapid chatter: ‘Ha-ha-ha-<hi rend="i" TEIform="hi">ha</hi>. Ha-ha-ha-<hi rend="i" TEIform="hi">ha</hi>.'</p>
<p TEIform="p">Dawn came sharp and chill. The sleeping people turned over and hunched the blankets higher. They sighed and stirred, but the brooding house, all hung about with shadows, held the quiet in its lap a little longer. A breeze blew over the tangled garden, dropping dew and dropping petals, shivered over the drenched paddock grass, lifted the sombre bush
<pb id="n53" n="39" TEIform="pb"/>
and shook from it a wild and bitter scent. In the green sky tiny stars floated a moment and then they were gone, they were dissolved like bubbles. The cocks shrilled from the neighbouring farms, the cattle moved in their stalls, the horses, grouped under the trees, lifted their heads and swished their tails, and plain to be heard in the early quiet was the sound of the creek in the paddock, running over the brown stones, running in and out of the sandy hollows, hiding under clumps of dark berry bushes, spilling into a swamp full of yellow water-flowers and cresses. All the air smelled of water; the lawn was hung with bright drops and spangles.</p>
<p TEIform="p">And then, quite suddenly, at the first glint of sun, the birds began to sing. Big cheeky birds, starlings and minors whistled on the lawns; the little birds, the goldfinches and fantails and linnets, twittered flitting from bough to bough, and from tree to tree, hanging the garden with bright chains of song. A lovely kingfisher perched on the paddock fence preening his rich beauty.</p>
<p TEIform="p">'How loud the birds are,’ said Linda in her dream. She was walking with her father through a green field sprinkled with daisies, and suddenly he bent forward and parted the grasses and showed her
<pb id="n54" n="40" TEIform="pb"/>
a tiny ball of fluff just at her feet. ‘Oh, Papa, the darling!’ She made a cup of her hands and caught the bird and stroked its head with her fingers. It was quite tame. But a strange thing happened. As she stroked it, it began to swell. It ruffled and pouched, it grew bigger and bigger and its round eyes seemed to smile at her. Now her arms were hardly wide enough to hold it, she dropped it in her apron. It had become a baby with a big naked head and a gaping bird mouth, opening and shutting. Her father broke into a loud clattering laugh and Linda woke to see Burnell standing by the windows rattling the venetian blinds up to the very top.</p>
<p TEIform="p">‘Hullo!’ he said, ‘didn't wake you, did I? Nothing much the matter with the weather this morning.’ He was enormously pleased. Weather like this set a final seal upon his bargain. He felt, somehow, that he had bought the sun too, got it chucked in, dirt cheap, with the house and grounds. He dashed off to his bath and Linda turned over, raised herself on one elbow to see the room by daylight. It looked wonderfully lived in already; all the furniture had found a place, all the old ‘paraphernalia’ as she expressed it, even to photographs on the mantelpiece and medicine bottles on a shelf over the washstand. But this
<pb id="n55" n="41" TEIform="pb"/>
room was much bigger than their other room had been—that was a blessing. Her clothes lay across a chair; her outdoor things, a purple cape and a round hat with a plume in it, were tossed on the box ottoman. Looking at them a silly thought brought a fleeting smile into her eyes—'Perhaps I'm going away again to-day,’ and for a moment she saw her-self driving away from them all in a little buggy—driving away from every one of them, and waving.</p>
<p TEIform="p">Back came Stanley girt with a towel, glowing and slapping his thighs. He pitched the wet towel on top of her cape and hat, and standing firm in the exact centre of a square of sunlight he began to do his exercises—deep breathing, bending, squatting like a frog and shooting out his legs. He was so saturated with health that everything he did delighted him; but this amazing vigour seemed to set him miles and worlds away from Linda—she lay on the white tumbled bed, and leaned towards him, laughing as if from the sky.</p>
<p TEIform="p">'Oh, hang! Oh, damn!’ said Stanley, who had butted into a crisp shirt only to find that some idiot a woman had fastened the neckband and he was caught. He stalked over to her waving his arms.</p>
<pb id="n56" n="42" TEIform="pb"/>
<p TEIform="p">‘Now you look the image of a fat turkey,’ said she.</p>
<p TEIform="p">‘Fat! I like that,’ said Stanley. ‘Why I haven't got a square inch of fat on me. Feel that.'</p>
<p TEIform="p">‘My dear—hard as nails,’ mocked she.</p>
<p TEIform="p">‘You'd be surprised,’ said Stanley, as though this were intensely interesting, ‘at the number of chaps at the club who've got a corporation. Young chaps, you know—about my own age.'</p>
<p TEIform="p">He began parting and brushing his stiff ginger hair, his blue eyes fixed and round in the glass, bent at the knees, because the dressing table was always—confound it—a bit too low for him. ‘Little Teddy Dear for example,’ and he straightened, describing upon himself an enormous curve with the hair brush. ‘Of course they're sitting on their hindquarters all day in the office, and when they're away from it, as far as I can make out, they stodge and they snooze—I must say I've got a perfect horror …'</p>
<p TEIform="p">‘Yes, my dear, don't worry, you'll never be fat.</p>
<p TEIform="p">You're far too energetic,’ said Linda, repeating the familiar formula that he never tired of hearing.</p>
<p TEIform="p">‘Yes, yes, I suppose that's true,’ and taking a mother-of-pearl penknife out of his pocket he began to pare his nails.</p>
<pb id="n57" n="43" TEIform="pb"/>
<p TEIform="p">‘Breakfast, Stanley.’ Beryl was at the door. ‘Oh, Linda, Mother says don't get up yet. Stay where you are until after lunch, won't you?’ She popped her head in at the door. She had a big piece of syringa stuck through a braid of her hair. ‘Everything we left on the verandah last night is simply sopping this morning. You should see poor dear Mother wringing out the sofa and chairs. However, no harm done—not a <hi rend="i" TEIform="hi">penn’ orth</hi> of harm,’ this with the faintest glance at Stanley.</p>
<p TEIform="p">‘Have you told Pat what time to have the buggy round? It's a good six-and-a-half miles from here to the office—'</p>
<p TEIform="p">‘I can imagine what this morning start off for the office will become,’ thought Linda. Even when they lived in town, only half an hour away, the house had to slow down each morning, had to stop like a steamer, every soul on board summoned to the gangway to watch Burnell descending the ladder and into the little cockle shell. They must wave when he waved, give him good-bye for good-bye and lavish upon him unlimited sympathy, as though they saw on the horizon's brim the untamed land to which he curved his chest so proudly—the line of leaping savages ready to fall upon his valiant sword.</p>
<pb id="n58" n="44" TEIform="pb"/>
<p TEIform="p">‘Pat! Pat!’ she heard the servant girl calling. But Pat was evidently not to be found; the silly voice went baaing all over the garden.</p>
<p TEIform="p">‘It will be very high pressure indeed,’ she decided, and she did not rest again until the final slam of the front door sounded, and Stanley was gone.</p>
<p TEIform="p">Later she heard her children playing in the garden. Lottie's stolid, compact little voice cried: ‘Kezia! Isa-bel!’ Lottie was always getting lost or losing people and finding them again—astonished—round the next tree or the next corner. ‘Oh, <hi rend="i" TEIform="hi">there</hi> you are!’ They had been turned out to grass after breakfast with strict orders not to come near the house until they were called. Isabel wheeled a neat pram-load of prim dolls and Lottie was allowed, for a great treat, to walk beside holding the doll's parasol over the face of the wax one.</p>
<p TEIform="p">‘Where are you going to, Kezia?’ asked Isabel, who longed to find some light and menial duty that Kezia might perform and so be roped in under her government.</p>
<p TEIform="p">‘Oh, just away,’ said Kezia.</p>
<p TEIform="p">‘Come back, Kezia. Come back. You're not to go on the wet grass until it's dry, Grandma says,’ called Isabel.</p>
<pb id="n59" n="45" TEIform="pb"/>
<p TEIform="p">‘Bossy! Bossy!’ Linda heard Kezia answer.</p>
<p TEIform="p">‘Do the children's voices annoy you, Linda?’ asked old Mrs. Fairfield, coming in at that moment with a breakfast tray. ‘Shall I tell them to go further away from the house?'</p>
<p TEIform="p">‘No, don't bother,’ said Linda. ‘Oh, Mother, I do <hi rend="i" TEIform="hi">not</hi> want any breakfast.'</p>
<p TEIform="p">‘I have not brought you any,’ said Mrs. Fairfield, putting down the tray on the bed table. ‘A spot of porridge, a finger of toast …'</p>
<p TEIform="p">‘The merest sensation of marmalade—’ mocked Linda.</p>
<p TEIform="p">But Mrs. Fairfield remained serious. ‘Yes, dearie, and a little pot of fresh tea.'</p>
<p TEIform="p">She brought from the cupboard a white woollen jacket trimmed with red bows and buttoned it round her daughter.</p>
<p TEIform="p">‘Must I?’ pouted Linda, making a face at the porridge.</p>
<p TEIform="p">Mrs. Fairfield walked about the room; she lowered the blinds, tidied away the evidences of Burnell's toilet, and gently she lifted the dampened plume of the little round hat. There was a charm and a grace in all her movements. It was not that she merely ‘set in order'; there seemed to be almost
<pb id="n60" n="46" TEIform="pb"/>
a positive quality in the obedience of things to her fine hands, they found not only their proper but their perfect place.</p>
<p TEIform="p">She wore a grey foulard dress, patterned with large purple pansies, a white linen apron and one of those high caps, shaped like a jelly mould, of white tulle. At her throat a big silver brooch shaped like a crescent moon with five owls sitting on it, and round her neck a black bead watch chain. If she had been a beauty in her youth—and she had been a very great beauty; indeed, report had it that her miniature had been painted and sent to Queen Victoria as the belle of Australia—old age had touched her with exquisite gentleness. Her long curling hair was still black at her waist, grey between her shoulders, and it framed her head in frosted silver. The late roses—the last roses, that frail pink kind, so reluctant to fall, such a wonder to find—still bloomed in her cheeks, and behind big gold-rimmed spectacles her blue eyes shone and smiled. And she still had dimples. On the backs of her hands, at her elbows—one in the left hand corner of her chin. Her body was the colour of old ivory. She bathed in cold water, summer and winter, and she could only bear linen next to her skin and suede gloves on her hands. Upon everything
<pb id="n61" n="47" TEIform="pb"/>
she used there lingered a trace of Cashmere bouquet perfume.</p>
<p TEIform="p">‘How are you getting on downstairs?’ asked Linda, playing with her breakfast.</p>
<p TEIform="p">‘Beautifully. Pat has turned out a treasure. He has laid all the linoleum and the carpets, and Minnie seems to be taking a <hi rend="i" TEIform="hi">real interest</hi> in the kitchen and pantries.'</p>
<p TEIform="p">‘Pantries! There's grandeur, after that bird-cage of a larder in the other cubby-hole!'</p>
<p TEIform="p">‘Yes, I must say the house is wonderfully convenient and <hi rend="i" TEIform="hi">ample</hi> in every way. You should have a good look round when you get up.'</p>
<p TEIform="p">Linda smiled, shaking her head.</p>
<p TEIform="p">‘I don't want to. I don't care. The house can bulge cupboards and pantries, but other people will explore them. Not me.'</p>
<p TEIform="p">‘But <hi rend="i" TEIform="hi">why</hi> not?’ asked Mrs. Fairfield, anxiously watching her.</p>
<p TEIform="p">‘Because I don't feel the slightest crumb of interest, my Mother.'</p>
<p TEIform="p">‘But why don't you, dear? You ought to try—to begin—even for Stanley's sake. He'll be so bitterly disappointed if …’ Linda's laugh interrupted.</p>
<p TEIform="p">‘Oh, trust me. I'll satisfy Stanley. Besides, I can <hi rend="i" TEIform="hi">rave</hi> all the better over what I haven't seen.'</p>
<pb id="n62" n="48" TEIform="pb"/>
<p TEIform="p">‘Nobody asks you to <hi rend="i" TEIform="hi">rave</hi>, Linda,’ said the old woman, sadly.</p>
<p TEIform="p">‘Don't they?’ Linda screwed up her eyes. ‘I'm not so sure. If I were to <hi rend="i" TEIform="hi">jump</hi> out of bed now, <hi rend="i" TEIform="hi">fling</hi> on my clothes, <hi rend="i" TEIform="hi">rush</hi> downstairs, <hi rend="i" TEIform="hi">tear</hi> up a ladder, hang pictures, eat an enormous lunch, romp with the children in the garden this afternoon, and be swinging on the gate, waving, when Stanley hove in sight this evening, I believe you'd be delighted. A normal, healthy day for a young wife and mother. A …'</p>
<p TEIform="p">Mrs. Fairfield began to smile. ‘How absurd you are! How you exaggerate! What a baby you are,’ said she.</p>
<p TEIform="p">But Linda sat up suddenly and jerked off the woolly.</p>
<p TEIform="p">‘I'm boiling. I'm roasting,’ she declared. ‘I can't think what I'm doing in this big, stuffy old bed. I'm going to get up.'</p>
<p TEIform="p">‘Very well, dear,’ said Mrs. Fairfield.</p>
<p TEIform="p">Getting dressed never took her long. Her hands flew. She had beautiful hands, white and tiny. The only <hi rend="i" TEIform="hi">trouble</hi> with them was that they could not keep her rings on them. Happily she only had two rings: her wedding ring and a peculiarly hideous affair, a square slab with four pin opals in it that Stanleyhad
<pb id="n63" n="49" TEIform="pb"/>
'stolen from a cracker,’ said Linda, the day they were engaged. But it was her wedding ring that disappeared so. It fell down every possible place and into every possible corner. Once she even found it in the crown of her hat. It was a familiar cry in the house: ‘Linda's wedding ring has <hi rend="i" TEIform="hi">gone again.'</hi></p>
<p TEIform="p">Stanley Burnell could never hear that without horrible sense of discomfort. Good Lord. He wasn't superstitious. He left that kind of rot to people who had nothing better to think about—but all the same it was devilishly annoying. Especially as Linda made so light of the affair and mocked him and said, ‘Are they as expensive as all that?’ and laughed at him and cried, holding up her bare hand—'Look, Stanley, it has all been a dream.’ He was a fool to mind things like that, but they hurt him—they hurt like sin.</p>
<p TEIform="p">‘Funny I should have dreamed about Papa last night,’ thought Linda, brushing her cropped hair that stood up all over her head in little bronzy rings. ‘What was it I dreamed?’ No, she'd forgotten—'something or other about a bird.’ But Papa was very plain—his lazy, ambling walk. And she laid dowrn the brush and went over to the mantelpiece and leaned her arms along it, her chin in her hands, and looked at his photograph. In his photograph he
<pb id="n64" n="50" TEIform="pb"/>
showed severe and imposing, a high brow, a piercing eye, clean shaven except for long ‘piccadilly weepers’ draping his bosom. He was taken in the fashion of that time, standing, one arm on the back of a tapestry chair, the other clenched upon a parchment roll.</p>
<p TEIform="p">‘Papa!’ said Linda. She smiled. ‘There you are, my dear,’ she breathed, and then she shook her head quickly and frowned, and went on with her dressing.</p>
<p TEIform="p">Her father had died the year that she married Burnell, the year of her sixteenth birthday. All her childhood had been passed in a long white house perched on a hill overlooking Wellington harbour—a house with a wild garden full of bushes and fruit trees, long thick grass and nasturtiums. Nasturtiums grew everywhere—there was no fighting them down. They even fell in a shower over the paling fence on to the road. Red, yellow, white, every possible colour; they lighted the garden like swarms of butterflies. The Fairfields were a large family of boys and girls; with their beautiful mother and their gay, fascinating father (for it was only in his photograph that he looked stern) they were quite a ‘show’ family and immensely admired.</p>
<p TEIform="p">Mr. Fairfield managed a small insurance business
<pb id="n65" n="51" TEIform="pb"/>
that could not have been very profitable, yet they lived plentifully. He had a good voice; he liked to sing in public, he liked to dance and attend picnics, to put on his ‘bell topper’ and walk out of Church if he disapproved of anything said in the sermon, and he had a passion for inventing highly impracticable things, like collapsible umbrellas or folding lamps. He had one saying with which he met all difficulties. ‘Depend upon it, it will all come right after the Maori war.’ Linda, his second but youngest child, was his darling, his pet, his playfellow. She was a wild thing, always trembling on the verge of laughter, ready for anything and eager. When he put his arm round her and held her he felt her thrilling with life. He understood her so beautifully and gave her so much love for love that he became a kind of daily miracle to her, and all her faith centred in him. People barely touched her; she was regarded as a cold, heartless little creature, but sheseemed to have an unlimited passion for that violent sweet thing called life—just being alive and able to run and climb and swim in the sea and lie in the grass. In the evenings she and her Father would sit on the verandah—she on his knee—and ‘plan.'</p>
<p TEIform="p">‘When I am grown up we shall travel
<pb id="n66" n="52" TEIform="pb"/>
every—where—we shall see the whole world—won't we, Papa?'</p>
<p TEIform="p">‘We shall, my dear.'</p>
<p TEIform="p">‘One of your inventions will have a great success. Bring you in a good round million yearly.'</p>
<p TEIform="p">‘We can manage on that.'</p>
<p TEIform="p">‘But one day we shall be rich, and the next poor. One day we shall dine in a palace and the next we'll sit in a forest and toast mushrooms on a hatpin…. We shall have a little boat—we shall explore the interior of China on a raft—you will look sweet in one of those huge umbrella hats that Chinamen wear in pictures. We won't leave a corner of anywhere unexplored—shall we?'</p>
<p TEIform="p">‘We shall look under the beds and in all the cupboards and behind every curtain.'</p>
<p TEIform="p">‘And we shan't go as father and daughter,’ she tugged at his ‘piccadilly weepers’ and began kissing him. ‘We'll just go as a couple of boys together—Papa.'</p>
<p TEIform="p">By the time Linda was fourteen, the big family had vanished; only she and Beryl, who was two years younger, were left. The girls had married; the boys had gone away. Linda left off attending the Select Academy for Young Ladies presided over by Miss
<pb id="n67" n="53" TEIform="pb"/>
Clara Finetta Birch (from England), a lady whose black hair lay so flat on her head that <hi rend="i" TEIform="hi">everybody said</hi> it was only painted on, and she stayed at home to be a help to her mother. For three days she laid the table and took the mending basket on to the verandah in the afternoon, but after that she ‘went mad-dog again,’ as her father expressed it, and there was no holding her.</p>
<p TEIform="p">‘Oh, Mother, life is so <hi rend="i" TEIform="hi">fearfully short,'</hi> said Linda.</p>
<p TEIform="p">That summer Burnell appeared. Every evening a stout young man in a striped shirt, with fiery red hair, and a pair of immature mutton chop whiskers, passed their house, quite slowly, four times. Twice up the hill he went, and twice down he came. He walked with his hands behind his back, and each time he glanced once at the verandah where they sat—Who was he? None of them knew—but he became a great joke.</p>
<p TEIform="p">‘Here she blows,’ Mr. Fairfield would whisper. The young man came to be called the ‘ginger whale.’ Then he appeared at Church, in a pew facing theirs, very devout and serious. But he had that unfortunate complexion that goes with his colouring, and every time he so much as glanced in Linda's direction a crimson blush spread over his face to his ears.</p>
<p TEIform="p">‘Look out, my wench,’ said Mr. Fairfield. ‘Your
<pb id="n68" n="54" TEIform="pb"/>
clever Papa has solved the problem. That young fellow is after you.'</p>
<p TEIform="p">‘Henry! What rubbish. How can you say such things,’ said his wife.</p>
<p TEIform="p">‘There are times,’ said Linda, ‘when I simply doubt your <hi rend="i" TEIform="hi">sanity</hi>, Papa.’ But Beryl loved the idea. The ‘ginger whale’ became ‘Linda's beau'.</p>
<p TEIform="p">‘You know as well as I do that I am <hi rend="i" TEIform="hi">never</hi> going to marry,’ said Linda. ‘How can you be such a <hi rend="i" TEIform="hi">traitor</hi>, Papa?'</p>
<p TEIform="p">A Social given by the Liberal Ladies’ Political League ripened matters a little. Linda and her Papa attended. She wore a green sprigged muslin with little capes on the shoulders that stood up like wings, and he wore a frock coat and a wired buttonhole as big as a soup plate. The Social began with a very painful concert.</p>
<p TEIform="p">‘She wore a Wreath of Roses'—'They played in the Beautiful Garden'—'A Mother sat Watching'—'Flee as a Bird to the Mountain'—sang the political ladies with forlorn and awful vigour. The gentlemen sang with far greater vigour and a kind of defiant cheerfulness which was almost terrifying. They looked very furious, too. Their cuffs shot over their hands, or their trousers were far too long …
<pb id="n69" n="55" TEIform="pb"/>
Comic recitations about flies on bald heads and engaged couples sitting on porch steps spread with glue werecontributed by the chemist. Followed an extraordinary meal, called upon the hand-printed programme Tea and Coffee, and consisting of ham-beef-or-tongue, tinned salmon, oyster patties, sandwiches, col’ meat, jellies, huge cakes, fruit salads in wash-hand bowls, trifles bristling with almonds, and large cups of tea, dark brown in colour, tasting faintly of rust. Helping Linda to a horrible-looking pink blancmange, which he said was made of strangled baby's head, her father whispered: ‘The ginger whale is here. I've just spotted him blushing at a sandwich. Look out, my lass. He'll sandbag you with one of old Ma Warren's rock cakes.'</p>
<p TEIform="p">Away went the plates—away went the tables. Young Mr. Fantail, in evening clothes with brown button boots, sat down at the piano, and crashed into the ‘Lancers.'</p>
<quote TEIform="quote">
<lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Diddle dee dum tee um tee tum</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Diddle dee um te um te tum</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">….</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Diddle dee tum tee diddle tee tum!</hi></l>
</lg>
</quote>
<p TEIform="p">And half way through the ‘evening’ it actually came to pass. Smoothing his white cotton gloves—a
<pb id="n70" n="56" TEIform="pb"/>
beetroot was <hi rend="i" TEIform="hi">pale</hi> compared to him; a pillar box was a tender pink—Burnell asked Linda for the pleasure, and before she realised what had happened his arm was round her waist and they were turning round and round to the air of ‘Three Blind Mice’ (arranged by Mr. Fantail <hi rend="i" TEIform="hi">même</hi>).</p>
<p TEIform="p">He did not talk while he danced—but Linda liked that.</p>
<p TEIform="p">When the dance was over they sat on a bench against the wall. Linda hummed the valse tune and beat time with her glove; she felt dreadfully shy and she was terrified of her father's merry eye. At last Burnell turned to her.</p>
<p TEIform="p">‘Did you ever hear the story of the shy young man who went to his first ball? He danced with a girl and then they sat on the stairs and they could not think of a thing to say. And after he'd picked up everything she dropped from time to time, after the silence was simply unbearable, he turned round and stammered: “D-Do you always w-wear flannel next to the skin?” I feel rather like that chap,’ said Burnell.</p>
<p TEIform="p">Then she did not hear them any more. What a glare there was in the room. She hated blinds pulled up to the top at any time—but in the morning, in the
<pb id="n71" n="57" TEIform="pb"/>
morning especially! She turned over to the wall and idly, with one finger, she traced a poppy on the wallpaper with a leaf and a stem and a fat bursting bud. In the quiet, under her tracing finger, the poppy seemed to come alive. She could feel the sticky, silky petals, the stem, hairy like a gooseberry skin, the rough leaf and the tight glazed bud. Things had a habit of coming alive in the quiet; she had often noticed it. Not only large, substantial things, like furniture, but curtains and patterns of stuffs, and fringes of quilts and cushions. How often she had seen the tassel fringe of her quilt change into a funny procession of dancers, with priests attending … for there were some tassels that did not dance at all, but walked stately, bent forward as if praying or chanting. How often the medicine bottles had turned into a row of little men with brown top hats on. And often the washstand jug sat in the basin like a fat bird in a round nest.</p>
<p TEIform="p">‘I dreamed about birds last night,’ thought Linda. What was it? No, she'd forgotten…. But the strangest part about this coming alive of things was what they did. They listened; they seemed to swell out with some mysterious important content, and when they were full she felt that they smiled.</p>
<pb id="n72" n="58" TEIform="pb"/>
<p TEIform="p">Not for her (although she knew they ‘recognised’ her) their sly, meaning smile; they were members of a secret order and they smiled among themselves. Sometimes, when she had fallen asleep in the daytime, she woke and could not lift a finger, could not even turn her eyes to left or right … <hi rend="i" TEIform="hi">they</hi> were so strong; sometimes when she went out of a room and left it empty she knew as she clicked the door to, that <hi rend="i" TEIform="hi">they</hi> were coming to life. And Ah, there were times, especially in the evenings when she was upstairs, perhaps, and everybody else was down, when she could hardly tear herself away from <hi rend="i" TEIform="hi">them</hi>—when she could not hurry, when she tried to hum a tune to show them she did not care, when she tried to say ever so carelessly—'Bother that old thimble! Where ever have I put it?’ But she never, never deceived <hi rend="i" TEIform="hi">them. They</hi> knew how frightened she was; <hi rend="i" TEIform="hi">they</hi> saw how she turned her head away as she passed the mirror. For all their patience they wanted something of her. Half unconsciously she knew that if she gave herself up and was quiet—more than quiet, silent, motionless, something would happen … ‘It's very very quiet now,’ thought Linda. She opened her eyes wide; she heard the stillness spinning its soft endless web. How lightly she breathed, she scarcely had to
<pb id="n73" n="59" TEIform="pb"/>
breathe at all … Yes, everything had come alive down to the minutest, tiniest particle and she did not feel her bed—she floated, held up in the air. Only she seemed to be listening, with her wide open watchful eyes, waiting for someone to come who just did not come, watching for something to happen that just did not happen.</p>
<p TEIform="p">In the kitchen at the long deal table under the two windows old Mrs. Fairfield was washing the breakfast dishes. The kitchen windows looked out on to a big grass patch that led down to the vegetable garden and the rhubarb beds. On one side the grass patch was bordered by the scullery and washhouse and over this long whitewashed ‘lean to’ there grew a big knotted vine. She had noticed yesterday that some tiny corkscrew tendrils had come right through some cracks in the scullery ceiling and all the windows of the ‘lean to’ had a thick frill of dancing green.</p>
<p TEIform="p">‘I am very fond of a grape vine,’ decided Mrs. Fairfield, ‘but I do not think that the grapes will ripen here. It takes Australian sun …’ and she suddenly remembered how, when Beryl was a baby, she had been picking some white grapes from the
<pb id="n74" n="60" TEIform="pb"/>
vine on the back verandah of their Tasmanian house and she had been stung on the leg by a huge red ant. She saw Beryl in a little plaid dress, with red ribbon tie-ups on the shoulders, screaming so dreadfully that half the street had rushed in … and the child's leg had swelled to an enormous size.</p>
<p TEIform="p">‘T-t-t-t.’ Mrs. Fairfield caught her breath, remembering. ‘Poor child—how terrifying it was!’ and she set her lips tight in a way she had and went over to the stove for some more hot water. The water frothed up in the soapy bowl with pink and blue bubbles on top of the foam. Old Mrs. Fairfield's arms were bare to the elbow and stained a bright pink. She wore a grey foulard dress patterned with large purple pansies, a white linen apron and a high cap shaped like a jelly mould of white tulle. At her throat there was a silver crescent moon with five little owls seated on it and round her neck she wore a watch guard made of black beads.</p>
<p TEIform="p">It was very hard to believe that they had only arrived yesterday and that she had not been in the kitchen for years—she was so much a part of it, putting away the clean crocks with so sure and precise a touch, moving leisurely and ample from the stove to the dresser, looking into the pantry and the larder as
<pb id="n75" n="61" TEIform="pb"/>
though there were not an unfamiliar corner. When she had finished tidying, everything in the kitchen had become part of a series of patterns. She stood in the middle of the room, wiping her hands on a check towel and looking about her, a tiny smile beamed on her lips; she thought it looked very nice, very satisfactory. If only servant girls could be taught to understand that it did not only matter how you put a thing away; it mattered just as much <hi rend="i" TEIform="hi">where</hi> you put it—or was it the other way about…. But at any rate they never would understand; she had never been able to train them …</p>
<p TEIform="p">‘Mother, Mother, are you in the kitchen?’ called Beryl.</p>
<p TEIform="p">‘Yes, dear, do you want me?'</p>
<p TEIform="p">‘No, I'm coming,’ and Beryl ran in, very flushed, dragging with her two big pictures.</p>
<p TEIform="p">‘Mother, whatever can I do with these awful Chinese paintings that Chung Wah gave Stanley when he went bankrupt? It's absurd to say they were valuable because they were hanging in Chung Wah's fruit shop for months before. I can't understand why Stanley doesn't want them to be thrown away—I'm sure he thinks they're just as hideous as we do, but it's because of the frames—’ she said spitefully. ‘I
<pb id="n76" n="62" TEIform="pb"/>
suppose he thinks the frames might fetch something one day. Ugh! What a weight they are?'</p>
<p TEIform="p">‘Why don't you hang them in the passage?’ suggested Mrs. Fairfield. ‘They would not be much seen there.'</p>
<p TEIform="p">‘I can't. There isn't room. I've hung all the photographs of his office before and after rebuilding there, and the signed photographs of his business friends and that awful enlargement of Isabel lying on a mat in her singlet. There isn't an inch of room left there.’ Her angry glance flew over the placid kitchen. ‘I know what I'll do. I'll hang them here—I'll say they got a little damp in the moving and so I put them up here in the warm for the time being.'</p>
<p TEIform="p">She dragged forward a chair, jumped up on it, took a hammer and a nail out of her deep apron pocket and banged away.</p>
<p TEIform="p">‘There! That's high enough. Hand me up the picture, Mother.'</p>
<p TEIform="p">‘One moment, child—’ she was wiping the carved ebony frame.</p>
<p TEIform="p">‘Oh, Mother, <hi rend="i" TEIform="hi">really</hi> you need not dust them. It would take years to dust all those winding little holes,’ and she frowned at the top of her Mother's head and bit her lip with impatience. Mother's deliberate way
<pb id="n77" n="63" TEIform="pb"/>
of doing things was simply maddening. It was old age, she supposed, loftily.</p>
<p TEIform="p">At last the two pictures were hung, side by side. She jumped off the chair, stowing back the little hammer.</p>
<p TEIform="p">‘They don't look so bad there, do they?’ said she. ‘And at any rate nobody need ever see them except Pat and the servant girl. Have I got a spider's web on my face, Mother? I've been poking my head into that cupboard under the stairs, and now something keeps tickling me.'</p>
<p TEIform="p">But before Mrs. Fairfield had time to look Beryl had turned away again. ‘Is that clock right? Is it really as early as that? Good Heavens, it seems years since breakfast!'</p>
<p TEIform="p">‘That reminds me,’ said Mrs. Fairfield. ‘I must go upstairs and fetch down Linda's tray.'</p>
<p TEIform="p">‘There!’ cried Beryl. ‘Isn't that like the servant girl. Isn't that exactly like her. I told her distinctly to tell you that I was too busy to take it up and would you please instead. I never dreamed she hadn't told you!'</p>
<p TEIform="p">Someone tapped on the window. They turned away from the pictures. Linda was there nodding and smiling. They heard the latch of the scullery
<pb id="n78" n="64" TEIform="pb"/>
door lift and she came in. She had no hat on; her hair stood up on her head in curling rings and she was all wrapped up in an old cashmere shawl.</p>
<p TEIform="p">‘Please can I have something to eat,’ said she.</p>
<p TEIform="p">‘Linnet, dear, I am so frightfully sorry. It's my fault,’ said Beryl.</p>
<p TEIform="p">‘But I wasn't hungry. I should have screamed if I had been,’ said Linda. ‘Mummy, darling, make me a little pot of tea in the brown china teapot.'</p>
<p TEIform="p">She went into the pantry and began lifting the lids off a row of tins. ‘What grandeur, my dears,’ she cried, coming back with a brown scone and a slice of gingerbread—'a pantry and a larder.'</p>
<p TEIform="p">‘Oh, but you haven't seen the out-houses yet,’ said Beryl. ‘There is a stable and a huge barn of a place that Pat calls the feed-room and a woodshed and a toolhouse—all built round a square courtyard that has big white gates to it! Awfully grand!'</p>
<p TEIform="p">‘This is the first time I've even seen the kitchen,’ said Linda. ‘Mother has been here. Everything is in pairs.'</p>
<p TEIform="p">‘Sit down and drink your tea,’ said Mrs. Fairfield, spreading a clean table napkin over a corner of the table. ‘And Beryl, have a cup with her. I'll watch you both while I'm peeling the potatoes for
<pb id="n79" n="65" TEIform="pb"/>
dinner. I don't know what has happened to the servant girl.'</p>
<p TEIform="p">‘I saw her on my way downstairs, Mummy. She's lying practically at full length on the bathroom floor laying linoleum. And she was hammering it so frightfully hard that I am sure the pattern will come through on to the dining-room ceiling. I told her not to run any more tacks than she could help into herself but I am afraid that she will be studded for life all the same. Have half my piece of gingerbread, Beryl. Beryl, do you like the house now that we are <hi rend="i" TEIform="hi">here?'</hi></p>
<p TEIform="p">‘Oh, yes, I like the house immensely and the garden is simply beautiful, but it feels very far away from anything to me. I can't imagine people coming out from town to see us in that dreadful rattling ‘bus and I am sure there isn't anybody here who will come and call…. Of course it doesn't matter to you particularly because you never liked living in town.'</p>
<p TEIform="p">‘But we've got the buggy,’ said Linda. ‘Pat can drive you into town whenever you like. And after all it's only six miles away.'</p>
<p TEIform="p">That was a consolation, certainly, but there was something unspoken at the back of Beryl's mind,
<pb id="n80" n="66" TEIform="pb"/>
something she did not even put into words for herself.</p>
<p TEIform="p">‘Oh, well, at any rate it won't kill us,’ she said, dryly, putting down her cup and standing up and stretching. ‘I am going to hang curtains.’ And she ran away singing</p>
<lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l">‘How many thousand birds I see</l>
<l part="N" TEIform="l">That sing aloft in every tree.'</l>
</lg>
<p TEIform="p">But when she reached the dining-room she stopped singing. Her face changed—hardened, became gloomy and sullen.</p>
<p TEIform="p">‘One may as well rot here as anywhere else,’ she said, savagely digging the stiff brass safety pins into the red serge curtains….</p>
<p TEIform="p">The two left in the kitchen were quiet for a little. Linda leaned her cheek in her fingers and watched her Mother. She thought her Mother looked wonderfully beautiful standing with her back to the leafy window. There was something comfortable in the sight of her Mother that Linda felt she could never do without. She knew everything about her—just what she kept in her pocket and the sweet smell of her flesh and the soft feel of her cheeks and her arms and shoulders, still softer—the way the breath
<pb id="n81" n="67" TEIform="pb"/>
rose and fell in her bosom and the way her hair curled silver round her forehead, lighter at the neck and bright brown still in the big coil under the tulle cap. Exquisite were her Mother's hands and the colour of the two rings she wore seemed to melt into her warm white skin-her wedding ring and a large old fashioned ring with a dark red stone in it that had belonged to Linda's father … And she was always so fresh, so delicious. ‘Mother, you smell of cold water,’ she had said. The old woman could bear nothing next to her skin but fine linen, and she bathed in cold water summer and winter-even when she had to pour a kettle of boiling water over the frozen tap.</p>
<p TEIform="p">'Isn't there anything for me to do, Mother?’ she asked.</p>
<p TEIform="p">'No, darling. Run and see what the garden is like. I wish you would give an eye to the children, but that I know you will not do.'</p>
<p TEIform="p">'Of course I will, but you know Isabel is much more grown up than any of us.'</p>
<p TEIform="p">'Yes, but Kezia is not,’ said Mrs. Fairfield.</p>
<p TEIform="p">'Oh, Kezia's been tossed by a wild bull <hi rend="i" TEIform="hi">hours</hi> ago,’ said Linda, winding herself up in her shawl again.</p>
<pb id="n82" n="68" TEIform="pb"/>
<p TEIform="p">But no, Kezia had seen a bull through a hole in a knot of wood in the high paling fence that separated the tennis lawn from the paddock, but she had not liked the bull frightfully, and so she had walked away back through the orchard up the grassy slope, along the path by the lace bark tree and so into the spread tangled garden. She did not believe that she would ever not get lost in this garden. Twice she had found her way to the big iron gates they had driven through last night and she had begun to walk up the drive that led to the house, but there were so many little paths on either side … on one side they all led into a tangle of tall dark trees and strange bushes with flat velvety leaves and feathery cream flowers that buzzed with flies when you shook them-this was a frightening side and no garden at all. The little paths were wet and clayey with tree roots spanned across them, ‘like big fowls’ feet', thought Kezia.</p>
<p TEIform="p">But on the other side of the drive there was a high box border and the paths had box edgings, and all of them led into a deeper and deeper tangle of flowers. It was summer. The camelia trees were in flower, white and crimson and pink and white striped, with flashing leaves-you could not see a leaf on the syringa bushes for the white clusters. All kinds of
<pb id="n83" n="69" TEIform="pb"/>
roses-gentlemen's buttonhole roses, little white ones but far too full of insects to put under anybody's nose, pink monthly roses with a ring of fallen petals round the bushes, cabbage roses on thick fat stalks, moss roses, always in bud, pink smooth beauties opening curl on curl, red ones so dark that they seemed to turn black as they fell, and a certain exquisite cream kind with a slender red stem and bright red leaves. Kezia knew the name of that kind: it was her Grandmother's favourite.</p>
<p TEIform="p">There were clumps of fairy bells and cherry pie and all kinds of geraniums, and there were little trees of verbena and bluish lavender bushes and a bed of pelargoniums, with velvet eyes and leaves like moth's wings. There was a bed of nothing but mignonette and another of nothing but pansies, borders of double and single daisies, all kinds of little tufty plants she had never seen before….</p>
<p TEIform="p">The red hot pokers were taller than she; the Japanese sunflowers grew in a tiny jungle. She sat down on one of the box borders. By pressing hard at first it made a very pleasant, springy seat, but how dusty it was inside! She bent down to look and sneezed and rubbed her nose.</p>
<p TEIform="p">And then she found herself again at the top
<pb id="n84" n="70" TEIform="pb"/>
of the rolling grassy slope that led down to the orchard and beyond the orchard to an avenue of pine trees with wooden seats between, bordering one side of the tennis court. She looked at the slope a moment; then she lay down on her back, gave a tiny squeak, and rolled over and over into the thick flowery orchard grass. As she lay still, waiting for things to stop spinning round, she decided to go up to the house and ask the servant girl for an empty match-box. She wanted to make a surprise for her Grandmother. First she would put a leaf inside with a big violet lying on it-then she would put a very small little white picotee perhaps, on each side of the violet, and then she would sprinkle some lavender on the top, but not to cover their heads. She often made these surprises for the Grandmother and they were always most successful.</p>
<p TEIform="p">'Do you want a match, my Granny?'</p>
<p TEIform="p">'Why, yes, child. I believe a match is the very thing I am looking for-’ The Grandmother slowly opened the box and came upon the picture inside.</p>
<p TEIform="p">'Good gracious, child! how you astonished me!'</p>
<p TEIform="p">'Did I-did I really astonish you?’ Kezia threw up her arms with joy.</p>
<p TEIform="p">'I can make her one every day here,’ she thought,
<pb id="n85" n="71" TEIform="pb"/>
scrambling up the grassy slope on her slippery shoes. But on her way to the house she came to the island that lay in the middle of the drive, dividing the drive into two arms that met in front of the house.</p>
<p TEIform="p">The island was made of grass banked up high. Nothing grew on the green top at all except one huge round plant, with thick grey-green thorny leaves, and out of the middle there sprang up a tall stout stem. Some of the leaves of this plant were so old that they curved up in the air no longer-they turned back-they were split and broken-some of them lay flat and withered on the ground-but the fresh leaves curved up into the air with their spiked edges; some of them looked as though they had been painted with broad bands of yellow.</p>
<p TEIform="p">Whatever could it be? She had never seen anything like it before. She stood and stared. And then she saw her mother coming down the path with a red carnation in her hand.</p>
<p TEIform="p">'Mother, what is it?’ asked Kezia.</p>
<p TEIform="p">Linda looked up at the fat swelling plant with its cruel leaves, its towering fleshy stem. High above them, as though becalmed in the air, and yet holding so fast to the earth it grew from, it might have had claws and not roots. The curving leaves seemed
<pb id="n86" n="72" TEIform="pb"/>
to be hiding something; the big blind stem cut into the air as if no wind could ever shake it.</p>
<p TEIform="p">'That is an aloe, Kezia,’ said Linda.</p>
<p TEIform="p">'Does it ever have any flowers?'</p>
<p TEIform="p">'Yes, my child,’ said her Mother, and she smiled down at Kezia, half shutting her eyes, ‘once every hundred years.'</p>
</div1>
<pb id="n87" TEIform="pb"/>
<div1 id="t1-body-d3" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head"><hi rend="lsc" TEIform="hi">Three</hi><lb TEIform="lb"/><hi rend="c" TEIform="hi">The Day After</hi></head>
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<p TEIform="p"><hi rend="lsc" TEIform="hi">Three</hi><lb TEIform="lb"/><hi rend="c" TEIform="hi">The Day After</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">On His</hi> way home from the office Stanley Burnell stopped the buggy at the ‘Bodega', got out and bought a large bottle of oysters. At the Chinaman's shop next door he bought a pineapple in the pink of condition, and noticing a basket of fresh black cherries he told John to put him up a pound of those as well. The oysters and pineapple he stowed away in the box under the front seat—but the cherries he kept in his hand.</p>
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<p TEIform="p">Pat, the handy man, leapt off the box and tucked him up again in a brown rug.</p>
<p TEIform="p">'Lift yer feet, Mr. Burnell, while I give her a fold under,’ said he.</p>
<p TEIform="p">'Right, right—first rate!’ said Stanley—'you can make straight for home now.'</p>
<p TEIform="p">'I believe this man is a first rate chap,’ thought he, as Pat gave the grey mare a touch and the buggy sprang forward. He liked the look of him sitting up there in his neat dark brown coat and brown bowler. He liked his eyes. There was nothing servile about him—and if there was one thing he hated more than another in a servant it was servility—and he looked as though he were pleased with his job, happy and contented.</p>
<p TEIform="p">The grey mare went very well. Burnell was impatient to be home. Ah, it was splendid to live in the country—to get right out of this hole of a town once the office was closed, and this long drive in the fresh warm air, knowing all the time that his own home was at the other end with its garden and paddocks, its three tip-top cows and enough fowls and ducks to keep them in eggs and poultry, was splendid, too.</p>
<p TEIform="p">As they left the town finally and bowled away up the quiet road his heart beat hard for joy. He
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rooted in the bag and began to eat the cherries, three or four at a time, chucking the stones over the side of the buggy. They were delicious, so plump and cold, without a spot or a bruise on them.</p>
<p TEIform="p">Look at these two now—black one side and white the other—perfect—a perfect little pair of Siamese twins—and he stuck them in his buttonhole. By Jove, he wouldn't mind giving that chap up there a handful—but no, better not! Better wait until he had been with him a bit longer.</p>
<p TEIform="p">He began to plan what he would do with his Saturday afternoons and Sundays. He wouldn't go to the Club for lunch on Saturday. No, cut away from the office as soon as possible and get them to give him a couple of slices of cold meat and half a lettuce when he got home. And then he'd get a few chaps out from town to play tennis in the afternoons. Not too many—three at most. Beryl was a good player too. He stretched out his right arm and slowly bent it, feeling the muscles. A bath, a good rub down, a cigar on the verandah after dinner.</p>
<p TEIform="p">On Sunday morning they would go to Church—children and all—which reminded him that he must hire a pew, <hi rend="i" TEIform="hi">in</hi> the sun if possible—and well forward so as to be out of the draught from the
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door. In fancy he heard himself intoning, extremely well:</p>
<p TEIform="p">'When-Thou-didst-over<hi rend="i" TEIform="hi">come</hi> the sharpness of death Thou didst open the <hi rend="i" TEIform="hi">King</hi>dom of Heaven to <hi rend="i" TEIform="hi">All</hi> Believers,’ and he saw the neat brass edged card on the corner of the pew—'Mr. Stanley Burnell and Family.'</p>
<p TEIform="p">The rest of the day he'd loaf about with Linda. Now she was on his arm; they were walking about the garden together and he was explaining to her at length what he intended doing at the office the week following. He heard her saying: ‘My dear, I think that is <hi rend="i" TEIform="hi">most wise.</hi>’ Talking things out with Linda was a wonderful help, even though they were apt to drift away from the point …</p>
<p TEIform="p">Hang it all! They weren't getting along very fast. Pat had put the brake on again. ‘He's a bit too ready with that brake! Ugh! What a brute of a thing it is—I can feel it in the pit of my stomach.'</p>
<p TEIform="p">A sort of panic overtook Burnell whenever he approached near home. Before he was well inside the gate he would shout to anyone in sight—'Is everything all right?’ And then he did not believe it was until he heard Linda cry, ‘Hullo, you old boy!’ That was the worst of living in the country. It took
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the deuce of a long time to get back. But now they weren't far off. They were on top of the last hill—it was a gentle slope all the way now and not more than half a mile.</p>
<p TEIform="p">Pat kept up a constant trailing of the whip across the mare's back and he coaxed her—'Goop now, Goop now!'</p>
<p TEIform="p">It wanted a few moments to sunset—everything stood motionless, bathed in bright metallic light, and from the paddocks on either side there streamed the warm milky smell of ripe hay. The iron gates were open. They dashed through and up the drive and round the island, stopping at the exact middle of the verandah.</p>
<p TEIform="p">'Did she satisfy yer, sir?’ said Pat, getting off the box and grinning at his master.</p>
<p TEIform="p">'Very well indeed, Pat,’ said Stanley.</p>
<p TEIform="p">Linda came out of the glass door—out of the shadowy hall—her voice rang in the quiet. ‘Hullo, you're home again.'</p>
<p TEIform="p">At the sound of it his happiness beat up so hard and strong that he could hardly stop himself dashing up the steps and catching her in his arms.</p>
<p TEIform="p">'Yes, home again. Is everything all right?'</p>
<p TEIform="p">'Perfect,’ said she.</p>
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<p TEIform="p">Pat began to lead the mare round to the side gate that gave on to the courtyard. ‘Here, half a moment,’ said Burnell. ‘Hand me those two parcels, will you?’ And he said to Linda, ‘I've brought you back a bottle of oysters and a pineapple,’ as though he had brought her back all the harvest of the earth.</p>
<p TEIform="p">They went into the hall; Linda carried the oysters under one arm and the pineapple under the other. Burnell shut the glass door, threw his hat on the hall stand, and put his arms round her, straining her to him, kissing the top of her head, her ears, her lips, her eyes.</p>
<p TEIform="p">'Oh dear! Oh! dear,’ she said. ‘Wait a minute, let me put down these <hi rend="i" TEIform="hi">silly</hi> things,’ and she put down the bottle of oysters and the pineapple on a little carved chair.</p>
<p TEIform="p">'What have you got in your buttonhole—cherries?’ and she took them out and hung them over his ear.</p>
<p TEIform="p">'No, don't do that, darling. They're for you.'</p>
<p TEIform="p">So she took them off his ear and ran them through her brooch pin. ‘You don't mind if I don't eat them now. Do you? They'll spoil my appetite for dinner. Come and see your children. They're having tea.'</p>
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<p TEIform="p">The lamp was lighted on the nursery table: Mrs. Fairfield was cutting and spreading bread and butter and the three little girls sat up to table, wearing large bibs embroidered with their names. They wiped their mouths as their Father came in, ready to be kissed. There was jam on the table too, a plate of home-made knobbly buns and cocoa steaming in a Dewar's Whisky advertisement jug—a big toby jug, half brown, half cream, with the picture of a man on it smoking a long clay pipe. The windows were wide open. There was a jar of wild flowers on the mantelpiece and the lamp made a big soft bubble of light on the ceiling.</p>
<p TEIform="p">'You seem pretty snug, Mother,’ said Burnell, looking round and blinking at the light and smiling at the little girls. They sat, Isabel and Lottie on either side of the table, Kezia at the bottom. The place at the top was empty. ‘That's where my boy ought to sit,’ thought Stanley. He tightened his arm round Linda's shoulder. By God! he was a perfect fool to feel as happy as this—</p>
<p TEIform="p">'We are, Stanley. We are very snug,’ said Mrs. Fairfield, cutting Kezia's bread and jam into fingers.</p>
<p TEIform="p">'Like it better than town, eh, children?’ said Burnell.</p>
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<p TEIform="p">'Oh yes, Daddy,’ said the three little girls, and Isabel added as an afterthought, ‘Thank you very much <hi rend="i" TEIform="hi">indeed,</hi> Father dear.'</p>
<p TEIform="p">'Come upstairs and have a wash,’ said Linda. ‘I'll bring your slippers.'</p>
<p TEIform="p">But the stairs were too narrow for them to go up arm in arm. It was quite dark in their room. He heard her ring tapping the marble as she felt along the mantelpiece for matches.</p>
<p TEIform="p">'I've got some, darling. I'll light the candles. ‘But, instead, he came up behind her and caught her, put his arms round her and pressed her head into his shoulder.</p>
<p TEIform="p">'I'm so confoundedly happy,’ he said.</p>
<p TEIform="p">'Are you?’ She turned and put her two hands flat on his breast and looked up at him.</p>
<p TEIform="p">'I don't know what's come over me,’ he protested.</p>
<p TEIform="p">It was quite dark outside now and heavy dew was falling. When she shut the window the dew wet her finger tips. Far away a dog barked.</p>
<p TEIform="p">'I believe there's going to be a moon,’ said she. At the words, and with the wet cold dew touching her lips and cheeks, she felt as though the moon had risen—that she was being bathed in cold light—she
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shivered, she came away from the window and sat down on the box ottoman beside Stanley.</p>
<p TEIform="p">In the dining-room, by the flickering glow of a wood fire, Beryl sat on a hassock playing the guitar. She had bathed and changed all her clothes. Now she wore a white muslin dress with big black spots on it and in her hair she had pinned a black rose:</p>
<quote TEIform="quote"><lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Nature has gone to her rest, love,</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">See, we are all alone;</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Give me your hand to press, love,</hi></l>
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Lightly within my own.</hi></l>
</lg></quote>
<p TEIform="p">She played and sang half to herself, for she was watching herself playing and singing. She saw the firelight on her shoes and skirt, on the ruddy belly of the guitar, on her white fingers.</p>
<p TEIform="p">'If I were outside the window and looked in and saw myself, I really would be rather struck,’ she thought. Still more softly she played the accompaniment, not singing—'The first time I ever saw you, little girl—you had no idea that you weren't alone! You were sitting with your little feet up on a hassock playing the guitar—I can never forget …’ and she flung back her head at the imaginary speaker and began to sing again:</p>
<quote TEIform="quote"><lg type="verse" org="uniform" sample="complete" part="N" TEIform="lg">
<l part="N" TEIform="l"><hi rend="i" TEIform="hi">Even the moon is aweary—</hi></l>
</lg></quote>
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<p TEIform="p">But there came a loud knock at the door. The servant girl popped in her flushed face—</p>
<p TEIform="p">'If you please, Miss, kin I come and lay the dinner?'</p>
<p TEIform="p">'Certainly, Alice,’ said Beryl, in a voice of ice. She put the guitar in a corner. Alice lunged in with a heavy black iron tray.</p>
<p TEIform="p">'Well, I ‘<hi rend="i" TEIform="hi">ave</hi> had a job with that oving,’ said she. ‘I can't get nothing to brown.'</p>
<p TEIform="p">'<hi rend="i" TEIform="hi">Really</hi>,’ said Beryl.</p>
<p TEIform="p">But no—she could not bear that fool of a girl. She went into the dark drawing-room and began walking up and down. She was restless, restless, restless. There was a mirror over the mantelpiece; she leaned her arms along and looked at her pale shadow in it. ‘I look as though I have been drowned,’ said she.</p>
</div1>
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<div1 id="t1-body-d4" type="section" org="uniform" sample="complete" part="N" TEIform="div1">
<head TEIform="head"><hi rend="lsc" TEIform="hi">Four</hi><lb TEIform="lb"/>
<hi rend="c" TEIform="hi">The Aloe</hi></head>
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<p TEIform="p"><hi rend="lsc" TEIform="hi">Four</hi><lb TEIform="lb"/><hi rend="c" TEIform="hi">The Aloe</hi></p>
<p TEIform="p"><hi rend="c" TEIform="hi">Good Morning,</hi> Mrs. Jones.'</p>
<p TEIform="p">'Oh, good morning, Mrs. Smith. I'm so glad to see you. Have you brought your children?'</p>
<p TEIform="p">'Yes, I've brought both my twins. I have had another baby since I saw you last, but she came so suddenly that I haven't had time to make her any new clothes yet, and so I left her at home. How's your husband?'</p>
<p TEIform="p">'Oh, he's very well, thank you. At least he had an
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awful sore throat, but Queen Victoria (she's my grandmother, you know) sent him a case of pineapples and they cured it immediately. Is that your new servant?'</p>
<p TEIform="p">'Yes, her name's Gwen. I've only had her two days. Oh, Gwen, this is my friend, Mrs. Smith.'</p>
<p TEIform="p">'Good morning, Mrs. Smith. Dinner won't not be ready for about ten minutes.'</p>
<p TEIform="p">'I don't think you ought to introduce me to the servant. I think I ought to just begin talking to her.'</p>
<p TEIform="p">'Well, she isn't really quite a servant. She's more of a lady help than a servant and you do introduce lady helps. I know, because Mrs. Samuel Josephs had one.'</p>
<p TEIform="p">'Oh, well, it doesn't <hi rend="i" TEIform="hi">matter,“</hi> said the new servant airily, beating up a chocolate custard with half a broken clothes peg. The dinner was baking beautifully on a concrete step. She began to lay the cloth on a broad pink garden seat. In front of each person she put two geranium leaf plates, a pine needle fork and a twig knife. There were three daisy heads on a laurel leaf for poached eggs, some slices of fuchsia petals for cold meat—some beautiful little rissoles made of earth and water and dandelion seeds—and the chocolate custard which she decided to serve in the pawa shell she had cooked it in.</p>
<p TEIform="p">'You needn't trouble about my children,’ said</p>
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<p TEIform="p">Mrs. Smith graciously. ‘If you'll just take this bot<hi rend="i" TEIform="hi">til</hi> and fill it at the tap—I mean in the dairy.'</p>
<p TEIform="p">‘Oh, all right,’ said Gwen, and she whispered to Mrs. Jones—‘Shall I go an’ ask Alice for a little bit of real milk?'</p>
<p TEIform="p">But someone called from the front of the house, ‘Children! Children!’ and the luncheon party melted away, leaving the charming table, leaving the rissoles and the eggs on the stones to the little ants and to an old snail who pushed his quivering horns over the edge of the pink garden seat and began slowly to nibble a geranium plate.</p>
<p TEIform="p">‘Come round to the front door, children! Rags and Pip have come.'</p>
<p TEIform="p">The Trout boys were cousins to the Burnells. They lived about a mile away in a house called Monkey Tree Cottage. Pip was tall for his age, with lank black hair and a white face, but Rags was very small, and so thin that when he was undressed his shoulder blades stuck out like two little wings. They had a mongrel dog, too, with pale blue eyes and a long tail that turned up at the end, who followed them everywhere; he was called Snooker. They were always combing and brushing Snooker and treating
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him with various extraordinary mixtures concocted by Pip and kept secretly by him in a broken jug covered with an old kettle lid. Even Rags was not allowed to share the secret of these mixtures. He would see Pip mix some carbolic tooth powder and a bit of sulphur powdered fine and perhaps a pinch of starch to stiffen up Snooker's coat. But he knew that was not all. There was something else added that Pip wouldn't tell him of. Rags privately thought it was gunpowder. And he was never, never on any account permitted to help or to look on because of the danger. ‘Why, if a spot of this flew up,’ Pip would say, stirring the mixture with an iron spoon, ‘you'd be blinded to death. And there's always the chance—just the chance—of it exploding—if you whack it hard enough. Two spoonfuls of this will be enough in a kerosene tin of water to kill thousands of fleas.’ Nevertheless, Snooker spent all his leisure biting and nudging himself, and he stank abominably.</p>
<p TEIform="p">‘It's because he's such a grand fighting dog,’ Pip would say. ‘All fighting dogs smell—'</p>
<p TEIform="p">The Trout boys had often gone into town and spent the day with the Burnells, but now that they had become neighbours and lived in this big house and boncer garden, they were inclined to be very
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friendly. Besides, both of them liked playing with girls. Pip, because he could fox them so and because Lottie Burnell was so easily frightened, and Rags for a shameful reason, because he adored dolls. The way he would look at a doll as it lay asleep, speaking in a whisper and smiling timidly, and the great treat it was to him to stretch out his arms and be given a doll to hold!</p>
<p TEIform="p">‘Curl your arms around her. Don't keep them stiff out like that. You'll drop her,’ Isabel would command sternly.</p>
<p TEIform="p">Now they were standing on the verandah and holding back Snooker, who wanted to go into the house but wasn't allowed to because Aunt Linda hated decent dogs.</p>
<p TEIform="p">‘We came over in the ‘bus with Mum,’ they said, ‘and we're going to spend the afternoon and stay to tea. We brought over a batch of our gingerbread for Aunt Linda. Our Minnie made it. It's all over nuts—much more than yours ever has.’</p>
<p TEIform="p">‘I shelled the almonds,’ said Pip. ‘I just stuck my hand in a saucepan of boiling water and grabbed them out and gave them a kind of pinch and the nuts flew out of the skins, some of them as high as the ceiling. Didn't they, Rags?'</p>
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<p TEIform="p">‘When we make cakes at our place,’ said Pip, ‘we always stay in the kitchen, Rags and me, and I get the bowl and he gets the spoon and the egg-beater. Sponge cake's best—it's all frothy stuff then.'</p>
<p TEIform="p">He ran down the verandah steps on to the lawn, planted his hands on the grass, bent forward, and just did not stand on his head.</p>
<p TEIform="p">‘Pooh!’ he said, ‘that lawn's all bumpy; you have to have a flat place for standing on your head, I can walk all round the monkey tree on my head at our place—nearly, can't I, Rags?'</p>
<p TEIform="p">‘Nearly!’ said Rags faintly.</p>
<p TEIform="p">‘Stand on your head on the verandah. That's quite flat,’ said Lottie.</p>
<p TEIform="p">‘No, smarty,’ said Pip, ‘you have to do it on something soft, see? Because if you give a jerk—just a very little jerk and fall over like that and bump yourself, something in your neck goes click and it breaks right off. Dad told me….'</p>
<p TEIform="p">‘Oh, do let's have a game,’ said Kezia.</p>
<p TEIform="p">‘Do let's play something or other.'</p>
<p TEIform="p">‘Very well,’ said Isabel quickly, ‘we'll play hospitals. I'll be the nurse, and Pip can be the doctor and you and Rags and Lottie can be the sick people.'</p>
<p TEIform="p">But, no, Lottie didn't not want to play that,
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because last time Pip squirted something down her throat and it hurt awfully.</p>
<p TEIform="p">‘Pooh!’ said Pip, ‘it was only the juice out of a bit of orange peel.'</p>
<p TEIform="p">‘Well, let's play ladies,’ said Isabel, ‘and Pip can be my husband and you can be my three dear little children—Rags can be the baby.'</p>
<p TEIform="p">‘I <hi rend="i" TEIform="hi">hate</hi> playing ladies,’ said Kezia, ‘because you always make us go to Church hand in hand and come home again an’ go to bed.'</p>
<p TEIform="p">Suddenly Pip took a filthy handkerchief out of his pocket. ‘Snooker, here sir!’ he called. But Snooker, as usual, began to sneak away with his long bent tail between his legs. Pip leapt on top of him and held him by his knees.</p>
<p TEIform="p">‘Keep his head firm, Rags,’ he said as he tied the handkerchief round Snooker's head with a big funny sticking-up knot at the top.</p>
<p TEIform="p">‘Whatever is that for?’ asked Lottie.</p>
<p TEIform="p">‘It's to train his ears to grow more close to his head—see?’ said Pip. ‘All fighting dogs have ears that lie kind of back and they prick up. But Snooker's got rotten ears; they're too soft.'</p>
<p TEIform="p">‘I know,’ said Kezia. ‘They're always turning inside out. I <hi rend="i" TEIform="hi">hate</hi> that.'</p>
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<p TEIform="p">‘Oh, it isn't that,’ said Pip, ‘but I'm training his ears to look a bit more fierce, see?'</p>
<p TEIform="p">Snooker lay down and made one feeble effort with his paw to get the handkerchief off, but finding he could not, he trailed after the children with his head bound up in the dirty rag—shivering with misery.</p>
<p TEIform="p">Pat came swinging by. In his hand he held a little tomahawk that winked in the sun. ‘Come with me now,’ he said to the children, ‘and I'll show you how the Kings of Ireland chop off the head of a duck.'</p>
<p TEIform="p">They held back; they didn't believe him: it was one of his jokes, and, besides, the Trout boys had never seen Pat before.</p>
<p TEIform="p">‘Come on now,’ he coaxed, smiling and holding out his hand to Kezia.</p>
<p TEIform="p">‘A real duck's head?’ she said. ‘One from ours in the paddock where the fowls and ducks are?'</p>
<p TEIform="p">‘It is,’ said Pat.</p>
<p TEIform="p">She put her hand in his hard dry one, and he stuck the tomahawk in his belt and held out the other to Rags. He loved little children.</p>
<p TEIform="p">‘I'd better keep hold of Snooker's head if there's
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going to be any blood about,’ said Pip, trying not to show his excitement, ‘because the sight of blood makes him awfully wild sometimes.’ He ran ahead, dragging Snooker by the knot in the handkerchief.</p>
<p TEIform="p">‘Do you think we <hi rend="i" TEIform="hi">ought</hi> to?’ whispered Isabel to Lottie, ‘because we haven't asked Grandma or anybody, have we?'</p>
<p TEIform="p">‘But Pat's looking after us,’ said Lottie.</p>
<p TEIform="p">At the bottom of the orchard a gate was set in the paling fence. On the other side there was a steep bank leading down to a bridge that spanned the creek, and once up the bank on the other side you were on the fringe of the paddocks. A little disused stable in the first paddock had been turned into a fowl-house. All about it there spread wire-netting chick-runs new made by Pat. The fowls strayed far away across the paddock down to a little dumping ground in a hollow on