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        <title type="marc245">Ways and By-Ways of a Singing Kiwi with the N.Z. Divisional Entertainers in France</title>
        <title type="sort">Ways and By-Ways of a Singing Kiwi with the N.Z. Divisional Entertainers in France</title>
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          <name key="name-407957" type="person">Ernest McKinlay</name>
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          <p>Copyright 2008, by Victoria University of Wellington</p>
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            <date when="1939">1939</date>
            <idno type="callno">Source copy consulted: Victoria University of Wellington Library, D639 E8 M158 W</idno>
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            <figDesc>Front Cover</figDesc>
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            <figDesc>Spine</figDesc>
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            <graphic url="McKWaysBCo.jpg" mimeType="image/jpeg" xml:id="McKWaysBCo-g"/>
            <figDesc>Back Cover</figDesc>
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            <figDesc>Title Page</figDesc>
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      <pb xml:id="n2"/>
      <pb xml:id="n3"/>
      <pb xml:id="n4"/>
      <pb xml:id="n5"/>
      <div xml:id="t1-front-d2" type="frontispiece">
        <p>
          <figure xml:id="McKWaysP001a">
            <graphic url="McKWaysP001a.jpg" mimeType="image/jpeg" xml:id="McKWaysP001a-g"/>
            <head><hi rend="sc">Lt.-Col</hi>. <name type="person" key="name-407933">J. <hi rend="c">Hardie Neil</hi></name>,<lb/><hi rend="lsc">M.B., F.R.C.S., D.S.O</hi>.<lb/>(<hi rend="i">with 3/001, Corporal Lassie, Awapuni<lb/>Camp Mascotte, 1915</hi>)</head>
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        </p>
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      <pb xml:id="n6"/>
      <titlePage xml:id="t1-front-d2-d1">
        <docTitle>
          <titlePart type="main">
            <hi rend="c">Ways</hi>
            <hi rend="i">and</hi>
            <hi rend="c">By-Ways</hi>
            <lb/>
            <hi rend="i">of a</hi>
            <hi rend="c">Singing Kiwi</hi>
          </titlePart>
          <titlePart>
            <hi rend="lsc">With The<lb/>N.Z. Divisional Entertainers<lb/>in France</hi>
          </titlePart>
        </docTitle>
        <byline>
          <name key="name-407957" type="person"><hi rend="c">Ernest</hi> Mc<hi rend="c">kinlay</hi></name>
        </byline>
        <docImprint>
          <date when="1939">1939.</date>
          <lb/>
          <publisher><hi rend="lsc">Printed By</hi><hi rend="sc">David M. Lister</hi>.</publisher>
          <pubPlace>
            <hi rend="lsc">Dunedin, N.Z.</hi>
          </pubPlace>
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      <pb xml:id="n7"/>
      <div xml:id="t1-front-d3" type="dedication">
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          <l>
            <hi rend="i">This book is dedicated to</hi>
          </l>
          <l><hi rend="c">Lt.-Col. <name key="name-407933" type="person">J. Hardie Neil</name></hi>,</l>
          <l>
            <hi rend="lsc">M.B., F.R.C.S., D.S.O.</hi>
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      <pb xml:id="n8" n="3"/>
      <div xml:id="t1-front-d4" type="preface" decls="#text-1-bibl" n="Preface by Major-General Sir Andrew H. Russell, K.C.B., K.C.M.G., G.O.C., New Zealand Expeditionary Force">
        <head><hi rend="c">Preface by</hi><lb/><hi rend="sc">Major-General Sir <name type="person" key="name-209146">Andrew H. Russell</name></hi>,<lb/><hi rend="lsc">K.C.B., K.C.M.G.</hi>,<lb/>G.O.C., New Zealand Expeditionary Force.</head>
        <p>To all but a very few, if any, this book, with its account of the successful efforts of the Kiwis and other troupes to relieve the monotony of trench warfare in Flanders, will be very welcome. As events recede into the past, by a merciful dispensation of Providence, it is mostly the pleasant memories which survive. The author recalls to our mind the lighter side of war; the grimmer realities are either touched on lightly or passed over altogether. There are, we know, certain minds crabbed in their outlook, who fail to catch the humour associated with what one might almost call the indignities and absurdities of industrialised warfare as practised on the Western Front.</p>
        <p>To those who, in the words of Shakespeare, can find sermons in stones, books in the running brooks, and good in everything, I can confidently recommend "Ways and By-ways of a Singing Kiwi," which will evoke pleasant recollections of their entertainment by <name key="name-407957" type="person">Mr. McKinlay</name> and other members of the Kiwis. Good fellows all—
<pb xml:id="n9" n="4"/>
Dave Kenny stands out clearly in my own recollection as one whose cheerful face, as he turned to the audience with a broad smile, could dispel the nostalgia of a week in the front lines. His death was indeed a loss to the New Zealand Division and to the Kiwis. Some of the actors whose names occur in this short history have since risen to fame, and, I hope, to fortune, on a larger stage than that afforded by the Divisional. Theatre at Nieppe, Dickebusche, or elsewhere. But to none can they have given greater pleasure, or entertainment, than to those before whom they played within sound of the guns during those eventful years, 1915-1918.</p>
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          <signed><name type="person" key="name-209146">A. H. <hi rend="c">Russell</hi></name>.</signed>
          <add>Sydney,</add>
          <date when="1938-05-09"><hi rend="sc">May</hi> 9<hi rend="sc">th</hi>, 1938.</date>
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        <head>
          <hi rend="c">Contents</hi>
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        <p>
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              <cell/>
              <cell/>
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                <hi rend="i">Page</hi>
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              <cell rend="center">
                <ref target="#n8">
                  <hi rend="i">Preface</hi>
                </ref>
              </cell>
              <cell rend="right">
                <ref target="#n8">3</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n12">
                  <hi rend="i">Foreword</hi>
                </ref>
              </cell>
              <cell rend="right">
                <ref target="#n12">7</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n18">
                  <hi rend="i">Introduction</hi>
                </ref>
              </cell>
              <cell rend="right">
                <ref target="#n18">12</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n24"><hi rend="sc">Chapter</hi> I.</ref>
              </cell>
              <cell/>
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              <cell>
                <ref target="#n24">In Khaki</ref>
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              <cell/>
              <cell rend="right">
                <ref target="#n24">17</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n35"><hi rend="sc">Chapter</hi> II.</ref>
              </cell>
              <cell/>
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                <ref target="#n35">In France</ref>
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              <cell/>
              <cell rend="right">
                <ref target="#n35">28</ref>
              </cell>
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            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n63"><hi rend="sc">Chapter</hi> III.</ref>
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              <cell/>
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              <cell>
                <ref target="#n63">The Kiwis</ref>
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              <cell/>
              <cell rend="right">
                <ref target="#n63">54</ref>
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              <cell/>
              <cell rend="center">
                <ref target="#n81"><hi rend="sc">Chapter</hi> IV.</ref>
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              <cell/>
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              <cell>
                <ref target="#n81">We Leave Nieppe</ref>
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              <cell/>
              <cell rend="right">
                <ref target="#n81">70</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n96"><hi rend="sc">Chapter</hi> V.</ref>
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              <cell/>
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              <cell>
                <ref target="#n96">The Panto</ref>
              </cell>
              <cell/>
              <cell rend="right">
                <ref target="#n96">83</ref>
              </cell>
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            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n107"><hi rend="sc">Chapter</hi> VI.</ref>
              </cell>
              <cell/>
            </row>
            <row>
              <cell>
                <ref target="#n107">Kiwis in Paris</ref>
              </cell>
              <cell/>
              <cell rend="right">
                <ref target="#n107">94</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n136"><hi rend="sc">Chapter</hi> VII.</ref>
              </cell>
              <cell/>
            </row>
            <row>
              <cell>
                <ref target="#n136">In Germany</ref>
              </cell>
              <cell/>
              <cell rend="right">
                <ref target="#n136">120</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n156"><hi rend="sc">Chapter</hi> VIII.</ref>
              </cell>
              <cell/>
            </row>
            <row>
              <cell>
                <ref target="#n156">In England</ref>
              </cell>
              <cell/>
              <cell rend="right">
                <ref target="#n156">137</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n173"><hi rend="sc">Chapter</hi> IX.</ref>
              </cell>
              <cell/>
            </row>
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              <cell>
                <ref target="#n173">Home Again</ref>
              </cell>
              <cell/>
              <cell rend="right">
                <ref target="#n173">153</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n180">
                  <hi rend="i">Epilogue</hi>
                </ref>
              </cell>
              <cell rend="right">
                <ref target="#n180">159</ref>
              </cell>
            </row>
            <row>
              <cell/>
              <cell rend="center">
                <ref target="#n183">
                  <hi rend="i">Nominal Roll of All Ex-Kiwis</hi>
                </ref>
              </cell>
              <cell rend="right">
                <ref target="#n183">162</ref>
              </cell>
            </row>
          </table>
        </p>
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      <div xml:id="t1-front-d6" type="illustrations">
        <head>
          <hi rend="c">Illustrations</hi>
        </head>
        <p>
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              <cell rend="center" cols="2">
                <hi rend="i">Frontispiece</hi>
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                <ref target="#McKWaysP001a"><hi rend="sc">Lt.-Col. <name type="person" key="name-407933">J. Hardie Neil</name></hi>, <hi rend="lsc">M.B., F.R.C.S., D.S.O.</hi></ref>
              </cell>
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            <row>
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              <cell rend="right" role="label">
                <hi rend="i">Facing Page</hi>
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              <cell>
                <ref target="#McKWaysP002a">The Author, 1916</ref>
              </cell>
              <cell rend="right">
                <ref target="#n13">8</ref>
              </cell>
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            <row>
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                <ref target="#McKWaysP003a">"The Kiwis" (taken in Bailleul, 1917)</ref>
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              <cell rend="right">
                <ref target="#n22">16</ref>
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                <ref target="#McKWaysP004a">Kapai Theatre, Nieppe, 1917</ref>
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              <cell rend="right">
                <ref target="#n39">32</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#McKWaysP004a">Morning Rehearsal, Nieppe, 1917</ref>
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              <cell rend="right">
                <ref target="#n39">32</ref>
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            <row>
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                <ref target="#McKWaysP004a">The Kiwi Orchestra, Nieppe, 1917</ref>
              </cell>
              <cell rend="right">
                <ref target="#n39">32</ref>
              </cell>
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            <row>
              <cell>
                <ref target="#McKWaysP005a">Our First Drop-Scene, Nieppe, 1917</ref>
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              <cell rend="right">
                <ref target="#n56">48</ref>
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                <ref target="#McKWaysP006a">The Marquee, Senninghem</ref>
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              <cell rend="right">
                <ref target="#n65">56</ref>
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              <cell>
                <ref target="#McKWaysP006a">Kiwis leaving Senninghem</ref>
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              <cell rend="right">
                <ref target="#n65">56</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP006a">Site of 'Xmas Panto., Dickebusche</ref>
              </cell>
              <cell rend="right">
                <ref target="#n65">56</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP007a">Rehearsing for the Pantomime</ref>
              </cell>
              <cell rend="right">
                <ref target="#n74">64</ref>
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            </row>
            <row>
              <cell>
                <ref target="#McKWaysP008a">"The N.Z, Pierrots," Etaples</ref>
              </cell>
              <cell rend="right">
                <ref target="#n83">72</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP009a">The Kiwis in "Y Go Crook?" Etaples, 1918</ref>
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              <cell rend="right">
                <ref target="#n92">80</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP010a">Sonia and Danilo, Etaples, 1918</ref>
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              <cell rend="right">
                <ref target="#n109">96</ref>
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              <cell>
                <ref target="#McKWaysP011a">"The Tuis," Etaples, 1918</ref>
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              <cell rend="right">
                <ref target="#n118">104</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP012a">The Kiwi Orchestra, Etaples, 1918</ref>
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              <cell rend="right">
                <ref target="#n127">112</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP013a">Queue at Divisional Theatre, Bihicourt</ref>
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              <cell rend="right">
                <ref target="#n136">120</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP013a">Coming Home. Rouen</ref>
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              <cell rend="right">
                <ref target="#n136">120</ref>
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              <cell>
                <ref target="#McKWaysP014a">On the Promenade des Anglais, Nice</ref>
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              <cell rend="right">
                <ref target="#n145">128</ref>
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            <row>
              <cell>
                <ref target="#McKWaysP015a">The Kiwis at Leichlingen, 1919</ref>
              </cell>
              <cell rend="right">
                <ref target="#n154">136</ref>
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              <cell>
                <ref target="#McKWaysP016a">On Stage, Kalk</ref>
              </cell>
              <cell rend="right">
                <ref target="#n163">144</ref>
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            </row>
            <row>
              <cell>
                <ref target="#McKWaysP017a">Lt.-Col. M. Ramsay, Matron, and Sisters, Auckland, 1920</ref>
              </cell>
              <cell rend="right">
                <ref target="#n176">156</ref>
              </cell>
            </row>
          </table>
        </p>
      </div>
      <pb xml:id="n12" n="7"/>
      <div xml:id="t1-front-d7" type="foreword">
        <head>
          <hi rend="c">Foreword</hi>
        </head>
        <div xml:id="t1-front-d7-d1" type="section">
          <p>In case these few ramblings should see the light of day and by any mischance fall into the hands of some all-unsuspecting reader, I hasten to warn him that I make absolutely no claim to any literary ability whatsoever: so help me.</p>
          <p>The main idea at the back of my mind, when I first set out on this, what has been to me, labour of love, was that it occurred to me that some record should be left of the formation, and subsequent doings of, the New Zealand Divisional Entertainers. Having been the senior N.C.O., with the exception of the time <name type="person" key="name-407882">Sgt. Charles Cimino</name> was with us, throughout the whole of the show's existence, from the time of its inauguration in Estaires in December, 1916, until the final performance in Germany, in February, 1919, it appears fairly certain that I am able to give a better account, with more reliable data, than anyone, and so I voluntarily accepted the task. If I extend the account to include the whole of the time covering my war service, with a few notes before and after that period, I pray they may be acceptable to you.</p>
          <p>I am happy to include the following extract:</p>
        </div>
        <pb xml:id="n13" n="8"/>
        <div xml:id="t1-front-d7-d2" type="section">
          <head>
            <hi rend="c">War-Time in Theatreland.</hi>
          </head>
          <argument>
            <p>
              <hi rend="i">[Extract from Our Empire Magazine, August, 1937.]</hi>
            </p>
          </argument>
          <head>
            <hi rend="c">"A Digger Looks Back"</hi>
          </head>
          <byline rend="center"><hi rend="i">By</hi><hi rend="sc">Capt. E. J. Anderson</hi>, <hi rend="lsc">m.c.</hi><lb/>(late N.Z.E.F.)</byline>
          <p>After a review of London's war-time shows, the author goes on to say:—</p>
          <quote>
            <p>…. "But the cities and the provinces did not exhaust the beneficent work of War-time Theatreland. Its area was much more extensive; it went into the Line. Can you be so fortunate as to recapture the laughter and pleasantry of a night in the big marquee at the Divisional Theatre at Dickebusch? Perhaps your memory flies more readily to the old French barn at Bihucourt down on the Somme! One's own recollection of a visit to both of these places is that a "rubber-neck" landed in a nearby field with a piece going through the canvas roof of the Dickebusch marquee, and at Bihucourt one saw only half the show; Fritz had "hopped over" against the 42nd Division, and the Brigadier, one <name key="name-405560" type="person">General Robert Young</name>, told us in a most unwelcome first appearance on the stage to go home and "stand-to." We happened to be in the Corps Reserve. Unfortunately, we did not see the full show at Bihu-court. Very fortunately there was no "show" up the line. We were for that evening very much like Mahomet's coffin—suspended in mid-air.</p>
            <p>For purposes of entertaining the troops, the N.Z. Division in France had at various times certain Divisional Troupes, as they were called. The first was "The Kiwis," who operated at alleged theatres at Nieppe and Dickebusch. Then there were "The Tuis." Of them it has been said that they were always willing to produce a concert for the boys anywhere on the slightest provocation. Then came the famous "N.Z. Pierrots." They were formed in the latter stages of the War and were fostered by the generosity of Padre Walls, of the <name key="name-017775" type="organisation">Salvation Army</name>.</p>
            <pb xml:id="n14"/>
            <p>
              <figure xml:id="McKWaysP002a">
                <graphic url="McKWaysP002a.jpg" mimeType="image/jpeg" xml:id="McKWaysP002a-g"/>
                <head>
                  <hi rend="c">The <name key="name-407957" type="person">Author</name>.</hi>
                </head>
              </figure>
            </p>
            <pb xml:id="n15" n="9"/>
            <p>(<hi rend="i">Note.</hi>—The writer is astray here, for the "Pierrots was one of the first N.Z. shows formed in France.—E. McK.)</p>
            <p>Commencing on December 26th, 1917, the Divisional Theatre, at Dickebusch was the scene of a Christmas Pantomime, "Ali Baba and the Forty Thieves, including the Orchestra." One has already referred to the unrehearsed effect provided by Fritz.There was another amusing, if unrehearsed incident.<name type="person" key="name-407891">Dave Kenny</name>, of heavy build and a fine stamp of New Zealander, took the part of Titania, Queen of the Fairies, and came tripping on to the stage with the cue of "I'll fly! I'll fly!" meantime flapping a pair of gossamer wings. To see one of <name type="person" key="name-407891">Dave Kenny</name>'s build threatening to fly was too much for a quick-witted Digger in the audience, who promptly ejaculated, "Like hell you will, Dave." No civilian theatre could provide such a diverting incident with its full proportion of unrehearsed comedy.</p>
            <p>One cannot pass from this production without referring to the kindly co-operation of the legitimate stage in England with that of the soldier entertainers. This production was largely dressed by costumes presented by <name type="person" key="name-407946">Mr. Oscar Asche</name> and <name type="person" key="name-407947">Miss Lily Brayton</name>.</p>
            <p>Later, the Divisional Troupe staged an even more ambitious production called "Y Go Crook?" or as they put it in French, "Pourquoi s'en faire." This was so worth while an effort that it was actually staged in Paris after production to the soldiers. One cannot be sure now whether this was played for the troops in the natural open-air amphitheatre in the wood at Authie on the Somme, or a little later in the barn at Bihucourt after the great and final advance had opened. But at both these soldier theatres the Digger marvelled at the stage effects that these erst-while actors established for themselves under manifest handicaps. Electric lighting, drop scenes, wings, footlights, stage properties and effects—all were there. As the Diggers sat in these impromptu theatres during a respite from line duties, they must <pb xml:id="n16" n="10"/>have found it hard to realise that there was a war on, just up the way.</p>
            <p>"Forty Thieves" and "Y Go Crook" were ambitious efforts in all respects when the circumstances were taken into consideration. Before these, the Kiwis put on performances which had pictures for the first half and a pierrot entertaiment for the second.</p>
            <p>It must be conceded that when one single Digger seeks to recapture the pleasant memories of War-time Theatreland his effort must be a circumscribed one at best. Much more could be referred to, and much more be brought back from the limbo of the past in praise of those who helped to maintain the morale of the troops.</p>
            <p>But without saying anything more, this at least can be done. We can "up and doff our chapeaux" as the song asked us to do for the grimy old stoker, for. those who strutted the boards of War-time Theatreland—soldier and civilian alike—male and female too.</p>
            <p>And the lingering memory to those of us who saw these fellows within sound of the guns is this. What a great transformation it all was—soldiers in the morning, actors and "actresses" in the evening; members of a working party in the morning at Polygon Butte, members of a theatre audience in the evening at Dickebusch or such like place."</p>
          </quote>
          <p>So there is one Digger who still retains happy memories of our show, and doubtless there are a good many more at home in New Zealand who will find pleasure in recalling some of those nights spent at our entertainments, at a time when some diversion from the strenuous affairs of active service was badly wanted, and when we of the concert party did what we could to supply the need.</p>
          <pb xml:id="n17" n="11"/>
          <p>I consider there has been enough and to spare of the "blood and guts" type of war book, so those who prefer their war stories stark, messy and profane, will doubtless be disappointed with this effort.</p>
          <p>To all ex-Diggers, greetings; and should you find any pleasure in a perusal of these lines, I shall feel amply repaid.</p>
          <closer>
            <signed rend="right"><name key="name-407957" type="person"><hi rend="sc">Ernest McKinlay.</hi></name><lb/>(Late No. 3/1741, N.Z.E.F.)</signed>
            <address>
              <addrLine>
                <hi rend="sc">Sydney,</hi>
              </addrLine>
            </address>
            <date when="1938">1938.</date>
          </closer>
        </div>
      </div>
      <pb xml:id="n18" n="12"/>
      <div xml:id="t1-front-d8" type="introduction">
        <head><hi rend="c">Introduction<lb/>New Zealand</hi> — 1914.</head>
        <p>A quarter of a century makes a big hole in a man's life, and it is a long way to look back to those seemingly uneventful days, before the Great War came to alter, for many of us, the whole course of our lives, in that far-off post of Empire, New Zealand.</p>
        <p>As a semi-amateur vocalist, I had done only a little local concert work, and an oratorio or two, when, one day, whilst rehearsing during the lunch hour, in the town concert hall, for a function which was to take place that evening, my accompanist and I noticed that a woman entered and sat in one of the back seats. At the conclusion of one of my numbers, she advanced to the stage and inquired the name of the song, which happened to be Squire's "Mountain Lovers," saying she liked the way I attacked my top notes; she asked would we mind if she constituted our audience, and would I sing all my songs through again for her.</p>
        <p>Of course we assented, and the rehearsal continued.</p>
        <p>At the close, she came forward again, and said how she'd liked my singing, and did we think she could come to the concert that night.</p>
        <p>We were pleased to let her have tickets, and she explained that she was particularly anxious<pb xml:id="n19" n="13"/> to hear again one of the songs, which turned out to be the charming little "Sylvelin" of Sinding's.</p>
        <p>We had no idea as to the identity of our visitor until she remarked that Sylvelin was written in such quaint time. "You know," she said, "once when I was appearing with <name type="person" key="name-407965">Sir Henry Irving</name>" (and here my accompanist and I looked at each other open-mouth, for <name key="name-405019" type="person">Ellen Terry</name> was billed to appear in the hall the following evening) "we wanted some music to fit in to a passage of "Macbeth," and <name type="person" key="name-110176">Sir Arthur Sullivan</name> wrote us something in 5-4 time—that was quaint time, wasn't it? And so I couldn't help thinking this song is written in quaint time too."</p>
        <p>After arrangements were made to have the tickets delivered to her hotel, <name type="person" key="name-405019">Ellen Terry</name> said, "Now, to-night, when you come on to the platform, I'll go 'S-s-s' " (here she made a hissing sound through her teeth) "so that you will know where I am sitting."</p>
        <p>We departed, a little late for our afternoon's work, somewhat thrilled at having attracted the interest of so notable a personality and artist as the world-renowned Shakespearian actress. How the hours passed the rest of that working day has not remained in the memory, but I shall never forget, on coming on to the platform that evening, seeing <name type="person" key="name-405019">Ellen Terry</name> standing in her place and nodding, to let us see where she was.</p>
        <p>Of course her action was most noticeable, and many of those in the front row of the gallery were craning over to see who it was standing up, no doubt recognising at once the well-known features. The memory of that night will ever<pb xml:id="n20" n="14"/> remain with me as one of the most thrilling experiences of my all-too-short singing life—I had almost said career. The audience seemed to catch something of the thrill we were experiencing, and encores were numerous. We were sent for to go and sit with our guest, and at the end of the concert she asked would I once more sing "Sylvelin" for her; so, while hundreds waited, I sang it for her for the fourth time that day.</p>
        <p>Anyone who has heard "Sylvelin" knows that what contributes to its beauty, perhaps even more than the lovely melody and words, is the delightful glissando accompaniment which C A. Martin, now a Mus. Bac., played like the artist he undoubtedly is.</p>
        <p>Ellen Terry looked at him, and asked how old he was, and on learning how really young he was, she said: "My! you must have started when you were just a kid." Asked where I got my interpretations from, and what artists I had heard, I mentioned my greatest inspiration, <name type="person" key="name-407956">Paul Dufault</name>, but she had never heard him sing, though she had heard great reports of him. Yes, she had heard and liked <name type="person" key="name-407937">John McCormack</name>. What violinists had we heard?</p>
        <p>No, she didn't care so much for Heifetz; she thought he always seemed so cold, but Elman was different—he had more soul.</p>
        <p>But quite the best violinist she had ever heard was—"whatever was that man's name again? How my memory is going; you know, quite recently I sensed I was going to forget a certain word in one of my Shakespearian performances, and when I came near the passage, I knew it had<pb xml:id="n21" n="15"/> something to do with veins or sinews, so I looked at my hand and thought of all its component parts, until I found the right word. Now, what <hi rend="i">was</hi> that man's name?"</p>
        <p>Here she began to tick off on her fingers: "A, B, C, D," etc., until she came to J; "J, I'm sure it began with J. Oh yes; Joachim, that's the man; oh, he was spiffing!" And so she rambled on, there being nothing to suggest the great culture that had placed her at the head of her profession in the English Theatre.</p>
        <p>On the way to her hotel, our visitor spoke of her friendship with many of the world's famous artists, and said that the greatest feast of music she had ever enjoyed was when Liszt played almost an entire day for her, only stopping on occasions for a cup of tea.</p>
        <p>She gave us tickets for her recital, which consisted of excerpts from Shakespeare's works, and as showing how her memory was fading, she made frequent recourse to a book wherein the text was printed in extra large type.</p>
        <p>However, Ellen Terry's visit to Dunedin will long be remembered by two aspiring beginners in the musical profession who were thrilled by the great condescension and charm of her lovely 	personality. She could not procure a copy of "Sylvelin," so she had it copied for her own use, as she said she simply must have it with her always. She strongly advised me to go to Munich to study, where, she assured me, one really breathed the atmosphere of music.</p>
        <p>Little did I think then that I was to be privileged to get to Germany, but not, <choice><orig>unfortunate-<pb xml:id="n22" n="16"/>ly</orig><reg>unfortunately</reg></choice>, in the way nor for the purpose suggested. That was in July, 1914, and within a month the whole world was to be knocked off its balance, and in the holocaust that ensued was to be deprived of some nine millions of its best and bravest inhabitants.</p>
        <p>I fear I must ask your indulgence in submitting so unusual an introduction to this supposedly plain account of the doings of a concert party in war-time, but I would just like to give some idea as to how I approached the Great War—or, rather, in what spirit of mind the war caught me, and I have no doubt at all that there were a great many more like me, among the soldiers of our non-conscripted Empire, than to be found in the ranks of our erstwhile over-militarised enemies.</p>
        <pb xml:id="n23"/>
        <p>
          <figure xml:id="McKWaysP003a">
            <graphic url="McKWaysP003a.jpg" mimeType="image/jpeg" xml:id="McKWaysP003a-g"/>
            <head><hi rend="c">Bailleul—The Kiwis</hi>, 1917<lb/><hi rend="i">Back Row:</hi> C. Tidy, A. Green, <name type="person" key="name-407900">G. Carr</name>, <name type="person" key="name-407940">J. Le Comte</name>.<lb/><hi rend="i">Middle Row:</hi> <name type="person" key="name-407890">D. Moloney</name>, <name type="person" key="name-407877">S. Nelson</name>, <name type="person" key="name-407962">T. Trezise</name>, <name type="person" key="name-407957">E. McKinlay</name>.<lb/><hi rend="i">Front Row:</hi> I. Richardson, <name type="person" key="name-407899">G. Lyttleton</name>, <name type="person" key="name-407891">Lt. D. Kenny</name>, <name type="person" key="name-407886">E. Lymer</name>, F. Nation.<lb/><hi rend="i">see page <ref target="#n67">57</ref></hi></head>
          </figure>
        </p>
        <pb xml:id="n23a"/>
      </div>
    </front>
    <body xml:id="t1-body">
      <pb xml:id="n24" n="17"/>
      <div xml:id="t1-body-d1" type="chapter">
        <head><hi rend="sc">Chapter</hi> I.<lb/><hi rend="c">In Khaki.</hi></head>
        <p>With the outbreak of hostilities early in August, 1914, life began to take on a very different complexion. The news from France was far from being reassuring, and our armies had received a serious set-back at Mons. Hoping that the war would be over within the first six months (as prophesied by some of our leading men), I had never experienced any desire to be in the army, and it was not until the sinking of the <hi rend="i">Lusitania</hi>, early in May, 1915, that it occurred to me that, sooner or later, everyone would be wanted.</p>
        <p>After passing medically fit, I was soon in camp with a good chance of getting on a boat for Gallipoli. At Awapuni, we of the prospective No. 3 Field Ambulance, were fortunate in having as our officer-commanding, an experienced campaigner who appreciated the importance of his men being able to put on their own entertainment, instead of having to go out and look for it.</p>
        <p>Lt.-Col. J. Hardie Neil was so far-sighted as to collect a number of excellent orchestral players, many of them professionals; and these, men, with two of us as stage performers, and a scenic artist, formed the nucleus of what later became our Divisional Entertainers, "The Kiwis."</p>
        <p>Our camp concerts and Sunday afternoon garden parties, when the orchestra, the pride of <pb xml:id="n25" n="18"/>the unit, played on the beautiful lawn at Awa-puni Racecourse, soon attracted the interest of the good people of <name key="name-021386" type="place">Palmerston North</name>, who enthusiastically took our two companies of raw recruits very much to their hearts and homes.</p>
        <p>The daily routine of being up early in the morning, with physical jerks and elementary drill, was quite new to, and very much appreciated by, me.</p>
        <p>I enjoyed those months spent in camp as, I feel, did everyone else; for, after the long days in the sun, finished off generally by a sing-song in the grandstand after tea, one went to sleep in the open air, comfortably tired and, as a rule, literally bursting with health. I think it can safely be said that none of us had ever been soldiering before, and of course there were many humorous incidents before the rough corners of civilian life were rubbed off.</p>
        <p>An early example was when the orderly officer of the day came to the men's mess-room to ask were there "Any complaints," a demand which always brought a terrific din as each man banged his iron-ware down on the bare mess tables. I'm sure everyone, including the orderly officer, was astounded to hear someone call out, "Yes, the meat ain't none too good, mate!"</p>
        <p>But, even in the army, camaraderie could scarcely be expected to stretch so far.</p>
        <p>A rather amusing story told against the colonel is one relating to his groom, Reg. Pearson, who was one of the "dags" of the unit. Peo, as the latter was popularly known, was anything but robust-looking, and when on one occasion he complained of illness, the colonel said to him: <pb xml:id="n26" n="19"/>"Look, old man, a sick man like you should never have got through the medical examination at all; the doctor who passed you to serve overseas evidently didn't know his job; who was it passed you for active service, Pearson?"</p>
        <p>I believe that the silence which followed Peo's shattering reply, "You did, sir," might have been cut with a knife; that is, of course, until the humour of the situation dawned.</p>
        <p>The first thrill of putting up stripes, of parading <name key="name-021386" type="place">Palmerston North</name> in charge of the picquet, and of being in charge of the guard at the camp gates, can only be faintly remembered; but no doubt they were tremendously important then.</p>
        <p>The colonel, who was a South African veteran, took a very keen interest in the company's drill, and our frequent church parades, which entailed a march from the camp to the city, were always a source of great pride to him, reflecting, as they did, the great care he had taken at all times to ensure the sound training and consequent soldierly bearing of his men.</p>
        <p>Those mostly concerned in the carrying out of these training duties were: Sgt.-<name type="person" key="name-407949">Major Joe Hesp</name>, whose stentorian words of command were never to be taken lightly, though he was human enough to retain the respect and comradeship of everyone.</p>
        <p>His duties were all on the military side of our preparation, ranging from physical exercises to parade-ground and company drill. On the technical side we were well instructed by a staff under <name key="name-407869" type="person">Sgt-Major Fred</name>. Rudd, a most efficient specialist at his job, and a thoroughly patient and helpful instructor, as was also his chief assistant, <pb xml:id="n27" n="20"/>Sgt.-Major Beconsall.</p>
        <p>Sgts.-Major Capp and Chapman were in a slightly different category to the above-mentioned men, and were never taken too seriously, in spite of their rank.</p>
        <p>Chappy was one of the lads of the village, and, it was said, once served with an English cavalry regiment. That he came from.'Ome was apparent one morning when, in chasing one of the stragglers on to the parade ground, he was heard to shout: "Shake it up, lad, don't 'ee know bleedin' bugle's been blew?"</p>
        <p>He used to help us at our concerts with a couple of coster songs, one of which was: "Standing at the corner of the street." They were happy days, spent in the company of as fine a crowd of young fellows as you could hand-pick anywhere, and the usual, camp routine ambled along amicably until final leave, after which proceedings rushed swiftly to a climax.</p>
        <p>I was placed on one draft of eighteen men who were sent for from Gallipoli, only to find, after all good-byes had been said, my name was removed at the very last minute. However, our promised sea trip was not to be long delayed, though the unit was to be split: the main portion leaving from Auckland, while I, together with one officer and eight other ranks, was to sail by Troopship No. 42, the old <hi rend="i">Ulimaroa</hi>, from Wellington. The colonel had arranged for the unit to give a farewell concert on the eve of its departure from Auckland, and so as to be able to appear at this performance, which took place in His Majesty's Theatre, I made a special trip to the Queen City, returning to Wellington just <pb xml:id="n28" n="21"/>in time for our own departure.</p>
        <p>I was not particularly happy on that, my first voyage overseas, as apart from the sea-sickness I experienced throughout practically the whole of the trip, our newly-painted quarters being directly over the propeller, we were unduly harrassed by a little book-worm of an officer who had never before had charge of, nor knew how to handle men.</p>
        <p>The bright spots of the voyage were our calls at Albany and Colombo, where we made contact with our Main Body, and our joy was complete when they arrived at the point of disembarkation, <name key="name-004572" type="place">Port Tewfik</name> on the <name key="name-001365" type="place">Suez Canal</name>, on the day following our appearance in that harbour. The unit entrained immediately on landing, and I, who had to stand by at the port for a few days, thinking their train would stop at Suez station, got aboard to have just a little longer chat with the pals I had not seen since leaving Colombo.</p>
        <p>Much to my dismay, the train continued on past Suez, and as it was making something like 20 miles an hour, it took me some time to pluck up courage enough to jump off, which I eventually did.</p>
        <p>I was lucky not to have been killed, and can remember hearing a Maori shout, as I lay still while the trucks sped past: "A bloke's fell of te train!"</p>
        <p>I didn't know whether I was hurt or not, having bowled over and over several times, but on picking myself up was glad to find the only damage I had sustained was to have split the palm of my left hand, and broken my wristlet watch.</p>
        <pb xml:id="n29" n="22"/>
        <p>However, as I have inferred, I was not too popular with our jumped-up little officer, and just had to be on duty in the morning.</p>
        <p>That three-mile walk back to <name key="name-004572" type="place">Port Tewfik</name>, on a pitch-black night, in a strange country, was an eerie experience for me.</p>
        <p>I passed through several Arab encampments ranged alongside the railway, and had no idea as to whether they were friendly or not, so I decided to give them as wide a berth as possible; though these detours from the straight and narrow of the railway line often caused me to drop into holes, or stumble over heaps of sand, until I decided it was better to hug the rails and chance any interference from the natives. They all looked like Achi Baba and his thieves, in the flares of their fires, and I was very pleased to be back at the wharf, where the old <hi rend="i">Ulimarca</hi> was tied up.</p>
        <p>However, my troubles were not over by a long chalk, for I was challenged by an armed sentry, and came within an inch of being run through with a bayonet. I couldn't give any pasword, and was arrested and held until I could be identified and released some hours later.</p>
        <p>My first night in the actual desert served to convince me of the utter stupidity of the title of the well-known song, "Till the sands of the desert grow cold."</p>
        <p>It had been a perfect day, and though we were without blankets, no one felt any qualms about stretching out on the warm sands to sleep.</p>
        <p>However, it wasn't long before we were forced to be up and moving round to get the blood in circulation, for the night turned <choice><orig>in-<pb xml:id="n30" n="23"/>tensely</orig><reg>intensely</reg></choice> cold, and so did those much-vaunted sands.</p>
        <p>I couldn't help thinking that any man who was to be trusted only until the sands of the desert grew cold, was not to be trusted very far.</p>
        <p>That damned sand was one of the worst things we had to contend with in Egypt; it gets in everywhere, and the sand-storm—I mean the worst one—we struck over there when half our big square Egyptian tents were blown down, and you couldn't see a yard in front of you, was a most trying experience, the worst result of all being that every mouthful of food contained its full quota of grit.</p>
        <p>Being always as dry as a bone, this part of the Great Sahara is very much like any other part, one imagines, and the loose sand made walking difficult, so that the indignation of the old hands at anyone at all with the audacity, after the troops had spent all day exercising on such an unstable surface, to ask that they be made run, whether by Alec. or anyone else, was thoroughly understood by us new chums.</p>
        <p>The march past the <name key="name-407868" type="person">Prince of Wales</name> and <name type="person" key="name-150298">Sir Archibald Murray</name> was an unforgettable affair, and though we were absolutely the last unit in that very first review of a complete New Zealand Division, we all felt the thrill of the occasion and had the arms swinging and our chests well out, when the long awaited "Eyes Right" came.</p>
        <p>Prior to this, the N.Z.E.F. had consisted of only two and a-half Brigades, but with the arrival of the 3rd and 4th Battalions of the Earl of Liverpool's own, the 3rd Brigade was completed, thus enabling New Zealand to be represented for <pb xml:id="n31" n="24"/>the first time overseas by a full Division.</p>
        <p>The sobriquet for the 3rd Brigade had many variants from the original "Dinks;" one of the Battalions being known as the "Square Dinks" and another as the "Fair Dinks."</p>
        <p>It is amusing to reflect now, that when we arrived in Egypt, just after the boys came off the Peninsula, we felt instinctively that we were regarded by the old hands as being far too late on the job, in spite of the fact that the ballot was not instituted until some time later.</p>
        <p>However, it is quite probable that we, too, later on, developed the same superiority complex towards the later reinforcements to arrive, as we had found so trying when it had been applied to us.</p>
        <p>Orders that we were to proceed to France were received with enthusiasm, for we were all heartily sick of the sand, and of the everlasting flies which were everywhere. The natives never seemed to mind these pests, for it was a common sight to see the labourers at the wharf, asleep in the sun, and snoring loudly, with their mouths wide open, while their tongues, right to the roots, would be black with flies.</p>
        <p>Any moisture at the corners of their eyes, or up their nostrils, was eagerly sought out by these always busy pests of the desert.</p>
        <p>It was all very disgusting, and not at all an edifying sight—but it was Egypt.</p>
        <p>Leave to Cairo was a milestone of our sojourn in the land of the Pharaohs, and I suppose almost everyone paid an early visit to the pyramids at Mena, there to essay the climb to the top of the largest one, that of Cheops; but perhaps <pb xml:id="n32" n="25"/>there were many like us who found the task much too strenuous, for they are mighty big blocks of stone, and the ascent is not easy. However, we did manage to squirm up on our stomachs, through the narrow passage inside the big Pyramid, into the Chamber of the Kings, there to marvel at the skill of those ancient Egyptian workmen, and how they were able to shape the corners of those huge blocks of stone to fit so exactly.</p>
        <p>The guides were a shrewd-looking bunch, and must have done extremely well out of the Aussies and ourselves for, besides their legitimate fees, they contrived to sell us all sorts of alleged antique curious, including the ubiquitous scarabs, most of which, though green with the verdigris of seemingly countless ages, were nevertheless made in modern Birmingham.</p>
        <p>The Esbekiah Gardens and the Markets were two of the most colourful haunts of those care-free days, though, of course, one just had to seek out the Wazir area to see where our fore-runners had made history. The numerous accounts of this now historic affaire were varied in the extreme, and from the look of things it must have been a terrifying experience for those unfortunates who lost everything in the out-break. However, the boys from "Down Under" made a very good job of clearing out at least one of the plague-spots to be found in Cairo; as, indeed, they can be seen, though to a lesser degree of sordid filth, in most of the older cities of the world, and to them our sincerest thanks are due. The few days' leave in Cairo were over all too soon, and the rickety little train, with its <choice><orig>trum-<pb xml:id="n33" n="26"/>pet</orig><reg>trumpet</reg></choice>-blowing guard, saw us safely back in Moascar where "two-up" and "crown-and-anchor" held sway.</p>
        <p>The arrival of our issue of army mules caused a great stir among the members of our A.S.C., who were unfortunate in all their endeavours to make friends with the outlaws.</p>
        <p>Indeed, they seemed a particularly unruly lot, even for army mules, and quite decidedly a very different brand to those docile little beasts to be seen at all railhead and supply dumps in charge of the little Indian "Johnnies."</p>
        <p>The newsboys were a never-ending source of amusement as they shouted their wares through the camp on their daily rounds, and many and weird were the cries heard as, for instance, "Very good news: Lord Roberts dead," and other, often insulting words of the most personal character, referring to the Sgt.-Major or Lady Godley, or some other well-known identity.</p>
        <p>"Eggs-a-cook" and "Orin-ges two for one" were other well-known cries, while on the stations the most popular article for sale seemed to be "Limonaade," but it did not do to leave the purchase until the train was actually starting, for then you might receive anything but the drink named, for your piastres. We gave a concert one evening aboard the British Monitor, "Sir Thomas Picton" on the canal, and quite enjoyed the privilege of contacting with the boys in blue, and of seeing over their, to us, strange-looking ship.</p>
        <p>Before we left for France, we were to experience the thrill of our first real active service overseas. The occasion was when a brigade of <pb xml:id="n34" n="27"/>Australians <hi rend="i">en route</hi> to Tel-el-Kebir got lost in the desert, and, being for a couple of days without water, they were in a very bad way.</p>
        <p>When word reached our camp, the "heads" sprang to it to see how quickly we could bring those Aussies in, and I think we did quite a good job there for, besides rendering them a timely service, the incident served as a welcome bond between us, at a time when we had just won all the boxing contests between the two Expeditionary Forces.</p>
        <p>However, these matches were part of a very healthy rivalry between us, which still exists into these days of peace; as indeed it did before the Great War served to bring us together in such close contact to appreciate the sporting characteristics of our common British heritage.</p>
        <p>We left Moascar one dark night on a cold journey, in open horse-boxes, to Alexandria, and sailed by the American liner <hi rend="i">Minnewaska</hi>, which was sunk by a submarine shortly afterwards, for France. As I knew nothing at all about horses, besides being a very poor sailor, I was put in charge of the horse picquet.</p>
        <p>It's a way they have in the army, and so here was I, who had never been inside a stable even, being moreover just a little afraid of horses, fated to walk round every night, attending to the sea-sick beasts, hauling them to their feet, and taking care to see that none was allowed to remain down on the deck.</p>
        <p>Fortunately it was not a terribly rough trip, but those nights spent under such conditions on one of the lower decks of a troopship, were not at all to the liking of a poor sailor like myself.</p>
      </div>
      <pb xml:id="n35" n="28"/>
      <div xml:id="t1-body-d2" type="chapter">
        <head><hi rend="sc">Chapter</hi> II.<lb/><hi rend="c">France.</hi></head>
        <p>I was indeed glad when we arrived at Marseilles on that morning of April 11th, 1916.</p>
        <p>Our ship was the first to carry members of the New Zealand Division to France, and we had the General Commanding and all his Head-quarters Staff on board.</p>
        <p>There was a gale blowing, and hundreds of Diggers lost their hats overboard, that part of the harbour where we tied up being awash with them. By the way, in referring to our boys as the "Diggers," it was not until after the Somme stunt, later in 1916, that the New Zealanders got the name of "The Diggers," which was conferred on them after the Maori Pioneer Battalion had beaten all records in digging the lengthy Turk trench in very fast time.</p>
        <p>I did not hear the term applied to the Australians until much later in 1917, they being known to everyone in France as the "Aussies."</p>
        <p>The three days and nights, after leaving Marseilles, in a third-class box-compartment, with ten men where there was only room for eight, was an unenviable experience, to say the least.</p>
        <p>One man was forced, when sleeping time came, to improvise a bed by slinging a blanket from the parcel rack above our heads, while another contrived to lie on the floor between our feet. Even those of us who were lucky enough to get seats, as can well be imagined, suffered <pb xml:id="n36" n="29"/>terrible discomfort, more especially from tired necks, for there can be few things as trying than to be forced to sit bolt upright for so long a period of time.</p>
        <p>However, there was a war on, when comfort could not be guaranteed, and though it seemed a never-ending journey, there were many incidents and places of interest <hi rend="i">en route</hi> to sustain us until our arrival at Steenbecque, a small township in the north.</p>
        <p>We noticed at once that there was almost an entire absence of young men along the line of route, and also that almost all the population were dressed in black.</p>
        <p>We were often met at the stations by ladies with urns of steaming hot coffee, sometimes "avec," a most thoughtful gesture that was keenly appreciated by every one of us. We passed so near Paris that the glare of the city's lights could be plainly seen, in spite of the greatly lessened illuminations, the restrictions of which were intensified later on.</p>
        <p>Our early days in the little villages of Tannay and Thiennes afforded us many humorous incidents in our endeavours to attain a smattering of the language, as it was most important to be able to parley enough to be successful in our efforts to eke out our ration shortages. My very first billet in France was in an attic over a boot-maker's shop, and directly opposite the church at Thiennes, whose jangling bells gave the place an old-world atmosphere, as, at six o'clock every morning, they tolled long and loud calling the faithful to prayer, the clip-clop of the latter's sabots fitting well into the picture; the while we <pb xml:id="n37" n="30"/>peered, in sleepy fashion, across at the lighted vestry.</p>
        <p>It was from the old bootmaker that we learned our first steps in the beautiful French language, and it seemed difficult for the dear old chap to understand why it was that we could not grasp such a simple thing as, "Il fait beau temps" or "Le ciel est bleu," but we couldn't, and he would just stand and stare at us in amazement.</p>
        <p>His practical illustration of the meaning of the word "beaucoup" I shall aways remember, as he took a few brads from the supply on his bench and informed us that they were "un petit peu, hein?" and when we nodded, he placed a large number of the brads in the palm of one hand, and proceeded to stir them round with the fore-finger of the other, emitting "Alors! beau-coup, beaucoup, beaucoup, compris?" and we "compreed." Under his expert instruction we could not fail to make headway, but in spite of everything, progress at first was inclined to be just a little bit slow.</p>
        <p>As in most things, some were destined to make more progress than others, and so were always in demand whenever an intricate problem such as "how you would like your eggs done" or "if there was a billet available," had to be solved.</p>
        <p>I made much use of the few French songs treasured in my repertoire, and it was a constant source of wonder to the locals that I could sing in good French, and yet couldn't converse in the language.</p>
        <p>One madame would insist in parading me <pb xml:id="n38" n="31"/>round the neighbourhood to let all and sundry observe the phenomenon, though to me it was no problem at all, as I had learned all my French songs off parrot-fashion, <hi rend="i">i.e</hi>., phonetically.</p>
        <p>About the end of April, we took over a Tommy Rest Camp at Morbecque, a beautiful little village set in a lovely rural district not far from Hazerbrouck.</p>
        <p>Things were evidently very quiet on the Western Front, as the well-remembered communiques used to say so frequently, for we were not over-burdened with work, and could often find time for long walks into the country surrounding the larger towns of Hazerbrouck and Aire. The spy scare reached as far back as Morbecque, when a strict watch was kept on the church spire, from where it was thought messages were signalled to an enemy 'plane flying over, nightly.</p>
        <p>Every Friday it was my duty to proceed, with a G.S. waggon and limber, by way of Hazerbrouck, Borre, and Pradelles, to draw rations and hospital comforts at railhead at Castre. It being April, we were too early to see the lovely country-side at its best, but this we did on passing that way during the summer of 1917, when the chest-high crops, ripened to a rich yellow and shot through and through with red poppies, and the bluest of blue cornflowers, made a wonderfully pretty picture.</p>
        <p>Our days at the Rest Camp passed pleasantly enough, until it was time for us to go up and take a nearer view of the "shooting-gallery" as the Yanks used to say, later, when they heard the call.</p>
        <pb xml:id="n39" n="32"/>
        <p>The 20-kilometre march from Morbecque to Armentieres was a great soberer to all ranks, especially when we were getting close to our destination; and, with all lights out, we were halted many times along the road to allow the passage of men and guns going up to where the line of constantly bursting star shells and cannon flashes lit the horizon for as far as the eye could see. We arrived at Madamoiselle's home-town at 2 a.m., and almost everyone lay down full-length on the broad of their backs in the middle of the cobbled roadway, until billets were allotted.</p>
        <p>Those early days in Armentieres were a source of wondering amazement to us, for here we were, right up against the front line, with thousands of soldiers strolling up and down the <hi rend="i">Rue de Lille</hi> and other main streets of the town, where patisserie and souvenir shops did a roaring trade, and girls sold the Continental <hi rend="i">Daily Mail</hi> in the subsidiary trenches without, apparently, any danger whatsoever. It was May 12th when we arrived in Armentieres, and next day we took over from a Suffolk regiment in the brick-works at Chapelle Armentieres.</p>
        <p>They told us that it was a real home from home, and that if we let the Huns alone they would let us alone. That state of affairs, which apparently had gone on for some eighteen months, was to end all too soon, for our Division set about stirring things up in real earnest, with many heavy bombardments, and some very successful raids on enemy trenches when, no doubt, much valuable information was obtained. However, the Hun did not let us have it all our own way, for we left over 400 dead in the little<pb xml:id="n40"/>
<figure xml:id="McKWaysP004a"><graphic url="McKWaysP004a.jpg" mimeType="image/jpeg" xml:id="McKWaysP004a-g"/><head><hi rend="c">Kapai Theatre, Nieppe</hi>, 1917<lb/><hi rend="i">See Page <ref target="#n70">60</ref></hi></head></figure>
<figure xml:id="McKWaysP004b"><graphic url="McKWaysP004b.jpg" mimeType="image/jpeg" xml:id="McKWaysP004b-g"/><head><hi rend="c">Morning Rehearsal, Nieppe</hi>, 1917<lb/><hi rend="i">See Page <ref target="#n85">73</ref></hi></head></figure>
<figure xml:id="McKWaysP004c"><graphic url="McKWaysP004c.jpg" mimeType="image/jpeg" xml:id="McKWaysP004c-g"/><head><hi rend="c">Nieppe</hi>, The Kiwi Orchestra, 1917.<lb/>Back Row.—C. Howard, <name type="person" key="name-407913">H. Lange</name>, F. Lound, H. Cross, <name type="person" key="name-405551">T. Neighbours</name>.<lb/>Middle Row.—L. Probert, <name type="person" key="name-407864">N. Martin</name>, C. White, <name type="person" key="name-407944">L. Poore</name>, <name type="person" key="name-407899">G. Lyttleton</name>, B. Peterson, <name type="person" key="name-407968">R. Goodison</name>, R. Booth, G. Jackson.<lb/>Front Row.—H. Wright, S. Anderson, <name type="person" key="name-407954">P. Dimery</name>, <name type="person" key="name-407891">Lt. D. Kenny</name>, <name type="person" key="name-407882">C. Cimino</name>, G. Broadley, W. King.<lb/><hi rend="i">See Page <ref target="#n89">77</ref></hi></head></figure>
<pb xml:id="n39a"/>
<pb xml:id="n41" n="33"/>cemetery by the Blue-blind factory, when we came away. Our first loss occurred when a popular officer, <name type="person" key="name-407879">Capt. Tom Guthrie</name>, was killed by a shell burst when he, along with Major Wol-stenholme returned to their billet in <hi rend="i">Rue Nationale</hi> in the heart of the town for their gas-masks, one day just before going up the line. The major was well known in the pre-war days of Dunedin volunteering circles, and was now with one of the Rifle Brigade battalions.</p>
        <p>Both officers were killed instantly.</p>
        <p>What came to be looked for as almost a daily event in Armentieres was the appearance, about 11 o'clock each morning, of an enemy aeroplane flying low over our trenches.</p>
        <p>The "Mad Major," as he was popularly named by our boys, would fly so low as to make it difficult, apparently, for our anti-aircraft guns to get a shot at him, and there was no doubt he saw all he set out to see; but even so I think everyone admired his great courage.</p>
        <p>While we were at the brick kiln with Major A. A. Martin, one of our team contracted scabies, and in consequence we were all segregated at the Ecole Professionelle in <hi rend="i">Rue d'Erquinghem</hi> where we were detained for a month, during which time I had charge of the town's incinerators, wherein all the refuse, both of the civilian and of the military population, was disposed of.</p>
        <p>The big school was shelled several times while we were there, and was such a good mark for the German spotting balloons that we were glad to get out of it, and were lucky not to be among the many fatalities.</p>
        <p>The ecole boasted a fairly large concert hall, <pb xml:id="n42" n="34"/>and here the Division put on a picture programme three nights weekly.</p>
        <p>On one occasion along with <name key="name-405553" type="person">Bowy Atkinson</name>, an Engineer corporal with a very fine baritone voice, I sang there at a concert given by the 4th Otago Regimental Band, conducted by Sergt.-Major Reg. George</p>
        <p>The following evening, <name type="person" key="name-407876">Alexander Watson</name>, the famous elocutionist, gave a recital in the same hall.</p>
        <p>One of the best remembered incidents of those early days was when one of our huge captive balloons broke away and drifted for miles over the enemy's lines. Our artillery did its best to bring the dirigible down, and the sky all round it was one mass of puffs of smoke from the shell-bursts; but, with the interested gaze of almost everyone in Armentieres drawn to it, the balloon continued serenely on its way, unharmed, until out of sight.</p>
        <p>This incident turned out to be the subject of a first-class argument as to the merits of German marksmanship compared with our own, when Gen. "Blinky" Johnson's men were regretfully awarded second place.</p>
        <p>This unsolicited and wholly inexpert judgment, of course, was quite beside the point, as the attack in this particular instance would be undertaken by the British anti-aircraft batteries, and it is highly improbable that our New Zealand gunners fired a single shot.</p>
        <p>However, from Chapelle Armentieres one evening, Major Martin and I had watched the German gunners pick off, one after another, the figures of four saints adorning a church spire at <pb xml:id="n43" n="35"/>Houplines, another of Armentieres' suburbs.</p>
        <p>It was almost uncanny to note the expert way in which, with successive shots, those four figures were picked off.</p>
        <p>Of course this target was stationary, whereas the balloon was on the move; but against this the latter was a huge affair, and possibly a 'plane firing tracer bullets would have been a more efficient method of disposing of the breakaway. They were beautiful summer evenings during those three months from the middle of May until the middle of July in 1916, when we moved out from Armentieres, and for some weeks ran a Rest Camp at La Strade, near Steenwerck, later returning to Armentieres to take over a hospital in the <hi rend="i">Rue de Messines.</hi></p>
        <p>The estaminets, of course, did a roaring business with the price of biere bock at one penny a glass—a cost, by the way, that was soon increased to threepence a glass—so that once again the Australians and New Zealanders, with their much higher pay, had spoiled things for the poorly-paid Tommies. The same thing had happened in Egypt, and was to happen everywhere we went in France and Belgium.</p>
        <p>How the Tommies must have hated to see us coming into the sectors where they had been able to get what they wanted fairly reasonably for, as I have said, no sooner did we arrive than prices went up, and the poor Tommy went without, because he couldn't afford to pay. The estaminets of Armentieres were all packed one evening when a sudden "strafe" sent everyone into the streets amid flying plaster and bricks.</p>
        <p>The cause of this untimely upset was a <choice><orig>glar-<pb xml:id="n44" n="36"/>ing</orig><reg>glaring</reg></choice> instance of idiocy on the part of someone who should have known better. Though it was broad daylight, a Scottish regiment marched in, in full regalia, with kilts swinging and bands playing.</p>
        <p>The "spotters" in the German balloons, ever on the look-out, must have laughed at the foolishness of such a proceeding and, after sending word to their artillery, they no doubt enjoyed to the full the havoc their guns played with the population of Armentieres that evening.</p>
        <p>In no time ambulances were working over-time, while all hospitals were soon filled to overflowing; and all because someone had not used a little commonsense.</p>
        <p>The long-talked-of "Big Push" started on July 1st at Fricourt, and we could hear the incessant rumbling of the guns in Armentieres. From then until it was our turn to take a hand in the big offensive, which, it was confidently expected, would end the war.</p>
        <p>It was about the middle of August when we set out on the long trek southward, and in the ensuing three weeks we certainly put in some very solid route marches. The seemingly endless cobbled roads between long lines of tall poplars made the trek a very tiring one, and blisters in the most tender parts of one's anatomy did not tend to make things any easier, especially with full packs up.</p>
        <p>But I doubt if, individually, any of us ever felt fitter than during those long arduous days of marching that took us through to Arques, where Lord Roberts' body had lain in state, Ebblinghem and Blaringhem, to Pont Remy <choice><orig>sid-<pb xml:id="n45" n="37"/>ing</orig><reg>siding</reg></choice>, where we entrained for further south; and later, through Arraines, Allery, Hallencourt, Bettencourt, Picquiny, Soues, and Rainville, to Dernancourt, where we slept in some scattered low-roofed huts, which apparently served for all divisions about to go into the line at that point, and which was only a short distance from the shattered town of Albert.</p>
        <p>Two incidents of that great march I shall always remember, one being when, ravenously hungry after a week or so on reduced rations, we pulled up near a farmhouse where, I am almost ashamed to admit, I ate eight fried eggs at a sitting. Even so, I could not foot it with my pal, who went on until his score was thirteen, which seems now to have been an extremely indelicate as well an unlucky number; but you must remember we were both very healthy, as well as being very hungry.</p>
        <p>The other occasion was when we struck a house in a small village where we were able to secure an upstairs room with two beds, which was available as a billet. As there were five of us, three slept in the larger bed, and two in the smaller one.</p>
        <p>When I say "slept," I err, because there were others in those beds besides ourselves, and our efforts to awaken madame (though what she could have done that we couldn't I am unable to explain), would have brought out the fire brigade, had so small a village been able to boast of one.</p>
        <p>One of our chaps, now headmaster at one of New Zealand's leading High Schools, could speak a little French, and Alf's shouts of "Anzacs, <choice><orig>An-<pb xml:id="n46" n="38"/>zacs,"</orig><reg>Anzacs</reg></choice> in his attempts on the French pronunciation of "insects," brought a thrill of exultation and, even at this distance, strikes me as being terribly funny. These and other like incidents brought a welcome diversion from the strenuous three weeks' march; and even on the road, with one and all assisting to while away the hours by whistling and singing all the popular choruses of the day, it will ever live in my memory for the spirit of <hi rend="i">camaraderie</hi> it engendered amongst the boys during those hot summer days of 1916.</p>
        <p>Those meals by the wayside, when the wasps seemed to like the excellent Chiver's strawberry jam quite as much as we did, were always appreciated.</p>
        <p>What a treat to be able to get rid of the increasingly burdensome pack, and to stretch out full-length on the broad of our backs in the shade, even though it was always hard to get going again for a while afterwards, until our stiff joints and tender spots were warmed up to the job.</p>
        <p>At Allery we borrowed a piano from a resident, and gave a concert on the steps of the Town Hall, during which a French poilu and his bride, who had just been married by the Mayor inside, received what must have been, to them, a surprisingly vociferous reception from the hundreds of assembled Diggers, as they walked arm-in-arm from the hall.</p>
        <p>M. Leclercq and his daughter Yvonne were refugees from Arras, and those of us who saw the piano safely restored to its owners, spent a very happy evening with them.</p>
        <p>Our host had all sorts of French <choice><orig>tongue-<pb xml:id="n47" n="39"/>twisters</orig><reg>tonguetwisters</reg></choice> for us to attempt, and his humorous song about Napoleon avec Marie Louise, with its innumerable verses, had only to be heard to be appreciated. It is almost impossible for a Frenchman to say our word "these," as he seems incapable of beginning any word with the tongue between the teeth, and I'm sure our host thought I was a bit of a wizard to be able to get my tongue round the following nonsensical twister: "The sea ceaseth, and that sufficeth us, and thus dismisseth us with its blessing."</p>
        <p>As a matter of fact, I have met very few English folk who could handle that particular jingle with any facility, and to poor M. Leclercq it was the last straw.</p>
        <p>A great surprise awaited us shortly afterwards, when our musical instruments turned up in the old historic town of Picquiny, where, much to the amazement of the civilians, we gave a concert from a lorry in the streets one evening. I also conducted a concert at Brigade Head-quarters in Belloy the following night.</p>
        <p>Good-bye was said to our packs at the previously mentioned wayside camp at Dernan-court, and we moved on through the final stages of the journey past Albert, with its well-remembered church spire supporting the depending statue of the Madonna and Child, through Fri-court, Mametz, and Montauban, from which Green Dump ran up to Longueval, and on past High and Delville Woods to Flers, where the Division went over on the morning of September 15th.</p>
        <p>Poor France! The whole countryside showed every evidence of the terrible conflict that had <pb xml:id="n48" n="40"/>been waged over it, being everywhere blasted and torn, with not a tree left standing where there had once been beautiful woods.</p>
        <p>The lee side of every little rise in the contour of the ground had served at sometime or another as a suitable spot for a dug-out, and everywhere around lay the sheets of tin and corrugated iron that were so useful as a protection against rain. The limestone content of the earth, in which were hewn the miles of trenches that once contained living men, but which were now discarded as the advance developed, during the two and a-half months that it had been exposed to the elements, had everywhere caused these great gashes in its surface to turn green with mould, and the whole portent of the place was one of gloom and despair.</p>
        <p>Near Fricourt we halted close by a battery of 15-inch guns, the shells from which could easily be seen and followed, both from behind and side on, as they hurtled high in the air, for all the world like huge footballs, on the eight miles' journey to their objective.</p>
        <p>Standing directly behind one of these guns I was deafened for about 24 hours by the tremendous concussion, and I saw a horse fall dead from the same cause, as it was being driven along in front, at the moment a shell was discharged.</p>
        <p>The huge craters made by the mines which signalled the commencement of the Big Push on July 1st, were easily detected, and explored, as were several spacious German dug-outs, expertly constructed and outfitted, nearby.</p>
        <p>Further on, in the pitch blackness of night, the terrific din of the constantly flashing guns <pb xml:id="n49" n="41"/>created an almost unreal atmosphere as shells, apparently of every calibre, screeched overhead, each with its own peculiar whine, some striking a high-sounding whistle, and others with a long-drawn-out deep moaning sound, while in between these two, whined shells, the noise of which ranged the whole gamut of the musical scale, with quarter tones added. Occasionally we could detect, high overhead, one of the big footballs from Fricourt, with its distinctive "uddle uddle uddle uddle uddle" in a perfect crescendo and diminuendo, as it approached, and continued on past us, seeming, by its peculiar sound, to be working its own passage on its long 8-mile journey to destruction.</p>
        <p>The awful effect of this continual racket of whistling, screeching, whining, moaning, and rattling of shells, with the almost incessant flashes of our gun-bursts on either side, and often quite close, together with the intermittent bursting of enemy shells, for all these steel presents were not going the one way; gave one a feeling of insignificance, as of a microbe in a spot that may well have been a cross between Dante's In-ferno and The Valley of the Shadow.</p>
        <p>But all this has probably been said in a much better way than I could describe it, so I will only say that eventually I did reach High Wood, where Major Martin conducted an aid post in a very exposed position. It seemed inevitable that he would be killed; and I was not at all surprised—though, of course, greivously sorry—to learn that he had been so seriously wounded that he died next day.</p>
        <p>It was a thousand pities that this brilliant <pb xml:id="n50" n="42"/>surgeon who, by the way, was the author of that well-known war book, "A Surgeon in Khaki," could not have been at the Corps Dressing Station at Becordal, where his expert use of the knife would have been of much more value to the sadly over-worked staff of doctors, who were quite unable to cope with the large number of stretcher cases awaiting attention.</p>
        <p>Flers was literally the end of the world for us, and it seemed impossible that many would come out alive; but the spirit of the troops was wonderful to see, and enough acts of bravery were done to warrant a liberal distribution of V.C.'s.</p>
        <p>Truly wonderful work was done by the stretcher-bearers who, though often tired to the point of collapse, would re-form and go out again and again, to trudge through the extremely heavy going, often sliding headlong with their precious cargoes into deep shell-holes, which the rain and thin mud had filled, so that their presence was not detected.</p>
        <p>It was superhuman work, and no praise could be too great.</p>
        <p>If I have singled out the deeds of the stretcher-bearers first, it is of course because I saw more of their work than I did of any other unit; but everyone knows of, and gives unstinted praise to, the actual fighting troops, and none with more sincerity than myself.</p>
        <p>It was on this occasion of the New Zealand Division's attack at Flers, that the tanks were used for the very first time in France, and coming upon some of them in the pitch darkness the night previous to the attack, we were at a loss <pb xml:id="n51" n="43"/>to know what they were until, getting a look at one in the early dawn, we saw that it was His Majesty's Landship "Duke."</p>
        <p>We suffered heavy casualties during those twenty-three momentous days in the line, and lost approximately one-third of our total strength; but undoubtedly the death roll would have been much higher had it not been for the heavy rain which turned the whole sector into a sea of mud, in places several feet thick. In consequence, many of the big shells sent over by the enemy failed to explode, and merely buried themselves into the mud. How we cursed that altogether too affectionately clinging mud, for to walk a hundred yards made one more tired than would have several miles under ordinary conditions.</p>
        <p>It was impossible to find one's puttees, and these had to be cut off with a knife.</p>
        <p>However, as I have said, though it was a terrible hindrance and caused so much discomfort, that same much-maligned mud certainly saved us a much heavier casualty list.</p>
        <p>I'm sure I am right in saying that our quartermaster's store, which in this instance was a bell tent, was the only habitation above ground in Green Dump; and my assistant, Bob Dyson, used to perform the solemn ceremony of sprinkling a few drops of precious rum round it every night in an endeavour to keep the shells off. Whether or not it was this "rum" precaution which saw us safely through those twenty-three days, cannot be asserted with any assurance; but in spite of all the odds against us, we were not among the many splendid chaps left behind when <pb xml:id="n52" n="44"/>the time for evacuation came.</p>
        <p>I don't remember that we ever had much to sing about, under the trying circumstances, but I have been reliably informed that one pitch-black night, when <name type="person" key="name-209146">General Russell</name> was riding by our tent, with our quartermaster, <name type="person" key="name-407878">Capt. E. M. Finlayson</name>, he heard someone singing the well-known ballad, "I hear you calling me," and inquired who it was.</p>
        <p>On being told, "Fin" says that the General remarked that anyone with a voice like that had no right to be so far up.</p>
        <p>That this incident was substantially true is fairly evident from the fact that very shortly after we left the Somme area, the General gave orders that never again were the entertainers to be put into the line.</p>
        <p>One of our chief worries at the Green Dump address was that on two sides of our tent were stacked dozens of boxes containing hundreds of Mills bombs, and we could not help wondering what a direct hit would do to them—and us. Those twenty-three days seemed endless, but at last, on the 4th of October, we got word to move out, and at Bray, where we camped on that first evening, I well remember sitting in the midst of a crowd of our boys and singing all their requests for perhaps an hour or more.</p>
        <p>Of our orchestral members, our first cornet-tist—<name type="person" key="name-407938">Joe Bayley</name>, of Auckland-was killed out-right, and several others badly wounded and, in consequence, lost to us.</p>
        <p>From Bray we went by train to Longpre, where we detrained at three o'clock in the morning in heavy rain, and completed the other <choice><orig>fif-<pb xml:id="n53" n="45"/>teen</orig><reg>fifteen</reg></choice> kilometres to Huchenville on foot.</p>
        <p>It teemed throughout the whole of that march, and with everyone so "done-up" after such a long spell in the line, hundreds of Diggers fell out and lay in the long wet grass at the side of the road, until ambulance cars could be sent back to pick them up and convey them to their billets.</p>
        <p>Coming further north, we stayed at the small village of Outtersteen, where I had a billet which the Great War Cartoonist, <name key="name-405554" type="person">Capt. Bruce Bairns</name>-father, had once occupied; and Madame Charlet, whose church-organist husband was at the front with the French army, had a number of the artist's original cartoons, including several of herself.</p>
        <p>In November we returned to Armentieres as part of what was known as "Frank's Force," and received a most cordial reception from our civilian friends.</p>
        <p>One of the most popular of these latter was a quick-witted madame with a ready answer for everyone, who did a great business in her egg and chips cafe right opposite the hospital gates. Though she was what might be termed "a hard case," she knew where to draw the line, and was known to all as a thoroughly chaste, as well as charitable character; and so, in relating this incident of the War, I trust it may not be regarded, especially in view of these enlightened times, as being in any way indelicate.</p>
        <p>To come quickly to the point: before we left Armentieres on our three months' trek to and from the Somme, it had become very evident that madame was in a way that may be tersely <pb xml:id="n54" n="46"/>described as "certain," and when it was remarked within her hearing that it seemed more than likely madame would soon have two extra little mouths to feed, she was quick to assure us: "Not on your life, Digger, un, un seulment," but the assertion failed to shake our considered opinion.</p>
        <p>When we returned to the town on this occasion, no one seemed more pleased to welcome us than our friend at the egg and chip cafe in the <hi rend="i">Rue de Messines</hi>, who, standing at her door, and scanning the ranks until she espied a certain N.C.O., held one finger aloft as she shouted, "Sergeant, un, un," her radiant smile beaming from ear to ear. The laugh that went up from the boys, who were all in the joke, was taken up by the happy father who appeared in the door-way holding the precious baby, and it is only fair to someone, to say that the latter was the very living image of its dad.</p>
        <p>During November I conducted several concerts in and around Armentieres; on one occasion we entertained the 3rd Dinks where they were quartered at the old Civil Hospice in Half-past Eleven Square.</p>
        <p>We also performed for Auckland and Ar-tillery troops in a shell-battered warehouse in Houplines, and at a dilapidated tissage factory not far from the Armentieres station, we had a great night's fun, the highlight of which was Capt. "Jockey" Grant's singing of "Everybody's doing it," and "Syncopation rules the nation," when he appeared in a most original costume, the large part of which consisted of a gas helmet, gum-boots, and a Sam Browne, with an iron <pb xml:id="n55" n="47"/>cross "nuggetted" on his chest.</p>
        <p>Always a most popular officer, that night set the seal of comradeship that was never to be broken.</p>
        <p>During the last ten days of the month we were detailed to proceed nightly, per ambulance car, to assist the 56th Divisional ("Tommy") Concert Party, by playing an overture and entr'acte at their performance in the town of La Gorgue, which was reached by way of the Rue d'Erquinghem, through Bac St. Maur, Sailly, Nouveau Monde, and Estaires. Theirs was the first concert party we had heard in France, and we were all thrilled by their won-derful performances, especially those of their great comedian, the famous <name type="person" key="name-407931">Harry Brandon</name>. The long journey to and from the theatre nightly was whiled away with the new songs and choruses we learned from those clever Tommies, a prime favourite being "A Broken Doll," which was then brand-new, and "Sergeant MacAdoo" (or "Hoch hie, oui, oui").</p>
        <p>General Russell told me years afterwards that it was his visit to this 56th Divisional Concert Party that decided him that we, too, must have our entertainers; the only thing that puzzled him being where we were going to get performers to compare with those cf the 56th. He described himself as being very agreeably surprised at the excellent talent we were able to unearth in our Division, and it was then he gave orders that the selected entertainers for the concert party were to be detached from their units and kept out of all "stunts" in future, as, he said, they were of more value to the N.Z.E.F. <pb xml:id="n56" n="48"/>elsewhere than in the line.</p>
        <p>Early in December we were moved in to Estaires, where I found a comfortable billet in the home of M. et Mme. Seynaeve-Roussel, a kindly old couple who kept a hat shop in the <hi rend="i">Rue du Rivage;</hi> and I shall always remember the amusement I gave them in my all-too-persistent efforts to get my sluggish uvula to work on the correct pronunciation of "Chapelleries en tous genres," the caption stencilled on their shop window, and which, though it is so extremely difficult for us to say, simply means "Hats of all kinds."</p>
        <p>Oudelle, the little maid, and Fox, a sprightly fox-terrier, completed the household, the entree to which was open to me at all times just like one of the family, for whose unbounded kindness I was, and am, sincerely grateful.</p>
        <p>It was in the <hi rend="i">mairie</hi>, or town hall at Estaires that I first heard that popular war ditty which begins, "And when I tell them how beautiful you are, they'll never believe me," when it was performed during one of <name type="person" key="name-407943">Lena Ashwell</name>'s enjoyable shows in 1916.</p>
        <p>In the square, too, we heard Lord Derby's very fine recruiting band when it came over to give the boys in France a treat, and one of its brightest numbers, which I was successful in getting orchestral parts for, so that we were able to play it very often afterwards, was that beautiful lilting intermettzo "Aisha" by Lindsay.</p>
        <p>Early in the war the Germans had taken the then mayor and some of his councillors and shot them against the stone balustrade in front of the town hall in this same city square.</p>
        <pb xml:id="n57"/>
        <p>
          <figure xml:id="McKWaysP005a">
            <graphic url="McKWaysP005a.jpg" mimeType="image/jpeg" xml:id="McKWaysP005a-g"/>
            <head><hi rend="c">Our First Drop-Scene—Nieppe</hi>, 1917<lb/>Painted by <name type="person" key="name-208320">W. N. Isaac</name><lb/><hi rend="i">See Page <ref target="#n71">61</ref></hi></head>
          </figure>
        </p>
        <pb xml:id="n57a"/>
        <pb xml:id="n58" n="49"/>
        <p>It was here in Estaires that our unit orchestra was added to, with a view to forming a Divisional Concert Party, and several prospective stage performers were also attached for rations at this time.</p>
        <p>The announcement through D.R.O.'s that leave was available to Paris, was received with enthusiasm, though only those interested in the arts, and who could benefit educationally, could get it.</p>
        <p>I was fortunate enough to be included in the small allotment of four from our unit, and I have a faint recollection that from the time that such important notification was received, until the hour of departure, our joy was truly un-confined.</p>
        <p>General Russell had arranged that all members of the Division on leave to Paris should stay at the Hotel Bristol, which is in a good central position, and quite near the Saint Lazare Station.</p>
        <p>We were met at the Gare du Nord by a New Zealander in the person of <name key="name-209139" type="person">Miss Ettie Rout</name>, who was carrying out the self-assigned task of enlightening all Digger soldiers arriving in the gay city in matters pertaining to their welfare.</p>
        <p>At Pepiniere Military Barracks we attended a compulsory lecture, given by a Canadian doctor, Capt. Walker, whose timely warnings, couched in pithy phraseology, acquainted everyone of the many pitfalls to be avoided in Paris, while his statistics and illustrations seemed realistic enough to convince the most foolhardy.</p>
        <p>In recalling the many persistent rumours current at the time, that the Russians had passed through in their thousands by way of Scotland, <pb xml:id="n59" n="50"/>to take their place in the line on the Western Front, I can only vouch for the fact that there were Russians in France, for we met plenty of them at Pepiniere Barracks, where they changed hats and walked arm-in-arm with us in their endeavours to be friendly, though whether they were ever there in sufficient numbers to be assigned a place in the line, I have no knowledge.</p>
        <p>What a thrill it was to walk the famous boulevardes, the Place de la Concorde, the Tuileries, etc., and though many of its treasures were safely stored underground, lest they should be endangered by the hostilities, there was plenty for us to see and admire at the Louvre, Pantheon, and all the other art museums and places of interest in Paris.</p>
        <p>Spurred on with enthusiasm, no doubt created by his having been in such close proximity to so many of the exquisite art treasures he had seen, one of our number, himself an art student, sought out, and was actually received by the great Rodin, probably the world's most famous sculptor then living.</p>
        <p>Now a director of one of New Zealand's leading art colleges, I imagine <name type="person" key="name-208320">Wilfred Nelson Isaac</name> will always cherish happy memories of the time, many years ago, when he bearded, and was so kindly received by, one of the world's greatest masters of sculpture.</p>
        <p>It was mid-winter, and the days were not long enough to enable us to see all we would have liked, but we managed to cover quite a fair bit of ground in the few days at our disposal.</p>
        <p>A most interesting morning was spent at the historic palace of Versailles, there to admire the <pb xml:id="n60" n="51"/>great beauty of its gardens; and though the famous fountains were not playing, the many photographs obtainable pictured for us the wonderful scene in all its artistic magnificence. Wandering through the many interesting rooms of the palace itself, one felt an instinctive urge to linger awhile in the impressive spaciousness of the Hall of Mirrors, where so much of France's history has been written.</p>
        <p>A trip up the elegant Eiffel Tower, now doing duty as a T.S.F. station, as the French name for radio has it, and from where one gets a marvellous view over the Champ de Mars in one direction and of the Trocadero in the other, was well worth while, as was the breath-taking trip round the Big Wheel.</p>
        <p>The theatres, of course, claimed our attention each night and, among others, we saw the great <name key="name-405558" type="person">Gaby Deslys</name> and her American partner, <name type="person" key="name-407915">Harry Pilcer</name>, starring in a revue, with a beautiful dancing act at the Folies-Bergere.</p>
        <p>At the Alhambra Theatre, where, eighteen months later I was to have the opportunity of singing, we saw, for the first time, Grock, the great French clown in his screamingly funny musical act. But in spite of these and other very excellent entertainments, it was at the magnificent Opera House that I was to receive my greatest thrill in Paris.</p>
        <p>The great beauty of this opera house was a revelation, and just to walk in the foyer and mingle with the superbly dressed audience, was a sensation to four heavily-booted Diggers, to say nothing of the pleasant surprise awaiting us at first view of the lovely auditorium, with its <pb xml:id="n61" n="52"/>many rows of red-velveted boxes and exquisitely painted ceilings.</p>
        <p>Of the three operas we attended—"Manon," "Aida," and "La Tosca"—each very different, it was the beauty of Massenet's music in the first, the magnificent spectacle of the huge cast of over 300 performers in "Aida," and the amazing realism of Baron Scarpia's acting in "La Tosca" that made these performances memorable above everything I saw or heard in Paris. The great Battistini was still singing, but we did not have the luck to hear him, though we did hear two very wonderful Belgian baritones-Ms. Note and Alberts, who, though both were elderly, had magnificent voices. <name type="person" key="name-407907">Ferdinand Annseau</name> and <name type="person" key="name-407892">Giovanni Martinelli</name> were two very fine and experienced tenors; while the work of Destin, who sang magnificently in "Aida," was outstanding among the women heard. At a charity matinee at the Edward Seventh Theatre we heard Polin, a popular stage star, sing "Madelcn," the now well-known marching song.</p>
        <p>We sat with <name type="person" key="name-407891">Lt. Dave Kenny</name>, who was soon to be in charge of the Divisional show, and when everyone joined in the lilting chorus of the song, the only words we could get were the three final "Madelons," and did we let it rip!</p>
        <p>It was on the last day of our leave to Paris that we had the good fortune to meet a Canadian millionaire, <name type="person" key="name-407880">Charles Henderson</name>, who had a contract running army supplies from Switzerland to the war zone.</p>
        <p>We were a bit dubious when he spoke to us, thinking he might be one of the usual touts for doubtful amusements, until the liveried <choice><orig>atten-<pb xml:id="n62" n="53"/>dants</orig><reg>attendants</reg></choice> at "Henry's" bowed low to him. Saying he would like us to meet his wife, he bought some beautiful flowers, including marvellous fresh roses tinted artificially green, brown, and blue and, packing us into a taxi, set out for the <name key="name-405555" type="place">Champs Elysee</name>, where he had a magnificent flat.</p>
        <p>Mrs. Henderson was a very beautiful creature, and both she and her lovely daughter entertained us warmly. At the Hotel Meurice, on the Rue de Rivoli, where we dined later, we sat at a table next Lord and Lady Ayrshire, who were doing <name key="name-027417" type="organisation">Red Cross</name> work in Paris during the war. We did everything in style that last day on leave under <name type="person" key="name-407880">Charles Henderson</name>'s guidance, and strange and mysterious were some of the exclusive haunts we were permitted to take a peep at. All the same, I'm sure we spent more time in the taxi than anywhere, as we were rushed at break-neck speed from place to place in our host's endeavour to show us as much as possible in the few hours remaining, before he drove us to our train, which was just steaming out of the Gare du Nord as we got on the platform.</p>
        <p>All good things come to an end; and so, with everlasting memories of our first visit to France's capital city, we arrived back in Estaires just in time for Christmas dinner which, good though it was as a result of the cook's skilful camouflaging of army rations, yet remained quite a bit below what we had been relishing for the past week in Paris.</p>
      </div>
      <pb xml:id="n63" n="54"/>
      <div xml:id="t1-body-d3" type="chapter">
        <head><hi rend="sc">Chapter</hi> III.<lb/><hi rend="c">The Kiwis.</hi></head>
        <p>The call for anyone with any claim to a singing voice, cr anyone with any stage experience whatsoever, had gone through Divisional Routine Orders, and I had the honour of assisting <name type="person" key="name-407891">Lt. Dave Kenny</name> in his selection from among the many singers, dancers, elocutionists, etc., offering of those most likely to be useful in combining into a Divisional Pierrot Troupe. Some ten of the successful applicants, together with the 3rd Field Ambulance orchestra, were released from their units, and the proposed concert party began to take on a definite shape. For some time the Maori Pioneer Battalion had been busily erecting a hall, the walls of which were of tarred paper, and this, on completion, was to be known as the Divisional Theatre. It was there, at the corner of the Sailly Road at Bac St. Maur, that the Division christened the new theatre by putting on a Christmas Treat for the French kiddies, who turned up in their hundreds from far and near to receive gifts from a heavily-laden Christmas tree. Each child got several toys, and, after a lavish partaking of buns and fizz, one of the children presented <name type="person" key="name-209146">General Russell</name> with an illuminated address, and much to the delight of the kiddies and Diggers alike, the General replied in excellent French.</p>
        <p>The Division was in the line at Fleurbaix, where about this time they suffered numerous <pb xml:id="n64" n="55"/>gas casualties. On one occasion, when a party in the front line, on re-donning their gas-masks after having previously removed them, the first blowing of the eerie-sounding Strombus horn having proved a false alarm, the unfortunate victims found that in the meantime their saliva-filled mouthpieces had frozen, so that when the second and real warning came, the masks were unwearable, and all were caught without any protection from the gas whatsoever.</p>
        <p>There was quite an epidemic of fractured Wrists during January and February owing to the numerous spills on the ice that covered the River Lys, on which all and sundry who could dig up skates spent happy hours daily in the enjoyment of the exhilarating exercise of real ice skating.</p>
        <p>The cold was intense, and cars flying along the Sailly Road by day would be followed by what looked like clouds of dust, but what were actually clouds of frost.</p>
        <p>The ban on all naked lights made walking extremely unsafe at night, with staff and ambulance cars and other fast traffic speeding along this same Sailly Road in the pitch darkness.</p>
        <p>Being now definitely on the job, rehearsals for the first programme of the new show began in a small cafe at Sailly-sur-Lys, and there you might have seen a motley collection of sappers, drivers, bombadiers and just ordinary common Diggers, in scarves, and possibly balaclavas, sitting round in a half-circle, trying to learn an opening number, while <name type="person" key="name-407968">Ray Goodison</name>, the pianist, thumped out the notes on our little baby Cramer piano. This little instrument, <choice><orig>inciden-<pb xml:id="n65" n="56"/>tally</orig><reg>incidentally</reg></choice>, had been with us all the way from New Zealand, through the sands of Egypt, and was now having its baptism in France.</p>
        <p>It says a great deal for British manufacture when I say that it remained with us right through all the heavy going of the war period, until we gave our last show in Germany, when it found its way back to New Zealand, and can now be traced to a Digger's home in Taumarunui. The rightful place of such an historic instrument is, I think, the National War Museum, and I should like to learn that this can yet be made possible.</p>
        <p>To get back to the projected entertainers.</p>
        <p>The augmented orchestra was in the process of constant grooming for our long-awaited first performance at Bac St. Maur; but, of course, their objectives were nothing like as difficult of achievement as were ours, for they already had a fairly large library of orchestral music, whereas we found great trouble in getting suitable material on which to work.</p>
        <p>The weather was terribly cold, and our temporary quarters in a very tumble-down attic were far from being ideal at this intricate stage of our development as budding theatrical stars. In fact I, for one, felt almost depressed at having left such pleasant company and surroundings as were almost always available in my old unit, for such a poor turnout as this new venture promised to be.</p>
        <p>With poor arrangements for rationing, and being always cold, wet, and hungry, we were still expected to learn new music and sing as though we liked it all. However, I wasn't long in <choice><orig>secur-<pb xml:id="n66"/>
<hi><figure xml:id="McKWaysP006a"><graphic url="McKWaysP006a.jpg" mimeType="image/jpeg" xml:id="McKWaysP006a-g"/><head><hi rend="c">Senninghem</hi>, 1917. <hi rend="c">The Marquee.</hi><lb/><hi rend="i">See Page <ref target="#n90">78</ref></hi></head></figure><figure xml:id="McKWaysP006b"><graphic url="McKWaysP006b.jpg" mimeType="image/jpeg" xml:id="McKWaysP006b-g"/><head><hi rend="c">Senninghem</hi><lb/><hi rend="sc">En Route to the Base</hi><lb/><hi rend="i">See page <ref target="#n90">78</ref></hi></head></figure><figure xml:id="McKWaysP006c"><graphic url="McKWaysP006c.jpg" mimeType="image/jpeg" xml:id="McKWaysP006c-g"/><head><hi rend="c">Dickebusche</hi>, 1917<lb/><hi rend="sc">Site of Xmas Panto "Dunedin"</hi><lb/><hi rend="i">See Page <ref target="#n95">82</ref></hi></head></figure></hi>
<pb xml:id="n66a"/>
<pb xml:id="n67" n="57"/>ing</orig><reg>securing</reg></choice> better accommodation than Madame Angel's leaky attic was able to afford, and I found a home in the house of <name type="person" key="name-407951">M. Henri Dubrulle</name>, who at Bac St. Maur combined coffin-making with his regular business of wheelwright.</p>
        <p>In my upstairs room I had several coffins to keep me company, and always used one as a settee.</p>
        <p>The daughter of the house, who worked at the baths nearby, where the troops took a periodical dip, was a very lively girl of about 20, and her favours were much sought after by the boys; but I had the drop on them there, for the gay Marie used to bring my early morning coffee every day. I can still hear the gruff but kindly old father, calling out to his son about six o'clock every morning: "August, August, il est temps pour te lever" (sic). But August, being only a lad of some fourteen years, found it a bit of a task to tumble out on those cold and frosty mornings of January, 1917.</p>
        <p>We rehearsed all day and every day at concerted numbers and sketches mainly, having much to learn as to the proper uses of entrances and exits, the good management of which are the very first essentials of a well-ordered stage technique.</p>
        <p>If our performances did not at first attain the success ultimately achieved, it was probably mainly due to our lack of stage training, and also to our being set the altogether too difficult task of putting on a double change of programme weekly with our all-too-limited repertoires.</p>
        <p>Our costumes were made to our <choice><orig>measure-<pb xml:id="n68" n="58"/>ments</orig><reg>measurements</reg></choice> by the nuns at Bailleul, and were of a white calico material, with a white fern in a black circle (the Divisional sign) on the left breast of the tunic.</p>
        <p>We had the traditional high pierrot hat with pom-poms, and a goffered ruffle round the neck.</p>
        <p>Icicles hung from the roof of the theatre, for it was the coldest winter in Europe for thirty years, and the discomforts of our draughty dressing-room were a severe trial. There were very many humorous incidents during those opening few weeks, though some were not considered funny at the time, as when our hard-working comedians in their first careless rapture failed to clear the fence, and had to stand the ribald criticism of some of our hard-boiled P.B.I.</p>
        <p>We sat on-stage in a semi-circle in those early days, and the only drapings we possessed were a couple of wings and a back cloth of some black material, behind which we contrived to dress, and to make up at a long shelf, whereon rested several tins of various brands of pipe tobacco, which now did service as receptacles for our few sticks of grease-paint and face powder. There was scarcely room at the back to pass anyone making a change of costume without cannoning into the back cloth, which was all that hid us from the audience and disgrace.</p>
        <p>Our expert trombonist, <name type="person" key="name-407913">Herman Lange</name>, could do some marvellously clever imitations of an aeroplane zooming overhead, and an especially good one of a "whizz-bang" arriving; and sometimes he would put this latter on during the show when, to make things more realistic, we on stage would all smother up and duck for cover.</p>
        <pb xml:id="n69" n="59"/>
        <p>One night this impromptu act went over particularly well, when someone fell on the back cloth, bringing it down, together with all its attendant riggings, to make a real wreck of the whole show.</p>
        <p>Several Maoris in the front seat, evidently very impressed with the realism of our trombonist's efforts, went for their lives and made for the open, while the whole house was in an uproar for about ten minutes. The Maoris got a great reception as they slunk back to their seats, one remarking with a smile, "Py korry, tat te plurry good shell, eh?"</p>
        <p>We had a small cinema outfit attached to us, and while the latest Chaplin film was always prime favourite, the weekly instalments of the serial "The Exploits of Elaine," starring <name key="name-130388" type="person">Pearl White</name> and <name type="person" key="name-407885">Craig Kennedy</name>, were of consuming interest to everyone.</p>
        <p>We of the pierrot troupe always strove to remove our make-up as quickly as possible so as not to miss the weekly episode of this enthralling, if somewhat over-melodramatic film, for the reaction of the Diggers to the villain's dastardly deeds never failed to bring down upon his head loud outpourings of righteous or, more than probably assumed, indignation, which always delighted us.</p>
        <p>It was for all the world like a crowd of boys letting themselves go at a cowboy picture and, of course, the relaxation so obtained may be all unappreciated by the Diggers themselves, but was of inestimable value to them, for the opportunities of relief from military duties, apart from a visit to our show and a little skating on <pb xml:id="n70" n="60"/>the River Lys, which was frozen over at the time, were very far to seek at Bac St. Maur in 1917.</p>
        <p>As I have said, it was tremendously hard work to put on the double change of programme weekly, but by serious application to our newly-assigned duties, we very soon were able to give quite a decent show, and signs of appreciation from our hard-boiled audiences were not lacking.</p>
        <p>In February the Division went into the Messines sector, and we were installed in Nieppe at the Salle Saint Gerard, a church hall with a capacity for about 500, which was re-named the "Kapai Theatre," and situated just off the main road. Nieppe was to be our home for some seven months, and Green and I were fortunate in securing a billet at the Estaminet de Moulin kept by M. and Mme. Garcette.</p>
        <p>As its name implies, our abode was situated adjacent to a mill, from which, it was said, a spy, by manipulating the large wind wheel, gave signs to the enemy.</p>
        <p>Another rumour was that a farmer near us, by ploughing his land with white or black horses also gave valuable information to the enemy's observation balloons.</p>
        <p>That there were grounds for these suspicions seemed evident from the fact that, though other parts of the town often suffered bombardment and destruction, the most obvious target in all the district—the large ever-grinding mill-wheel—was left severely alone. Six months later all civilians were evacuated, as they should have been when the line settled down outside <choice><orig>Armen-<pb xml:id="n71" n="61"/>tieres</orig><reg>Armentieres</reg></choice> in 1915.</p>
        <p>Here, in Nieppe, I consider we did our very best work as entertainers, for although we later achieved much more polish, and consequent fame, here we had comfortable billets and a good theatre to rehearse and perform in, and so were much more happy in our work than later, when we had to live as best we could, and show in a tent. I'm not complaining, for it was our job, and we were never happier than to be with the Division; but conditions were often most difficult, whereas here we were practically "on velvet" or, to use a typically Digger expression, we had a "cushy job."</p>
        <p>In Nieppe we were fortunate in the addition to our troupe of a well-known Main Body sapper in the person of Theo. Trezise, a dancer with years of London stage experience, who took over the most important duties of producer, and the improvement he made in our performances were readily noticeable. Lt. Kenny rehearsed the orchestra at an earlier hour after which Trezise put us through our facings in a thoroughly workmanlike manner; his intuitive knack of at once being able to set a number and put us through it was remarkable. Of course, as time went on, and more interest was taken in the show, we were able to obtain a little more scenery and a greater variety of stage clothing and props generally. Divisional Headquarters at all times took a keen interest in the new unit, and any request for assistance in this direction was readily attended to.</p>
        <p>The enemy had an observation balloon high up, and looking directly down the main street of <pb xml:id="n72" n="62"/>Nieppe; so, in an endeavour to protect the long queues of waiting audiences from its view, we had a long screen of scrim erected, leading right up to the front door of the theatre; and though on several occasions we were "straffed" and had to take to the fields in the rear, the wonder was that the place was not more intensively shelled.</p>
        <p>On one of those occasions when we were bombarded, an unfortunate Digger, who was getting a "buckshee" eye-full of the show through the front door key-hole, was hit in the tenderest part of his anatomy by a stray piece of shrapnel.</p>
        <p>When the long-prepared Messines stunt was approaching, we were sent to St. Omer for a few weeks, and were quartered in the Military Barracks; but as there were complaints that our saluting was very bad, and the town being full of "brass hats," we were sent back to rejoin the Division.</p>
        <p>From a window in those St. Omer barracks we overlooked a yard wherein, each day, could be seen soldiers from various units of the British Army undergoing Field Punishment No. 2, which consisted of their being chained up by the wrists held above their heads, in the sun, until an N.C.O. sped them round the yard at the double, with full packs up. The rations of these poor unfortunates were, as may be imagined, not sufficient to enable them to do such gruelling exercises; and while no doubt they fully deserved all they got, it was a very unedifying sight to look on at such cruelty.</p>
        <p>So ill-disciplined a band as ours was most un-welcome in such surroundings; and when, one <pb xml:id="n73" n="63"/>light, the loud voice of the guard ordered us to put our lights out, <name type="person" key="name-407890">Dick Moloney</name>, in equally stentorian tones, told the N.C.O. in charge of the guard to "dry up," at the same time describing him as being devoid of parentage.</p>
        <p>Sergt Charlie Cimino came in a little later to enquire, in a bleary voice, who it was that called the corporal of the guard such a nasty name, and on Dick admitting to being the culprit, Charlie said, "Well, you ought to see him; they're just bringing him round in the guard-room now."</p>
        <p>In the Tommy army, even a lance-corporal's word must not be questioned, he having as much power as one of our colonial officers.</p>
        <p>The story was often told in France of the amazed Tommy one-stripe artist who had apparently been jostled by a big Australian while he "were in queue down at canteen," and when he had complained, the Aussie had had the audacity to call him a very nasty name, preceded by some equally lurid adjectives, much to the disgust of the Tommy, who ended by saying: "And me a full lance-corporal and all!" His injured dignity was, of course, quite lost on the Australian.</p>
        <p>After "the guard incident at St. Omer," a sergeant of the red-caps appeared in our dormitory and in stern words reminded us that "we were not with our own Division now, and that such conduct would not be tolerated; if we were not very careful we would all find ourselves on the mat in the morning, and we were to put our lights out at once, or he would know the reason why." <name type="person" key="name-407882">Charlie Cimino</name>, on whom the <pb xml:id="n74" n="64"/>effects of the Bock he had consumed were becoming more and more noticeable, was at this moment removing his socks, and looking up at the irate Tommy sergeant, said, with one side of his face all askew: "Say, Serg., have yet got a pair of nail scissors on yer; I want to cut my toe-nails." The rest of us, who were feigning sleep, with the blankets jammed into our mouths, all burst out laughing, and the red-cap retired in abject disgust.</p>
        <p>So we were returned to the Division, and gave a few concerts on a stage erected in an open field, just before the boys went in at Messines.</p>
        <p>A fifteen-inch gun on the railway nearby was very active, and at times quite overshadowed us, both as to sound and interest. At this time the Air Force were experimenting with tri-planes, and in one of these a New Zealander serving with the R.A.F. used to give us demonstrations of the ease with which he could stunt with the odd-looking three-winged machine.</p>
        <p>I was in a billet at the corner of the Pont d'Achelles and Bailleul roads when, on looking from my upstairs room one evening, I saw the 'plane come straight at me, and feeling it simply must strike the roof, I got underneath the bed to await the crash.</p>
        <p>The 'plane must have zipped up enough to clear the house, for when I looked out, its occupant was zooming past with a beaming smile on his face.</p>
        <p>He spotted two of our chaps holding up a bottle of beer to him, so, after climbing high in the air, he stopped his engine and swooped down to within a few hundred feet of those Diggers,
<pb xml:id="n75"/>
<figure xml:id="McKWaysP007a"><graphic url="McKWaysP007a.jpg" mimeType="image/jpeg" xml:id="McKWaysP007a-g"/><head><hi rend="c">Dickebusche</hi>, 1917<lb/><hi rend="sc">Rehearsing for the Pantomime</hi><lb/>Isaac, Moloney, Richardson, Nation (donkey), Trezise, Pinches, Green, Lt. <name type="person" key="name-407891">D. Kenny</name>.<lb/><hi rend="i">See Page <ref target="#n101">88</ref></hi></head></figure>
<pb xml:id="n75a"/>
<pb xml:id="n76" n="65"/>holding out one hand for the beer; but, of course, they did not wait long enough on the spot, but sped to safety.</p>
        <p>On the Sunday preceding the Messines stunt we gave a concert at Red Lodge, Hill 63, where, by peeping through a camouflaging screen, we were able to see the Germans on their side of "No Man's Land."</p>
        <p>The owner of my billet was an old lady who had lost her husband and two sons in the war.</p>
        <p>Everyone knew that the Canadian sappers were working at top speed to complete the mining of Messines, so as to allow the attack to take place on the scheduled date.</p>
        <p>The whole scheme had been thoroughly rehearsed by <name key="name-405559" type="person">General Plumer</name> and his 2nd Army Staff, so as to ensure its complete success. On that night of 6th June I could not sleep a wink, thinking of the great event, and of all those unfortunates who would never again see the sun rise.</p>
        <p>At three o'clock I awoke my elderly landlady, and explained the position, so as to prepare her for the tremendous explosion which would surely be felt, as well as heard. On the tick of ten past three, whilst watching over across that dark hillside, with only a few occasional star-shells to break the still blackness of the night, we observed a sight never to be forgotten by anyone who witnessed it.</p>
        <p>Strangely enough it was the sight—or spectacle—rather than the sound, which appalled me the more.</p>
        <p>The whole hillside seemed to rise slowly, for all the world, it seemed to me, like a lazy man <pb xml:id="n77" n="66"/>getting out of bed to stretch open his arms to their fullest extent, and yawning the while, before ejecting all the air from his lungs, with one swift rush of sound.</p>
        <p>The sight was truly appalling as the earth erupted at great length to throw rocks, flame and, of course with them, though unseen, hundreds of human beings, into the air; and the poor old lady, greatly shaken, could only murmur fervently "Mon Dieu, Mon Dieu," and make those odd little clicking noises with the tongue, which, in French as in English, depict astonishment, and which are so hard to put on paper.</p>
        <p>Perhaps "tch, tch, tch, tch," is as near as we can spell the sound we are all so familiar with.</p>
        <p>I was sure I could detect gas, and hurried off to warn the members of the Company who were quartered in an open field at the corner of the Bailleul Road; and much to my surprise I found that some of them had slept right through the whole nerve-shattering affair.</p>
        <p>About this time we made two visits to the Chateau at La Motte, where Capt. Izard, of the N.Z. No. 2 Field Ambulance, ran an officers' rest station.</p>
        <p>On the first occasion we were overlooked, and waited hours after the performance, while our O.C. was feted by the Baroness and her daughter, the Countess de la Motte; returning to Nieppe late that night in a starving condition. However, they made up for it on the second occasion, when we were given a most enjoyable supper.</p>
        <p>It was on that visit that Trezise, a full-blown <pb xml:id="n78" n="67"/>sapper, astonished some Tommy officers by ordering them out of the dressing room, whence they had come to pay respects to our girl. Early in July I got my first leave to "Blighty," after having been in France for fifteen months; and like most Diggers I took my ticket out to Scotland, which was always a happy hunting ground for the Aussies and ourselves. I was commissioned to spend up to £17 on a 'cello, and some strings for our little Cramer piano, and after the usual rush to have my pay-book adjusted, I set out for the railhead at Steenwerck, <hi rend="i">en route</hi> for the "Big Smoke."</p>
        <p>The worst part of going on and coming from leave was the compulsory period spent at what was known as "One Blanket Hill," a camp at Boulogne, where everyone had to report for delousing before crossing to England, a ticket being issued to each man certifying him to be free from lice. There, too, we were issued with ration cards, or rather books of tickets, each one of the latter entitling us to certain items of food-stuffs such as meat, bread, and butter, etc.; for in England the shortage of food was very acute, and there were long queues everywhere of people waiting to purchase the necessities of life.</p>
        <p><hi rend="i">Punch's</hi> cartoon of the servant girl who returned after an absence of some hours to explain to her mistress that while waiting in the bread queue she "got mixed up with the one for the pitchers next door and got swep' in," might very easily have happened at that time of food shortage. S.O.S. in those days was interpreted as "Short of Sugar," and all cafes and restaurants sold little tablets of saccharine, to be used in lieu <pb xml:id="n79" n="68"/>of sugar; but even at two tablets a penny, I never liked them.</p>
        <p>I took to London immediately, for from the very first night when I found myself face to face with St. Paul's Cathedral, while strolling idly round the streets, it was like visiting some place I had been to in some previous existence. In spite of having spent almost two days in my search for the 'cello and piano strings, and in having them suitably packed for their passage to France, I could obtain no extension of leave from Colonel Hall, whom I saw at our London Headquarters in Bloomsbury Square.</p>
        <p>In consequence I had a very rushed trip to Scotland, where I met relatives for the first time at Greenock and Kilmarnock, and had only time for a hurried look at Glasgow and Edinburgh before returning to London.</p>
        <p>One or two shows at the theatres (including the opera "Madame Butterfly" with our own <name type="person" key="name-207527">Rosina Buckman</name> in the title role), and it was time to get the train at Victoria on my return to France.</p>
        <p>What a rush it had all been, and how it had whetted my desire to see everything I had been unable to see in that short week. I landed safely back with my freight at Nieppe, where we reopened at the Divisional Theatre on July 19th, 1917. The Division was still in the line at Warneton, where the attack on the sugar refinery was completely successful, though, unfortunately, we suffered a sad loss in having <name type="person" key="name-130049">General Johnston</name> killed in the trenches about that time.</p>
        <p>Things had been becoming increasingly active in Nieppe, where the enemy had been <pb xml:id="n80" n="69"/>sending over thousands of gas shells for some weeks past.</p>
        <p>We were almost alone in the town, and our audiences consisted mainly of Tommies, and a few civilians who were very sad at the thought that they were soon to be evacuated, even though it was to be to a safer zone, for of course they could not take everything with them, and who would like leaving with the thought that they might never see their homes again?</p>
        <p>Several of our civilian friends had been killed quite recently, including little <name type="person" key="name-407894">Georgette Pembert</name>, a chubby little girl of about ten, whose elder sisters were a great atraction to the troops, who bought souvenirs at their shop in the main street. I had occasion to assist a dressmaker friend of mine—<name type="person" key="name-407941">Lucienne Verfailles</name>—to seek safer quarters when she and her elderly parents were, twice in one week, shelled out of their home. It was a very sad day when the evacuation was carried out, but it was for their own good, and should have been done much earlier. We continued to show in Nieppe, however, until September 6th, when we left in lorries for Seninghem in the St. Omer sector, where the Division were being made ready for the big Passchendaele stunt in October.</p>
      </div>
      <pb xml:id="n81" n="70"/>
      <div xml:id="t1-body-d4" type="chapter">
        <head><hi rend="sc">Chapter</hi> IV.<lb/><hi rend="c">We Leave Nieppe.</hi></head>
        <p>As our departure from Nieppe marked a very definite milestone in the young life of our troupe, perhaps it may be as well to give some idea of the lines on which it was run, together with a short account of some of the contributors to its success. There is no doubt at all that the pictures alone would have drawn large audiences, even without any additional entertainment; but I feel sure that the pleasure of hearing some decent music played in absolutely first-class style by a good orchestra such as we had, added to the attraction for many who missed the musical amenities of former civilian life.</p>
        <p>That a good many considered the pierrot show was by itself worth the trouble of attendance can be assumed from the enthusiastic reception accorded almost every item on the bill.</p>
        <p>Many came to see and hear Nelson, who made a marvellous girl, and whose songs, generally with a backing of the male chorus, were of the popular revue or music-hall type, and he could always be depended on to take two or three encores. On glancing through the old programmes, of which I have a complete collection, I find that Nelly's items were many and varied; but perhaps I may be permitted to mention "Fancy you fancying me," "The Broken Doll," and "I'm so glad to see you're back, dear lady," as being among the most popular of her (his) numbers.</p>
        <pb xml:id="n82" n="71"/>
        <p>Of the many duets with this pseudo-girl, the French number of Christine's "Je sais que vous etes jolie," in which I was privileged to take part, was one of the most tuneful, though Trezise and Tidy did many excellent duets with the fair deceiver.</p>
        <p>Trezise's offerings generally served to display his undoubted adroitness as an exponent of the terpsichorean art, and with his very noticeable flair for making up and dressing, he always lent a much-needed touch of colour to our programmes.</p>
        <p>Not the least of Trezise's accomplishments was his great ability as a producer, and this alone would have made his services of all important value to us.</p>
        <p>The straight songs of tenor, baritone, and bass were more or less in the tradition of English ballads, and as such, seldom failed to find a ready response from our audiences. Dick Moloney possessed a baritone voice of lovely quality, and one of his favourite songs was Sanderson's "Hills of Donegal," and there's no doubt that this self-styled "Sinn Fein Baritone" was never better than when singing one of the many beautiful songs of Ireland. Bert Green was a tremendous acquisition when he came up from the Base to join us early in March, his resonant bass voice being always in great demand; and if only one of his songs might be referred to, let us make it <name type="person" key="name-407887">Eric Coates</name>' "A Dinder Courtship," a semi-humorous ditty that suited him immensely, and of which he made a great job. His value as the foundation on which to build our male quartettes was most marked, and these concerted <pb xml:id="n83" n="72"/>numbers were probably among the star items on our programmes.</p>
        <p>Of course, unaccompanied male voice singing will always be acceptable to almost any audience, especially when well rehearsed; and I can say, as a member of many quartette parties, both before and after the war, that when our best four were available, it was a great joy to be part of it. We spent an hour every morning of the week, including Sunday, in rehearsing our number for the next week's programme, so it may be accepted that we attained a very high standard of successful performance.</p>
        <p>"Strange Adventure," from the "Yeoman of the Guard" and the ever popular Madrigal from the "Mikado" were two of the best of our serious numbers, while "Oh Zephyrs Blow," a satire on a church choir practise, at which we arrived at intervals, carrying huge music books bearing, in large type, the name of such an incongruous set of personalities as: Rua, Caruso, Little Tich, and <name type="person" key="name-407896">George Robey</name>, was one of our many incursions into comedy.</p>
        <p>Then there were the numerous feature numbers, such as "Lantern Land" and "Chinatown," both sung by <name type="person" key="name-407883">Charlie Tidy</name>, with a be-lantered chorus, gyrating rhythmically round a darkened stage in the rear of the soloist.</p>
        <p>Full company excerpts from the "Mikado," "Gondoliers," "Gipsy Love," "The Country Girl" and other musical operettas were also featured by us on occasions, and always went big. One of the brightest turns on our programmes was that of <name type="person" key="name-407886">Ernie Lymer</name> and Fred. ("Carrie") Nation, who supplied all the ragtime numbers <pb xml:id="n84"/>
<figure xml:id="McKWaysP008a"><graphic url="McKWaysP008a.jpg" mimeType="image/jpeg" xml:id="McKWaysP008a-g"/><head><hi rend="c">Etaples. The N.Z. Pierrots</hi>, 1917<lb/><hi rend="i">At Back:</hi> B. Green, S. Lawson, G. Proctor, H. Scobell, <name type="person" key="name-407872">T. Fama</name>, A. Hoare.<lb/><hi rend="i">In Front:</hi> H. Prouse, A. Weir (at piano), A. Alexander.<lb/><hi rend="i">See Page <ref target="#n105">92</ref></hi></head></figure>
<pb xml:id="n84a"/>
<pb xml:id="n85" n="73"/>of the day at a time when rag was just merging into jazz. Such songs as "Ragtime Cowboy Joe," "They called it Dixieland," "Are you from Dixie," "For me and my Gal," "Some Sunday Morning," etc., were always welcomed, and were of such a type that they could be remembered and whistled, until some newer and more popular number came along to replace them.</p>
        <p>All these ragtime ditties had a very definite place in our offerings to the Diggers at the Front.</p>
        <p>Sketches, too, were always prime favourites on the programmes, and generally provided the occasion for the whole company to let off steam. Some of the earlier ones, such as "One Round O'Brien," and "Water Scenes," come to mind as being particularly hilarious affairs, though a much later one in "Sick Parade" was probably the funniest.</p>
        <p>But in spite of all these afore-mentioned highlights on our programmes, the items which, by general acclamation, were best received by the Diggers as a whole, were those put over by our comedians, and more especially those done by cur chief funster, <name type="person" key="name-407940">Jack Le Comte</name>, who, by sheer hard work plus a peculiar streak of originality, not only made the audience laugh, but very often succeeded in convulsing us as well.</p>
        <p>In these later days, twenty years after that fateful period spent in the vicinity of the war zone, it is scarcely to be expected that modern youth would appreciate all those wartime jokes that so excited our risible faculties; but, as it is not anticipated that any such will be amongst the readers of this book, should it ever get as far <pb xml:id="n86" n="74"/>as publication, I am tempted to give just one or two examples of friend Le Comte's humour which, as I have said, was one of the hits of our show.</p>
        <p>Gagging with his "feed," or partner in comedy, Fred Nation, Le Comte, while apparently reading the war news from a newspaper, said, "Well, all I can say it that Jerry must be getting very short of reserves: it says here he's got women in the front line now."</p>
        <p>To which Nation replied: "You can't show me where it says that in the paper?"; whereupon Le Comte points to a paragraph and reads aloud, "Enemy withdraws on the Western Front": "there you are, what do you know about that?"</p>
        <p>This, of course, was considered almost <hi rend="i">risque</hi> in those innocent days before newspaper advertisers and window-dressers took the plunge.</p>
        <p>Another and more proper example is one of many digs at the officers, which never failed to draw roars of approval from the back-benchers. Jack came on one night, and after he had nodded to, and apparently recognised several of the officers in the front seats, Nation remarked that he seemed to know more than half the officers present; to which Le Comte's reply was "Know more than half of them? Why I know more than the whole blooming lot of them put together; as a matter of fact I'm thinking of going in for a commish myself."</p>
        <p>Nation "pooh-poohed" the idea, and plied him with questions, asking if he knew what a platcon was; to which the reply came that "a platoon was a small body of men entirely surrounded by officers." Asked how, if he were an <pb xml:id="n87" n="75"/>officer, he would get his company, marching in four, into a three-cornered paddock; he scratched his head for a while, and said: "Oh, that's easy; you'd just march them straight up to the main gate, take a deep breath, and sing out 'Carry on, Sergeant'!" Jack's explanation of the letters S.R.D. on all rum jars was that they meant "Seldom Reaches Destination."</p>
        <p>I could give dozens of such examples of Le Comte's self-made humour, some of which you would probably rate as being funnier than those cited; one such being when, after a raid, he informed Nation that we had got two prisoners in the raid: "Yes, a big Hun and a little 'un; and they had given us some very valuable information: Yes, we found out what they were doing with the bread in Germany."</p>
        <p>Nation's excited "No! what are they doing with it?" brought the absurdly laconic reply, "Eatin' it, eatin' it!" His conundrum, "If bread is the staff of life, what is the life of the Staff?" the answer to which "One long loaf" was a typical instance of his clever wit; but an end must be made somewhere if this saga is not to reach omnibus proportions, so here we will leave this somewhat lengthy reference to our leading comedian, who was at all times such a pillar of strength to the show.</p>
        <p>Two other alleged comedians were <name type="person" key="name-407900">George Carr</name>, whose hackneyed "My old friend John" was scarecly what was required to be successful in such surroundings but, truth to tell, its perpetrator gave able assistance elsewhere, and especially in the straight concerted work.</p>
        <p>Of Ike Richardson it must be said that his <pb xml:id="n88" n="76"/>best effort was <name type="person" key="name-407964">Stanley Lupino</name>'s great song from "Arlette," "I'm on the Staff," though Ike always found it most difficult to remember his words and was certainly not assisted by his rival, Le Comte, who generally contrived to talk nonsense to him right up to the moment of his entry on stage, and then bet him he would forget his words.</p>
        <p>Le Comte, let it be said, won nearly every time.</p>
        <p>Dave Kenny's humorous songs at the piano, and his comic duets with <name type="person" key="name-407899">George Lyttleton</name> were necessarily somewhat in lighter vein than were those of our low comedian; nevertheless they were always looked forward to, and received with enthusiasm. Lyttleton's worth was, unfortunately, not generally apparent to our audiences, who could not be expected to know all the inner workings that allowed of the show being put on. Besides doing his own items on stage, he could, and generally did, take his place in the well as a viola player when the orchestra needed him for the overture, and afterwards, when providing the music for the pictures.</p>
        <p>As a writer of topical verse, he was most useful on many occasions, as when Tidy and Nation put on the duet, "Really, Great Scot." One verse went:
<q><lg type="verse"><l rend="padding-left:1em;">The general says we must take Lille,</l><l>(<hi rend="i">second voice</hi>) Really? Great Scot!</l><l rend="padding-left:1em;">His scheme's quite good, and I think we will,</l><l rend="padding-left:2em;">Really? Great Scot!</l><l rend="padding-left:1em;">He's giving us. all a holiday,</l><l rend="padding-left:1em;">And letting us over-draw our pay,</l><l rend="padding-left:1em;">Of course, Lille will be out of bounds that day,</l><l rend="padding-left:2em;">Really? Great Scot!</l></lg><pb xml:id="n89" n="77"/></q>Another verse, which was reproduced in the Continental edition of the <name key="name-120382" type="place">New York</name> <hi rend="i">Herald</hi> in Paris, when we sang there, ran:
<q><lg type="verse"><l>The bally Yanks are in the war,</l><l rend="padding-left:1em;">Really? Great Scot!</l><l>They don't know what they're fighting for,</l><l rend="padding-left:1em;">Really? Great Scot!</l><l>France is full of Yankee hordes,</l><l>With Stars and Stripes, and waving swords,</l><l>They don't have tanks, they've all got Fords,</l><l rend="padding-left:1em;">Really? Great Scot!</l></lg></q></p>
        <p>Topicalities, of course, were always sure-fire winners, whenever we cared to turn them on, the very circumstances under which we performed lending themselves admirably to this purpose.</p>
        <p>The opening and closing choruses were generally taken from the best of London shows current at the time as, for instance, "To-night's the Night" from the show of that name, and "Tingleingling" from "High Jinks," both of which made good bright opening numbers; while the "Ringaling" from the "Bing Boys" became our stock closing number.</p>
        <p>All piano accompaniments were played on stage by <name type="person" key="name-407891">Lt. Dave Kenny</name>, and his superb artistry and ability as a first-class musician was evident at all times, as when, lacking a copy of a song in the correct key, he could transpose it at sight, up or down, in any key whatsoever: God's gift to vocalists.</p>
        <p>Any resume of our entertainment work would not be complete without a word of reference to our indispensable scenic artist, popularly known as "Ike," though admitting to the illustrious name of Nelson.</p>
        <pb xml:id="n90" n="78"/>
        <p>Ike won a competition for the best cover for our weekly programmes, receiving the £2 prize money offered by the Division for this event, and his subsequent work for us, in the way of painting back and front cloths, wings, in the manufacture of stage furniture and all sorts of stage properties and gadgets, large and small, culminating later in the excellence of the five changes of scenery he, assisted by carpenter <name type="person" key="name-407901">Frank Williams</name>, provided for the pantomime, to say nothing about the four following revues, proved him to be absolutely indispensable to us. When one considers the difficulties under which he was compelled to work, together with the limited material and tools of trade with which he was supplied, the results he was able to achieve, stamp him as an adept in the art—very desirable in war—of improvisation in the field.</p>
        <p>It is because I consider some record should be left to posterity of our work in 1916-1918, in our endeavours to provide acceptable entertainment to the troops, that I have gone to such lengths to describe our show, for now that we were to move away from Nieppe, where we had served almost eight months of our apprenticeship as entertainmers, the entire character of our programmes was soon to alter very considerably.</p>
        <p>Arriving at Senninghem in the second week of September, it was here we were presented by the Y.M.C.A. with a huge marquee which could hold a thousand people comfortably and, sad to relate, from now on our troubles commenced. We had, probably after travelling long distances in lorries over rough roads, to erect this <choice><orig>enor-<pb xml:id="n91" n="79"/>mous</orig><reg>enormous</reg></choice> tent with its six tall poles like the masts of a ship, secure the canvas walls to the ground with hundreds of heavy screw-irons, arrange the seating, and a dozen and one other things that left us in poor shape for putting on a show at all.</p>
        <p>The opening programme here was a special performance on Sept.10th, on the occasion of a visit from <name type="person" key="name-208600">Sir Thomas Mackenzie</name>, <hi rend="lsc">k.c.m.g.</hi>, High Commissioner for New Zealand in London.</p>
        <p>We continued to appear until the Passchendaele stunt, when we were sent down to Etaples where we were given a reception on arrival by the Base show, the N.Z. Pierrots, afterwards (though greatly altered) known to Australians and New Zealanders at home as "The Diggers."</p>
        <p>While at the Base we went to Paris Plage and gave a show at the Duchess of Westminster's Hospital at La Toquet. As we were given the use of the laundry for a dressing room, our seven big wicker panniers held a lot more than our costumes when we came away.</p>
        <p>In view of the approaching winter we had taken the opportunity to provide ourselves with as many woollen comforts as we required, but I'm sorry to say that it availed us not at all, for most of them disappeared at the very first washing.</p>
        <p>Evidently some needier persons admired our choice of garments, and we were left to make other arrangements.</p>
        <p>In response to a request we gave a show in the open air to a most distinguished audience, including Princess Louise, at the popular sea-side resort, Berck Plage. Although strictly <pb xml:id="n92" n="80"/>against orders, I think most of us had cameras, and I was fortunate enough to obtain a snap of no less a personage than little Princess Marie Jose of Belgium, then only a little curly-headed girl of thirteen, but now Crown Princess of Italy, with a family of her own. She was playing on the sand with some other children when she was pointed out to me, and when I asked her to face the camera, she said in good English: "Why do you want to take my picture?"; but when I said I had come all the way from New Zealand to get it, she readily assented.</p>
        <p>In October we returned to the Division at Senninghem, where they were re-organising after what must have been, for us, the worst stunt of the whole war, and the only occasion during the war that our New Zealand Division had failed to take its objective: a feat, it was later admitted, that was practically impossible. The conditions at Passchendaele were appalling, the whole sector being a quagmire, so that every time the guns fired, they sank deeper into the mud.</p>
        <p>In consequence, the barbed-wire covering the objectives was not cut, and the attacking infantry were mown down at every attempt to move forward.</p>
        <p>Sad tales were told of how that most popular officer, <name type="person" key="name-207491">General Bill Braithwaite</name>, reviewing his second Brigade subsequent to their withdrawal from the line, broke down and openly wept on seeing how badly their ranks had been decimated.</p>
        <p>Heavy reinforcements were drawn from our spare brigade in England to fill the vacancies,
<pb xml:id="n93"/>
<figure xml:id="McKWaysP009a"><graphic url="McKWaysP009a.jpg" mimeType="image/jpeg" xml:id="McKWaysP009a-g"/><head><hi rend="c">Etaples</hi>, 1918. <hi rend="c">The Kiwis in "Y Go Crook?"</hi><lb/><hi rend="i">Back Row:</hi> H. Baxter, G. McBeth, A. McGuinness, <name type="person" key="name-407890">D. Moloney</name>, J. James, A. Saunders, R. Harrison, B. Green.<lb/><hi rend="i">Middle Row:</hi> <name type="person" key="name-407929">H. Prechner</name>, O. Pinches, C. Tidy, <name type="person" key="name-407877">S. Nelson</name>, <name type="person" key="name-407957">E. McKinlay</name>, <name type="person" key="name-407940">J. Le Comte</name>, <name type="person" key="name-407899">G. Lyttleton</name>, F. Nation, R. Shaw.<lb/><hi rend="i">See Page <ref target="#n116">102</ref></hi></head></figure>
<pb xml:id="n93a"/>
<pb xml:id="n94" n="81"/>and to make our Division what it had always been—an A.I. Division.</p>
        <p>It was about this time, at Senninghem, that I had my first bout of illness having been stricken with a severe attack of bronchitis, which came very near to being the end of the war for me. One night in particular I felt I was going, as I had no more strength left to pull air into, and force it out again, from my lungs; and had it not been for the care of Les Probert and <name type="person" key="name-407952">Ossie Devlin</name>, in sitting up all night to put steaming hot cloths to ray chest and back, I feel absolutely certain I could not have lived. The bronchitis, which has been my particular bugbear ever since, was contracted, I have no doubt at all, when on the way up from the Base I slept in a stall where horses had been quartered a few days previously.</p>
        <p>It was a great blow to the troupe when its only tenor was taken way in the ambulance to our stationary hospital at Wisques, there to remain for several weeks. I had never in my life been in hospital before, and I soon made up my mind to leave it as quickly as possible, as I found the whole environment most depressing, especially when a badly shell-shocked Canadian sergeant nightly went through the whole terrifying experience of dodging his way through a creeping barrage, ending in his being blown up, when his heart-rending screams were blood-curdling. That poor chap went through the whole terrible experience every night, while one of the sisters held his hand and tried to pacify him; and though some of his unconventional language sometimes brought a smile to the faces of the <pb xml:id="n95" n="82"/>other patients, we all resolved never again to think lightly of shell-shocked cases.</p>
        <p>Lt.-<name type="person" key="name-407884">Colonel Eugene</name> O'Neil, who was in charge of the hospital, one day brought round no less important a visitor than <name type="person" key="name-209146">General Russell</name> himself, who had a cheery word for everyone, informing me that the entertainers were rehearsing a pantomime and wanted me back badly. On my discharge I left the hospital for Dickebusche, near Ypres, where I found the boys busy camouflaging the huge tent, which had been erected close by a cemetery, and near an ambulance station, and I could not help thinking how appropriate a spot it was as, in all that dreary waste, that huge marquee must have been easily detected by enemy 'planes and balloons.</p>
      </div>
      <pb xml:id="n96" n="83"/>
      <div xml:id="t1-body-d5" type="chapter">
        <head><hi rend="sc">Chapter</hi> V.<lb/><hi rend="c">The Panto</hi></head>
        <p>The engineers, under <name type="person" key="name-207780">Major Roger Dansey</name>, had constructed a light railway running up to the line, and the station directly outside our marquee was named "Dunedin." So, here it was that we put on our pantomime, "Achi Baba and the Forty Thieves" (including the orchestra): we had to include the latter, for we were only fifteen all told, on-stage.</p>
        <p>We were fortunate in getting all our costumes from <name type="person" key="name-407946">Oscar Asche</name> when he re-dressed "Chu Chin Chow" in London. All the musical numbers were right up-to-date, and included many of those from Asche's most tuneful show.</p>
        <p>One of the hits of this epic event was the appearance of <name type="person" key="name-407891">Lt. Dave Kenny</name> in the role of "Titania, the Fairy Queen," as, I feel sure, any of the numerous Wellington friends of this much lamented prince of good fellows might well imagine, should they picture that big lump of good nature dressed as he was in a short muslin dress, with beautiful golden hair and a pair of gossamer wings, floating on to the stage, carrying a tall staff topped with a silver star, and singing "I am the beautiful fairy queen, always a love and ever sixteen."</p>
        <p>With his two shining front teeth lighting up his ever-beaming smile, he was surely an example of mirth personified; and how he did enjoy it!</p>
        <pb xml:id="n97" n="84"/>
        <p>Le Comte's "Achi Baba" (a poor wood-cutter and lead-swinger) and Lyttleton's "Cogia" (Achi's wife) were both riots of humour, as was all the by-play with Edward, the donkey, of which Lymer and Nation were the fore and after parts respectively.</p>
        <p>Unfortunately this screamingly funny quadruped over-balanced one night, and fell on top of the orchestra, into the well. Trezise did some excellent featured numbers with the girls (?) particularly one in which, dressed as an artist, with velvet tarn and palette complete, he sang tributes to the fair beauties as they stepped in turn from an easel, where each had posed, while Theo put some imaginary touches to the picture. He was also the prima-donna in the Lena Bashwell Quartette (a take-off on the Lena Ashwell Concert Parties which came over from London to amuse the troops in France), in which <name type="person" key="name-407891">Dave Kenny</name> played the piano with long-fingered woollen gloves, which he would remove and blow up sometime during the act.</p>
        <p>Lyttleton, in a most unruly shock of long hair, stood on Trezise's train, whilst playing the violin obligato, and <name key="name-407864" type="person">Norman Martin</name> contrived to dig the singer in the ribs with his 'cellist's bow every time the fair screecher got anywhere near the top note of Arditi's "Il Bacio."</p>
        <p>The long train of Trezise's beautiful frock was fixed throughout its entire length, from the hem to the back of the neck, with dome fasteners; and when he retired, after bowing solemnly to the applause, the whole back portion of the dress stripped off, with results that may be better imagined than described.</p>
        <pb xml:id="n98" n="85"/>
        <p>It was certainly very low comedy, but did it go?</p>
        <p>The biggest feature of the entire pantomome, however, was Lyttleton's conducting of the orchestra in Sousa's great march, "Stars and Stripes."</p>
        <p>Dressed in character, as the dame, Lyttleton certainly rose to great heights in this specialty number, and it is only the truth to say that he was successful in stopping the show nightly. It is not disrespectful to Sousa and his stirringly popular march to say that it lent itself admirably to the purpose for which it was used on this occasion, and the energy with which Lyttleton threw himself into his job as conductor had to be seen to be believed.</p>
        <p>The announcement of the well-known bass solo found him dancing round as though trying to beat out a fire in the seat of his skirts, while, with the shriller answering notes of the wood-wind, he would twiddle a little finger in his ear, as if trying to dislodge a bee, and so, to every changing phase of the music he responded with a suitable gesture until, with the march bowling along swimmingly in the last triumphant strain, the little comedian put on an exhibition of every stroke in the sport from the breast-stroke to the Boston crawl, finally collapsing apparently exhausted in the middle of the orchestra.</p>
        <p>It must be realised that any attempt to commit a detailed account of so clever and humorous an act as this to paper, must be doomed to failure beforehand, as one can only give a slight indication of the situation as it was.</p>
        <pb xml:id="n99" n="86"/>
        <p>I am quite sure Lytt. would like me to mention the excellent assistance he received at all times from our wizard drummer, Les Probert, without whose expert handling of the many and varied percussion effects the act could never have achieved its tremendous success.</p>
        <p>Leading ladies are usually mentioned early in any theatrical review, and so perhaps I ought to offer an apology for my failure to mention "Morgiana," the slave, as played by our "Sweet Nell," whose biggest song was the then popular "Let the great big world keep turning." The "Kissing time" duet from "Chu Chin Chow," which she sang with Trezise, was one of the most tuneful songs of the whole show.</p>
        <p>Green was magnificent as the blood-thirsty O.C. of the "Forty Thieves," while <name type="person" key="name-407890">Dick Moloney</name> was well in the picture with the "Cobbler's Song," which was also from "Chu Chin Chow." My own song had to be called "Roses of Araby" as, it being an Eastern panto., "Roses from Picardy" might have seemed rather incongruous.</p>
        <p>The whole show took over three hours to run through, and as we were all wanted in nearly every concerted item, the number of changes we were required to make kept us busy the entire evening.</p>
        <p>Most of us had to be dressed as girls at some stage of the proceedings when, with the aid of a length of rope and a lot of luck, we endeav-oured to squeeze into the dresses provided.</p>
        <p>One of the heroes of the show must have been friend Matthews, a new-comer to us who, in spite of the freezing cold, continued to<pb xml:id="n100" n="87"/>blacken himself all over, every night, so that he might appear in his character of an Ethiopian attendant to Princess Morgiana.</p>
        <p>The Princess's first entrance was preceded by a slave in the person of Taffy Williams, a helper from the Dental Corps, who contrived to walk backwards while bestrewing the lady's path with rose petals.</p>
        <p>On rum issue nights, Taffy had to be guided in his task, as on several occasions he very nearly ruined the scenery by the very unsteady course he was wont to steer.</p>
        <p>Our splendid orchestra gave us a great start off with a spirited rendering of one of Suppe's overtures, and its work right throughout the entire performance was quite up to the highest professional standard.</p>
        <p>I have mentioned somewhere previously the magnificent work of our scenic artist, but I must again pay him a tribute for his excellent work in the Panto., which required so many changes of scenery.</p>
        <p>Some of the effects he obtained were little short of astounding. The lighting on stage was positively dazzling, and after some hours of working in the strong spot-lights, the pitch blackness everywhere outside caused several casualties from falls into the deep ditches which lined each side of the road of our billets.</p>
        <p>Here, as in other parts of the line, rats were very much in evidence; being, as usual, ever on the hunt for food. My Christmas parcels contained a half-pound cake of solid chocolate which I stowed away safely in the pocket of my British Warm, as a special treat for the morrow.</p>
        <pb xml:id="n101" n="88"/>
        <p>That night I could not sleep a wink, for those confounded rats kept jumping on top of me all night, and as fast as I knocked them off, they would return.</p>
        <p>On looking for my extra special treat in the morning, I discovered a large hole chewed out of the stout jean pocketing of my overcoat, and only the paper wrapping of my much-prized chocolate remained. On another occasion I received a bite on the middle finger of my right hand from one of the hungry brutes, which were sometimes as big as rabbits—almost.</p>
        <p>But all that is merely by the way, and to get back to the pantomime, there is no doubt it was a great success. We never lacked audiences, and long queues could be seen daily, waiting hours in the snow, from early in the afternoon until 5.30 p.m., when the doors opened. As I have said, the big marquee was in a very exposed position, and on several nights when the distinctive drone of enemy bombers could be heard overhead, all lights were extinguished while a thousand men sat in silence, in the dark, hoping that the Hun had run out of bombs.</p>
        <p>These could be heard often, as they burst nearby, and on one occasion two New Zealanders were killed by one of these bombs while souveniring coal from a dump not far away from our tent. The great need of firing can be understood, for it was Christmas, when once again winter held the whole land in its grip, and it was here, amid the snows of Belgium, that we had our second 'Xmas overseas.</p>
        <p>Christmas dinner I had with the members of my old unit at Hooge Crater, whither I was <pb xml:id="n102" n="89"/>spirited, <hi rend="i">via</hi> Ypres, one dark and freezingly cold night, in an ambulance car.</p>
        <p>It was there we learned of the death of two of our former members, one an original stage performer, <name type="person" key="name-407900">George Carr</name>, and the other our first flautist, <name type="person" key="name-407944">Len Poore</name>. Both were killed in the heavy fighting round Hooge Crater, and their tragic deaths only served to remind us the more how fortunate we were to be even the five miles or so back from the front line, a fact which I feel sure we all appreciated.</p>
        <p>From the initial company of twenty-four, we had now grown to the large total of forty-eight members, though three of these were only on loan from their units until the end of the pantomime.</p>
        <p>The orchestra was now a thoroughly well-trained organisation of twenty-two players, while with the three extras we numbered fifteen all told on stage.</p>
        <p>Three electrical engineers looked after our lighting which, as I have said, was remarkably good.</p>
        <p>Two cinema operators, a wig man, or perruquier, as the programme terms him, a piano-tuner to keep our three pianos in order, with two cleaners to look after the marquee and act as door-keepers, together with two very necessary cooks, completed the nominal roll.</p>
        <p>Towards the end of the panto's run we were to suffer a severe loss when Trezise, who had done wonders for us on stage, found his health troubling him, and decided to return to New Zealand.</p>
        <pb xml:id="n103" n="90"/>
        <p>The Division had had absolutely no claim on his services, as he had been ticketed for his return home to New Zealand months previously, and only came across to France to produce for the show. As an instance of how highly his services were rated, the Division augmented the 350 francs we had collected among ourselves by donating another 300 francs; and this amount, totalling in all some £26, was handed over to Trezise, on the stage, on the eve of his departure, by no less a personage than <name type="person" key="name-209146">General Russell</name> himself.</p>
        <p>In a speech from the stage the General paid a deservedly high tribute to the great work <name type="person" key="name-407962">Theo Trezise</name> had done to make the show one of real value to the Division.</p>
        <p>In the consequent re-shuffle of parts, <name type="person" key="name-407883">Charlie Tidy</name> took over Trezise's role, and in doing so, showed in no uncertain manner what a versatile artist he was.</p>
        <p>A short break in the run of the show was caused when an epidemic of colds sent some of us into the hospital nearby; several, unfortunately, including the witch, Nelly, being out of action for a week or more. On thinking over some of the other shows we saw in France, I consider we may well acclaim ourselves fortunate in having such an excellent female impersonator as <name type="person" key="name-407877">Stuart Nelson</name> turned out to be.</p>
        <p>He had a very pleasing light tenor voice, which might very easily be taken for a contralto, coming as it did from such a charming example of femininity as he was made up to represent.</p>
        <p>Being small in stature, with smallish hands and ankles, helped tremendously, and although to <pb xml:id="n104" n="91"/>be sure, he could fairly be "one of the boys" off duty, there is no doubt his appearance on stage fooled many who came to see us. On one occasion during the pantomime, <name key="name-202886" type="person">Major Peter Buck</name>, now the famous anthropologist, came behind with several other Maori officers, one of whom had been so taken in as to bet Major Buck that our "Nelly was a lady."</p>
        <p>In this case, of course, she wasn't, and there was some loud guffawing when the cause of the argument removed his wig, and revealed himself to the amazed—not to say shocked—Maori officer.</p>
        <p>Major Buck suggested that, being the loser, he should make a speech in praise of the now fast "vanishing lady," and Peter's humorous though, of course, far from true translation of that speech from the Maori, caused one of the greatest laughs we had in France. The look on the face of the astonished speechmaker, at the absurd remarks his solemn translator made him say, was worth going a long way to see.</p>
        <p>That the show was favourably known far beyond our own particular precincts, was shown by the men from widely different units to be seen in our audiences. Tommies and Aussies would walk miles to see our performances, especially when we were in Nieppe, which was handier to get at than was Dickebusche.</p>
        <p>At first our entertainments were free, but subsequently a small charge of half a franc for N.G.O.'s and men, and one franc for officers, was made.</p>
        <p>All proceeds were checked and paid into what was known as the Divisional Canteen <pb xml:id="n105" n="92"/>Fund, and we, of course, got none of the profits whatsoever.</p>
        <p>The small charges of admission showed that our mission was not to make profits, but solely to provide entertainment for the troops: a most essential service, as here in Dickebusche, for instance, the country was laid waste for miles around, and with no civilians, and nowhere to go in all that vast region that constituted the Ypres sector, something had to be offered, by way of diversion, or the men might have been left to their own devices in seeking amusement.</p>
        <p>That we succeeded in supplying this want I think we may fairly claim and, in doing so, I feel sure that the continued support and enthusiastic interest of <name type="person" key="name-209146">General Russell</name> alone will be sufficient answer, if any be still needed, to those croakers at home, who at that time thought we were not doing our bit, because we did not live actually in the front line.</p>
        <p>That entertainment was of front-rank importance to the troops is proved by the fact that at the end of the war there were no less than five New Zealand concert parties in operation in France alone, to say nothing of those at camps and hospitals in England.</p>
        <p>Besides the "N.Z. Pierrots" at the Base, where also were the "Te Koas," there were the "Tuis" and ourselves with the Division, as also was the "Gunners," a newly-formed Artillery party under the guidance of <name key="name-405557" type="person">Colin Gray</name>.</p>
        <p>I feel sure we will all acknowledge that the possession of such talents as we were able to offer served to relieve us of the performance of the harder and more dangerous duties that fell <pb xml:id="n106" n="93"/>to the actual fighting troops, and I am quite content to leave the judgment, as to the exigence or otherwise of our particular job, to the men who were actually in France, and more especially to those who were in close contact with the Division in the field.</p>
        <p>That the pantomime was a great success is proved by the comparatively long run it enjoyed, and all honour is due to the man who wrote and produced it on such an ambitious scale; and so I should like to leave on record here a tribute to <name type="person" key="name-407962">Theo Trezise</name>, who came over to France to help us when he might very well have been safely returned to New Zealand, and stayed long enough to merit, by his great talent for theatrical production, the sincere thanks of everyone in the Division.</p>
      </div>
      <pb xml:id="n107" n="94"/>
      <div xml:id="t1-body-d6" type="chapter">
        <head><hi rend="sc">Chapter</hi> VI.<lb/><hi rend="c">Kiwis in Paris.</hi></head>
        <p>In March, 1918, came the good news that we were to take the show to Paris, for two performances of the pantomime, in aid of funds to carry on Miss Butler's work at "The Corner of Blighty," a leave hostel for all British soldiers and sailors, which this English lady superintended at No. 20, Place Vendome.</p>
        <p>The stage-manager's difficulties with the stage hands and more especially with the scene shifters were many, and his "S'il vous plait messieurs, voulez vous er, drop this one," while it drew roars of laughter from the troupe, only served to make the wondering workmen shrug their shoulders the more.</p>
        <p>As instancing this matter of the language problem, <hi rend="i">Punch's</hi> cartoon of the French poilu, pipe in hand, approaching a Tommy on a lonely Flanders read, and being in need of a match, asking, "Allumette?" to which the Englishman's nonchalant "Ullo mate," as he passed by, proved such a perplexing rejoinder, aptly hits off the difficulties on both sides.</p>
        <p>At both performances, which were given at the English Theatre, 64 Rue du Rocher, we were favoured with capacity audiences, no doubt due to the excellent publicity afforded us by the English and American newspapers.</p>
        <p>The following extract is from the Continental <hi rend="i">Daily Mail</hi>—</p>
        <pb xml:id="n108" n="95"/>
        <quote>
          <floatingText xml:id="t1-body-d6-t1">
            <body xml:id="t1-body-d6-t1-body">
              <div xml:id="t1-body-d6-t1-body-d1" n="newspaper extract">
                <head>"<hi rend="c">Kiwis</hi>" <hi rend="c">Pantomime.</hi><lb/>
<hi rend="sc">Fine Performance by New Zealand Men in Paris.</hi></head>
                <p>The Theatre Albert ler, in the Rue de Rocher, Paris, was crowded with an enthusiastic audience yesterday afternoon, when the New Zealand Kiwis, a concert party from the front, gave a performance of their pantomime, "Achi Baba and the Forty Thieves," on behalf of "A Corner of Blighty," the soldiers' institute in the Place Vendome. The Kiwis are all members of the New Zealand Expeditionary Force. As has already been stated in these columns, for over a year this talented troupe has been entertaining the forces at the front. With Christmas they produced a pantomime—our French friends would no doubt call it a revue—and one can only regret that circumstances did not permit of a bigger theatre being secured and an opportunity given to a wider circle of the English colony here to come and see what was really a unique and remarkable performance.</p>
                <p>All the characters, male or female, from the dainty heroine to the Dan Leno-like widow, are impersonated by fighting men, who have come 15,000 miles from "down under." For the most part, too, they are men from the ranks, and one and all throw their heart into the performance and so render it unique. There is no story to "Achi Baba," but there is a sequence of pretty scenes, jolly songs, and much quick repartee dealing with trench life and the front, which must cause immense delight to the soldier audiences, for whom the work was written.</p>
                <p>Where all the performers were so excellent it would be invidious to individualise, but for record's sake the names of the performers and the promoters as given in the official programme are appended:—</p>
                <p>Cast of Characters:—<hi rend="i">Achi Baba</hi>, <name type="person" key="name-407940">J. Le Comte</name>; <hi rend="i">Cogia</hi>, <name type="person" key="name-407899">G. Lyttleton</name>; <hi rend="i">Ganem</hi>, C. Tidy; <hi rend="i">Morgiana</hi>, <name type="person" key="name-407877">C. S. Nelson</name>; <hi rend="i">Nephelococcugia</hi>, F. Nation; <hi rend="i">Kassim</hi>, R. Shaw; <hi rend="i">Capt. Camouflage</hi>, A. Green; <hi rend="i">Lieut, See Bee</hi>, <name type="person" key="name-407957">W. E. McKinlay</name>; <hi rend="i">Lieut. Otto of Roses</hi>, <choice><orig>C. Richard-<pb xml:id="n109" n="96"/>son</orig><reg>Cson</reg></choice>; <hi rend="i">Abdullah</hi>, R. S. Moloney; <hi rend="i">Titania</hi>, <name type="person" key="name-407891">D. A. Kenny</name>; <hi rend="i">a Citizen</hi>, O. B. Pinches; <hi rend="i">a Street Arab</hi>, N. L. Martin; <hi rend="i">the Wazir</hi>, N. Isaac.</p>
                <p>Management:—<hi rend="i">Director</hi>, <name type="person" key="name-407933">Lieut.-Colonel J. Hardie Neil</name>; <hi rend="i">Musical Director</hi>, <name type="person" key="name-407891">Capt. D. A. Kenny</name>; <hi rend="i">Deputy-Conductor</hi>, Pte. H. B. Lange; <hi rend="i">Scenic Artist</hi>, Sergt. <name type="person" key="name-208320">W. N. Isaac</name>; <hi rend="i">Electrician</hi>, Pte. A.O. Devlin; <hi rend="i">Perruquier</hi>, Pte. B. Pearce; <hi rend="i">Wardrobe</hi>, Pte. O. B. Pinches; <hi rend="i">Assistant Stage Manager</hi>, Cpl. R. S. Moloney; <hi rend="i">Business Manager</hi>, Capt. A. Jackson.</p>
                <p>Orchestra:—<name type="person" key="name-407882">C. Cimino</name>, G. Jackson, N. L. Martin, S. J. Anderson, H. Baxter, R. Booth, <name type="person" key="name-407932">H. V. Cross</name>, <name type="person" key="name-407954">P. Dimery</name>, <name type="person" key="name-407968">R. Goodison</name>, C. Howard, W. King, H. B. Lange, F. Lound, <name type="person" key="name-405551">T. Neighbours</name>, <name type="person" key="name-407944">L. Poore</name>, B. Peterson, L. Probert, C. White, H. Wright.</p>
                <p>Only a few seats remain for the second performance, which takes place at the Theatre Albert ler, 64 Rue du Rocher, at 2 p.m. this afternoon.</p>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>Our receptions were most flattering, and made one regret that they could not have seen the show as it was at Dickebusche, when we had the full cast of the company.</p>
        <p>This being my second visit to Paris, I was to be of some use in seeking out the main sources of interest, such as <name key="name-407873" type="place">The Louvre</name>, Pantheon, Trocadero, Napoleon's Tomb, etc., and all our daylight hours were spent in doing the rounds of such places.</p>
        <p>The luxury of hotel life was once more very much enjoyed, and the change over from good old army stew to the choice Paris menus has to be made to be appreciated for, from the varied assortment of <hi rend="i">hors d'oeuvres</hi>, right through the several courses of richly cooked food, to the numerous brands of delicious cheeses, that Paris hotel surpassed even our hungriest dreams.</p>
        <p>I paid my second visit to the huge Pere
<pb xml:id="n110"/>
<figure xml:id="McKWaysP010a"><graphic url="McKWaysP010a.jpg" mimeType="image/jpeg" xml:id="McKWaysP010a-g"/><head><hi rend="c">Etaples. "Y Go Crook?</hi>" 1918<lb/><name type="person" key="name-407877">C. Stuart Nelson</name> and <name type="person" key="name-407957">W. Ernest Mckinlay</name> as <hi rend="i">Sonia</hi> and <hi rend="i">Danillo</hi><lb/><hi rend="i">See Page <ref target="#n118">104</ref></hi></head></figure><pb xml:id="n110a"/>
<pb xml:id="n111" n="97"/>
Lachaise cemetery, when I escorted a party out to do homage to the memory of many world-famous composers buried in its musicians' corner there.</p>
        <p>We also saw the grave wherein the great <name type="person" key="name-407967">Sara Bernhardt</name>, though still very much alive, had a leg, which she had had amputated some time previously, placed; so that of her it could be truly said she had "one foot actually in the grave."</p>
        <p>A feature of <name type="place" key="name-407953">Pere Lachaise</name> is its beautiful statuary, and one of its most artistic pieces must be the enormous representation of "The Judgment Day," placed at the head of a very large grave, containing the remains of some two and a-half million people, gathered together when the authorities were cleaning up Paris some time previously.</p>
        <p>Two of our five free nights were spent at the Grand Opera, and while I feel that I have already gone to some length in describing the beauty of both outside and inside of that large and spacious edifice, it may amuse you to know that, while our chief comedian was ready to admit all that, it was his considered opinion that the comedian in <hi rend="i">Faust</hi> was no good at all, and that he would be all the better for a few good gags with which to pep up his performance. I think we were all quite carried away with the seven beautiful ballets that are always done with <hi rend="i">Faust</hi> in Paris, but which are so often omitted elsewhere.</p>
        <p>The graceful dancing of this State-trained and paid <hi rend="i">corps de ballet</hi> was a relevation, and their exquisite movements, as when, jumping into the air with arms extended and feet <pb xml:id="n112" n="98"/>a-twitter, their many goffered skirts seemed to momentarily hold them in the air, to allow of a slow descent, for all the world like thistledown coming slowly to earth. Such delicate grace had a greater appeal, to me at any rate, than all the more angular, seemingly calisthenic displays of any Russian Ballet I ever saw.</p>
        <p>Not, of course, that I did not appreciate the marvellous technique of the latter; but the national characteristics of the two peoples are no-where more marked than in the very different styles of ballet they cultivate, and I found pleasure more readily in that of the French school. But then everything about Paris seemed to please me, and this performance of <hi rend="i">Faust</hi> not the least.</p>
        <p>One often hears <hi rend="i">Faust</hi> spoken of as being hackneyed; but if only the truth were appreciated it would be seen that it is the blase people who make the assertion who are hackneyed, and not Gounod's beautiful melodies.</p>
        <p>The other production we attended was of Charpentier's lovely opera, "Louise," and I feel sure that to see this charming opera to perfection you must see it in Paris where the scene is laid.</p>
        <p>In fact, I would go further, and say that to see any opera done perfectly, you must see it performed by a cast in whose language the opera has been written.</p>
        <p>Thus, Germans do German opera best; but to hear them essaying the lighter French style is not altogether the same thing as hearing the French do it.</p>
        <pb xml:id="n113" n="99"/>
        <p>Russian opera for the Russians and Italian for the Italians. I once saw a performance of the comic operetta "The Belle of <name key="name-120382" type="place">New York</name>" at Nice, and could scarcely recognise it; and it occurs to me that I should hate to see a Gilbert and Sullivan performance by any other than an English cast.</p>
        <p>Of course I realise that if we have to wait for a national company to arrive before we can hear these operas, we might never hear them, and it is much better to have them done in English so that we can understand them; nevertheless, if you wish to hear them done perfectly, you must contrive to hear them where the leading melodies and choruses are not very far removed from being the traditional music of the country.</p>
        <p>That, of course, can only be accomplished by the comparatively few, and lucky, people who are able to travel.</p>
        <p>To illustrate more clearly the point I am trying to establish, I would suggest that any performance of the "Passion Play" we could put on here could not possibly have anything of the tradition and beauty of production that has characterised its portrayal down through the ages at Oberammergau; and so, to see it at its best, one must visit the Continent.</p>
        <p>Therefore I should say, as with the "Passion Play," so with opera.</p>
        <p>If it is possible, endeavour to see your operas done by a company of artists whose language is that of the story being portrayed, and whose temperament is akin to the spirit of the music.</p>
        <p>At the Opera Comique we attended performances of Thomas' "Mignon" and Gounod's <pb xml:id="n114" n="100"/>"Mireille," both French Grand Operas and excellently put on, so that you would not see either of them better performed anywhere else in the world.</p>
        <p>From Paris we had leave to London, and while leaving the train at Calais we ran into a very dapper little man, with a neatly-trimmed beard, who could be none other than that most helpful of war-time counsellors, General Smuts. He had just arrived by boat from London, and looked very smart in his neatly-fitting khaki uniform.</p>
        <p>What a thrill to be back in the "Big Smoke" once again; this time for ten days instead of only a week as I'd previously had. I did not go to Scotland on this occasion, but spent all my time in the big metropolis, doing the sights, or sitting listening to the bands in <name key="name-006313" type="place">Hyde Park</name> by day, and seeing a different show at a theatre each night.</p>
        <p>I noticed that <name type="person" key="name-405019">Ellen Terry</name> was appearing at the Coliseum, and decided to pay my respects to her; but when I called at the stage door I was informed that she would see nobody. The door-keeper agreed to take my name in to her, and returned all smiles to tell me I was lucky, and that although <name type="person" key="name-405019">Ellen Terry</name> had been there three weeks, I was the first person allowed past the barrier: I could have five minutes with her. Actually I was entertained for over an hour, meeting all the artist's assisting company and many other well-known stars on the bill.</p>
        <p>She was genuinely pleased to see me, and called at my hotel next day to take me to meet a friend whose husband, a Mr. Morrison, was the editor of the <hi rend="i">Morning Post.</hi></p>
        <pb xml:id="n115" n="101"/>
        <p>They were very charming people, and I spent a very happy time in their company.</p>
        <p>Ellen Terry told me that her family were very eager that she should give up her public appearances in the theatre, but that she was too independent to do other than work for her own sustenance.</p>
        <p>She made a lot of money, she said, but money was made round to go round; and while she was quite happy in her stage work she would continue to appear.</p>
        <p>She greatly enjoyed recounting to me an amusing story that Queen Mary had told her, of how, when she was visiting some wounded soldiers at one of London's hospitals, a Tommy had told her that When he was at 'wypers'—," and here the Queen had smiled and interjected softly, "Ee-pr," but the Tommy, undaunted, went on to relate that at "Wypers—," when the Queen again endeavoured to give him the correct pronunciation of "Ee-pr," whereupon the Tommy said, "Excuse me, but I think I have a lozenge that will cure those hiccoughs of yours."</p>
        <p>Ellen Terry is gone now, but so charming a lady could scarcely do aught but leave behind her a beautiful memory that will never die.</p>
        <p>I was able to see much more of London this time than I had been able to on my last trip, and I felt more convinced than ever that I had been familiar with it during some previous existence; but, of course, it must have been because London's landmarks have become so well known round the world per medium of their many post card and other photographs.</p>
        <pb xml:id="n116" n="102"/>
        <p>On our return to France we were stationed at the small town of Hondeghem, near Bailleul, where we received several additions to our numbers, including a new officer in charge in <name key="name-407860" type="person">Lt. Shayle Gardiner</name>.</p>
        <p>There was much lamentation over the loss of our extremely capable and popular O.C., whom headquarters had seen fit to replace; and one can only state that this change was in the nature of a tragic mistake on the part of some-one. We were fated never to see <name type="person" key="name-407891">Capt. Dave Kenny</name> again, for he died as the result of an operation at Walton-on-Thames Hospital, England, shortly afterwards.</p>
        <p>With the loss of <name type="person" key="name-407891">Dave Kenny</name> and Theo. Trezise, one and all of the old company felt that we could never again do such good work as in the past; and in this spirit we began the production of a new show which, nevertheless, was to win for us more kudos than even the panto, had done.</p>
        <p>Thus it was that when the Germans broke through at Meteren, we were sent, marquee and all, to Etaples, where we produced the musical revue "Y Go Crook," in May, 1918. This was a favourite expression in France at the time; for when anyone got annoyed and began to "fly off the handle" one would say, "Have you read that little red book, 'Why Go Crook'?" In our search for a catchy name of the new revue, I had the doubtful honour of suggesting the one accepted, and later had the pleasure of hearing one Tommy say to another, "Ee go crook, laad, what's it mean?"</p>
        <pb xml:id="n117" n="103"/>
        <p>In Paris a few months later on, they got over the difficulty by billing the revue as "Pourquoi s'en faire?" but in spite of its name, the new show was a great success from the start, and drew large audiences to the marquee on the sands at the rear of our N.Z. camp at Etaples.</p>
        <p>While in London, opportunity had been taken to visit the well-known theatrical out-fitting firm of Morris Angel &amp; Co., where each member of the company was fitted with a complete wardrobe of dress clothes, shirts, ties, shoes, etc., so that now the pantomime was ended, we would be ready to put on a new and smarter type of show than the pierrot performances that had been our metier previously.</p>
        <p>Nelson, of course, was put through it in the no-man's land of the ladies' department, and succeeded in annexing some devastating creations which he wore in the next production.</p>
        <p>"Y Go Crook" was a musical medley following along the lines of the revue type of entertainment, and consisted mainly of a series of vocal numbers linked by the dialogue of an almost negligible plot, eked out here and there by a sketch or some such other diversion. Most of the music was from current London shows as the "Maid of the Mountains," and I remember that the Performing Rights Association made a successful court claim against the sponsors of our Paris performance, because we used the music of that particular show without per-mission.</p>
        <p>What story there was, was written round Baron Pop-off and Mrs. May, which characters were splendidly sustained by Le Comte and <pb xml:id="n118" n="104"/>Lyttleton respectively, who were ably assisted in their nonsense by a clever little dancing waiter in the person of <name type="person" key="name-407929">Harry Prechner</name>, a versatile artist of Continental experience.</p>
        <p>Of the several girls in this lavish production, mention must be made of the excellent impersonation by Pinches, who made a most presentable wench second only to Nelson.</p>
        <p>By general request, Lyttleton repeated his great success of the pantomime, and conducted the orchestra in his riotously funny manner, to the intense delight of our audiences.</p>
        <p>The show was exceptionally well dressed, and all the stage accessories, such as curtains, table-cloths, lamp-shades, etc., were of the very best quality, and were supplied by the famous London firm of Liberty's.</p>
        <p>Our scenic artist had once again excelled himself, and the whole bright and breezy performance ran through slickly under the able direction of Bob Shaw, our new producer.</p>
        <p>With our new wardrobe, and the increasing accumulation of scenery and stage props generally, we had definitely evolved from the chrysalis of our early pierrot show days, and from now on were to continue with the costume comedy type of performances.</p>
        <p>The news of the enemy success in the region of Meteren and the La Motte Forest had been very distressing for some time, though why such a second-hand outfit as the Portuguese should have been allowed to take over any part of the line is still a matter for wonder, when only a side-glance at the "Pork-and-Cheese" (as they were dubbed) outfit, should have been sufficient
<pb xml:id="n119"/>
<figure xml:id="McKWaysP011a"><graphic url="McKWaysP011a.jpg" mimeType="image/jpeg" xml:id="McKWaysP011a-g"/><head>"<hi rend="c">The Tuis</hi>," <hi rend="c">France</hi>. 1918<lb/><hi rend="i">Back Row</hi>: E. Greenhalgh, L. Walker, G. McBeth, J. Hardy, <name type="person" key="name-407888">E. Hodges</name>.<lb/><hi rend="i">Front Row</hi>: D. Evans, S. Johnson, <name key="name-407860" type="person">Lt. Shayle Gardiner</name>, <name type="person" key="name-407886">E. Lymer</name>, O. Foote.<lb/><hi rend="i">See Page <ref target="#n122">107</ref></hi></head></figure>
<pb xml:id="n119a"/>
<pb xml:id="n120" n="105"/>to convince any nit wit on Army Headquarters that they were quite incapable of standing up to any of the opposing troops.</p>
        <p>Their Keystone-like transport, tied up in the true Heath Robinson manner, with string and bits of wire, was one of the biggest jokes in France, and the Germans could not do other than imagine we were either beaten or balmy, to have any faith in such undersized Allies.</p>
        <p>Their average weight, at a rough guess, would, I think, be somewhere round about eight stone, and in their pale-blue uniform they looked more like the enemy than the Germans.</p>
        <p>They certainly let us in for something when they put on their April tea-party and allowed the Germans to walk through the hole in the line and swallow up all that territory which had seemed so far behind in the days when to get back to Bailleul seemed like putting you well out of harm's way, and yet here we'd lost 15 miles of country, including such towns as Meteren, Merris, Outtersteen, Vieux Berguin, Merville, and dozens of others, in the short space of six days.</p>
        <p>It was terribly galling to think that such homes as Armentieres, Bailleul and Estaires used to be were now all securely in the enemy's keeping, and with such a flying start as they got on that occasion they certainly took some halting.</p>
        <p>I well remember seeing a Scottish regiment coming out of the line at a point where they had stopped this German advance some time in April; they were far short of their full strength of a battalion, and as they marched at a very slow tread, led by a single officer on horseback, <pb xml:id="n121" n="106"/>their khaki aprons covering the kilt on active service, they carried the mud and grime of their several strenuous days in the hastily-cut trenches full upon them. Some were hatless, and some without rifles, while others had lost various parts of their equipment in the fierce engagement that had only just ensued, and I approached a sergeant who had been wounded in the wrist, and sported several days' growth of stubble on his chin, to ask how things were going.</p>
        <p>He said "they were all right now," but he'd never been so pleased in his life as when he looked round that morning and saw that the Aussies had dug in behind them, when they'd come up in their relief during the night. There was no mistake in the confident tone when he said that "Things are all right now," and that was near Hazerbrouck.</p>
        <p>It was now the month of May, and here we were at the base, the Division being still too busy to have us with them.</p>
        <p>The Canadians sent for us, and we went to them at Fort Mahon, where we did our best to produce the revue in the small hall provided, for a week.</p>
        <p>In June we returned from Etaples to the Division at Authie in the Somme area, where we gave shows in a natural open air bowl to large audiences, including on one occasion "Bill" Massey, "Joey" Ward, as the two heads of our New Zealand Government were more or less affectionately termed. On our return to the Base in July, we produced a new revue entitled "Fun in a Sanatorium" which name was afterwards changed to "Oh, Helen."</p>
        <pb xml:id="n122" n="107"/>
        <p>A terrific storm at Etaples, unfortunately, blew down our big tent and wrecked the scenery of this production.</p>
        <p>During repairs to the theatre, the orchestra assisted by a couple of vocalists, gave concerts at the Lawry, Salvation Army, and other huts round the camp.</p>
        <p>The members of the show had been living in tents in the lines at our base camp, and about this time we suffered an addition to our numbers in the personnel of the Tui Concert Party, who were attached to us, for rations and discipline, as Army phraseology has it.</p>
        <p>They might have got a few rations, but we certainly got very little discipline; and, indeed, their presence in our midst had rather a disturbing influence upon our own party.</p>
        <p>The Tuis were under the musical direction of pianist <name type="person" key="name-407897">George Pope</name>, and their programmes were produced by that well-known boisterous comedian, <name type="person" key="name-407888">Edgar Hodges</name>, popularly known to all the Division as "Hodgy." With a small orchestra and some clever talent they were the "wing-forwards" of the Digger concert world, and put on many excellent free-lance performances round the Front.</p>
        <p>Things had been very lively at the Base most of the time we were there, with aeroplane raids on the railway bridge an almost nightly occurrence for a while.</p>
        <p>We were there when the Germans put a star shell up over St. John's Hospital and bombed it, so that there were over 360 casualties; we had given a concert there the week previously. Most of the men in the nearby camps were marched <pb xml:id="n123" n="108"/>out to sleep in the wood every night, after a Canadian depot camp had been blown almost off the map with heavy bombs, which tore every tent in the place to absolute ribbons.</p>
        <p>Etaples was not exactly the healthiest spot on earth in that summer of 1918.</p>
        <p>Happily some diversion was available at this time, in the contact by several members of the troupe with girls of the Women's Auxiliary Army Corps, who were engaged in various duties in connection with the army at the base.</p>
        <p>Our matinee idol, <name type="person" key="name-407883">Charlie Tidy</name>, as usual walked away with the chief prize when he captured the affections of one of the best-looking "Waacs," as they were known, for himself, and I well remember his ready wit when he was asked to put something in Winnie's autograph book.</p>
        <p>Without any hesitation whatsoever he wrote the following lines:
<q><lg type="verse"><l><hi rend="i">For words in praise of winsome Win,</hi></l><l><hi rend="i">  My sluggish brain I rack;</hi></l><l><hi rend="i">But he who wins this winsome Win,</hi></l><l><hi rend="i">  Will win some winsome Waac.</hi></l></lg></q></p>
        <p>I think you will agree that no apology for reproducing such a stout effort here is required.</p>
        <p>A most exciting event during our stay at the Base was the burning down of the Orderly Room by a few hot-headed dissentients from the existing leave regulations. Luckily the Commandant was none other than the popular Col. "Hoppy" Mitchell, who tactful handling of the situation soon restored the usual harmony of the camp.</p>
        <p>Before leaving Etaples, appreciation must be expressed of the splendid playing of the various <pb xml:id="n124" n="109"/>calls by the camp bugler. Bugler Napier won the open competition against all-comers from the British and Dominion Troops at La Toquet, and those of us who had some knowledge of brass instrument playing can say we have never heard a more artistic rendition of the long and difficult "Last Post" anywhere.</p>
        <p>Early in September I suffered a recurrence of my chest trouble, and was left behind in hospital at the Base when the troupe moved up to be nearer the Division at Bihucourt.</p>
        <p>I had just finished reading <name type="person" key="name-405552">Victor Hugo</name>'s great story "Les Miserables," and was about to be discharged from hospital when General McGavin called to take me in his car, the very same road that Jean Valjean, Hugo's hero, had taken on his way through Montreux, Hesdin and St. Pol to Arras.</p>
        <p>I could not help but picture that memorable journey all over again; how he had changed horses at the three towns mentioned before arriving in Arras, and it all seemed so real to me that, when in Paris a month later, I again visited <name type="person" key="name-407953">Pere Lachaise Cemetery</name>, as <name type="person" key="name-405552">Victor Hugo</name> asks his readers to do, and searched for Jean Valjean's grave; but though I found again those of Chopin, Auber, Offenbach, Rossini and other great men, I could discover no trace of Hugo's hero, for, of course, my search was hopeless from the start.</p>
        <p>The Division was busy when I got back to the troupe, and an urgent call having come from Paris, asking that we be allowed to show our new revue there, permission was readily granted, and we soon found ourselves once more in the gay <pb xml:id="n125" n="110"/>city, where we gave two performances of "Y Go Crook."</p>
        <p>The first was given in aid of the British Army and Navy Leave Club at the Alhambra Theatre, where a capacity audience received the show with enthusiasm, souvenir programmes being sold by society girls from the English Colony, and the total takings cleared the large sum of £400.</p>
        <p>The following extract is from the Continental Edition of the <hi rend="i">New York Herald</hi>:</p>
        <quote>
          <floatingText xml:id="t1-body-d6-t2">
            <body xml:id="t1-body-d6-t2-body">
              <div xml:id="t1-body-d6-t2-body-d1" n="newspaper extract">
                <head><hi rend="c">"Y Go Crook" has Clever Kiwis.</hi><lb/><hi rend="sc">But Not</hi> A <hi rend="sc">Male Crook.</hi></head>
                <p>"Y Go Crook?"</p>
                <p>Why?</p>
                <p>Well, you needn't go crook if you go to see the Kiwis' show. Yesterday it had its Paris premiere at a gala matinee at the Alhambra for the British Army and Navy Leave Club, and it is going to be given at the English Theatre to-morrow afternoon under the patronage of Lord Derby, for "A Corner of Blighty."</p>
                <p>"Y Go Crook" has a plot that involves a number of women, and the New Zealand soldiers, "straight from the Cambrai front," are some quick change-sex artists, especially <name type="person" key="name-407877">Gunner S. Nelson</name>, who as <hi rend="i">Sonia</hi> is the "feminine" hit of the show, while "her mother," <name type="person" key="name-407899">Sapper G. Lyttleton</name>, runs "her" a close second.</p>
                <p>Where Gunner Nelson—his best girl back in New Zealand would not know him in skirts—got his girlish tonal quality is not explained in the programme, nor is the source of <name type="person" key="name-407899">Sapper Lyttleton</name>'s antics as an orchestra conductor revealed to the Kiwis' audience. But their feats establish the fact beyond all doubt that a soldier can do anything—even play the Hun, as one anonymous Kiwi did to the great amusement of all concerned.</p>
                <p>The Kiwis' strong point is their army stuff, all the way from English "Ruby Queen" cigarettes to A.E.F. Fords. "Oh," exclaims a fair Kiwi damsel, "I just <pb xml:id="n126" n="111"/>love cigarettes." "Then," replies her soldier friend, "take a whole one." Or, it's an S.O.S. drink. What's that? Short of sugar. After all, asks the Kiwi, but not an officer, what is rank? Have you smelled the margarine lately? The King conferred the K.C.M.G. on a New Zealander, and that, to the y-go-crook soldier, is "Kindly Call Me George." He crossed No Man's Land; oh, it belongs to the ladies. No, most of it belongs to us now. France is full of Yankee hordes, with waving flags and flaming swords; they don't need any tanks: all the Yanks have got Fords.</p>
                <p>"Y Go Crook?" Oh, that's simply New Zealandese for "Pourquoi s'en faire?" which is "Ich gebibble," which is I should worry.</p>
                <p>So now you know.</p>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>Two nights later, on October 14th, we repeated the revue, this time under the patronage of His Excellency, the Earl of Derby, the takings being in aid of Miss Butler's "Corner of Blighty."</p>
        <p>On the occasion of this, my third visit to Paris, we were entertained as guests of the Army and Navy Leave Club at their headquarters in the Hotel Moderne, in the Place de la Republique.</p>
        <p>During the four days we were there, the rumours of a projected armistice were growing apace, and all newspapers were eagerly scanned for confirmation of that much-desired event.</p>
        <p>Influenza was raging and people were dying like flies. When we left on our return to Bihucourt, our baritone, <name type="person" key="name-407881">Charles Loader</name>, was an in-mate of St. Cloud hospital, where he was buried shortly afterwards, a victim of the reigning scourge.</p>
        <p>The Division was still busy, and rumours now were to the effect that the enemy's defence had <pb xml:id="n127" n="112"/>been broken and that he was on his return home with all possible haste, while our armies were hurrying him along.</p>
        <p>Although the armistice was only a fortnight away, it could not have seemed very real to us just then, as I remember that some of the company were incensed because our O.C. had put his name on the Paris programme as the producer of the show. At a rehearsal one morning, Le Comte walked on to the stage and stood absolutely mute before the assembled company, and when told to "go on," he calmly replied to the O.C.: "Go on what? You haven't told me what to say."</p>
        <p>The result of this upset was that a meeting was held, and I was deputed to go to the O.C. and tell him we objected to his appropriation of the title of producer.</p>
        <p>It all seems so petty now, but it shows we evidently expected to be producing revues for some time to come.</p>
        <p>We were alone at Bihucourt, and some of the boys were discussing how they would react to the news of the armistice when it came.</p>
        <p>Some were going to paint the place red, though how this was to be done without paint shops or public houses, was not explained; while others threatened to play up generally, and it is amusing to reflect that our then musical director, Ken. Phillips (now a Mus.Doc. in Auckland): admitted that when peace came, nothing would give him greater pleasure than to go into the bush with a nice book, to have a good read and hear the birds sing.</p>
        <pb xml:id="n128"/>
        <p>
          <figure xml:id="McKWaysP012a">
            <graphic url="McKWaysP012a.jpg" mimeType="image/jpeg" xml:id="McKWaysP012a-g"/>
            <head><hi rend="c">Etaples. The Kiwi Orchestra</hi>, 1918<lb/><hi rend="i">Back Row</hi>: <name type="person" key="name-407913">H. Lange</name>, H. Cross, L. Probert, F. Lound, <name type="person" key="name-405551">T. Neighbours</name>, R. Booth.<lb/><hi rend="i">Middle Row</hi>: <name type="person" key="name-407864">N. Martin</name>, H. Wright, W. King, S. Anderson, K. Phillips (conductor), <name key="name-407954" type="person">P. Dimery</name> (leader), H. Baxter, L. Swales.<lb/><hi rend="i">Front Row</hi>: C. Howard, C. White, <name type="person" key="name-407944">L. Poore</name>, <name type="person" key="name-407968">R. Goodison</name>, B. Peterson.<lb/><hi rend="i">See Page <ref target="#n122">107</ref></hi></head>
          </figure>
        </p>
        <pb xml:id="n128a"/>
        <pb xml:id="n129" n="113"/>
        <p>The serenity of Bihucourt was to be rudely awakened when a pile of some hundreds of stick bombs, a legacy left by the retreating Germans, went off quite suddenly and seriously wounded Sgt. Alec. Tozer, N.C.O. in charge of our cinema staff.</p>
        <p>On Nov. 11th, the peculiar silence all around us was most noticeable, but it was not until Nov. 12th, when someone managed to get hold of a Continental <hi rend="i">Daily Mail</hi>, that we got official word of the armistice; and so, while almost everyone in the civilised world was rejoicing that peace had come again to a sorely-tried world, we, who were only a few miles from Bapaume, and not so very many miles from the actual fighting, knew nothing officially of the cessation of hostilities.</p>
        <p>Our Division, which performed great deeds in climbing the walls and chasing the enemy out of Le Quesnoy, where they were congratulated personally next day by the French President, Poincare, himself, returned to re-organise at Beauvois-fontaine, where we endeavoured to entertain them.</p>
        <p>We had carefully rehearsed a brand-new show for the occasion, but feeling personally very much "off colour," while fighting a losing battle against a very heavy cold, it seemed to me of little worth to men who, now that their job had been done, had only a great desire to return home as quickly as possible.</p>
        <p>Everyone was eager to know what was happening, and who were most likely to be on the first boat for New Zealand, when word came through that the Division was to march through <pb xml:id="n130" n="114"/>Belgium to take its place as part of the Army of Occupation in Germany.</p>
        <p>There were quite a few murmurings against this proposal, but when it was pointed out to the men the great honour it had been that they should be the only Dominion troops asked to march into Germany, the small grumbling element was quickly silenced; and once again the Digger put the honour of his little country before all personal desires.</p>
        <p>There was absolutely nothing for us to do and, indeed, one felt that we were in the road, and that the heads would gladly be rid of us for a while; so when it was suggested that we make ourselves scarce until the Division got fairly settled in their new quarters in Germany, we took the hint and applied for leave, which was readily granted.</p>
        <p>Most of the company went across to England where, unfortunately for us, more than half of them stayed, instead of returning, and going through to Cologne, thereby missing what, to many, was the best part of the war. Only four of us took the opportunity to travel south and see something of the Riviera, the beautiful play-ground of Europe, where we duly arrived after a journey by way of Paris and the P.L.M. railway to Nice.</p>
        <p>Breaking the journey from Caudry to have a couple of days in Paris, We saw a fine performance of Massenet's tuneful opera, "Thais," and were so taken with the lovely "Meditation" that we bought copies of the music and went to a marvellous automatic gramophone parlour in the Boulevarde des Italiens, where by simply <pb xml:id="n131" n="115"/>inserting a token in a machine and dialling a number, obtained from the huge catalogue provided, we were able to hear the "Meditation" played by whatever artist, who had recorded the number, we desired. I remember we dialled three times and heard Kreisler, Heifetz and Elman play this beautiful violin solo, which is one of the gems of "Thais." I think we hummed and whistled this lovely melody everywhere we went in Paris, and all the way to the South of France.</p>
        <p>During ten lovely days in that perfect climate we visited all the well-known resorts—Cannes, Monaco, <name type="place" key="name-000364">Monte Carlo</name>, Villefranche, and Mentone, from whence we succeeded in getting past the sentries at the bridge, and through to Ventimillia, the first town over the Italian border. This feat took some scheming, or "wangling," as the army's word for any shrewd dealing has it.</p>
        <p>We found, after some enquiries, that it was the' custom one day a week for an N.C.O. and two or three men, armed with sacks, to go to Ventimillia to obtain rations for the officers' hospital at Cap Martin, and we were pleasantly surprised when the plan worked and we were able to have our spaghetti in Italy as we had set out to do.</p>
        <p>Ascending the Alps Maritimes from Mentone by the usual method of transport—donkeys—we dined at a surprisingly large hotel perched precariously on the top of Mont Agnes. Ships of the French and Italian navies were at Villefranche the day we were there.</p>
        <p>Monte Carlo was, of course, the highlight of the tour, and our window at the Hotel des Fleurs <pb xml:id="n132" n="116"/>looked straight down the imposing garden stretch in front of the Casino. Although no man of military age was allowed to gamble at the tables, we were permitted to see the roulette games in action, the players being a very mixed assortment of ladies of varied nationalities, and elderly men. We made friends with one of the croupiers, who are the men that rake the money from the tables, and were able to secure a counter—a round disc of white ivory, which were being used in lieu of five-franc pieces—to take away as a souvenir.</p>
        <p>Signor Bianchi proved himself an excellent host when he had us.up to his home that night and turned on some eighteen-year-old wine of such potency that when we left to return to our hotel, the whole family accompanied us, linking our arms with theirs, as we marched down the middle of the road, singing in the moonlight.</p>
        <p>Thus it is we have very pleasant memories of <name type="place" key="name-000364">Monte Carlo</name>, which must be one of the cleanest and best-kept municipalities in the world: or perhaps it would be more correct to say it must <hi rend="i">then</hi> have been, for from all accounts the whole Riviera has felt the draught badly since England went off the gold standard on September 31st, 1931.</p>
        <p>At Monaco we inspected the Prince's palace, where I confess to falling for a childish impulse, and sat on the Principality's throne when our guide wasn't looking. The beautiful aquarium, built over the sea-wall so that the running sea-water can be utilised, is one of the sights of Monaco.</p>
        <pb xml:id="n133" n="117"/>
        <p>The picturesque blue-domed palace of the Persian Prince, <name key="name-407861" type="person">Mirza Risa Khan</name>, who was President of the Hague Peace Conference in 1912, was another of the lovely places we saw there, and the Prince's gold piano, with its mother-of-pearl keys, is one of the most beautiful things I have ever seen or imagined, yet it is only one of the many wonderfully brilliant items among the Prince's priceless collection.</p>
        <p>Of course we were not able to do this Riviera trip in the style of its regular <hi rend="i">habitues</hi>, and instead of flying along the magnificent Corniche Road in a Rolls, we were quite content to use the tramway service provided, all the way from Nice to Mentone. It was a thrill to take tea on the wide terrace of the Promenade des Anglais at Nice, and to watch the beautifully-dressed women and their escorts as they strolled by.</p>
        <p>The Americans certainly picked a choice spot for their leave area when they chose the Riviera. It was most disappointing, later, to find that the lovely coloured scenic views of the town, for which we paid high prices, in advance, did not arrive in New Zealand as promised.</p>
        <p>After a marvellous ten days in the Riviera's perfect climate, we broke our journey north to have a day in Lyons, and arrived back in Paris on December 14th in time to see the astounding welcome accorded <name key="name-407867" type="person">President Wilson</name> when he came as the great peace-maker and instigator of the League of Nations.</p>
        <p>The fervancy of the huge crowds as the visitor rode with Poincare, in an open carriage, preceded and followed by twelve of the magnificently-attired Guard Republique, riding abreast <pb xml:id="n134" n="118"/>on their pitch-black horses dressed in their flowing black drapings, knew no bounds, and the importance of the occasion was apparent.</p>
        <p>At night, the delicacy of some of the brilliant illuminations, with pendants of light showing the portrait of the American guest, picked out in tiny electric globes and suspended across the street, was the most artistic thing of its kind one could imagine.</p>
        <p>At Parc Monceau we were part of a great concourse, in response to whose insistent demands <name key="name-407867" type="person">President Wilson</name> appeared again and again on the balcony of his residence, to the accompaniment of enthusiastic hand-clapping. There was singing and dancing until an early hour next day, on all the boulevards; and we, being conspicuous in our distinctively shaped hats, came in for some attention at times.</p>
        <p>The mademoiselles made a dead set at securing our chapeaux as souvenirs, and when we found ourselves several times surrounded, in the "ring-a-rosy" manner, it seems we were expected to, and often did, kiss our way out. Anyone who has visited Paris on a <hi rend="i">fete</hi> day will quite understand the situation; it's just an old French custom, and it was an education to see the French capital in this mood, as it illustrated in no uncertain manner the tremendous difference in the temperaments of the French and British peoples.</p>
        <p>On the steps of the great opera house, one man with an accordion, and two others with the very ordinary tissue-paper and comb outfit, played for hours, while everyone danced with his neighbours, irrespective of whether they were acquainted, or whether they looked poor or <pb xml:id="n135" n="119"/>affluent. And so it was all over the city that night; everyone seemed bent on letting him-or herself go, and, very evidently, they were all enjoying themselves tremendously.</p>
        <p>No one could have dreamed, then, that the famous visitor's health was to be completely broken so shortly afterwards, when his high ideals failed to find favour with his own people at home.</p>
        <p>A most amusing incident of that joyous night of revelry was when Peterson and I, having missed our companion for some time, came across him later, in the middle of a huge crowd, gesticulating wildly, and trying, in his best pidgin-French, to make himself understood.</p>
        <p>Thinking, from the way he was swinging his arms, that he was having a spot of trouble, we squeezed in near enough to hear him say: "Mesdames et Messieurs; Dans mon pays, l'homme noir, il dit comme ca, 'Kamate kamate, ka ora, ka ora,' etc.," giving a very fair pakeha's impression of a Maori war-cry, and ending up with the familiar grimace, with his tongue protruding in the prescribed Maori fashion, a seemingly rude gesture which must have been the last straw, as it completely convulsed the immense crowd, including ourselves.</p>
        <p>The last we saw of Crossy that night was when he was taking round the hat after giving a soulful rendering of "Home Sweet Home" on a battered, borrowed cornet.</p>
        <p>The French are very liberal in their dispensations of vin blanc.</p>
      </div>
      <pb xml:id="n136" n="120"/>
      <div xml:id="t1-body-d7" type="chapter">
        <head><hi rend="sc">Chapter</hi> VII.<lb/><hi rend="c">Germany.</hi></head>
        <p>Arriving back at Beauvois-Fontaine just a week before Christmas, we found the place practically deserted, the Division having marched to Germany through Belgium, by way of Verviers, a small town near the border which gave them a great reception, hailing their entry with banners proclaiming them the "Saviours of Belgium."</p>
        <p>We waited the arrival of those of our company who had gone to England, but the stragglers who did come brought word that the big majority had no intention of returning, and were then attending sick parades at the various hospitals in Blighty and hoping for the best.</p>
        <p>When, ultimately, it became evident that the last conscientious performer had arrived, arrangements were finalised, and all that was left of us—twenty in all, under <name key="name-407860" type="person">Lt. Shayle Gardiner</name>—proceeded to join the Division, per horse-box. Anyway that was better than marching, as the Division had done, and at least there was clean straw, and room to get down on the floor: both comfortable considerations when one remembers now our discomfort in leaving Germany.</p>
        <p>Unfortunately we were to suffer a fatality <hi rend="i">en route</hi>, when, at Mons, Ginger, our self-appointed mascotte for some months past, showed his deeply-rooted French objection to proceeding further on the road to Germany, and
<pb xml:id="n137"/>
<figure xml:id="McKWaysP013a"><graphic url="McKWaysP013a.jpg" mimeType="image/jpeg" xml:id="McKWaysP013a-g"/><head><hi rend="c">Bihucourt</hi>, 1918<lb/><hi rend="sc">Queue outside Divisional Theatre</hi><lb/><hi rend="i">See Page <ref target="#n126">111</ref></hi></head></figure>
<figure xml:id="McKWaysP013b"><graphic url="McKWaysP013b.jpg" mimeType="image/jpeg" xml:id="McKWaysP013b-g"/><head><hi rend="c">Rouen</hi>, 1919. <hi rend="c">Coming Home</hi>.<lb/>F. Nation, <name type="person" key="name-407957">E. McKinlay</name>, <name type="person" key="name-405551">T. Neighbours</name>, <name type="person" key="name-407954">P. Dimery</name>,<lb/>L. Loveday<lb/><hi rend="i">See Page <ref target="#n152">134</ref></hi></head></figure>
<pb xml:id="n137a"/>
<pb xml:id="n138" n="121"/>
committee suicide by jumping beneath the wheels of a moving train, thus depriving his master, Reg. Booth, of a faithful friend.</p>
        <p>At Mons, while souveniring German hats and other equipment from a train drawn up opposite ours, I was mortified to look up and find our train gone, leaving me quite alone with my souvenirs.</p>
        <p>I spotted a German Red Cross train draw in to the station not very long afterwards, and as it was going my way, I waited until no one was looking, before secreting myself aboard, on the top of a big pile of first-aid bandages, and other gear in the van. As showing how badly off the Germans were for supplies, those first-aid field dressings were made of dried green moss, instead of lint or cotton-wool.</p>
        <p>They might not have been the best field dressings, but they made a very good bed.</p>
        <p>That night was Christmas Eve, and when I woke on Xmas Day it was snowing hard, and I couldn't make out where I was until it dawned on me slowly.</p>
        <p>I lay quite still and out of sight, listening to the conversation of a couple of German soldiers who had entered the van, and began to wonder what kind of a reception I would get when I tried to explain my presence there. However, while trying to make myself understood, we pulled into the station at Aachen, and to my great content, there were some of our chaps having a spruce-up under a pump on the platform.</p>
        <p>I did not hesitate, but made one dive for the door and out of the van, my pockets bulging <pb xml:id="n139" n="122"/>still more, for I had added a few of those field dressings to the collection I had made at Mons.</p>
        <p>We had Christmas dinner in the horse truck that afternoon, and though it was restricted to a hash of bully-beef and cheese heated up on a brazier, it was marvellous.</p>
        <p>Detraining at Opladen, just outside Cologne, we were detailed to proceed to Leichlingen, where one of our Wellington battalions was quartered, and here, at the Gasthof den Golden Sternen, an hotel run by Herr and Frau Meiss, not forgetting their three beautiful daughters, we put on a series of short pierrot programmes, in conjunction with our cinema, in a small hall incorporated in the hotel.</p>
        <p>Our billet was some quarter of a mile away along a snow-covered road from the hotel where we showed, and we all slept on the floor of one room in a large empty house: that is, officially we slept there, but in reality it was not long before most of us had found more comfortable beds. With the exchange at forty marks to the pound, instead of the par rate of twenty marks to the pound, we were able to spread ourselves quite a bit on our pay, though had we been there a couple of years later, we would have needed a hand-cart to take away the change of an English pound note. <name key="name-407860" type="person">Lt. Shayle Gardiner</name> was detailed as a guide to the Diggers sight-seeing in Cologne, and so the responsibility for the show devolved upon me.</p>
        <p>We were given the services of a three-ton lorry, and performed mostly in Y.M.C.A.'s and in halls attached to hotels in some dozen little towns round Cologne.</p>
        <pb xml:id="n140" n="123"/>
        <p>Divisional Headquarters were at Wiesdorf, and there we gave performances at the Kaiser-saal, and later at the 88th Feild Ambulance (Tommy) Rest Station.</p>
        <p>Wiesdorf is the home of the big chemical firm of "Bayers," makers of the famous aspirin tablets, and they have tremendously big works there, with their own Fire Brigade and Ambulance stations.</p>
        <p>I remember counting up to twenty-seven huge chimney stacks at the works, and then gave it up as a bad job. We were billeted in the model village of Leverkusen, built on the plan of Cadbury's, Bournville, in England. Some of the other towns and villages we showed in round Cologne were: Mulheim, Deutz, Kalk, Immagrath, Dunwald, Delbruck, Neukirchen, Gladback, Bensberg, and Langenfeld, at all of which places sections of our New Zealand Division were quartered.</p>
        <p>We found the people very badly off for foodstuffs, and well-dressed men would meet all the troop trains, offering cigars for tins of bully-beef, or Machonachie rations. I'm afraid some of them were often duped when they paid high prices for what looked like, and were sold for, tins of butter; but which, on being opened, turned out to be not butter, but Machonachie rations.</p>
        <p>We noted many examples of the well-known German astuteness for providing substitutes to wanted materials.</p>
        <p>Most of the linings for men's clothes, and indeed some of their underclothing, was made of paper, while with the scarcity of leather, <pb xml:id="n141" n="124"/>almost all boots and shoes were soled and heeled with wood.</p>
        <p>There was no rubber for bicycle or motor tyres, the wheels of the former having a steel band supported by innumerable small springs round the rims.</p>
        <p>It is quite reasonable that such adepts in the matter of subtle substitution, who were able to produce sausage roll without sausages, may very well be suspected as the cowardly perpetrators of clear soup.</p>
        <p>They might even prove to be the synthetic originals of the war-time soldiers who, if they'd had some ham could have had ham and eggs, if only they'd had the eggs.</p>
        <p>Such a bounteous situation would not be likely to incur heartburn, let alone heart-burnings, to the all-consuming, or little-consuming, sturmtruppen of Hitler's post-war regime.</p>
        <p>There was an almost complete absence of motor traffic owing to the lack of tyres, and when our long columns of heavy Daimler lorries moved in, you might have knocked the eyes of the staring population (probably they were motor traders) off with the proverbial stick.</p>
        <p>The housewives, at whose homes we secured billets, were fearful of our arrival, as Ludendorff, in an army order, had warned his troops not to allow themselves to be captured by the New Zealanders, who were coloured men and cannibals. Evidently he had heard something of the old-time Maoris, and had used it to frighten his men.</p>
        <p>Anyway, whatever the cause, the women-folk were a bit dubious about us, until, it being Christmas time, we opened up our Xmas <choice><orig>par-<pb xml:id="n142" n="125"/>cels</orig><reg>parcels</reg></choice>, containing all the good things the German people had lacked for over three years, and shared everything with them and their families.</p>
        <p>When we took the kiddies on our knees and handed out slices of those richly-iced cakes, slabs of chocolate, dried fruits, etc., the change in the tone of our reception was most marked, and ever after that we had the pleasure of feeling almost welcome.</p>
        <p>The poor creatures had subsisted for months, and probably years, on the barest of meals, composed mainly of a potato mash which they were glad to throw out when they could get something better, exclaiming "Ach, das ist nicht gut essen," and certainly "it was not good eating," after so long a time with little else. To give an idea of how they longed for sweets, our canteens sold more chocolate in Germany in three months than they did in almost three years in France.</p>
        <p>We offered our landlady, Frau Schuboth, of Mulheim, a box containing six pieces of ordinary coloured soap, from which she was delighted to take only one piece, and when told they were all for her, she could scarcely believe it; each cake would have cost her the equivalent of 5/-: that is, ten marks for a sixpenny cake of soap. A French refugee, <name type="person" key="name-407950">M. Leon Grimbert</name>, who had returned to Beauvois-Fontaine while we were there, told us that the German army, too, were very short of soap; and wherever they were quartered, they could always be detected when the wind blew from that direction.</p>
        <p>The German civil population had been told, no doubt to keep up their morale, that "England ist kaput," but our sumptuous supplies of so <pb xml:id="n143" n="126"/>many of the desired delicacies of life, to say nothing of the aforementioned Daimler lorry column, convinced them that "England was far from being finished."</p>
        <p>They could scarcely believe that we had came twenty thousand kilometres to help England, or that we had never been trained for the army as all German youths were. We had to explain that "England ist nicht schweinhund," but was, in fact, a good mother to Australia, New Zealand, and all the rest of the Empire.</p>
        <p>Nor did they understand that they had lost the war.</p>
        <p>Had they not negotiated an armistice, mutually agreed upon by all the belligerents, and signed in a railway carriage in Belgium?</p>
        <p>Surely, if we had won the war, we would have insisted in signing peace in Berlin, with a display of our full powers, and a parade of the pick of our best troops. They showed us photographs of their returning armies being <hi rend="i">feted</hi> all the way back, with flowers strewn in their paths, garlands round their necks, and more flowers down the barrels of their rifles, as though they had been victorious. They were to receive a very rude shock later, of course, when the terms of the Versailles Treaty became known. It seems certain, however, that the last war was not finished off properly, and that Berlin should have been the final goal of the Allied armies; for it is only force that is recognised in Germany, where any meekness is taken for weakness.</p>
        <p>And if the women were inclined to be friendly towards us, we received no such recognition from their menfolk, though, of course, it <pb xml:id="n144" n="127"/>was hardly to be expected that they would go exactly wild over us at that time.</p>
        <p>At one of the first billets we slept in, we got into conversation with two soldiers in the next room, one of whom arrogantly asserted his expert use of the <hi rend="i">flammenwerfer</hi> (flame-thrower) at the Somme in Sept., 1916, while the other had been in the line opposite us in Armentieres in 1916. I suppose they were decent enough chaps, and had only been doing their duty, as our chaps had; but I remember I didn't sleep too well that night, though the door was fairly well barricaded.</p>
        <p>Being now in charge of our show, I was able to arrange things now and then so as to be able to slip into Cologne, where on one occasion I heard a very fine performance of the "Messiah," with a splendidly-trained choir and an outstanding bass soloist in <name type="person" key="name-407934">Julius Gless</name>, who stood right out above the other artists.</p>
        <p>I was quite familiar with the whole work, having sung the tenor role on occasions previously, and it was a great joy to hear Handel's masterpiece again.</p>
        <p>At the Cologne Opera Haus, I was lucky enough to attend performances of "Thannhauser" and Beethoven's only opera,"Fidelio."</p>
        <p>I knew all the Wagner music, and quite a lot of "Fidelio," having played most of it in my brass band and orchestral days.</p>
        <p>To see these German operas actually presented in Germany, was, as may be gauged from my previous remarks on the subject, a great treat to me. The theatre etiquette of those large German audiences was an eye-opener, for, <choice><orig>not-<pb xml:id="n145" n="128"/>withstanding</orig><reg>notwithstanding</reg></choice> the fact that they are practically brought up on opera, therefore knowing the music off by heart, there was not a sound from the commencement of the overture until the curtain fell at the end of the act, when the applause was unrestrained.</p>
        <p>One complaint often heard re Covent Garden is that you may, as like as not, have the galling experience of sitting near someone who, having become familiar with the principal airs of the opera being performed, insists on "airing" or sharing his knowledge, or on shouting "Bravo!" just when the tenor is sitting squarely on his high C. Such things are not done in Germany where, owing mainly to State aid, the people are brought up on opera, though who teaches them to sit so quiet, I never found out.</p>
        <p>I shall always remember a stupid thing I did one night I was going to a performance in Cologne. It was just about 6 p.m., and I suddenly realised I needed a shave, so I popped into a barber's near the opera house. It was just on closing time, and while I lay back in the chair, with a wide expanse of neck fully exposed, thinking of nothing in particular, I suddenly heard the German barber, who was vigorously stropping his razor, and looking at me with a face like the proverbial "meat-axe," call out to his boy to "shut the door."</p>
        <p>All at once it struck me what a fool I had been to come in for a shave at closing time, for, having only recently been bitter enemies, it was quite conceivable that I might very easily disappear without anyone being any the wiser; however, although the operation was carried
<pb xml:id="n146"/>
<figure xml:id="McKWaysP014a"><graphic url="McKWaysP014a.jpg" mimeType="image/jpeg" xml:id="McKWaysP014a-g"/><head><hi rend="c">On the Promenade Des Anglais, Nice</hi>, 1918<lb/><name type="person" key="name-407932">H. V. Cross</name>, B. O. Peterson, <name type="person" key="name-407957">W. E. McKinlay</name><lb/><hi rend="i">See Page <ref target="#n133">117</ref></hi></head></figure>
<pb xml:id="n146a"/>
<pb xml:id="n147" n="129"/>
through in deadly silence, nothing untoward happened, and I saw my opera alright; but, next war, I'll remember to make my toilet at a more fitting time.</p>
        <p>A favourite excursion from Cologne was to go by electric train to Bonn, where Beethoven's birth-place still stands, and there to gaze in reverence in the very room where the great master was born, and to see his old harpsichord and many of his original manuscripts.</p>
        <p>Though we had no permission to move outside our own allotted area, three of us. took the risk, and had a very happy day in the old fortress town of Coblenz, 80 miles down the beautiful Rhine.</p>
        <p>It was mid-winter, and snow lay everywhere, as the train wound its way, for the most part, along the banks of the great river to the lovely old-world city. In our Boy Scout-like hats we were mistaken for Americans, whose sector it was, by an old hotel-keeper at whose dining-room we presented ourselves. The Yanks had a different method of feeding their troops to ours, in that, instead of employing army cooks, they issued the rations to certain hotels who prepared the meals for the troops, and when we enquired how much we owed for the dinner provided, the old German looked at our hats and said: "Sie ist Amerikan?" to which we could hardly do other than reply "Ja," whereupon we were politely informed that it was "Nichts." I have a fancy the old proprietor had his doubts about us, all the same, and he very probably wondered why it was we did not know that all meals were free to soldiers in that area.</p>
        <pb xml:id="n148" n="130"/>
        <p>At the Knights of Columbus Club, the Yanks were most hospitable to us, and we lacked for nothing that day.</p>
        <p>While in the small town of Mulheim, near Cologne, our 2nd Brigade Commandant, General Young, gave a dinner to the <name key="name-407868" type="person">Prince of Wales</name>, who blew along quite unattended, in a car, that evening.</p>
        <p>About nine o'clock, our orchestra, which played during the course of the dinner, was packing up prior to retiring, when the Prince sent out his gold cigarette case, and asked that we continue to play a little longer. In the case were the very best De Reszkes, and our chaps got down on them for souvenirs.</p>
        <p>Our Staff-Captain, <name type="person" key="name-407963">Stuart McDonald</name>, with whom I used to run in the harriers in pre-war days, said we had better put some back, as he couldn't return the case to His Royal Highness empty.</p>
        <p>So the boys filled it up with Trumpeters and Ruby Queens, issue cigarettes to the troops.</p>
        <p>"Teddy" was greatly tickled, and came out, all smiles, to ask if we would play his favourite tune, which was: "She'll tell you what you're to do dear, when you look in her eyes," which was from "Going Up," a musical play then showing at the Gaiety Theatre, London. We regretted not having the music, whereupon he amazed us all by pulling out a copy of the song from beneath his tunic.</p>
        <p>Can it be surprising that such consummate ease as a "Mixer," as he possessed, endeared the young Heir Apparent to all who came in contact with him, and laid the foundation to that <pb xml:id="n149" n="131"/>tremendous popularity he achieved on his voyage round the Empire in 1920.</p>
        <p>It is surely not too much to say that no more popular king ever ascended a throne, and it seems absolutely incredible that a reign that started so auspiciously, and promised so much, should be blighted and broken off so suddenly, and in the inglorious manner now so well known to us all.</p>
        <p>Our popular ex-king will know many moments of joy and sorrow in his lone journey from now to the grave; but there must be one moment of time he will never be able to efface from his memory, and that, in my humble opinion, was when he sailed from England in the dead of night without a friend, and landed in France alone, unhonoured and unsung.</p>
        <p>Poor "Teddy," fate certainly dealt him a shabby hand, and I feel we all must regret that he ever allowed the circumstances to arise when he should be called on to make such a tremendous decision, and that when it had to be made, he found himself unable to make that sacrifice in the service of his country in peace that he had made in war, and so uphold all the dearest hopes of his illustrious great-grandmother, <name type="person" key="name-006178">Queen Victoria</name>, his grand-father <name type="person" key="name-124179">King Edward</name> the Seventh, and his well-beloved parents, <name type="person" key="name-400562">King George</name> V. and Queen Mary, all of whom lived to expect much from the young Prince David as he was known at home. It is because we expected so much that we were hurt so deeply, and we may count ourselves fortunate that the vacant throne has been filled so well.</p>
        <pb xml:id="n150" n="132"/>
        <p>After such a serious outpouring it may be as well to limber up with an amusing reminiscence which occurred when we were being photographed on-stage at Kalk.</p>
        <p>The German photographer made many unsuccessful attempts to get his flashlight apparatus to function, until we all got very tired of hanging around, when Nation suddenly called out: "Shake it up, Fritz, no wonder you lost the war!"</p>
        <p>We all thought this remark tolerably funny, though the sullen looks we got were black enough to suggest an immediate cancellation of the armistice terms.</p>
        <p>I'm afraid the Germans were angered on very many occasions, as when, disregarding all notices that only a limited number of us were allowed to travel on the trams, all and sundry would proceed to clamber aboard, in spite of the irate conductor's protests. All windows and doors of trams and trains were generally kept tightly closed, and you would often see a Digger write with his finger on the breath-frosted (if one may use such a term) panes: "Got mituns, "or"Gott strafe England."</p>
        <p>It is not difficult to imagine how the populace must have resented such insults, which, it must be admitted, even under the circumstances, were very cheeky.</p>
        <p>The chivalrous gesture of rising to give a seat to a lady was not generally understood in Cologne in 1919, and very often an over-sized male would have to be instructed as to his mistake in accepting the vacated place.</p>
        <pb xml:id="n151" n="133"/>
        <p>No, I don't think we were too popular with the ruling sex in Deutschland, as the Germans term their own country, but there could be no mistake that their womenfolk were very sorry to see us go.</p>
        <p>"Cupboard love," you may say, and perhaps they were going to miss the little extras we were able to provide; but there was something more than that, for when the time actually came for us to depart, whole families were to be seen in the streets, all with their handkerchiefs out, though they were used for other purposes than merely waving us goodbye. I believe they really softened towards us when they saw that, far from acting discourteously towards them, we, on the contrary, showed them every respect; and, what was more than anything, were kind to the children.</p>
        <p>I feel sure that many of those German people will, remember us sympathetically, for it is a fact that apart from the barrier of the difference in language, our two peoples have quite a lot in common, and much as I like France and its inhabitants, we have actually no blood ties with them as we have with the Germans. It is a thousand pities for all the world that we find it as impossible to accept them as close associates as they do to accept us, for a democratic, sane Germany, in alliance with America and the British Empire, is something to be devoutly prayed for, even though as yet it seems almost impossible of accomplishment.</p>
        <p>For even unto these latter days, ruthless dominance is still the be-all and end-all of German diplomacy, and force still the ruling passion of <pb xml:id="n152" n="134"/>that country, where, as Kipling has remarked (though not about Germany): "A woman is only a woman, but a good cigar is a smoke."</p>
        <p>When it came to the finish, I think we too were sorry to part company with our new friends, in spite of our desires to get back to our homes; though the shop window-cards imploring us "Now then, Diggers, take back something to remember Germany by," were a bit galling to those who had plenty to remind us of what their diabolical war had cost us in health: "Ein andenken am den Welt krieg" indeed.</p>
        <p>At the final dinner in the hotel at Leich-lingen, everyone stood in silence, while the names of all our departed comrades, who had been with us in the show, were read through, and at 1.30 p.m. on February 4th, after bidding a very sad farewell to the lovely Paula, the sole remaining members of the Divisional Entertainers, some nineteen of us in all, reported at 2nd Brigade H.Q., at Mulheim, and marched in to the main railway station at Cologne, on the first stage of our return journey to our homeland.</p>
        <p>We were a curiously silent band that made our way over those snow-covered roads; indeed, the snow was still falling thickly, as with full packs up for the first time for many moons, many of us were glad we were not re-enacting Napoleon's famous retreat from Moscow, though, all unknown to us, conditions were to be bad enough before we set foot in that glorious land which is England.</p>
        <p>There were 1,300 New Zealanders in that draft, and the rolling stock allotted proved to be none other than the now all-too-familiar <pb xml:id="n153" n="135"/>horse-boxes, with their well-known caption "40 Hommes ou 8 Cheveaux."</p>
        <p>Why it was that the forty men should evidently have first choice, heaven only knows, for I feel sure it was never intended that so many men, or any at all for that matter, should have to travel through three days and nights in such conveyances, especially under snow. Each truck was issued with a bale of straw, but without a fire of any sort, and with only iron rations, consisting of bully-beef and hard biscuits, conditions on this terrible journey from Cologne to Rouen may well be imagined.</p>
        <p>With all our equipment and gear there was only just room for the last man to get down on the floor, and because of the continual snow, the sliding door had to be kept closed. We were left stranded at sidings, often for hours on end, sometimes with nothing better to do than to stroll about for a rest, while inspecting, often, whole trains of beautifully cushioned carriages, lying idle, when we could have so very well made use of them. It was all very galling; but eventually, after passing through such well-known places as Liege, Namur, Charleroi, Arras, Albert, and Amiens, we did arrive at Rouen, where, to cap everything, we were marched to a Tommy rest camp, in which we spent another three days and nights in tents, under snow. During the dreary days spent in that camp we were de-loused, and issued with a complete outfit of underclothing: "One shirt, one singlet, one pair of woollen underpants, two pairs of sox, sign here"; any ex-Digger will be familiar with the <pb xml:id="n154" n="136"/>way this jingle was rattled off at the quartermaster's store.</p>
        <p>Most of us had heavy colds, for the snow was over our boot-tops, and it took us half an hour each morning, sitting on our frozen boots and socks, so as to thaw them sufficiently to make them wearable.</p>
        <p>Le Havre was reached on the seventh day after leaving Cologne, and though it was bitterly cold when we arrived there, and many of us had lost our voices, the first meal they served out to us at the Canadian Rest Camp, consisted, unbelievably, of a cold salt herring and an orange.</p>
        <p>Remember, I am not relying on my memory for all this, as I still retain all the letters I wrote home at the time. We boarded the little <hi rend="i">Duchess of Devonshire</hi> at noon on the eighth day, but as she did not sail until 10.30 p.m. that night, we just lay out in the roadstead, enjoying as nice a choppy sea as you could imagine.</p>
        <p>As there was not room for everyone to get down on the deck, and with many of us decidedly off colour, after so trying a journey on such poor food, it is needless to say that the harbour at Weymouth provided a most welcome sight for those who could still raise their heads sufficiently to take an interest in affairs, after our eleven and a-half hours' crossing of the English Channel.</p>
        <pb xml:id="n155"/>
        <p>
          <figure xml:id="McKWaysP015a">
            <graphic url="McKWaysP015a.jpg" mimeType="image/jpeg" xml:id="McKWaysP015a-g"/>
            <head><hi rend="c">The Kiwis, Leichlingen, Germany</hi>, 1919<lb/><hi rend="i">Back Row</hi>: W. King, D, Smedley, H. Hogg, H. McKenzie, <name key="name-407886" type="person">E. Lymer</name>, L. Loveday.<lb/><hi rend="i">Middle Row</hi>: D. Currie, R. Booth, S. Anderson, <name type="person" key="name-405551">T. Neighbours</name>, F. Nation, F. Lound, C. Howard, A. Blandford<lb/><hi rend="i">Front Row</hi>: B. Peterson, <name type="person" key="name-407957">E. McKinlay</name>, <name type="person" key="name-407954">P. Dimery</name>.<lb/><hi rend="i">See Page <ref target="#n139">122</ref></hi></head>
          </figure>
        </p>
        <pb xml:id="n155a"/>
      </div>
      <pb xml:id="n156" n="137"/>
      <div xml:id="t1-body-d8" type="chapter">
        <head><hi rend="sc">Chapter</hi> VIII.<lb/> <hi rend="c">England</hi></head>
        <p>However, the recuperative powers of the human body are extraordinary, and all our miseries were over as soon as we stepped ashore <hi rend="i">in</hi> good old Blighty.</p>
        <p>We were met by the landing officer for N.Z. troops, in the person of Major Stewart, whom I recognised as having seen riding through Green Dump at the Somme, every day during our sojourn there in 1916.</p>
        <p>We were soon fixed up with hot food, being made to feel that life was still worth living, and our sincerest gratitude is due to the kindly women-workers at the Army and Navy Canteen for what they did for us, after our awful journey. What—organisation!-—real carriages, and good food, with no hours of waiting round at stations in the cold. Everything went like clockwork, and after passing through Stratford-on-Avon, Bath, Birmingham, and Stafford, we reached the Rifle Brigade camp at Broctdn, where we were to be in absolute clover.</p>
        <p>Hot meals, a bunk with a mattress and five blankets, these were some of the comforts we enjoyed, and all our thanks went out to <name type="person" key="name-407942">Lt. Norman Parker</name>, the quartermaster, who did everything in his power to see that we were comfortable. The whole world looked different to us now that we were able to live decently; and, on looking back, one wonders why it was <choice><orig>neces-<pb xml:id="n157" n="138"/>sary</orig><reg>necessary</reg></choice> for us to have undergone such an ordeal after the Allies were supposed to have won the war.</p>
        <p>Surely some of the excellent German or French trains we had seen lying idle could have been commandeered for us, instead of those insanitary and unsuitable horseboxes. As for those tents at Rouen, under snow, words fail me. I know that three New Zealanders died on that terrible journey, and many others of us underwent illnesses that have left their traces to this day.</p>
        <p>From Brocton I was transferred to Horn-church camp in Essex, there to await a decision on my application for a course of study at the London Guildhall School of Music.</p>
        <p>As part of the Educational Scheme, the N.2. Government had agreed to allow all approved students to attend classes in London before returning to the Dominion. My application was granted and, along with some 80 others, we were installed in two adjoining houses in Torrington Square, where we ate and slept for the next three months.</p>
        <p>My tutor at the Guildhall was Mr. Mewburn Levien, and it was while I was there that I first had the opportunity of meeting <name key="name-000579" type="person">Dame Nellie Melba</name>.</p>
        <p>The Principal of the school, <name type="person" key="name-002705">Sir Landon Ronald</name>, had been the Diva's friend, counsellor, and accompanist for many years; and on May 19th, 1919, he gave her a big birthday party in honour of her J8th birthday. With three Australian soldier students, also in uniform, I formed part of a guard of honour, and, standing close <pb xml:id="n158" n="139"/>beside Melba, I caught many of her asides that were not meant for other ears.</p>
        <p>It was a most distinguished gathering of England's best known musicians, and each guest was announced in turn: <name type="person" key="name-407966">Sir Fredric Cowen</name>; <name key="name-407871" type="person">Sir Frederick Bridge</name>; etc., etc. There were hundreds present, and Melba got very tired of it all and whispered to me, "How many more of them are there, Digger? Fm about fed up of all this," and other like remarks. However, it was a thrill to see so many of England's <hi rend="i">elite</hi> at such close hand, and I thoroughly enjoyed myself.</p>
        <p>Not being required to attend our classes every day, there was ample time for sight-seeing, which was as well, for those were memorable days just following the war, and almost every day there seemed to be something special to see.</p>
        <p>The brilliant re-opening of Covent Garden with Melba and <name type="person" key="name-407960">Tom Burke</name> in "Boheme," was a night to be remembered quite apart from the opera performed, for the glittering show of the many Royal personage and nobles who attended.</p>
        <p>Of the many inspiring processions, two were of a very sad nature indeed, when first <name key="name-407865" type="person">Nurse Edith CavelPs</name> body, and later that of Capt. Fryatt, was brought across from Belgium, where they both had died in their country's service.</p>
        <p>Among other memorable marches was that of the Colonial Troops, when companies representing each of the Dominions' fighting men paraded through the hub of the Empire. Another was the march of London's famous Guards Regiments, with the <name key="name-407868" type="person">Prince of Wales</name> leading the way through the great city's crowded streets.</p>
        <pb xml:id="n159" n="140"/>
        <p>The greatest of all was the wonderful Peace or Victory March on July 19th, when all the allied troops were represented, with a specially picked and splendidly tailored company of American troops leading the way. There they were, all the famous men who had led for us during the war: Foch, Haig, Jellicoe, Beatty, Pershing, and all the other great generals and admirals whose names will go down to history as having played the principal parts in the Great War, 1914-1918.</p>
        <p>It was an unforgettable day, ending with a marvellous fireworks display that night in <name type="place" key="name-006313">Hyde Park</name>, when so many hundreds of thousands of people congregated that many were carried, as I was, from Marble Arch, away along Oxford St. to past Selfridges, with their feet only touching the ground at rare intervals.</p>
        <p>A great surge of people congregated in front of <name key="name-401699" type="place">Buckingham Palace</name>, and in response to the repeated calls of the whole populace shouting "We want our King," "We want our King," His Majesty and all the Royal Family appeared on the balcony again and again.</p>
        <p>I well remember the laugh that went up from the crowd when, as the King and Queen retired, followed by the Royal Family in order, one of the younger Princes—it must have been Prince George—gave a very good imitation of the then very well-known Charlie Chaplain hop, and side-turn, on one leg. The King must surely have wondered at the laugh that burst forth and, no doubt, caused inquiries to be put in train, when they got inside.</p>
        <pb xml:id="n160" n="141"/>
        <p>Yes, they were great days alright, when the universe was relaxaing into that carefree spirit, which, eventuallly, a few years later, brought on the period of jazz-mania; and when women's efforts to achieve sex-equality, with their cigarettes and knee-length skirts, only succeeded in bringing about a lowering of standards all round.</p>
        <p>But I am getting out of my depth here, so, to go back to London of 1919. I remember having great hopes of becoming rich on the dividends predicted by <name type="person" key="name-005713">Horatio Bottomley</name>, on my five Victory £1 Bonds purchased at that time.</p>
        <p>Alas! it was just another "after the war" delusion, and poor Bottomley, a staunch patriot, as his popular production "John Bull" proved, died in prison while' serving a swindler's sentence.</p>
        <p>After the Guildhall, I went for private tuition to that very famous singing teacher, <name type="person" key="name-407930">Harry Plunket Greene</name>, whose speciality was interpretation in song, and benefited much from my term with that great gentleman; but, unfortunately, my chest condition was a great hindrance, and after a consultation with Dr. Atkinson, a Harley St. specialist, I underwent an operation at Walton-on-Thames, where New Zealand ran a war hospital.</p>
        <p>In convalescence I enjoyed many lovely evenings on the river, which at that particular spot is very beautiful indeed.</p>
        <p>There is so much one could write about London, and I feel that any account of that war period would be incomplete without some reference to the many exceptional shows offering at that time.</p>
        <pb xml:id="n161" n="142"/>
        <p>It must be remembered that there were some 200,000 men arriving in the big metropolis every day, including Sunday, all certified as having their pay-books in a sound healthy condition, and all ready to lap up as much entertainment as possible, before returning again to France.</p>
        <p>Apart from opera, their choice was practically unlimited, and among the many extra choice shows was <name type="person" key="name-407946">Oscar Asche</name>'s "Chu Chin Chow," that colourful extravaganza at His Majesty's which ran for over five years.</p>
        <p>With Asche, his wife <name type="person" key="name-407947">Lily Brayton</name>, <name type="person" key="name-407959">Violet Essex</name>, and Courtice Pounds in the cast, it was the most popular show, and I admit to seeing it three times.</p>
        <p>At its height, it was necessary to book up months ahead; but if you couldn't get in there, you could try "The Maid of the Mountains" at Daly's.</p>
        <p>This was another most spectacular show with a wealth of beautiful musical numbers, and with such artists as <name type="person" key="name-407935">Jose Collins</name>, <name type="person" key="name-407961">Thorpe Bates</name>, Lauri de Freece, and <name type="person" key="name-407948">Mark Lester</name>, all tastes in singing and humour were amply cared for.</p>
        <p>Early in the war, the "Bing Boys" had a wonderful run at the Alhambra, with the inimitable <name type="person" key="name-407896">George Robey</name>, <name type="person" key="name-407958">Violet Lorraine</name> and the late <name type="person" key="name-407875">Alfred Lester</name> as the stars. To mention only a few of the many other popular shows, there were "The Lilac Domino," "Going Up," "Yes Uncle," "Arlette," "Fairer and Warmer," "The Boy," etc., all of which were assured of capacity audiences practically throughout the whole course of their run. What a feast for the entertainment-starved troops to choose from, and it <pb xml:id="n162" n="143"/>was no wonder that many a Digger felt sad at the idea of parting with wonderful London and all that it had come to mean to us.</p>
        <p>Anyway, I for one appreciated to the full all that the old town had to offer us, especially as time drew near for our departure, when there still seemed to be so much more we had not seen.</p>
        <p>Being now quite familiar with the general layout of the city, and more especially of the West End, it was much easier to dash about by tube and bus to wherever we desired to go; and one cannot speak too highly of the kindly consideration of London's people at all times, and especially of the much extolled London "Bobby," who really is an institution in the old town.</p>
        <p>I only remember one instance of being told we weren't wanted in England, and it is too amusing not to be recalled here.</p>
        <p>Green and I were strolling down Southampton Row one day when an old hag approached us with: "Buy a box of matches, kind sir?" but on being informed that neither of us smoked, she turned suddenly nasty and reviled us with "Ar you —, I'll be glad when you're out of the country."</p>
        <p>We both roared laughing, because we had often heard of just such a happening, but never dreamed it would be applied to us personally.</p>
        <p>However, all roads led to Sling Camp, where I eventually landed, and from whence there was scarcely any return in those days, unless it was to New Zealand.</p>
        <p>All travellers near Sling will remember the famous white horse which can be seen for miles <pb xml:id="n163" n="144"/>thereabouts; and in commemoration of our sojourn there, our authorities had a huge kiwi engraved in a like manner on the chalky hillside.</p>
        <p>Some engineer experts, including Norman, a member of the well-known Dunedin Chinese family of Lo Keong, drew the bird to scale from an exhibit in London Museum, but of course it was greatly enlarged, so that the smallest square that could be placed round it would have measured four acres, which will give some idea of its immense size as a landmark. Some wags went to the trouble of carving a huge egg beneath the bird's tail, but that was filled in, and now the Kiwi Boot Polish Company have taken over the site as an advertisement for their product, and have promised to maintain it in good order and condition; surely a lasting reminder of the many men of the New Zealand Expeditionary Force who passed that way in 1914-1919.</p>
        <p>Should the boot polish company continue to keep the surrounding grass well cut, it will be an everlasting job: so perhaps in time the spot may come to be known as the land of the "mower."</p>
        <p>Some of the Tommies were mystified by the bird, and one was heard inquiring of another: "Say, choom, 'ave thee seent yon Kaiwai dook?"</p>
        <p>After being listed to sail on one troopship, a rumour spread that the rowing crew, who had done so well at the Inter-Allied regatta on the Seine, were to be rewarded with a trip home through <name key="name-120382" type="place">New York</name>; so, nothing would do but I must get on that boat with the oarsmen.</p>
        <p>This was eventually wangled alright, but, alas! although we lay at Norfolk for some days,
<pb xml:id="n164"/>
<figure xml:id="McKWaysP016a"><graphic url="McKWaysP016a.jpg" mimeType="image/jpeg" xml:id="McKWaysP016a-g"/><head><hi rend="c">On Stage. Kalk, Germany</hi>, 1919<lb/>All that was left of "The Kiwis"<lb/><hi rend="i">See Page <ref target="#n150">132</ref></hi></head></figure>
<pb xml:id="n164a"/>
<pb xml:id="n165" n="145"/>and were then only ten hours away from <name key="name-120382" type="place">New York</name>, where Caruso was singing at the Metropolitan, the necessary leave could not be obtained to make the trip; and so, with an ample supply of the "needful" burning a hole in my pocket, I was fated not to see <name key="name-120382" type="place">New York</name> yet awhile.</p>
        <p>During our four-day stay at Norfolk, we were the guests of The Red Circle Camp Community, a wartime institution, financed by an American millionairess, who entertained, fed, and generally looked after all New Zealand soldiers returning home by way of the <name key="name-407866" type="place">Panama Canal</name>.</p>
        <p>Everything we required was given to us freely, including post-cards and even the stamps to put on them; so it may be imagined we all keenly appreciated the generous hospitality of our American cousins.</p>
        <p>However, what the Yankee orderly must have thought, on the morning of our departure, when his raucously nasal call of "Five a-cla-a-ark" was greeted with such a shower of epithets and boots as it received, had better also be imagined rather than that any attempt should be made to put it on record.</p>
        <p>Since the eleventh hour of the eleventh day of the eleventh month of 1918, the Digger had not been used to such an early call.</p>
        <p>Apart from the marvellous engineering feat of the actual canal itself, there is not a great deal of interest to see on that particular route from the Old Country to New Zealand; and now that I have been fortunate enough to have travelled by every other way excepting <name key="name-200921" type="place">Cape Horn</name>, <pb xml:id="n166" n="146"/>which, heaven forbid! I should say that the trip <hi rend="i">via</hi> <name key="name-407866" type="place">Panama Canal</name> is the least interesting of all.</p>
        <p>The voyage of almost three weeks on either side of its torrid zone can be very monotonous, and apart from a stay of an hour or so at Pit-cairn Island, where the mail was dropped and a few cases of fruit taken aboard, there was absolutely nothing to see except salt water, all the way to Wellington. However, we had a very lively crowd on the old <hi rend="i">Tainui</hi>, and the rowing crew, at whose table I sat, never allowed things to get too dull.</p>
        <p>I don't remember all the crew, but three of the best-known were: <name type="person" key="name-208119">Darcy Hadfield</name>, <name key="name-405556" type="person">Clarrie Healy</name> and the late All Black footballer, Alf. West.</p>
        <p>I had come down in the train to Plymouth, from whence the <hi rend="i">Tainui</hi> had sailed, with another well-known footballer, <name type="person" key="name-407898">George Owles</name>, who later, as "Sassanoff" was to win so much fame in Otago football circles, and whose grave I stumbled on in 1931, in far-off Nairobi (Kenya), whither he had gone to join the motor police, sometime.in the late 1920's.</p>
        <p>Bert Green and I had been visiting the grave of our old friend <name type="person" key="name-407954">Percy Dimery</name>, who had been leader of our Kiwi Orchestra in France, and who too is buried almost on the equator at Nairobi.</p>
        <p>It was <name type="person" key="name-407898">George Owles</name> who first initiated me into the mysteries of auction bridge, a game I have made good use of since, but which, on those wet days at the mess tables on the <hi rend="i">Tainui</hi>, was a never-ending puzzle to me. A few lectures and concerts, together with the usual sports programme, served to while away the time on that <pb xml:id="n167" n="147"/>return voyage, which was made brighter for me by my old friend, <name key="name-407870" type="person">Sgt. Major Claude Davie</name>, who, on rough days, always looked after me like a guardian angel.</p>
        <p>We were nearing our homeland, and soon all would doff the old uniform and seek to take up the old threads of life as before.</p>
        <p>Unfortunately, many were to learn that things had altered considerably, and that their old positions were now occupied by women workers, who were just beginning to seek that freedom so evident since the war.</p>
        <p>Some had been lucky in their choice of employers, who had not only kept their jobs open, but, in not a few instances, paid them some part of their wages during the time they had been on active service.</p>
        <p>But whatever the circumstances obtaining on their return home, or since, there is no doubt that the years spent abroad with the troops have left abiding memories to the great majority of those who were privileged to be there.</p>
        <p>I can well recall the time when, as year after year went by, and we seemed to be making little progress, the army routine became so stabilised that it never occurred to me that we should ever wear "civies" again. The whole thing seemed so futile, for after months of slugging, with no tactics to speak of other than the intensely heavy bombardments, to advance a few miles, the whole gains would be lost—aye, and ten times more—in a few days.</p>
        <p>The re-reading of all the letters I wrote home during the war, makes it possible for me to recall something of the spirit, and of the conditions <pb xml:id="n168" n="148"/>under which they were penned; and on looking back from this distance, it is tolerably certain that without the comradeship of all those splendid chaps with whom it was my privilege to be associated, life would have been a very much harder proposition during those war years.</p>
        <p>That we were well looked after, as far as possible, by the Government of the day, and by all those good folk at home who worked so hard to send us such wonderful parcels of comforts, I'm sure all returned men will readily admit.</p>
        <p>I know we were especially fortunate in our General commanding the Division, and <name type="person" key="name-209146">General Sir Andrew Russell</name> can be assured of a lasting place in the kindly remembrances of all ex-Diggers.</p>
        <p>The oft-abused Y.M.C.A. really did wonderful things, and I can recall many instances of Jimmy Hay's indefatigable efforts to serve the troops at all times; and, assisted by an untiring staff, he certainly did a great job.</p>
        <p>Besides meeting <name type="person" key="name-407895">George W. W. B. Hughes</name>, and the elderly Mr. George, in Paris on one occasion, I retain kindly recollections also of many of the Y.M.'s stalwarts in Egypt, France, Belgium, Germany: some of whom are Messrs. McKenna, Lock, Bob Hill, <name type="person" key="name-407874">Andy Gow</name>, and <name type="person" key="name-407945">Len Greenberg</name>.</p>
        <p>Two of the Y.M.'s high spots in London were the Shakespearean Hut, at the rear of the <name key="name-110211" type="organisation">British Museum</name>, and the Kiwi Club. This latter rendezvous, where <name key="name-407862" type="person">Miss Ethel Stone</name>, popularly known to the boys as "Stoney" held sway, has now reverted to its pre-war name, West Central Hotel, Southampton Row.</p>
        <pb xml:id="n169" n="149"/>
        <p>Nor must the good work of the well-known Salvation Army Padres, Walls and Blaydon, be forgotten, for all their valued assistance to the "Pierrots" and the "Te Koas" respectively, both of which latter concert parties—the former produced by <name key="name-407872" type="person">Tano Fama</name>, and the latter by <name type="person" key="name-407939">Jerry Pritchard</name>—took their full share of the entertainment business at Etaples.</p>
        <p>In this, what might be termed "wash-up" of general affairs of the Expeditionary Force, as they affected us, it is pleasing to be able to report that so much gold was shown in the returns covering the period of its operations.</p>
        <p>It is true we had our quota of hard cases like everybody else, but generally speaking the men were an exceptionally well-behaved lot and, I feel sure, they left a name behind them, in the Old Land that, among other Dominion troops, would be hard to beat, both on the field and while on leave.</p>
        <p>Our men won their fair share of battle honours, and from among the several gallant V.C.'s in our ranks, perhaps I may be permitted to single out one whose fame became almost a legend overseas, and whose utter disregard of all danger was probably unique even among the bravest V.C.'s of the whole British Army.</p>
        <p>Dick Travis did not live to receive his posthumously conferred honour, but he won something far greater even than the much-coveted V.C. his family received, when he won, on the field, the esteem and regard of the admiring Division of civilian soldiers who were privileged to be his pals.</p>
        <pb xml:id="n170" n="150"/>
        <p>It may be that some day, some time, in the exigency of similar circumstances, we, or those that come after us, shall be permitted to see his like.</p>
        <p>Till then, we shall leave poor Dick on his throne, which, if only because it exists in our memories, as he does, can never be abdicated.</p>
        <p>We had been a long way, and had seen all sorts of people, from <name type="person" key="name-209489">Dick Travis</name> to the conscientious objectors, though it is pleasing to note that the latter were few and far between; and while their mention brings up thoughts on the subject of conscription, I may say that I am entirely in favour of the ballot, when each man is called up in his turn and no indispensable wage-earner is allowed to go, and I hope that method will apply if and when another war should eventuate which, I say in all solemnity, "God forbid."</p>
        <p>As regards the contentedness of the men of the Expeditionary Force, it might be as well to say while on the debit side of the ledger, that one hopes the Government has fallen into line with the present trend of things at Home, where a more sensible uniform has been approved for the army.</p>
        <p>I know we could have wished something more distinctive in the manner that the Australians achieved, in preference to the Tommy-like turnout we were obliged to wear.</p>
        <p>And while on the matter of clothes, Head-quarters could have saved themselves a lot of worry, not to mention paper and ink, in the issue of so many D.R.O.'s forbidding men other than Artillery and A.S.C. to wear riding-trousers.</p>
        <pb xml:id="n171" n="151"/>
        <p>Whenever a man went on leave, he sought to acquire a sufficiently smart turnout to be able to swank it a bit in London, and when he went to see his people's relations.</p>
        <p>Two things before all others were urgently required. A pair of decent riding-strides and, if at all possible, a British Warm, which looked much smarter than our sloppy-looking, though admittedly serviceable, overcoat.</p>
        <p>The Warm did not really matter so much, but the strides were important, for who amongst us liked to admire himself in the railway station mirror, with those baggy slacks turned down over our calves in the stupid-looking Guards Officer manner?</p>
        <p>It all seems so infernally silly: just like the nit-wit municipal council that sets out a beautiful park, and though everyone wishes to walk through it the shortest way to business, <hi rend="i">i.e.</hi>, from corner to corner, they deliberately lay down lawns to bar progress and then set up signs for-bidding people, on pain of a fine, to walk on the grass. What mentality, and yet how true it is.</p>
        <p>And so with Army orders: why, if you can possibly outfit a man so that he feels entitled to stick out his chest and look as though the army belonged to him instead of <hi rend="i">vice versa</hi>, wouldn't that be all to the good?</p>
        <p>But no! officialdom round the world seems bent, as ever, on avoiding to do the obvious thing as, in taking the seeming path of least resistance, they might be thought to be lacking in authority.</p>
        <pb xml:id="n172" n="152"/>
        <p>And so thoughts like these and thousands of others in a similarly jumbled-up fashion, came crowding in on us as the old <hi rend="i">Tainui</hi>, tearing along at the snail's pace of 12 knots an hour, bore down on Wellington.</p>
        <p>The time seems to drag as all eyes scan the sky-line for a first sight of our homeland.</p>
        <p>We felt we must be getting close, for the "long white clouds" of <hi rend="i">Aotea-rca</hi> were becoming more and more ominous. Soon they were to be changed to "all-black," and the deck began to show large wet spots, as the Irishman said, from the size of a shilling to eighteen-pence.</p>
      </div>
      <pb xml:id="n173" n="153"/>
      <div xml:id="t1-body-d9" type="chapter">
        <head><hi rend="sc">Chapter</hi> IX.<lb/><hi rend="c">Home Again.</hi></head>
        <p>Yes, there could be no doubt of it, we were nearing New Zealand; and as we huddled together on the deck and tried to get a look at Wellington through the heavy curtain of rain, one wondered where on earth it was possible to play Rugby there, for surely, with the city stuck like that on the side of a mountain, each side would be forced to play one spell up-hill.</p>
        <p>In spite of all our anxiety to reach our home-land, I should not have cared at that moment had the ship turned round and sailed straight back to England.</p>
        <p>However, once ashore we began to feel more at home. Yes, it was Wellington, for though it wasn't blowing that only proved the rule, probably, and there was <name key="name-404995" type="place">Lambton Quay</name> and Willis Street and Cuba Street; oh, and there was Kirk-caldy &amp; Staines, and Hannah's boot shop and the D.I.C.</p>
        <p>That settled it; we were home alright, or nearly so, for after the usual formalities we South Islanders were soon safely aboard the ferry <hi rend="i">en route</hi> for Lyttelton. Fortunately I knew the captain, and was fixed up with a deck cabin, where I had Capt. Farr, also returning from overseas, in the upper berth.</p>
        <p>The trip across from Wellington offered the occasion for more thoughts about the way <name type="person" key="name-208694">Bill Massey</name>'s tourists had spent their leisure hours, <pb xml:id="n174" n="154"/>and how well they had done in that intensive period of sport when, just after the armistice their crew had won the Inter-Allied Eight-oared race on the Seine, and when after a thrilling victory, at which the French President and all the heads, civil and military, were present, <name type="person" key="name-208119">Darcy Hadfield</name> further showed the Division's prowess by annexing the Single Sculls against all nations.</p>
        <p>Had not our Rugby team won the Inter-Allied Cup at Twickenham.</p>
        <p>What a day that was, when the Aussies—thousands of them, wearing our silver fern—stormed the long grandstand from each end in turn, and finally took their objective without loss.</p>
        <p>And though England led in the first spell, our boys did the trick magnificently after the interval. I had previously seen them beat the French Army team on the same ground.</p>
        <p>Then we had some notable athletes, among whom were the famous hurdler, <name type="person" key="name-407928">Harry Wilson</name>; and Mason, with his great relay team.</p>
        <p>One of the biggest surprises was created when one of our Kiwi orchestra entered for, and won the coveted King's Prize at Bisley.</p>
        <p>I don't thing any of us connected Les Love-day with the famous shooting family of that name.</p>
        <p>The Aussies, too, had had their victories: for had not <name type="person" key="name-407893">Gerald Patterson</name> won the tennis singles at Wimbledon?</p>
        <p>And what is to be said of the great cricket side which carried all before them, many of its members being in the Australian Test side for long after the war.</p>
        <pb xml:id="n175" n="155"/>
        <p>There was no doubt about it, these home-bound colonials had left a great name behind in sport. And now we were in the train and speeding down over the beautiful Canterbury Plains towards the Edinburgh of the South.</p>
        <p>The actual arrival at the station may better be imagined than described.</p>
        <p>It was good to be home and to change into "civies" once again.</p>
        <p>A man had become so used to putting on puttees that he felt positively undressed without them.</p>
        <p>Unfortunately it was not long before I was in hospital again; and early in January, 1920, I was sent north to become a patient at the Narrow Neck Military Hospital at <name key="name-035878" type="place">Devonport, Auckland</name>.</p>
        <p>The doctor at Dunedin had been very helpful in telling me not to worry, as I would never be able to sing again; and as that was about the only thing I wanted to do, it may be imagined that life held very little for me at that time.</p>
        <p>However, under the expert-treatment of <name type="person" key="name-407889">Dr. Maxwell Ramsay</name>, the M.O. at Narrow Neck, I made gcod progress, and often used to try my voice out at the Y.M. when no one was about; and I remember leading the patients in a sing-song there, when we welcomed General Bird-wood, who arrived late, with "Birdy, Birdy, Birdy my boy, what are we waiting for now," a la Abie, of course.</p>
        <p>There were several Maori patients, including George Taranaki, Billy Te Tau, and Tamiana, and it was here, having picked up several Maori ditties, that it occurred to me to make a special <pb xml:id="n176" n="156"/>study of Maori songs, a decision which has meant a great deal to me since.</p>
        <p>One of these songs I learned parrot-fashion from my friend <name key="name-407863" type="person">Ned Mark</name>, a Maori from <name key="name-130482" type="place">White Island</name>, who had lost both legs in the war, and whom I used to look after when I was convalescent, taking him down to draw his pension at Devonport Post Office, and helping him generally.</p>
        <p>He was a hard case, and had some extra-ordinary yarns that he could hardly tell us for laughing. Anyway, this song he taught me must have been a bit hot, as I found out at Rotorua some time later, after I had aired it to all and sundry, including the famous Maori Guide, <name type="person" key="name-208912">Maggie Papakura</name>, the late Mrs. Staples-Browne.</p>
        <p>This is how it fell out.</p>
        <p>I had been singing at a lecture Maggie gave in London in 1925, and when it was over, I sang through <name type="person" key="name-407863">Ned Mark</name>'s little song to her but Maggie only raised her eyebrows, and made no comment. I thought it strange, and on enquiring of my friend <name type="person" key="name-407955">Paul Thomas</name> some time later in Rotorua, he asked did I know what the song was about, and when I replied that it was just a little love song, Paul said, "Oh yes, but if you sing this song in English, you get put in jail."</p>
        <p>Poor Ned: I forgave him for having fooled me, though I was careful ever afterwards to obtain a certified translation of every Maori song I learned. I say "poor Ned," because he died in terrible agony from excruciating pains in the two stumps where his legs had been amputated.</p>
        <p>He was a happy soul in spite of his injuries, and I always felt terribly proud when he insisted
<pb xml:id="n177"/>
<figure xml:id="McKWaysP017a"><graphic url="McKWaysP017a.jpg" mimeType="image/jpeg" xml:id="McKWaysP017a-g"/><head><hi rend="c">Narrow Neck Military Hospital, Devonport, Auckland</hi>, N.Z., 1920<lb/>Lt.-Col. <name key="name-407889" type="person">Maxwell Ramsay</name>, Matron Brookes, Sisters and Nurses<lb/><hi rend="i">see Page <ref target="#n175">155</ref></hi></head></figure>
<pb xml:id="n177a"/>
<pb xml:id="n178" n="157"/>
in referring to me as his mate, whenever he had occasion to complain to the M.O. that I had been discharged from the main hospital ward on my convalescence, and was not able to look after him as I had done in the past.</p>
        <p>The good people of Devonport were always willing to do what they could for us, and one remembers kindly Mr. H. H. S. King, the then, Mayer, his good wife and daughter; and also Mrs, Roberts, as among the many who looked so well to our needs.</p>
        <p>On January 24th, when the <name key="name-407868" type="person">Prince of Wales</name> arrived in Auckland's lovely harbour, we were all taken per launch to join in the magnificent welcome accorded H.R.H., afterwards having the pleasure of shaking his left hand.</p>
        <p>Another of the Good Samaritans of those early post-war hospital days was the fatherly old Brigadier Stone, of the <name key="name-017775" type="organisation">Salvation Army</name>, whose cheery personality was always in evidence, especially at the splendid picnics he arranged to Brown's Island and other places on the waters of the shining Waitemata.</p>
        <p>They were very happy days at Narrow Neck, which, with its little strip of sandy beach, was an ideal spot for a convalescent hospital, and one must pay full respects to <name type="person" key="name-407889">Lt.-Col. Maxwell Ramsay</name>, Matron Brookes, Sisters Watt, Cunningham, Cox, Steele, MacC<unclear>o</unclear>rmick, and all the others, not forgetting poor Marks' particular but uninformed choice, Sister Everett, all of whom looked to our health in such a painstaking manner.</p>
        <p>Although offered accommodation and instruction in farming matters at Waipukurau <pb xml:id="n179" n="158"/>when the hospital closed, I took my discharge and secured employment with the City Council in Auckland in July, 1921.</p>
        <p>I sang at several concerts in the Queen City, including a performance of the tenor solos in "Hiawatha" with the Auckland Choral Society.</p>
        <p>I liked Auckland tremendously, and had some wonderful friends there; but on receiving several severe warnings that my chest condition was fast becoming worse, I was in a quandary as to what I should do for the best.</p>
        <p>All the doctors had told me I must keep in a warm climate, which seemed to rule my home town, Dunedin, out; and I decided, after much thought, to throw up my position and try the more congenial climate of Australia, eventually crossing to Sydney in March, 1922.</p>
        <p>I will conclude this rather long-drawn-out account of the "Ways and By-ways of a Singing Kiwi" with the hope that it will be found of sufficient merit to warrant the trouble of perusal, and should there be any plodding reader still with me, I offer him my sincerest thanks.</p>
        <p>Some there may be who began the journey in high hopes, only to drop off at intervals along the route, at one or other of the many obvious "wobbles" on the way.</p>
        <p>But as I said in my foreword, it is not by any means certain that this attempt at a book will ever see light; and should it eventually not prove worthy of production, all my sincerest apologies will have been in vain.</p>
      </div>
    </body>
    <back xml:id="t1-back">
      <pb xml:id="n180" n="159"/>
      <div xml:id="t1-back-d1" type="epilogue">
        <head>
          <hi rend="c">Epilogue.</hi>
        </head>
        <p>Somewhere in chapter eight I have mentioned the re-reading of my old war-time letters, and now, after writing and reading, and re-writing and re-reading these nine chapters, it occurs to me that anyone might be excused for concluding that my personal war service was spent, when not undergoing arduous journeys per horse box, in periodical visits to hospital, and trips to London, Paris, and the Riviera.</p>
        <p>I hasten to protest that this is not so, but if I have dwelt overmuch on some of the latter more pleasing episodes of my long stay overseas, it is because I find (and I vouch for the fact that most other returned men also do), that it is the happier side of our active service life that is the more recurrent to us and, of course, all will admit, it is as well that it is so.</p>
        <p>It may be of interest to know that in the English summer of 1926, Green and I crossed to Ostend and took a train to Ypres, from whence we made an excursion to Dickebusche where, though the old cemetery near the ambulance station was easily found, we could discern no trace of the actual site of the big marquee, the whole area being then breast-high in wheat.</p>
        <p>As we read the names on some of the old crosses in the cemetery, a lark soared high in the air, and his song, breaking on the stillness which everywhere prevailed, brought poignant thoughts of other days.</p>
        <pb xml:id="n181" n="160"/>
        <p>From Ypres by car through Messines and Ploegsteert, to La Bizet, where we had to pass the customs at the octroi, before entering France, at Armentieres, was a most momentous journey, recalling, as it did, those stirring days of 1917.</p>
        <p>It was marvellous to walk through Armentieres once again and to note the changes that had or had not taken place since we last saw it.</p>
        <p>Half-past Eleven Square was now a large patch of green turf with a war memorial in the centre, but the trams were still lying idle, and many of the streets looked as if they had been left untouched since the war.</p>
        <p>Try to imagine our feelings as we made our way over the old bridge at Pont de Nieppe, past the baths at the brewery, and on to Nieppe itself.</p>
        <p>There we sought out several of its old inhabitants who had returned to the town, and who were genuinely glad to see us, as with many photographs of their favourite Diggers they made excited inquiries for their welfare.</p>
        <p>Nieppe had not gone ahead at all since 1917, and it was rather sad to see the old people in such apparently poor circumstances, and with seemingly so little to look forward to.</p>
        <p>The journey from Armentieres to Lille brought queer feelings of being on dangerous ground, if not, indeed, actually out-of-bounds.</p>
        <p>But Lille was quite unknown to us, and we felt much more at home in Amiens, where a couple of days were spent before continuing on to the <hi rend="i">piece de resistance</hi>, Paris.</p>
        <pb xml:id="n182" n="161"/>
        <p>In 1932 I was privileged to pay a return visit to Moascar and Ishmalia, in Egypt. The old camp is now a permanent affair, with solid concrete roads where there was only loose sand in 1916, and rows of shops which save the Tommies the walk in to Ishmalia for their odd necessities.</p>
        <p>Cairo has been cleaned up quite a lot since the war period, and where there were closely-built hovels near Shepheard's, there are now fine wide thoroughfares, giving much-needed breathing space to the district.</p>
        <p>If anyone knows of an excursion more calculated to excite the interest of ex-Diggers than to re-visit these old war-time haunts, I should very much like to know where such a place is; and can sincerely recommend all those in a position to do so, to try the effect of just such a tour of reconnaissance.</p>
        <p>In conclusion, I would send my sincerest greeting to all old friends who remember me, or who have ever seen the Kiwis in France.</p>
        <p>I wish you "good health," and may you all attain your most-cherished ambitions.</p>
        <closer><signed rend="right"><name key="name-407957" type="person"><hi rend="c">Ernest M</hi>c<hi rend="c">Kinlay</hi></name>.</signed><address><addrLine><hi rend="sc">Sydney</hi></addrLine></address>, <date when="1938">1938</date>.
</closer>
      </div>
      <pb xml:id="n183" n="162"/>
      <div xml:id="t1-back-d2" type="list" n="Complete List of all Members of the Kiwi Orchestra">
        <head>
          <hi rend="sc">Complete List of all Members of the</hi>
          <lb/>
          <hi rend="c">Kiwi Orchestra</hi>
        </head>
        <p>
          <list>
            <item><hi rend="i">O.C. Unit</hi>: <hi rend="sc">Capt.</hi> D. <hi rend="sc">Kenny</hi>, 1916 (died); <hi rend="sc">Lt. Shayle Gardiner</hi>, 1918.</item>
            <item><hi rend="i">Conductors</hi>: <hi rend="sc">Capt.</hi> D. <hi rend="sc">Kenny</hi>, 1916 (died); <hi rend="sc">Pvte.</hi> K. <hi rend="sc">Phillips</hi>, 1918.</item>
            <item><hi rend="i">Deputies</hi>: H. <hi rend="sc">Lange</hi>, 1915; G. <hi rend="sc">Lyttleton</hi>, 1916; H. <hi rend="sc">Baxter</hi>, 1917.</item>
            <item><hi rend="i">First Violins</hi>: P. <hi rend="sc">Dimery</hi> (leader), 1915; H. <hi rend="sc">Baxter</hi>, 1917; C. <hi rend="sc">Cimino</hi>, 1917; L. <hi rend="sc">Swales</hi>, 1918.</item>
            <item><hi rend="i">Second Violins</hi>: S. <hi rend="sc">Anderson</hi>, 1915; W. <hi rend="sc">King</hi>, 1916; G. <hi rend="sc">Broadley</hi>, 1917; L. <hi rend="sc">Loveday</hi>, 1918.</item>
            <item><hi rend="i">Violas</hi>: G. <hi rend="sc">Lyttleton</hi>, 1916; H. <hi rend="sc">Wright</hi>, 1917.</item>
            <item><hi rend="i">'Cellos</hi>: N. <hi rend="sc">Martin</hi>, 1915; R. <hi rend="sc">Booth</hi>, 1917.</item>
            <item><hi rend="i">Basses</hi>: G. <hi rend="sc">Jackson</hi>, 1915; R. <hi rend="sc">Booth</hi>, 1917.</item>
            <item><hi rend="i">Flutes</hi>: C. <hi rend="sc">White</hi>, 1915; L. <hi rend="sc">Poore</hi>, 1916- (killed).</item>
            <item><hi rend="i">Oboe</hi>: R. <hi rend="sc">Goodison</hi>, 1915.</item>
            <item><hi rend="i">Clarinet</hi>: B. <hi rend="sc">Peterson</hi>, 1915.</item>
            <item><hi rend="i">Bassoon</hi>: C. <hi rend="sc">Howard</hi>, 1917.</item>
            <item><hi rend="i">Cornets</hi>: F. <hi rend="sc">Lound</hi>, 1916; H. <hi rend="sc">Cross</hi>, 1916.</item>
            <item><hi rend="i">Horn</hi>: T. <hi rend="sc">Neighbours</hi>, 1916.</item>
            <item><hi rend="i">Trombone</hi>: H. <hi rend="sc">Lange</hi>, 1915.</item>
            <item><hi rend="i">Tympanies</hi>: L. <hi rend="sc">Probert</hi>, 1916.</item>
            <item><hi rend="i">Pianists</hi>: R. <hi rend="sc">Goodison</hi>, 1915; G. <hi rend="sc">McBeth</hi>, 1918; D. <hi rend="sc">Smedley</hi>, 1919.</item>
            <item><hi rend="i">Arrangers</hi>: G. <hi rend="sc">Lyttleton</hi>, 1916; H. <hi rend="sc">Baxter</hi>, 1917; G. <hi rend="sc">McBeth</hi>, 1918.</item>
            <pb xml:id="n184" n="163"/>
            <item><hi rend="i">Officers' Servants</hi>: J. <hi rend="sc">McCorkindale</hi>, 1916; <hi rend="sc">"Tiger" Batman</hi>, 1918.</item>
            <item><hi rend="i">Mascotte</hi>: <hi rend="sc">"Ginger."</hi></item>
          </list>
        </p>
        <p><hi rend="i">Note.</hi>—<name type="person" key="name-407954">P. Dimery</name> and S. Anderson have both died since the War.</p>
      </div>
      <div xml:id="t1-back-d3" type="list">
        <head>
          <hi rend="sc">Complete List of</hi>
          <hi rend="c">Kiwis</hi>
          <hi rend="sc">on</hi>
          <hi rend="c">Stage</hi>
        </head>
        <p>
          <list>
            <item><hi rend="i">Female Impersonator</hi>: S. <hi rend="sc">Nelson</hi>, 1916.</item>
            <item><hi rend="i">Pianist and</hi> O.C.: <hi rend="sc">Capt.</hi> D. <hi rend="sc">Kenny</hi>, 1916 (died).</item>
            <item><hi rend="i">Tenors</hi>: W. E. <hi rend="sc">McKinlay</hi>, 1915; H. <hi rend="sc">Hogg</hi>, 1919.</item>
            <item><hi rend="i">Baritones</hi>: D. <hi rend="sc">Moloney</hi>, 1916; C. <hi rend="sc">Loader</hi>, 1918 (died); A. <hi rend="sc">Blandford</hi>, 1919; B. <hi rend="sc">Crompton</hi>, 1918; W. <hi rend="sc">Te Tau</hi>, 1918.</item>
            <item><hi rend="i">Bass</hi>: A. <hi rend="sc">Green</hi>, 1917.</item>
            <item><hi rend="i">Light Comedians</hi>: C. <hi rend="sc">Tidy</hi>, 1916; G. <hi rend="sc">Carr</hi>, 1915 (killed).</item>
            <item><hi rend="i">Rag-Timers</hi>: F. <hi rend="sc">Nation</hi>, 1916; E. <hi rend="sc">Lymer</hi>, 1916.</item>
            <item><hi rend="i">Comedians</hi>: J. <hi rend="sc">Le Comte</hi>, 1916; G. <hi rend="sc">Lyttleton</hi>, 1916; I. <hi rend="sc">Richardson</hi>, 1916; C. <hi rend="sc">Crowther</hi>, 1916; D. <hi rend="sc">Flood</hi>, 1918; H. <hi rend="sc">Prechner</hi>, 1918.</item>
            <item><hi rend="i">Supers</hi>: C. <hi rend="sc">Mathews</hi>, 1917; A. <hi rend="sc">Syme</hi>, 1917; T. <hi rend="sc">Williams</hi>, 1917; O. <hi rend="sc">Pinches</hi>, 1917; J. <hi rend="sc">James</hi>, 1918; A. <hi rend="sc">Saunders</hi>, 1918; R. <hi rend="sc">Harrison</hi>, 1918; A. <hi rend="sc">McGuinnes</hi>, 1918.</item>
            <item><hi rend="i">Dancers and Producers</hi>: T. <hi rend="sc">Trezise</hi>, 1917; R. <hi rend="sc">Shaw</hi>, 1918.</item>
            <item><hi rend="i">Perruquier</hi>: B. <hi rend="sc">Pearce</hi>, 1917.</item>
            <item><hi rend="i">Piano Tuner</hi>: D. <hi rend="sc">McLaughlin</hi>, 1917.</item>
            <item><hi rend="i">Scenic Artists</hi>: N. <hi rend="sc">Isaac</hi>, 1915; S. <hi rend="sc">Smith</hi>, 1917; J. <hi rend="sc">Collins</hi>, 1917.</item>
            <pb xml:id="n185" n="164"/>
            <item><hi rend="i">Carpenters</hi>: W. <hi rend="sc">Evers</hi>, 1916; F. <hi rend="sc">Williams</hi>, 1917.</item>
            <item><hi rend="i">Cooks</hi>: D. <hi rend="sc">Lawrence</hi>, 1916; H. <hi rend="sc">McKenzie</hi>, 1917; D. <hi rend="sc">Currie</hi>, 1917; J. <hi rend="sc">Jarvis</hi>, 1918.</item>
            <item><hi rend="i">N.C.O. in Charge of Cinema</hi>: A. <hi rend="sc">Tozer</hi>, 1916.</item>
            <item><hi rend="i">Operators</hi>: A. <hi rend="sc">Pattinson</hi>, 1916; N. <hi rend="sc">Gilbert</hi>, 1916.</item>
            <item><hi rend="i">Elec. Engineers</hi>: O. <hi rend="sc">Devlin</hi>, 1916; S. <hi rend="sc">Moffat</hi>, 1917; D. <hi rend="sc">Knight</hi>, 1917.</item>
            <item><hi rend="i">Door Men</hi>: A. <hi rend="sc">Baines</hi>, 1916; P. <hi rend="sc">Palmer</hi>, 1916; P. <hi rend="sc">Sower-by</hi>, 1918.</item>
            <item><hi rend="i">Managing Director</hi>: <hi rend="sc">Lt.-Col.</hi> J. <hi rend="sc">Hardie Neil</hi>, 1915.</item>
            <item><hi rend="i">Business Manager</hi>: C<hi rend="sc">apt.</hi> G. R. <hi rend="sc">Hutchinson</hi>, 1916.</item>
          </list>
        </p>
        <p><hi rend="i">Note</hi>.—Those performers dated 1915 were all members of our original No. 3 Field Ambulance Party.</p>
        <pb xml:id="n186"/>
        <pb xml:id="n187"/>
        <pb xml:id="n188"/>
        <pb xml:id="n189"/>
      </div>
    </back>
  </text>
</TEI>