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          <name key="name-122867" type="work">Philiberta: A Novel</name>
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          <name key="name-122867" type="work">Philiberta: A Novel</name>
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        <title type="gmd">[electronic resource]</title>
        <author>
          <name key="name-122872" type="person">Thorpe Talbot</name>
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          <name key="name-401529" type="organisation">Planman Technologies</name>
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          <p>Copyright 2008, by Victoria University of Wellington</p>
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        <date when="2008">2008</date>
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            <figDesc>Front Cover</figDesc>
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        <p>
          <figure xml:id="TalPhilBCo">
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            <figDesc>Back Cover</figDesc>
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            <figDesc>Title Page</figDesc>
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      <pb xml:id="n2" corresp="#TalPhil002"/>
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      <titlePage xml:id="titlePage-001">
        <docTitle rend="center">
          <titlePart type="main">
            <hi rend="c">Philiberta</hi>
          </titlePart>
          <titlePart>
            <hi rend="i">A novel</hi>
          </titlePart>
        </docTitle>
        <byline rend="center">
          <hi rend="lsc">by</hi>
          <docAuthor>
            <hi rend="c">Thorpe Talbot</hi>
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        <docImprint rend="center">
          <pubPlace>
            <hi rend="c">Melbourne: Bourke Street East,</hi>
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          <publisher><hi rend="c">E. W. Cole</hi>, <hi rend="i">Book Arcade,</hi></publisher>
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      <pb xml:id="n6" corresp="#TalPhil006"/>
      <div xml:id="t1-front-d2" type="contents">
        <head>
          <hi rend="c">Contents</hi>
        </head>
        <p>
          <table>
            <row>
              <cell>
                <hi rend="lsc">Chapter</hi>
              </cell>
              <cell>
                <hi rend="lsc">Page</hi>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n8">I. <hi rend="c">The Bush Fire</hi></ref>
              </cell>
              <cell>
                <ref target="#n8">5</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n14">II. <hi rend="c">Two Kindly Hearts</hi></ref>
              </cell>
              <cell>
                <ref target="#n14">11</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n21">III. <hi rend="c">Time, the Great Healer</hi></ref>
              </cell>
              <cell>
                <ref target="#n21">18</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n30">IV. <hi rend="c">John Campbell's Station</hi></ref>
              </cell>
              <cell>
                <ref target="#n30">27</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n37">V. <hi rend="c">'The Way We Civilise'</hi></ref>
              </cell>
              <cell>
                <ref target="#n37">34</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n43">VI. <hi rend="c">'Together we will Die'</hi></ref>
              </cell>
              <cell>
                <ref target="#n43">40</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n51">VII. <hi rend="c">A New Era</hi></ref>
              </cell>
              <cell>
                <ref target="#n51">48</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n57">VIII. <hi rend="c">'Not my Other Half'</hi></ref>
              </cell>
              <cell>
                <ref target="#n57">54</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n66">IX. <hi rend="c">'A Little Learning'</hi></ref>
              </cell>
              <cell>
                <ref target="#n66">63</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n73">X. <hi rend="c">'A Talk Among the Tombs'</hi></ref>
              </cell>
              <cell>
                <ref target="#n73">70</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n81">XI. <hi rend="c">Lunch and chat at Retlaw's</hi></ref>
              </cell>
              <cell>
                <ref target="#n81">78</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n91">XII. <hi rend="c">The New Element</hi></ref>
              </cell>
              <cell>
                <ref target="#n91">88</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n95">XIII. <hi rend="c">'Have you Nothing to say to me before you go?'</hi></ref>
              </cell>
              <cell>
                <ref target="#n95">92</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n105">XIV. <hi rend="c">The Hour of Happiness</hi></ref>
              </cell>
              <cell>
                <ref target="#n105">102</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n109">XV. <hi rend="c">Talk of a Wedding</hi></ref>
              </cell>
              <cell>
                <ref target="#n109">106</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n116">XVI. <hi rend="c">'Wholly a Dark Labyrinth'</hi></ref>
              </cell>
              <cell>
                <ref target="#n116">113</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n123">XVII. <hi rend="c">Founder<gap reason="invisiable"/></hi></ref>
              </cell>
              <cell>
                <ref target="#n123">120</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n128">XVIII. <hi rend="c">Saved</hi></ref>
              </cell>
              <cell>
                <ref target="#n128">125</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n137">XIX. <hi rend="c">Philiberta's Scheme</hi></ref>
              </cell>
              <cell>
                <ref target="#n137">134</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n142">XX. <hi rend="c">A Last Will and Testament</hi></ref>
              </cell>
              <cell>
                <ref target="#n142">139</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n146">XXI. <hi rend="c">Difficulties</hi></ref>
              </cell>
              <cell>
                <ref target="#n146">143</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n155">XXII. <hi rend="c">Harper Parkinsson</hi></ref>
              </cell>
              <cell>
                <ref target="#n155">152</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n161">XXIII. <hi rend="c">Still Harper Parkinsson</hi></ref>
              </cell>
              <cell>
                <ref target="#n161">158</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n167">XXIV. <hi rend="c">Madge Fitzroy</hi></ref>
              </cell>
              <cell>
                <ref target="#n167">164</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n173">XXV. <hi rend="c">Philiberta's Failure</hi></ref>
              </cell>
              <cell>
                <ref target="#n173">170</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n180">XXVI. <hi rend="c">A New Venture</hi></ref>
              </cell>
              <cell>
                <ref target="#n180">177</ref>
              </cell>
            </row>
            <pb xml:id="n7" n="iv" corresp="#TalPhil007"/>
            <row>
              <cell>
                <ref target="#n187">XXVII. <hi rend="c">Shearers' Rest</hi></ref>
              </cell>
              <cell>
                <ref target="#n187">184</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n195">XXVIII. <hi rend="c">A Shepherd</hi></ref>
              </cell>
              <cell>
                <ref target="#n195">192</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n200">XXIX. <hi rend="c">A Squatter</hi></ref>
              </cell>
              <cell>
                <ref target="#n200">197</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n205">XXX. <hi rend="c">Mudgeeburra</hi></ref>
              </cell>
              <cell>
                <ref target="#n205">202</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n210">XXXI. <hi rend="c">The other side of the Medal</hi></ref>
              </cell>
              <cell>
                <ref target="#n210">207</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n217">XXXII. <hi rend="c">A Little Conversation</hi></ref>
              </cell>
              <cell>
                <ref target="#n217">214</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n222">XXXIII. <hi rend="c">The ways of Women</hi></ref>
              </cell>
              <cell>
                <ref target="#n222">219</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n232">XXXIV. <hi rend="c">The Key of one Sharp</hi></ref>
              </cell>
              <cell>
                <ref target="#n232">229</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n237">XXXV. <hi rend="c">The key of Many Flats</hi></ref>
              </cell>
              <cell>
                <ref target="#n237">234</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n240">XXXVI. <hi rend="c">The Woes and Adventures of an Itinerant Show</hi></ref>
              </cell>
              <cell>
                <ref target="#n240">237</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n247">XXXVII. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n247">244</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n252">XXXVIII. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n252">249</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n259">XXXIX. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n259">256</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n263">XL. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n263">260</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n267">XLI. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n267">264</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n277">XLII. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n277">274</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n283">XLIII. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n283">280</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n288">XLIV. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n288">285</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n293">XLV. <hi rend="c">Woes and Adventures—</hi><hi rend="i">continued</hi></ref>
              </cell>
              <cell>
                <ref target="#n293">290</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n299">XLVI. <hi rend="c">After Long years</hi></ref>
              </cell>
              <cell>
                <ref target="#n299">296</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n308">XLVII. <hi rend="c">Poor Miss Wilks</hi></ref>
              </cell>
              <cell>
                <ref target="#n308">305</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n314">XLVIII. <hi rend="c">Little Teddy</hi></ref>
              </cell>
              <cell>
                <ref target="#n314">311</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n319">XLIX. <hi rend="c">An Offer of Marriage</hi></ref>
              </cell>
              <cell>
                <ref target="#n319">316</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n328">L. <hi rend="c">The Trouble Of Yoanderruk</hi></ref>
              </cell>
              <cell>
                <ref target="#n328">325</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n334">LI. <hi rend="c">Life at Yoanderruk</hi></ref>
              </cell>
              <cell>
                <ref target="#n334">331</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n339">LII. <hi rend="c">And old Friend and a new Interest</hi></ref>
              </cell>
              <cell>
                <ref target="#n339">336</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n345">LIII. <hi rend="c">'Thou in the Grave Shalt Rest'</hi></ref>
              </cell>
              <cell>
                <ref target="#n345">342</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n351">LIV. <hi rend="c">A Case of Snakebite</hi></ref>
              </cell>
              <cell>
                <ref target="#n351">348</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n358">LV. <hi rend="c">'Comes the Goal more nigh?'</hi></ref>
              </cell>
              <cell>
                <ref target="#n358">355</ref>
              </cell>
            </row>
            <row>
              <cell>
                <ref target="#n363">LVI. <hi rend="c">'The Lights are Growing Dim'</hi></ref>
              </cell>
              <cell>
                <ref target="#n363">360</ref>
              </cell>
            </row>
          </table>
        </p>
      </div>
    </front>
    <body xml:id="t1-body">
      <pb xml:id="n8" n="5" corresp="#TalPhil008"/>
      <head><hi rend="c">Philiberta</hi>.</head>
      <div xml:id="t1-body-d1" type="chapter">
        <head><hi rend="c">Chapter</hi> I. <hi rend="c">The Bush Fire.</hi></head>
        <p><hi rend="sc">The</hi> sun a blood-red lamp, swinging low from a white hot sky. The thirsty earth all agape in wide cracks for rain which fell not. The grass—no longer grass, but pale-brown dust, floating away with every breath of the hot, hot wind, to join the cloud of sand travelling constantly southward. Sombre pendent foliage, sighing and moaning, living things gasping and panting, all nature wilting and withering under the torture of drought. Earth and air and sky pervaded and darkened by the scent and smoke of burning bush. The creek, a mere piccaninny stream at its best, now resolved into a few muddy, fast-evaporating pools with long dry spaces between. The horizon, one band of flame, held under in daytime by the strength of the sun, but by night revealing itself in a fiery circle of hissing, crackling, roaring destruction. Flames springing from tree-top to tree-top, leaving in their wake charred smoking ruins of trunks that stretched forth naked, knotty, blackened limbs as in agonized protest; advancing with relentless rapidity upon the yet unscathed giants that quivered and writhed and shrivelled in expectation of the dread approach. Lovely many-coloured birds, dazed and gasping, hovering in the smoky air a space, then dropping with piteous little shrieks into the red death below. Butterflies and locusts, beetles and bugs of varieties and tints <pb xml:id="n9" n="6" corresp="#TalPhil009"/>without number, all falling before that most remorseless and cruel of life's foes—fire.</p>
        <p>Fire! Pure and powerful and pitiless as Calvin's ideal deity, crueller even than its brother enemy—water. For the sea kills its victims tenderly, folding them to rest in close swaying embrace, kissing them to peace with keen cold kisses, lulling their brief agony with the musical rhythm of many waters, restoring them perhaps—still and white and rigid, with the seal of eternity upon their faces—to light, and to them who wait and watch by the shore.</p>
        <p>But fire, deadly and insatiable, wraps them with torturing arms, licks them with shining, blistering tongues, bites and stings every inch of tender skin and sensitive flesh with unutterable pain ere yielding them up to death, disfigures and distorts till even they who have loved best and longest are glad to put the hideousness out of sight.</p>
        <p>All round and about Merlyn Creek raged the bush fire, so that communication between that and other townships was for the present entirely cut off, and the men of Merlyn Creek waited about anxiously, bearing sacks and big boughs of trees which they had soaked as well as possible in the fast-diminishing brackish fluid in the Good Luck Company's dam. For they said that any increase of wind must inevitably bring the fire in upon them, and they knew their only chance of saving their homes, and perhaps their lives, lay in beating out the flames as they approached.</p>
        <p>Snakes slid quickly and in numbers into the township, and were slain and left writhing in their dusty tracks. Half-a-dozen young kangaroos, naturally more timid than deer, lopped panting into the very midst of the human crowd, and submitted without resistance to capture for sake of a drink of the all-too-scarce water. The sun seemed hardly to move, so slowly did he travel his day's journey, and the hazy atmosphere quivered and throbbed with intensity of heat.</p>
        <p>And amidst it all, beneath the calico roof of a one-roomed weatherboard tenement, lay a woman, dying. No question of the portent of that ashen shadow creeping over the pinched <pb xml:id="n10" n="7" corresp="#TalPhil010"/>face, of that far-seeing look in the glazing eyes that seemed already to penetrate and gaze beyond the mysterious curtain that divides the world of the dead from the world of the living.</p>
        <p>She had dragged herself from off her narrow bed and lay beneath it, for sake of contact with the cool earthen floor, and shelter from the glaring light and heat that poured mercilessly through the canvas roof. Close beside her crouched a child—her child, as anyone might see by looking once upon the two faces in close proximity there.</p>
        <p>The little one's eyes were full of vague pain and dread; her tiny fingers clutched and clasped with all their small might the thin chill fingers of the mother. Now and then a faint suppressed moan from the woman drew forth a plaintive responsive wail from the child.</p>
        <p>'My little girl!'</p>
        <p>'Mother! Oh, mother!'</p>
        <p>Then the panting struggle went wordlessly on again for a while; and the grey shadow deepened, and the dark eyes looked further away into the Great Beyond; coming back ever and anon to dwell awhile with passionate sorrow and infinite yearning on the small miserable face close by.</p>
        <p>'Berta.'</p>
        <p>'Yes, mother; are you thirsty again?'</p>
        <p>The woman nodded feebly, and the child shot swiftly across the floor to where stood a black old billy-can.</p>
        <p>'It is so hot, and it looks so muddy,' she said, peering in at the contents dubiously. 'Mother, darling, wouldn't you like it better if it was made into tea?'</p>
        <p>But the mother shook her head. 'I want it cold, Berta; I must have something cold.'</p>
        <p>'And it isn't cold,' said the child, in distress. 'Feel!' lifting one limp hand and placing it against the can, 'it is quite hot, isn't it?'</p>
        <p>The mother turned away with a faint gesture of distaste and weariness.</p>
        <p>'Never mind, pet. I can—do—without,'</p>
        <p>Then the little one set up a cry.</p>
        <pb xml:id="n11" n="8" corresp="#TalPhil011"/>
        <p>'What can I do to make it cool?' she wailed. 'Oh—Our Father who art in heaven, show me —<hi rend="i">do</hi> show me—how to make it cool.'</p>
        <p>Down on her little knees went she with this prayer; hands and eyes turned up to the canvas in passionate appeal.</p>
        <p>The mother looked round with a shadowy smile, her thoughts reverting to the frequent occasions on which she had surreptitiously played Providence, and answered Berta's childish petitions for one small boon or another.</p>
        <p>'Poor little one! Our Father in heaven does not work miracles nowadays.'</p>
        <p>'Then why doesn't He?' cried Berta, clenching both diminutive fists. 'Now is the time for Him; I never wanted anything in my life so much as I want this. I will never want anything again, if He will only give me this. Just a little cold water; such a little thing to ask. Oh, He must! Gentle Jesus, O give me just a little cold water for my mother!'</p>
        <p>But even faith, which, it is promised, shall enable men to move mountains, availed nothing to Berta then. She bent herself till her forehead rested on the ground, and hot salt water showered abundantly enough from her eyes; but of cold water, to moisten parched dying lips, there was none. Suddenly she sprang to her feet with a glad exclamation.</p>
        <p>'I know—I know!' she cried, 'Jamieson's Waterhole. I'll go at once.'</p>
        <p>'But, Berta, it is so far.'</p>
        <p>'Not if I run. I'll run all the way, mother. Such cold lovely water. Oh, mother, let me go.'</p>
        <p>The mother looked up wistfully.</p>
        <p>'I am so thirsty,' she said.</p>
        <p>'Yes, I am going. Mother, I will back in a minute almost.'</p>
        <p>'Your hat, child; you must have your hat.'</p>
        <p>'Yes, I'm getting it,' rummaging with impatient hands in a heap of wearing apparel till she discovered and brought to light a crushed straw hat that had but one string.</p>
        <p>Thrusting this upon her head with one hand, and pouring out the contents of the billy with the other, she rushed to the <pb xml:id="n12" n="9" corresp="#TalPhil012"/>door. Then stopped all suddenly, and, running back, flung herself down and caught her mother's hands in her own.</p>
        <p>'Mother, you will not <hi rend="i">die</hi> before I come back. Promise me, truly, that you will wait for me.'</p>
        <p>'I'll wait, love, I'll wait. But, oh, be very quick, my pet, be very quick.'</p>
        <p>Picking up hat and can again, the child sped away through the hot dry air and along the dusty road, scarce pausing once in her rapid flight until Jamieson's homestead came in view.</p>
        <p>The Jamiesons were 'cockatoos;' their waterhole was a supreme necessity to them and their cattle during those long hot summers. It was a deep wide clay-cemented reservoir of carefully caught rainwater, and was quite close to the house.</p>
        <p>'Hi! what are you up to there? Do you want to get drowned, you little sprat?'</p>
        <p>Poor Berta, in her fright at being thus roughly accosted, was within an ace of tumbling through the narrow aperture in the covering of the tank. A stout red-faced damsel sauntered lazily over from the house, sheltering her head from the sun with a dirty towel.</p>
        <p>'And what are you after, you small wasp? she inquired.</p>
        <p>'Just a little cold water, please,' said the child, ready to cringe and fawn like a lost dog in the earnestness of her desire. 'Just the tiniest billyful of cold water for my mother, please. She is very ill.'</p>
        <p>'Ill, is she? What is the matter with her?'</p>
        <p>'I don't know, ma'am, but she is very ill.'</p>
        <p>'And what's her name? And where do you come from?' pursued the maid, gossip and news being too rare at Jamieson's to justify her in missing any.</p>
        <p>'I came from the township, please,' answered Philiberta humbly. Then, with a sobbing catch of her breath, 'Oh, you wouldn't mind being in a hurry, ma'am! She is so thirsty—my mother; and she said she would wait.'</p>
        <p>'Well, look out,' said the damsel, fastening a rope to the billy handle as she spoke. 'There you are!' drawing up the can filled to the brim.</p>
        <pb xml:id="n13" n="10" corresp="#TalPhil013"/>
        <p>'Oh! Oh! thank you!'</p>
        <p>'Don't you want a drink yourself?'</p>
        <p>'Yes—no—I want all this for my mother.'</p>
        <p>'But you'll spill half of it on the way, I say!'</p>
        <p>'Yes.'</p>
        <p>'Come into the house and I'll give you a drink of milk.'</p>
        <p>'I can't stay,' said Philiberta, making off hurriedly.</p>
        <p>'And cream—thick cream,' cried the girl.</p>
        <p>'I can't stay, please,' from the child, already several yards away on the homeward road.</p>
        <p>'And jam—gooseberry jam,' shouted the temptress, with her hand to her mouth, trumpet-wise.</p>
        <p>The faintest little cry of acknowledgment came back on the scorching wind, and then a turn of the road and a cloud of dust hid the child from view.</p>
        <p>'Well I'm blessed!' ejaculated the kitchen representative of Jamieson's; 'what a queer little beggar it is; and sunstruck it will be as safe as eggs before it's anyway near the township. And the water'll all be spilt the way she's running; and I did'nt get a word—not even her name out of her, the tiny dot.'</p>
        <p>When the child found that spilling the water was inevitably the result of haste, she slackened speed; and, looking to right and left of the road, she presently espied a gleam of tender purple in amongst a patch of scrub. Setting her can on the ground, she clambered up and captured a blossoming festoon of sarsaparilla, the only sign of flower life anywhere in the parched locality. It took her scarce a half minute to secure it, yet the delay started her into a quicker pace than before, and so she hastened on until she was once more in the township. And while yet afar off her heart smote her reproachfully at sight of the wide open door of her mother's house.</p>
        <p>'I didn't shut it properly,' she said, striking herself an angry little blow on the breast,' and the dust and hot wind have been blowing in on her all this time.'</p>
        <p>Another moment and she had entered.</p>
        <p>'Mother, I'm so sorry about the door. But I've got the <pb xml:id="n14" n="11" corresp="#TalPhil014"/>water. Look, you can see right to the bottom of the billy; so clear, so cool. And this flower—mother. Oh, mother!'</p>
        <p>Alack! alack! for the thirsty mother had not waited.</p>
      </div>
      <div xml:id="t1-body-d2" type="chapter">
        <head><hi rend="c">Chapter</hi> II. <hi rend="c">Two Kindly Hearts.</hi></head>
        <p><hi rend="sc">That</hi> evening, when the sun was losing colour by descent towards the trees, and the circle of fire, spreading outwards in the propitious stillness, so abated danger to the township that the anxious watchers were one and all gone home to rest, Mrs. John Campbell stood at her house-door, shading her pretty Irish eyes with her pretty dimpled hands, and wondering aloud, in her pretty Irish brogue, what had become of her husband. Even as she watched and conjectured she was gladdened by the sight of him, yet afar off. A stalwart man, six feet four of handsome, well-made ruddy Scotch humanity, bearing for home with a swift directness that showed that all his heart and will were already there.</p>
        <p>Although fully two years had passed since that Eureka Stockade affair (everyone knows or has heard of those riots at Ballarat; the riots in which Mr. Peter Lalor lost his arm), Mrs. John Campbell could never behold her husband at a little distance without remembering the whole thing as vividly as if it were an occurrence of only yesterday.</p>
        <p>To those riots John Campbell owed his appointment under Government as sergeant of police at Merlyn Creek. 'As if,' said he, when the honour was conferred upon him in reward and recognition of his bravery, etc., etc.—'as if it wass not alwiss reward enough for a man to pe in any fight whateffer. What petter thing wass there effer for a man as to pe in a fight?'</p>
        <p>Whereby it will be seen that John Campbell was made of the right kind of stuff for a soldier. That his fighting was on the right side on that particular occasion at Ballarat was rather a matter of luck than volition. Or perhaps it would be more <pb xml:id="n15" n="12" corresp="#TalPhil015"/>accurate to say that he got on the right side first, because the right side at that moment happened to be the weaker, and it was in the nature of John Campbell always to help the weak against the strong. There was just sufficient ancient Highland lawlessness in his composition to have ranged him easily on the other side under other circumstances, and just enough gratuitous spontaneous love of fighting to make him not care particularly which side he was on.</p>
        <p>But, however one might speculate as to his principles (and, seeing that he <hi rend="i">was</hi> on the right side, it seems a little mean to attempt analysis, after all), there could be no two opinions about his prowess. And so both his party and the opposite one thoroughly felt and realized.</p>
        <p>John Campbell was indebted for his wife, as well as his appointment, to this little scrimmage about miners' rights at Ballarat.</p>
        <p>Rosamond O'Brien, poor lonely little immigrant, had somehow drifted into the trying and dubious, though withal lucrative position of barmaid in a grog-shanty, where her lustrous grey eyes, wavy brown hair, flashing smile, and ready tongue, filled her patrons' hearts and emptied their pockets, so entirely to the satisfaction of her employer, that that gentleman seriously contemplated her promotion to the dignity of wife and mistress. The girl was sadly out of place in this den; yet being plucky to the core, she kept on for the sake of the little money she could send to the ailing and poverty-stricken old folks at home.</p>
        <p>Pending the drunken landlord's proposal came the riots; and the initial fight was waged upon the very threshold of Blue Gum Shanty, as the place was called. Rosamond was improving a few welcome moments of rare leisure by study of the small prayer-book (the 'Garden of the Soul') which the parish priest had given her on her departure from the old country, when she was suddenly startled by the report of firearms, and the vision of a fighting, struggling, yelling crowd, that surged and swarmed into the bar.</p>
        <p>Panting and palpitating, flushing and paling, she gazed with eyes that seemed to flash grey lightning upon the striving mass <pb xml:id="n16" n="13" corresp="#TalPhil016"/>for a few seconds; then, with a wild musical little shout, 'Whurroo!' she kicked off one shoe, snatched off the stocking, dropped the 'Garden of the Soul' into the foot of it, and, deftly whirling it about her head, made one spring that landed her in the very midst of the fray.</p>
        <p>'Shure, the first bit of a row since last St. Patrick's Day at Ballyconnell Fair, an' me heart's in it. More power to us, bhoys; an' though it isn't ofthen ye'll be hearin' the Word o' God in this murdherin' counthry, it's <hi rend="i">feelin</hi>' it ye'll be <hi rend="i">this</hi> day, an' glory be to the same!'</p>
        <p>And, indeed, there was not a head of all the dozen or so that did not feel it, and bear lumpy witness, at short notice, of the force and dexterity with which it was wielded.</p>
        <p>And it was in this scene that John Campbell first looked upon his fate. Within a month from that day Miss O'Brien had changed her name. Hasty marriages were very common in the colonies then, long courtships extremely hazardous. The <hi rend="i">trousseau</hi> of a bride at that period, and also her new establishment, might be of the simplest description, without exciting any irritating or humiliating comment.</p>
        <p>John Campbell was wealthy, having become so suddenly through 'a pocket:' but if he had been in the condition of the proverbial church mouse, it would have made no difference in respect to his getting his wife. When he said, half doubtfully, but very insinuatingly:</p>
        <p>'It would be a ferry pright day for me, Miss O'Brien, the day you would say to me, "I will marry you, John Campbell," she was quick with her reply, though she flushed all over a rosy red as she uttered it.</p>
        <p>'Shure, then, the bright day is to-day, Mr. Campbell.</p>
        <p>'<hi rend="i">John!</hi>' said he, reaching out for her hand.</p>
        <p>'John,' repeated she submissively.</p>
        <p>Then he kissed her.</p>
        <p>'And how long will it take for you to love me, Rosamond O'Brien?'</p>
        <p>'I can never love you more or less, John Campbell.'</p>
        <p>'Then if I was to say the day after to-morrow for the wedding?'</p>
        <pb xml:id="n17" n="14" corresp="#TalPhil017"/>
        <p>'It isn't mesilf would be putting anything in the way of it.'</p>
        <p>Then he kissed her again, and on the second day from that they were married; and, though having abundant leisure afterwards, yet never experienced aught of repentance for the step thus taken in haste. They grew more in love with each other every day, till, in the man's eyes, there was nothing so fair and winsome on earth as his wife, and in the woman's heart no thought or care for anything here or hereafter beyond her husband.</p>
        <p>The only semblance of dispute ever between them was when they undertook to correct each other's English. Mrs. Campbell's brogue was the most dainty and delicious that ever made a man wish he had married an Irishwoman. Mr. Campbell talked exactly like the Highland characters in Mr. William Black's novels; and each one of this quaint couple thought or said that the accent of the other was simply heathenish. Mrs. Campbell always denied her brogue; Mr. Campbell sonorously defied 'any man alife to speak the English petter as himself could speak the English whateffer.'</p>
        <p>'Faith, an' it's a pretty time intirely to be coming home to your supper, John Campbell,' said his wife at the close of this long hot day; 'and the scones, that took me such trouble to bake wid the heat, gone as cold as a stone.'</p>
        <p>'That wass not possible this day, Rosamond O'Brien; there iss no cold anywhere, mirofer, except the cold in your head. And how iss that cold by this time, my wife?'</p>
        <p>Mrs. Campbell's system was addicted to influenza. At the present moment she had to give way to two or three severe sneezes before her husband could pick her up in his arms, as he always did, to kiss her.</p>
        <p>'The saints take the cold!' said she; 'the life is bothered out of me intirely wid it. And where have you been all the day, darlin'?</p>
        <p>'It wass two hours, dearie, that I will pe locking up a trunken tiffle of a man till he will get sober. I wass having him by the collar—so, and he was pulling away—so. He will pull and I will pull, and then he will gif way quite sudden, and <pb xml:id="n18" n="15" corresp="#TalPhil018"/>then John Campbell will sit down quick in the dust. Then the trunken man wass sat down in the dust. Kott! what a time! An' the poth of us perspirin' enough to turn all the dust into tam'd mud.'</p>
        <p>'So I see, then,' said Mrs. Campbell, turning him about and dusting him down with a motherly air. 'And why did ye bother about any drunken man at all, at all—such a day as this?'</p>
        <p>'I wass wondering about that more as once myself, Rosamond. But, you see, I had said in the peginning that I would put him in the camp, and so into the camp he wass pound to go. And now we will hef the tea and the scones, Rosamond.'</p>
        <p>While discussing the same, Mrs. Campbell observed that she had a good mind to run across to that little house beyond the creek after tea.</p>
        <p>'And what will that pe for, Rosamond O'Brien?' inquired her husband.</p>
        <p>'Shure, I'm onaisy all day about the woman that lives there. Never a sign of smoke from the chimney since yestherday morning; and herself sick, and not a soul but the child to speak to.'</p>
        <p>'May pe that she will not want anyone else, Rosamond. She wass not ferry civil to you the last time you was trying to pe friendly.'</p>
        <p>'Thrue for ye, dear; but it's just like a man to be remimbering a trifle like that. Is it a little snubbing, d'ye think, that would keep me from thryin' to do the poor soul a good turn in sickness, now?'</p>
        <p>'If it wass not curiosity that wass making you want to go over, Mrs. Campbell? All the women was full of curiosity about their neighbours. There was Eve, now, in the garden of Eden; if she had not peen so curious——'</p>
        <p>'Ah, be done wid yer nonsinse, John Campbell. Shure, if it was curiosity first made her dress herself like a respectable married woman, she ought to 've been thankful for curiosity. More tea, darlin'? More butter? Then put away the dishes like a good boy, whilst I'm gone.'</p>
        <pb xml:id="n19" n="16" corresp="#TalPhil019"/>
        <p>So the sergeant of police—and for the matter of that, the only representative of the force at Merlyn Creek—meekly set about washing up the tea-things, while his wife tripped away over the parched ground, and through the lengthening shadows of trees, to the little house beyond the creek.</p>
        <p>She found the door wide open, yet the light of the waning day was so dim that she could not for a moment or two discern anything of the interior. When her eyes had adapted themselves to the gloom, what she saw was the stretcher-bed against the wall opposite the door, beneath the bed a figure stretched stiffly all its length, a white dead face with fallen jaw and open eyes; and crouching over this a child.</p>
        <p>'The Holy Virgin have pity!' ejaculated Mrs. Campbell, entering swiftly, and falling on her knees beside the pitiful group. 'Oh, my poor little mortal, come into me arms!'</p>
        <p>'Don't, please,' said the child quietly, warding her off with one small hand while the other still clung to the mother's neck. 'Go away, please. My mother is dead.'</p>
        <p>'No, dearie; only asleep—fast asleep,' said Mrs. Campbell, with the instinct we all have to deceive children about trouble. 'Only asleep, my pet.'</p>
        <p>'No—dead!' said the child, with sad positiveness. 'She told me herself—my mother did—that whenever she could not speak to me she would be dead. And I've called her over a hundred times, and she has not spoken.'</p>
        <p>Mrs. Campbell, shaken with a sudden rush of sobs and tears, leant over and strove to lift the child up to her own warm sympathetic heart. But the little one fought and struggled against her, mutely, tearlessly, but desperately, with her small grave face set defiantly, her great brown eyes turned upwards and full of rebellion. Mrs. Campbell was fain to let her go, and to kneel down again and gaze at her helplessly. And something mesmeric in her gaze, or maybe the heat and the tears, the long day and heavy woe, so wrought upon the little one that she drooped drowsily once, twice, thrice—rousing herself between—then for the last time, and lo! she was asleep, her head falling restfully on the still white bosom that she clung to.</p>
        <pb xml:id="n20" n="17" corresp="#TalPhil020"/>
        <p>Then Mrs. Campbell touched her gently to try the depth o her slumber, and finding it safe, gathered her up quickly and fled.</p>
        <p>'And what is it you hef got there?' cried John Campbell, when she entered her own house white and breathless.</p>
        <p>For all answer she laid her burden on his knees.</p>
        <p>'In the name of Kott—a child!'</p>
        <p>'Yes, a child, John Campbell. And we two living here comfortably, and sleeping peaceably in our bed at night, with a woman dying of heat and starvation right foreninst us.'</p>
        <p>'Kott forbid, Rosamond!'</p>
        <p>'But He didn't forbid; and it's yerself had better speed over there and look to it now, John.'</p>
        <p>Away went John Campbell with a chill of reproach at his heart for a thing that, after all, he could neither have helped nor hindered.</p>
        <p>When the child Philiberta awoke it was to the sense of being tightly folded in a woman's soft caressing arms.</p>
        <p>'Mother! I want my mother,' she said, struggling.</p>
        <p>'My pretty, won't ye let me be your mother? and me crying me eyes out this year past for a babe. Ah! darlin', won't ye speak to me and let me be your mother, just a little while anyhow till the other one comes back?'</p>
        <p>The little one turned her head away wearily, saying nothing. An hour later Mrs. Campbell awoke with a shudder, following some troubled dream, to find her arms empty.</p>
        <p>'Holy Mother, my baby!' she cried, springing from the bed to arouse her husband, who was for this night relegated to the opossum-rug couch in the outer room. 'John, quick; I've lost my baby!'</p>
        <p>They found her easily enough after all. She had not got as far as the creek, poor desolate little child, in her dark search for one whom she was to behold in this life never, never again. She yielded to her captors mutely, resignedly, like some small dazed bird after a momentary escape from its cage. She uttered no complaint; she listened patiently to all that was <pb xml:id="n21" n="18" corresp="#TalPhil021"/>said; she was dumbly submissive, quietly obedient, but of comfort she would have none.</p>
        <p>Mrs. Campbell lay awake with her all the rest of that night, and watched her all the next day, saying and doing all that might be said and done to wean her from her grief.</p>
        <p>On the second day the dead mother was buried, and the procession—all Merlyn Creek invariably attended a funeral—passed slowly by the sergeant's house to the plot of ground where rested, as yet, only an earth-crushed digger and weekold babe to give the place a right to its title of cemetery.</p>
        <p>When Philiberta saw the crowd she screamed:</p>
        <p>'Is that my mother they are carrying away in that box? Oh, they are carrying away my mother!'</p>
        <p>Mrs. Campbell caught her and held her fast, soothing her with well-meant fictions and tenderest endearments, and the coffin and its followers passed on out of sight.</p>
        <p>That evening the child escaped again and was not so easily recovered. When at last, guided by another child who had met and told her the way, they came upon her, she was stooping over the new-made mound of earth, digging desperately with her hands. Almost everyone knows that picture 'The Shepherd's Grave'—a shaggy, sorrow-stricken dog standing over a narrow hillock, and looking with eyes that seem to pierce the earth in search of the loved one lying beneath. Anything more profoundly pitiful and pathetic, more 'waesome' than that scene, can scarcely be imagined, unless it be this of a child, with eyes as full of dumb despair as those of the shepherd's dog, and two small busy hands digging—digging down—down into a new-made grave.</p>
      </div>
      <div xml:id="t1-body-d3" type="chapter">
        <head><hi rend="c">Chapter</hi> III. <hi rend="c">Time, the Great Healer.</hi></head>
        <p>JOHN CAMPBELL affected to be hard-hearted.</p>
        <p>'It wass an ungrateful little baggage,' he said, gazing loftily down upon his red-eyed wife where she sat rocking the child <pb xml:id="n22" n="19" corresp="#TalPhil022"/>on her knees, 'It iss not worth the crying ofer, whateffer; an unthankful little baggage!'</p>
        <p>'An' what has it to be thankful for at all—with its mother taken from it, and itself among strangers?' flashed out the little woman. 'An' where would its poor heart go—and its feet aftewards—but to its mother, the only friend it's ever known, poor lamb?'</p>
        <p>John Campbell sat down, and fell to studying the smoke that rose spirally from his pipe.</p>
        <p>'I suppose,' said he presently—'I suppose it will pe to-morrow that I had petter take the coach to Pallarat.'</p>
        <p>'And what for will you be going to Ballarat, John dear?'</p>
        <p>'Ou, to see apout getting the wean into the orphan place only!'</p>
        <p>'Holy Virgin! John, it is not in earnest you are, surely?'</p>
        <p>'And why not, Rosamond—why not, whateffer?'</p>
        <p>But there was a wicked twinkle in his eyes all the time, only his wife did not see it until she had come quite close to him in her anxiety and distress. Then she fell on his neck and laughed and cried in a breath.</p>
        <p>'Ah, darlin', to tease me so! An' me always prayin' for a baby!'</p>
        <p>'But I thought it wass one of your own you wass praying for, Rosamond O'Brien?' said John Campbell, with an air of serious surprise. 'And a boy, mirofer, or a <hi rend="i">bhoy</hi>, as you call it in your treadful English. Wass it not a boy you wass particular for hafing, Rosamond O'Brien?'</p>
        <p>'Be done wid yer!' laughed Rosamond, wiping her eyes. It's a sin to be joking, an' the poor soul scarce cold in her bed beyant there. An' failin' a bhoy, faith, one may thank the blessed heavens for a girl; and failin' a girl of me own, I may be well glad to get somebody else's.'</p>
        <p>'But perhaps it wass not too late for one of your own yet, Rosamond O'Brien,' said her husband, with an expression of affronted dignity.</p>
        <p>The smart answer he might have received came to nothing, for Philiberta waxed restless, and Mrs. Campbell could attend <pb xml:id="n23" n="20" corresp="#TalPhil023"/>to nothing else. Before morning the child was in a high fever, and the good woman nigh distracted with fear of losing her; but the malady was not dangerous nor of long continuance. In a week Philiberta was convalescent, weak and worn, but safe, and the worst of her agony of bereavement mercifully tided over. It is well that the hearts of children are so elastic, that their wounds are so easily healed. The little Phil, as John Campbell soon called her, in losing one parent had found two; and the change was healthy and beneficial in every way. But if there be a world for the souls that leave this, and the dwellers therein be permitted to look back, how was it, I wonder, with that mother-soul that, turning loving eyes earthward, saw the old love give place so soon to the new? Glad, of course, she must have been, since it is the nature of mother-souls to efface themselves, and rejoice in the effacement, if thus come joy and pleasure to those who are dearest; but it would seem somewhat bitter and hard if we were not so well used to the inequality of arrangement and unfairness of dispensation in the great system that is said to be worked by Love.</p>
        <p>Rosamond Campbell was satisfied. To her there was in this wondrous event of her life indisputable evidence of the working of a higher power for her individual happiness. Her circle was completed; the void in her heart was filled. Her hands and thoughts were given new occupation, new inspiration; her world was made. To a nature as full of maternal instinct as hers a child was a necessity. She had room and love enough in her heart for a dozen; but in case of a dozen her affection would have expanded into a wide comprehensive shower, like water rained from the rose of a watering-pot bedewing many blossoms; now it must all fall in one condensed stream, as when the rose of the watering-pot is removed.</p>
        <p>So the little Phil came in for a concentrated outpouring of love that, economically dispensed, would have served to gladden a well-filled orphan asylum, and the child throve apace in this wholesome atmosphere. The bugbear of Mrs. Campbell's life after this was that one day her treasure would be claimed from her. There had been nothing to prove among the dead mother's <pb xml:id="n24" n="21" corresp="#TalPhil024"/>few possessions that the father was alive, yet neither was there anything to indicate that he was dead. There was a marriage certificate, testifying to the legal union of one Philip Tempest with one Miriam Yewdall; and a registration paper of the birth of Philiberta, their child, dated some ten months later; and that was all. The little one herself knew nothing of her father, and there were no letters, no portraits, no souvenirs—nothing that could be used to trace and discover either friends or enemies, yet Mrs. Campbell lived for a long time in constant dread of Philiberta's father.</p>
        <p>'One of these days he'll come and claim her, John Campbell; see if he doesn't, now.'</p>
        <p>And John Campbell would answer that' there wass no such luck. There wass no doubt whatever that the poor man would pe glad to pe rid of the little baggage.'</p>
        <p>And yet it had already become the chief pleasure of John Campbell's life to spoil and dance attendance upon, and be tyrannized over by that' little baggage;' to exercise all his ingenuity in contriving things that might afford her an hour's interest or pleasure.</p>
        <p>Presently, as Merlyn Creek progressed and grew respectable, there came a schoolmistress thither, and Philiberta was made to profit thereby. She learned to read and write, to do sums and samplers during school hours; in the intervals outside she had her combative instincts healthily developed. She took to reading as a duck takes to water, and to fighting quite as naturally. It is doubtful if she derived most pleasure from perusing the accounts of Dr. Livingstone's adventures in Africa, or from banging her schoolmates—when aggravated—with the handles of her skipping-rope. But when the Robinson children, her special antipathies, were withdrawn in consequence of frequent 'shindies,' then peace and Livingstone reigned together and supreme.</p>
        <p>At the age of twelve the girl's fixed ambition was to be a missionary's wile; and she set about training herself in accordance. She studied bread-making; she coaxed an old woman who lived near to teach her the manufacture of candles. She <pb xml:id="n25" n="22" corresp="#TalPhil025"/>tried to learn needlework, but her restless active nature rebelled against the necessary monotony of application; and so she never advanced beyond herring-boning and feather-stitch, which she practised industriously in coloured wools on the border of an old lubra's dirty blanket, thereby increasing that gentle savage's natural vanity inimitably. Then she tried her hand, or rather her tongue, at preaching to these benighted sons and daughters of young Australia; but found that rum and tobacco were foes too powerfully influential to admit of a chance for religion, so despairingly gave them up to their lies and their drunkenness and all the other vices essential to their happiness.</p>
        <p>She got on much better in the Chinese camp up the creek. The amiable heathens there would listen to her by the hour while she dilated at length upon the blessings of Christianity, and explained the dead certainty of hell-fire for all who bow down and worship graven images.</p>
        <p>'Welly good,' and 'All litee,' they would observe, with charming applause and encouragement; at every pause in the exhortation. They did not understand a word of it; and at the conclusion of the amateur services would exchange notes with the preacher upon culinary matters, and from them Philiberta learned the proper way to boil rice.</p>
        <p>She and the almond-eyed brethren became yet faster friends and allies after a little affair here now to be narrated. Certain ill-conditioned boys had for some time been robbing the Chinamen's sluice-boxes, breaking windows, damaging property, and in all possible ways harassing and tormenting the unfortunate foreigners. Until at last the long-suffering men rebelled and gave chase one day to the offenders, even unto the parental doors. And then one of the parents, a natural brute and bully, came out and punched two Chinese heads. There is not the slightest doubt that he would have gone the entire Celestial round but for the sudden intervention of our heroine, who, witnessing the commencement of the fight from afar off, now rushed in upon the European tooth and nail, like a young infuriated tigress. He desisted at once in sheer astonishment, <pb xml:id="n26" n="23" corresp="#TalPhil026"/>and then my lady lectured him, fluently, eloquently, and at length. Finally, she led off her battered Chinamen, washed and dressed their wounds, smoothed their dishevelled pigtails, and—cried.</p>
        <p>There was a great fuss about the affair; and the wife of the bully aforesaid took it upon herself to call upon Mrs. Campbell and inform that lady that she ought to be ashamed of herself to allow an innocent girl—that is, if she was innocent—to go mixing in with those filthy murdering heathens for hours at a time. Every one knew what it must come to—if indeed it hadn't come to that already. It was only the other day a Chinaman had been hanged for the outrage and murder of a little girl that he had coaxed away from home with sweets and things. (This was quite true—the hanging, I mean—only it was discovered soon after that the Chinese was not the man at all. It was an English swagman to whom the child had fallen a victim. Yet a trifling miscarriage of justice like that really cannot matter, you know, when the sufferer is only a barbarian. Readers of James Payn's most interesting novel 'By Proxy' will, however, see that the barbarian gets level with us now and then.)</p>
        <p>The meddlesome neighbour, yon may be sure, gained little satisfaction from her interview with Mrs. Campbell; yet she left that lady much perturbed and sick at heart with the suggested idea that she had failed in her duty to Philiberta. She had given the child too much of her own way; had not watched and curbed her properly; this communion with the Chinamen must be stopped at once. Too late. Philiberta had a will of her own, and had been sadly encouraged in its exercise by both her adoptive parents. And she possessed a gift of logical argument that carried all before it when her mind was set on a thing; so now she staunchly stuck to her yellow-skinned friends, and argued Mrs. Campbell off her feet—metaphorically speaking, of course. And after all Mrs. Campbell could not but feel ashamed of any suspicion that crept into her mind against the Chinamen when she witnessed their utter adoration of Philiberta.</p>
        <pb xml:id="n27" n="24" corresp="#TalPhil027"/>
        <p>On the day after the memorable fight they came in a body to John Campbell in his house, and each of them extended a long lean yellow paw with a wash-leather bag of some weight to him.</p>
        <p>'And what is this, John?' said he, making of the customary proper name a noun collective, so to speak, as he looked round upon eight saffron faces inquiringly. Eight individual mouths widened out into a straight bland smile, and eight voices said softly at once, 'For littlee missee. All litee.'</p>
        <p>The wash-leather bags were full of alluvial gold.</p>
        <p>Of course, John Campbell would not accept them, and the disappointed Mongolians departed in sadness and perplexity. Next day one of them started afoot for Ballarat, and Heaven knows where besides; and in ten days returned, trotting along gaily under a bamboo stick and paniers. That evening there was another deputation at John Campbell's house, and there was no possibility of refusing the offerings on this occasion. A carved ivory toy-ship, ditto ditto toy-house; ditto ditto card-cases, cabinets, baskets, and fans; chop-sticks; opium pipes, paper lanterns and kites; tiny idols and nodding mandarins; coloured candles that smelt fearfully, and were about as big as overgrown bodkins; several gross of Chinese crackers; and last, but not least, two Chinese <hi rend="i">pills,</hi> larger than walnuts, and made up with a coating of white wax a quarter of an inch thick, on which were inscribed gilt hieroglyphics of the type familiar to us through tea chests.</p>
        <p>Mrs. Campbell cried, and said she never saw such a thing before in her life. Philiberta offered voluble acknowledgments in bad Chinese (she had been picking up the language during her acquaintance), and her friends responded in their best pigeon-English—they too had been acquiring a language John Campbell brought out his best whisky, of which the visitors partook for civility's sake, though it made them all very sick afterwards; and then they departed again—this time elated and happy.</p>
        <p>It was not till long afterwards, when the Campbells had been some time located upon their station at Emu Creek, and the Chinamen were dispersed goodness knows whither, that <choice><orig>Rosa-<pb xml:id="n28" n="25" corresp="#TalPhil028"/>mond</orig><reg>Rosamond</reg></choice> one day, in dusting a small carved cabinet, pulled it somehow open and found within it those identical eight wash-leather bags full to the top of gold. There was nothing to be done then but put it in the bank in Philiberta's name; and that is what John Campbell did.</p>
        <p>But returning: the crackers were let off by the small fry of the township; the other gifts were arranged in ornamentation of the small family mansion; and the friendship with the Chinamen sustained. They never obtruded themselves, these men; yet if Mrs. Campbell had a headache, one of them was promptly on hand with a small quaint phial of some subtle essence that, applied to the place, caused the pains to vanish as if magically. And when John Campbell had that terribly bad hand—blood poisoned by the bite of some venomous insect—he would almost certainly have lost his arm or his life but for that marvellous lotion brought to him by Kum Fo. The pills introduced for ordinary internal ailments, of course no one could take, at least all in one dose; and it required more courage than any member of the house of Campbell possessed to attempt to take them by instalments.</p>
        <p>The missionary mania grew upon Philiberta. How she hated to think that she was only a girl! Had she been a boy, her way was clear to the very pinnacle of her desire; as it was, she must be debarred from the delights of battling with wild beasts in wild jungles; from riding a bullock, <hi rend="i">à la</hi> Livingstone, through nearly impenetrable forests, across almost impassable rivers. She must even content herself with being no higher than a missionary's first lieutenant, a missionary's wife; and meantime, where was the missionary?</p>
        <p>Philiberta was fifteen now, with no more idea of love and marriage, in their reality, than a child of five; but a husband was to her then as a means to an end, and she made up her mind that she must find him soon.</p>
        <p>The nearest approach to the required article that ever came in her way was a revivalist preacher and temperance lecturer—a noble fellow, whose advent in any settlement was ever the beginning of good; whose name is written in bright letters on <pb xml:id="n29" n="26" corresp="#TalPhil029"/>hundreds of men and women's hearts in Australia. But he was already married; and even if he had not been, was not likely to dream of wedding this child, who had not more than half his years, and was as fickle in her fanaticisms, her pursuits—in all save her attachments—as she was zealous in them while they lasted. But he took kindly notice of her; let his shining great eyes rest often and pleasantly upon her, spoke to her encouragingly, discovered her present craze, and relieved it by starting her with a Sunday-school class; this she, being ultra-fastidious in some things, abandoned after three months because of the dirty noses and bad smells. The great man went on his way, shutting up the public-houses in every township he entered, doing much good through judicious workings upon the emotions of humanity which good, if evanescent as far as actual religion and total abstinence went, yet lasted long enough to show many a wise man that he had been a fool, and to help him back into the paths of temperance and common-sense.</p>
        <p>In the religious circle this preacher established at Merlyn Creek the enthusiasm continued for a considerable time after he was departed; but it was a thunderous and brimstony enthusiasm. The preacher's teachings had been all of love; Divine, omnipotent, omnipresent love; the love whereof it is written, that 'Greater love hath no man than this, that a man lay down his life for his friend.' But the tenets of the preacher's followers were that 'The Lord our God is a jealous God, visiting the sins of the fathers upon their children;' and again, that 'Many are called, but few are chosen,' and that in every way God is a Being to be feared. And into this fold Philiberta entered, ardent, enthusiastic, passionate, and desiring only martyrdom that she might reveal her zeal and the might of her faith. Fasting, praying, and in all possible ways crucifying the flesh; wearing her heart out with the perplexities and contradictions of the many theological books she got hold of; fretting herself into a morbid certainty that of the few that were chosen she could not be one, and into a condition of health that nigh drove her adoptive parents wild, until at last John Campbell slackened the tension suddenly and wisely by change of scene.</p>
        <pb xml:id="n30" n="27" corresp="#TalPhil030"/>
        <p>He resigned his sergeantship, which, for the matter of that, never suited his peculiar temperament, sold out of all his mining speculations profitably, bought a station in the Emu Creek district, and removed thereto with all his belongings. The effect was wonderful and splendid. Philiberta took to botany and geology, and her father had a dray-load of books on both subjects sent up all the way from Melbourne. And in a few months 'atonement,' 'faith and works,' 'eternal condemnation,' 'the worm that dieth not,' and all the other technicalities of religionists, faded completely out of the girl's mind. Before she was a year older Philiberta had become a sort of hybrid evolutionist.</p>
      </div>
      <div xml:id="t1-body-d4" type="chapter">
        <head><hi rend="c">Chapter</hi> IV. <hi rend="c">John Campbell's Station.</hi></head>
        <p><hi rend="sc">The</hi> station at Emu Creek prospered exceedingly. Partly because John Campbell was a thrifty man, and one whose foresight and judgment in all matters pertaining to stock were little short of genius; partly because he had exceptional luck. Someone will argue that there is no such thing as luck, that ''Tis in ourselves that we are thus and thus,' and so on. But how then account for the way in which some good men fail while others succeed?</p>
        <p>Two men, equal as to faculties and facilities, start in life under equal conditions. The one finds his stock increase and multiply almost beyond computation. His harvests are always a success; rain falls just when needed, and holds off just when wet would spoil everything. His fruit trees never know blight; wool is always at the highest just when he has the most to sell. His cattle always run to fat and fetch ten shillings or a pound a head more than any others in the markets.</p>
        <p>The other—well, an untimely rain spoils his first crops, and for three years running the rust gets at his wheat; wool falls threepence a pound the very day before he gets into market. Fluke and scab destroy half his sheep before he can help <choice><orig>him-<pb xml:id="n31" n="28" corresp="#TalPhil031"/>self</orig><reg>himself</reg></choice>. One of his best draught horses drops dead in harness without warning; and another dislocates its shoulder through fright, and has to be shot; some strange disease nips off all his best poultry in one day. A bush fire devastates half his land, and he has much ado to save the homestead. Crowning calamity—his youngest child dies of sunstroke, and the mother goes demented with grief.</p>
        <p>Now, what is all this but luck? The will of God, some theological philosophers may call it, talking by the hour of the holiness of resignation, and quoting that happy martyr to boils and divine favours—Job. And, all blind and ignorant as we are, and ever must be, in regard to the mysterious workings of the mighty system in and around us, we have nothing we can safely cast at the theological philosophers in the way of contradiction. Nor can we help envying them their way of looking at trouble, and their strength to bear it. All the same, a few of us would rather put down all this seeming injustice of dispensation to 'luck' than attribute it to a Deity whom we are called upon to worship. But away with moralizing when there is nothing to be gained by it.</p>
        <p>John Campbell's station prospered, and we leave it entirely to theologians to decide whether that was because he was a favoured child of Providence or the reverse. 'The wicked shall flourish as a green bay tree,' on one side; on the other, 'In his days shall the righteous flourish, and have peace and abundance as long as the moon endureth.'</p>
        <p>Controversy and discussion of these matters might be carried on 'as long as the moon endureth'—doubtless will—and the debaters be as far off conclusion at the end as at the beginning. Like the denizens of one portion of Swedenborg's marvellously conceived spirit land, 'They will walk and walk for ever and ever, but always bring their feet down in the same place, till a hole is worn in the ground deep enough to bury them in.' (The above may not be an accurate quotation from Swedenborg, but the same idea is conveyed.)</p>
        <p>John Campbell named his place Morven, in loving compliment to the peaks that were the most familiar and prominent <pb xml:id="n32" n="29" corresp="#TalPhil032"/>objects in his memory of his home. From the homestead could be seen a forest-covered, many-tinted range of mountains as unlike the majestic, mist-enveloped friends of his childhood as could well be; but hills are hills all the world over, though the generic term differs of course according as languages differ, and any hills worthy the name somehow suggested the hills of his boyhood to our Highlander, and so he called this range, and his home lying by it, Morven. The station had had another name, for, be it known, John Campbell was not the first owner. He purchased from another lucky individual who was selling out in order to revisit the old country, so John Campbell had none of the difficulties of a pioneer to contend against. Post-and-rail and live fences were all there, stock also, and a homestead very different from the habitation of the new settler's 'bark-hut and tin-pot era.'</p>
        <p>Burnagulla was the original and aboriginal title of the place; and Philiberta always rebelled against the substitute.</p>
        <p>'Why,' she would say, 'can't people accept the native names, instead of importing old commonplace titles from old commonplace countries? In a new land, why not have everything new? The aborigines, when they christen a place, do so with reference to some distinguishing feature, and the name therefore must be the most appropriate, not to say the most euphonious, possible.</p>
        <p>But whatever name it went by, the place was in a region of never-failing interest and delight to Philiberta. She learnt stock-riding as easily as she had learned to read, and soon knew so much about sheep and cattle that John Campbell used to say: 'He wass not afraid now to leave Rosamond O'Brien a widow. Phil would pe able to manage the station, and to make it pay petter as himself.'</p>
        <p>But often and often he said to Rosamond, and Rosamond said to him, that it was a shame and a wrong to let the girl grow up as she was growing, wild and untaught, save in what she taught herself.</p>
        <p>'She will pe nothing more as a wild girl of the woods,' said he plaintively.</p>
        <pb xml:id="n33" n="30" corresp="#TalPhil033"/>
        <p>'An' is it me ye're after blaming for that?' said she aggressively. 'Why don't you take her away to school, John Campbell?'</p>
        <p>'Bekass you wass not able to do without her, Rosamond O'Brien. You wass telling me that the ferry last time we wass speaking about it whateffer.'</p>
        <p>'Me! The like o' that for a big story, now! It was yourself said how long the days would be to us wanting her; and yourself that druv me out o' me mind intirely wid saying how they starve and ill-use the girrls in the boarding-schools.'</p>
        <p>'She will haf a plenty of money,' said John Campbell, ignoring all this from his wife, 'and it will pe no goot to her, bekass she will hef no education. What hef we two, John Campbell and Rosamond O' Brien, to do with the proper rearing up of a young girl that is growing to pe peautiful and rich? She will hef no more manners as a lubra, whateffer. She will not speak the good English; there will pe in her speech a bit of Rosamond O'Brien's Irish, and a bit of John Campbell's Highland Scotch, and eferybody will pe laffin' at the lass, though she will pe a goot lass, and handsome, and rich.'</p>
        <p>'Ah! and anybody that laughs at Philiberta will not get much the best of it, anyhow, darlin'; she's aiqual to anything and anybody, and will have the laugh ginerally on her own side, more power to her, the colleen! But why d'ye let her grow up wild this way, to be laughed at? If you had given me my own way wid her from the first as I wanted——'</p>
        <p>'Now, Rosamond O'Brien,' he began, lifting one hand deprecatorily, but before he could say another word his wife bade him 'Hush !' and looking from under the vine that climbed about the veranda, where he and Rosamond sat, he saw Philiberta coming towards them.</p>
        <p>A tall, straight, slender girl, with great brown eyes, as true and fearless as a child's or a dog's, and a face that would have been more beautiful if it had been less firm and powerful of expression. Yet it was a girlish face then, and promising to be in time a very womanly face, but a face that would, and did, depend a great deal upon happiness for its beauty. Just now <pb xml:id="n34" n="31" corresp="#TalPhil034"/>it was beautiful, with the beauty of life, and youth, and strength, and earnestness. She approached the veranda rapidly, her riding-skirt held in one hand, her own particular stockwhip in the other. She scorned the pretty, delicate, lady-like, silver-mounted thing John Campbell had been at much pains to procure for her.</p>
        <p>'My horse never needs the whip,' she would say, as she embraced the animal's arching neck lovingly; 'and of what use would that wisp of a thing be among cattle?'</p>
        <p>She sprang lightly up the one step, and seated herself on John Campbell's knee.</p>
        <p>'There's another tear in your petticoat, Philiberta,' said Mrs. Campbell, pointing in rebuke at the damage.</p>
        <p>'Yes, mother, I know.'</p>
        <p>'It's ruined I shall be wid you frowning hard in order to suppress a smile; 'but mend that hole you shall before you go to bed this night, now.'</p>
        <p>'Oh, mother, anything but the needle; you know I hate sewing, I wish I were a boy.'</p>
        <p>'You will maype wear the breeches quite soon enough as it wass, Phil,' observed Mr. Campbell; 'that iss, if you will follow the example of Rosamond O'Brien there, mirofer.'</p>
        <p>'Arrah, don't insult me,' said Rosamond.</p>
        <p>'Mother, never mind the hole in my petticoat. Daddy, listen, I've got something to tell you; I've been playing the spy, accidentally at first, afterwards on purpose. Do you remember what I said about those two new hands you took on the other day? Well, I was right; I saw them washing their feet in the creek, and round their ankles is the mark of the prison-irons.'</p>
        <p>'That iss no way unpossible,' said John Campbell carelessly.</p>
        <p>'An' the straps they wear on their wrists,' went on Philiberta; 'they are to hide the marks of handcuffs, I thought it was odd they should both have sprained wrists at the same time. They have been handcuffed together, these two, daddy, and they have not been long at liberty.'</p>
        <p>'Well?'</p>
        <pb xml:id="n35" n="32" corresp="#TalPhil035"/>
        <p>'Well, I want you to send them away. I wanted you to refuse them employment, you know, daddy.'</p>
        <p>'Yes, dearie; but it iss a little rough on the poor teffles to turn them away and gif them no work bekass they wass in prison. They hef had hard times enough in the prison without doubt We might gif them one chance to pe honest men when they come out.'</p>
        <p>'But, daddy——'</p>
        <p>'And it iss not the first time mirofer, Phil, that we hef had old hands on the station for the shearing. Jimmy, the overseer, is an old hand.'</p>
        <p>'Yes, but, daddy, cannot you see the difference? And did Jimmy the overseer ever deny it; as these men did when you asked them?'</p>
        <p>'A man iss not bound to tell eferybody about his little accidents,' said John Campbell.</p>
        <p>'But these men are had, daddy; I know they are bad. They jump as if they were shot if you come upon them suddenly; they look back over their shoulders every now and then to see if some one is pursuing them; they move stealthily, and never speak above a whisper. Daddy, there's a red stain about them somewhere, mark my words. These are not the harmless old hands transported for horse-stealing, shop-lifting, and things of that kind, who rather like to tell what they did, how they did it, and how long they have had to suffer for it. Like Jimmy the overseer, for instance. There is something red about these men, daddy.'</p>
        <p>The girl was an observer, you see. Away there in the bush, where incidents were so few, and daily life, you would imagine, so barren of aught worth studying, never a day elapsed without leaving its record upon her mind in some new item of knowledge.</p>
        <p>'Well, and what then whateffer, my little lass? The men Will not do us any harm.'</p>
        <p>'Even if they do not, they are bad men to have about the place. Their influence over the other men will be evil They are like poison-plants—even things that merely sit in their shadow must suffer.'</p>
        <pb xml:id="n36" n="33" corresp="#TalPhil036"/>
        <p>'Preaching again, little Phil?'</p>
        <p>'Because my daddy requires it. But you have not heard what I came home in haste to tell you. Listen. I was up in that old she-oak at the bend of the creeks seeing how that young 'possum family were progressing. And, by-the-bye, the old 'possum is getting as tame as can be. Well, Jimmy the half-caste and those two men came down to the creek to smoke and bathe their feet They were talking about the blacks,—you know how Jimmy hates his own kind—"Baal mine give them flour, mutton, baccy," said he, "Budgeree whitefellow, Missa Campbell, but dam fool him too. Blackfellow too much gammon him, then steal him flour, sheep—all." Then the old hands told how at some stations the blacks were cured of stealing by having traps of poisoned flour laid for them.'</p>
        <p>'Goot Kott, yes!' said John Campbell, 'I wass hearing that too, one day. As if all that the wretched beggars could steal would hurt a man half so much as the weight of their murder on his soul.'</p>
        <p>'Well, Jimmy laughed and hopped about as he always does when he is pleased, and then they all walked off together talking, but I could not heir any more. Now, will you send them away, daddy?</p>
        <p>'I will look into it, Phil I will look into it, dear. Not for the price of a thousand head of cattle would I hef the plood of one blackfellow on my head But perhaps all this wass nothing. The men wass only talking about things that wass done at other places, and the men iss wanted here ferry bad just now, little Phil. And if we wass to send these two away, we might not get two more in time for the shearing. Or if we did get two, they might pe as bad or worse as this two wass mirofer.'</p>
        <p>'Impossible,' said Philiberta, shaking her head and kissing him on the end of his sunburnt nose. 'Impossible to get worse, you will see.'</p>
        <p>Then she quitted him, in obedience to a call from Rosamond, who had gone into the house some minutes before, and presently the voices of the two could be heard together in some merry Irish ditty.</p>
        <pb xml:id="n37" n="34" corresp="#TalPhil037"/>
        <p>How happy they were, these people! Having no care for any world outside their own small bush dominion, where there were always the sight and sound of trees and running water, and bright birds and gay insects. Living in the love of each other and of every live thing that knew them. Having health, freedom, sun, rain, and fresh air, 'the free-will of the feet, and the feel of the wind,' and the changing gladness of swift passing seasons.</p>
        <p>To the man and the woman life was one long, peaceful joy; to the girl, one glad exuberant dream, from which, as yet, she knew nought of the possibility of waking.</p>
        <p>And that was well.</p>
        <p>Life is a pitiful thing if you have not some bright passage in it to remember and hark back to from the heaviness of dark hours that are inevitable.</p>
      </div>
      <div xml:id="t1-body-d5" type="chapter">
        <head><hi rend="c">Chapter</hi> V. '<hi rend="c">The Way we Civilize.</hi>'</head>
        <p><hi rend="sc">John Campbell</hi> did look into that matter of which Philiberta had spoken, and the result was nothing. That is to say, he could not discover anything to justify him in sending the men away. Jimmy, the half-caste, only laughed when his master questioned him about the conversation on poisoning; but the boy always did laugh about everything, so there was nothing to be gathered from that. When the subject was broached to the 'old hands' they turned it off indifferently.</p>
        <p>'Poison was the only cure for vermin,' one of them said.</p>
        <p>'Yes,' said John Campbell, 'but when the vermin wass supposed to have immortal souls like the rest of men, it will not pe me which will take the responsibility of sending them off into eternity.'</p>
        <p>The men laughed at that idea of the vermin having immortal souls.</p>
        <p>'And there iss one thing mirofer,' continued the master. 'I do not grudge the vermin the food they steal no more as I <pb xml:id="n38" n="35" corresp="#TalPhil038"/>grudge them the food I gif to them. It is nothing—a pag or two of flour, or a sheep—nothing whateffer. It does not make me a poor man, the loss of it—let them haf it. And let there pe no more talk of poisoning at Morven. We will haf peace with the blacks, or else we will pe having spears and tomahawks, which iss worse—ay, and ferry much worse—as the stealing of a pag or two of flour.'</p>
        <p>The men muttered something about its being no business of theirs.</p>
        <p>'That iss ferry true,' said John Campbell, turning away; 'so let there pe no more talk about it whateffer.'</p>
        <p>'There will pe no poisoning at Morven now,' he said, confidently, a little later, when he was telling the women all this.</p>
        <p>Philiberta shook her head.</p>
        <p>'You should have sent the men away, daddy,' said she.</p>
        <p>'Well, what an obstinate lass it iss! Now the men was made to understand that we will not haf the blacks killed, they will not kill them. Why should they, when it iss not their flour or sheep which iss stolen?'</p>
        <p>'They are bad men,' said Philiberta, 'Didn't I see one of them the first day he came here deliberately stone a young rosella off a tree, and then trample its life out with his great heavy cruel feet?'</p>
        <p>'Ah, that iss it That iss why you hate them, and wish them sent away. Well, that wass a pad—a very pad thing to do, my Phil; but perhaps it was done bekass the rosellas are ferry greedy birds for the fruit in the orchard there.'</p>
        <p>'Not at all. It was sheer love of wanton destruction; the instinct of murder. Daddy, I have an impression that some evil will come of those men staying here.'</p>
        <p>'Impressions and presentiments, like Rosamond O'Brien there, who iss always hafing signs and tokens effer since she wass born. Winding sheets in the Candle, coffins flying out of the fire; shiverings, which iss bekass of people walking ofer your grave; death-tokens from poor little ticking spiders; putting on stockings and shimmies wrong side out; which iss, I <pb xml:id="n39" n="36" corresp="#TalPhil039"/>forget—which iss it the sign of, Rosamond?—putting on stockings and shimmies wrong side out?'</p>
        <p>'Ah, be done now! One of these days ye'll be after repinting that ye laughed at mysterious things that ye ought to trate With respect.'</p>
        <p>'My wife iss the most mysterious thing I efer wass acquainted with,' said John Campbell 'And who iss to say that I do not treat her with respect? Tell me that, the poth of you.'</p>
        <p>Rosamond went round the table to pull his beard, and Philiberta went off to her sanctuary on the other side of the house to study a new species of spider that she had just discovered. The girl was wont to spend a great deal of time in this den, where, in glass cases, matchboxes, and under cups and saucers and tumblers, she had living specimens of natural history calculated to make one's flesh creep and one's marrow freeze. Of dead things and geological and botanical curiosities there were enough to start a small museum; but it was of the live things that Mrs. Campbell, who shunned the place as religiously as the devil is said to shun holy water, was in terror of her life. There was one fine old tarantula, that lived and throve in captivity, as if 'to the manner born,' and which was always ready to show off his accomplishments to anyone who would be so good as to oblige him with a fly, that became positively a nightmare to the poor woman. Night after night she awoke screaming from visions of the big hairy-legged, bright-eyed thing pursuing her; and at last, out of sheer compassion for her, Philiberta undertook the death of the spider. The execution was as merciful as could be; just a little pure spirit poured on him as he lay calmly digesting his dinner in the bottom of a glass jar; and he drew himself suddenly up to the size of a sixpence, and that was the end of him.</p>
        <p>Even John Campbell, a man singularly free from common prejudices, set his face against live centipedes and scorpions, so these were always killed previous to admission; but Philiberta kept a tame lizard that would come out of his box at the sound of her tap on the lid; and sundry gold beetles and brown cockchafers, who were as ready as game roosters at any <pb xml:id="n40" n="37" corresp="#TalPhil040"/>time for a pitched battle with each other. And two colonies of ants, one of the species known as sugar-ants, the other of the pugnacious 'bulldog' tribe. But these came to final grief through the escape of the bulldogs and wholesale slaughter performed by them on the sugar-ants; and the subsequent exploring expedition of the bulldogs to the adjacent kitchen, where the cook summarily ended their fun with boiling water.</p>
        <p>'That settles their hash,' said the cook, when she had done it; 'the stingin' little divils!'</p>
        <p>One of them had tried to explore the cook, you see; and she had to wear cold water bandages round one leg for several days in consequence.</p>
        <p>There is no doubt that, with all her insects and reptiles, odds and ends of stones and what not, Philiberta was at this time a serious nuisance. But what eager girl or boy, full of plans and projects, ideas, notions, and enterprises, is not a nuisance? Except, of course, to the one or two whose love, like that of the big soft-hearted Highlander, and his dear Irish wife, knows no fault in its idol.</p>
        <p>The subject of the blacks and the poisoning was forgotten for a week or so. The blacks, indeed, were behaving themselves very well just then. Black-fish were very abundant that month in Emu Creek, and were easier skinned and cooked than mutton, so the rascals let the sheep alone. And they brought beside a good supply of that welcome fresh water delicacy to the station in exchange for the flour and tobacco they came to beg, so matters rested amicably.</p>
        <p>But towards the close of the shearing the blacks broke out badly. Not only were several sheep carried off, but half a dozen or so beside were left cruelly mutilated on the ground. John Campbell waxed righteously wroth, and vowed to punish the 'teffles' at the first opportunity.</p>
        <p>But the two 'old hands' that Philiberta disliked so <hi rend="i">made</hi> opportunity. They despatched Jimmy, the half-caste, on a secret mission to the township. The lad was missing a whole day; and when John Campbell demanded explanation of his absence, said, 'Mine come along a township for make a light <pb xml:id="n41" n="38" corresp="#TalPhil041"/>doctor-fellow, mister. Mine got um belly-ache too muchee—no gammon.'</p>
        <p>Two nights after this there was another raid upon the flour.</p>
        <p>The half-caste was in great glee. 'Mine belly-ache go along a dam blackfellow now, pretty quick. Oiya! Baal blackfellow shake um flour next time, my word!'</p>
        <p>It was not until three days later that the reason of this rejoicing was discovered, and then it was Philiberta who made the discovery. Wandering far afield on King Lowrie, her own well-beloved steed, in search of a particular mossy lichen that was just then the most important thing in the world to her, she came all suddenly upon a blackfellows' camp. There was the heap of ashes and fag ends of wood where they had built their fire; there were the fragments of flesh and damper that indicated a feast; there, lying in all possible attitudes begotten of pain and death, were a dozen swollen black distorted bodies. Pah! but it was a horrible sight!</p>
        <p>Explanations were unneeded. The whole thing was understood at once. The station hands had put arsenic in the flour. John Campbell's anger and sorrow knew no bounds. He thrashed the two old convicts to within an inch of their worthless lives, and discharged every man about the place, because he said they must all have had a hand in it.</p>
        <p>'But the branding, and the cattle-muster, John,' cried Rosamond, 'and no men!'</p>
        <p>'We will hef to let it all slide, Rosamond, or take our chance of swagmen, dear. Not one more penny of mine will those tam murderers earn while I am alive; not if there wass nefer to pe another shearing at Morven.'</p>
        <p>So every man had to tramp off, except Jimmy, the half-caste. He cried so bitterly, was so utterly and abjectly penitent, and in such an agony of terror at the prospect of being turned adrift, that his master retained him, arguing that 'he wass not a man, anyhow, but only a lad; a heathen mirofer, who did not know any petter, and wass not responsible.' Jimmy's sire was the first owner of Burnagulla; dam Queen Mary, the lubra, who forsook his majesty, her lawful husband, in favour of the <pb xml:id="n42" n="39" corresp="#TalPhil042"/>whitefellow, and died in bed, a most unusual thing for a lubra. But the nomadic instinct was very feeble in her; still feebler in her offspring. To Jimmy the idea of being sent out into the unknown world to look after himself, was of all ideas the most awful. His attachment to the home of his birth was as powerful as his hatred of his mother's race.</p>
        <p>'Btackfellows! Ugh!' he would ejaculate, spitting; on the ground in fine contempt at sight of his dusky brethren.</p>
        <p>So he proved a willing tool to these white murderers, and then just as willingly 'rounded on' them when the time came for confession. He described how he had been sent to the township with money for arsenic; how he had been told to explain that it was wanted at Morven for dingoes and native cats; how three of them had mixed it with the flour in the dead of night; how the same three, Jimmy and the convicts, had followed the victims on the night of the theft, and watched them feast and gasp and leap and writhe and struggle till they died.</p>
        <p>'If it wass not so far to the nearest prison,' said John Campbell, shaking the leader of this tragedy as a terrier might shake a rat, 'I would take you there now with my own hands, and hef you hanged in less time as a week. I would, py Kott!'</p>
        <p>As it was, he could simply thrash them and let them go; and thus it was that Morven was almost desolated just at the season when it was usually busiest.</p>
        <p>'And if I wass not needing men,' grumbled the master savagely, 'then there would be crowds of them swagging up. Now, when I will pe wanting them ferry padly, there iss not even a sundowner comes to Morven.'</p>
        <p>And so the whole of December passed, and Christmas and New Year's-day went by almost without notice. Since the time of the poisoning the natives had kept away altogether. The tribe seemed to have taken fright. John Campbell and Philiberta scoured the country for miles in search of them; for both had an idea that some effort at explanation and compensation would perhaps stave off probable evil. Over Morven there hung a shadow all through these long hot days and short hot nights—the shadow of impending danger. Rosamond <pb xml:id="n43" n="40" corresp="#TalPhil043"/>became sorely nervous and depressed, and worried her husband hourly with superstitious observations.</p>
        <p>'It iss a pain in your head you hef got, dear,' said he one day, soothingly, when she was complaining of a ringing sound in her ears.</p>
        <p>'No, darlin', it is the <hi rend="i">dead-bell</hi> that has been droning there these two days; the saints avert all harm.'</p>
        <p>Of course he only laughed at her. She had been hearing 'dead-bells' and experiencing other presentiments of evil ever since he had known her, and what but good had come to them yet? Everything had prospered always; and had they not got the lass? But even John Campbell could hardly shake himself free from the shadow of trouble that brooded over Morven; and nought but a sense of the cowardice of running away prevented him from gathering up his women-folk and fleeing for a season to Ballarat or Melbourne.</p>
      </div>
      <div xml:id="t1-body-d6" type="chapter">
        <head><hi rend="c">Chapter</hi> VI. <hi rend="c">'Together we Will Die.'</hi></head>
        <p><hi rend="sc">At</hi> last it came; this that they had all seemed to be dreading and expecting. And Philiberta was again first to have knowledge and to bring the news.</p>
        <p>It was at the close of a long, hot, breezeless day. On the six preceding ones the north wind had blown its furnace-like breath without ceasing. Now had come a calm, heavy and thunderous, with banks of cloud rising with almost imperceptible progress up the faded-looking sky. The leaves of the trees hung motionless and pendent; the birds had held peace all day; even the locusts had been silent.</p>
        <p>John Campbell was pacing the veranda restlessly. Rosamond, collapsed under the sultry heat, lay with closed eyes and aching head upon the broad cane reclining-chair under the vine.</p>
        <p>'And I wonder where iss that lass?' said John, in a tone of petulance. 'The storm will not pe so ferry long now, and <pb xml:id="n44" n="41" corresp="#TalPhil044"/>when it comes it will pe so sudden that there will pe no chance of anypody which will pe out in it whateffer. The lightning too; the trees will split up like kindling wood with the lightning this night.'</p>
        <p>Even as he spoke there was the sharp rattle of hoofs, and Philiberta came in view riding at full speed. John Campbell broke out again—</p>
        <p>'Well, that was nefer like the lass whateffer, Rosamond, riding the poor beastie on a day like this just as if the ferry teffle wass pehind.'</p>
        <p>But Rosamond had not energy enough to even open her eyes.</p>
        <p>'Father!' exclaimed Philiberta, in a tone of suppressed excitement, as she sprang to the ground and ran to the veranda, leaving King Lowrie to take care of himself. 'Father, the blacks are out there in the ti-tree, crouching and hiding. And they have all got spears.'</p>
        <p>Rosamond sat up quickly. John Campbell's ruddy face changed colour.</p>
        <p>'And how many blacks wass there, little Phil?'</p>
        <p>'Fifty, at least.'</p>
        <p>'Kott! it would hef peen petter if I hed taken you poth to town pefore Christmas, I wass thinking.'</p>
        <p>'What will you do, John?' asked his wife, roused very thoroughly from her lethargy.</p>
        <p>John's eyes wandered out in perplexed gaze towards the patch of ti-tree where the danger lurked.</p>
        <p>'It iss too late to hold parley with them now,' said he, gloomily; 'the first answer from them would pe a spear, and the next would pe a tomahawk. What iss the time now, Rosamond?'</p>
        <p>'Seven o'clock,' she replied, returning swiftly from consultation of the huge chronometer that John Campbell kept hanging at his bed-head in preference to carrying it in his pocket.</p>
        <p>'Seven; and at nine it will pe dark—sooner if the storm hurries up, Rosamond. And it iss more as twenty miles to Emuville, and the track iss very rough in parts of it, Phil!'</p>
        <pb xml:id="n45" n="42" corresp="#TalPhil045"/>
        <p>'Yes, father.'</p>
        <p>'You will mount King Lowrie again, my child, and you will ride, as you nefer pefore in your life haf ridden, and you will get to Emuville township in one hour and a quarter, bar accidents. And you will pring efery man which can get a horse in Emuville back with you. And if you are ferry quick, you will pe pack to Morven by ten o'clock.'</p>
        <p>'But, father, the men at the out-stations. Hadn't I better fetch them first?'</p>
        <p>'There wass but two men at the out-stations, Phil; and five miles of country between the two. That would pe waste of time.'</p>
        <p>'So it would. I will be off at once.'</p>
        <p>'But, John, why are you sending Phil to the township?' cried Rosamond. 'Can't Jimmy, the half-caste——'</p>
        <p>Then she stopped—a quick look of intelligence passing from her husband's eyes to hers.</p>
        <p>'Father!' said Philiberta, turning back from the door. 'Why should I have to go alone to Emuville? Let us all go.'</p>
        <p>'We should nefer get there, Phil, for the blacks would see us. And besides that, mirofer, there iss Jimmy the half-caste, and the two kitchen lasses, and no more as two horses in from the paddock for all of us. Why, iss little Phil afraid to go py her own self?'</p>
        <p>'Afraid, daddy?' with a look of reproach. 'What a wicked thing to say! Of course, I <hi rend="i">must</hi> go now. After all,' said she cheerfully, turning back once more to kiss them both, 'after all, there is nothing to worry about. The blacks are too cowardly to do anything beyond stealing a bit of flour. Good-bye, goodbye.'</p>
        <p>'It iss King Lowrie that knows how to spin,' said John Campbell, watching her out of sight,' and will keep up his pace through all the difficulties whateffer. There is a chance for us yet, Rosamond O'Brien.'</p>
        <p>'Is the danger great, John? Perhaps they've only come to steal a bit of flour.'</p>
        <p>'They will steal no more flour, Rosamond,' he said, setting <pb xml:id="n46" n="43" corresp="#TalPhil046"/>his mouth sternly. 'The last flour they stole wass enough for them. Tam those murdering teffles!' he burst out with sudden passion; 'if I had only hanged them to a tree that day, I should be glad now. It iss a dear pag of flour that poisoned pag will pe to us. Now, Rosamond, I am going out to the stable to saddle Kangaroo. He iss not a ferry fast horse whateffer, but he will take you safely to meet the lass when she will pe halfway home.'</p>
        <p>Rosamond laughed, leaning her head against her husband's shoulder, and looking up into his face with those loving Irish eyes.</p>
        <p>'It was clever of you to get the colleen away, darlin',' she said. 'For a minute I didn't see it, and I was wondering why you didn't send Jimmy the half-caste. And then I saw, and I shut up my lips at once, for fear she would be after seeing too. It was clever of you, John dear,'</p>
        <p>'And it will pe still cleverer of my wife,' said John, 'if she, too, will go away on Kangaroo, so that presently I shall pe able to go after her without any pother.'</p>
        <p>She laughed again. It was a queer, loving little laugh; but there was no mirth in it, nor any upon the dear face that drew nearer to his for a kiss.</p>
        <p>She said, 'If there is trouble for us, we can take it better together. Dear heart, if it is death—why, then, together we will die.'</p>
        <p>He folded her fast in his strong arms and kissed her fiercely.</p>
        <p>'We will hef no talk about dying yet, my wife. We hef not lived long enough. Kott, not half long enough together yet. We will not die, Rosamond, for then I might lose you. How do I know what is after death—whether there will not pe a place for you and another place for me—apart—ah! efer so far apart?'</p>
        <p>'Ah, no,' she said, with a confidence most pathetic. 'God is never so cruel as that.'</p>
        <p>'Iss He not? It is not cruel, then, to let those wicked men murder the blacks, and us pe left to pay the penalty?'</p>
        <p>Rosamond laid her hand upon his lips.</p>
        <pb xml:id="n47" n="44" corresp="#TalPhil047"/>
        <p>'I would hef made you go away with the lass,' he said presently, when she had released him, 'only that Kangaroo iss not so swift as King Lowrie, and the lass would not hef liked to leave you behind on the road, Rosamond. It will pe much petter,' said he anxiously, 'if you will go now, my dear.'</p>
        <p>'And why will it not be better for you to go too, John?'</p>
        <p>'I could not leave the poor women, dear,' he said simply.</p>
        <p>'No, darlin',' said Rosamond.</p>
        <p>'And there iss no way of getting them off with us, except to hurry the danger.'</p>
        <p>'What is the very worst thing that can happen to us to-night, John?'</p>
        <p>'The ferry worst thing would pe that one of us might die pefore the other, Rosamond. But we will hef no talk apont it We hef chances, though we hef got no men at Morven. I could fight the whole fifty scountrels single-handed, if it wass only fair fighting. Fair fighting iss very easy to me. But we will hef chances. The blacks iss not to know that there iss no men at Morven but one. You will get me all the old hats which iss in the house, Rosamond, and I will hang them on the fence by the huts, just as the hands hung them there in the efening time. And you will tell the women to light a fire by the huts, like as when the hands used to boil the billies for tea. And Jimmy and me, we will crack the stockwhips in the yard and shout in the stable at the horses. If we can keep the teffles quiet till the men come from Emuville, then there will pe no more pother. If not, then there iss the two pistols—two shots each—and the rifle, two shots more, to frighten them quiet a little while longer.'</p>
        <p>'But sometimes they fire the house.'</p>
        <p>'Then we would hef to get out of the house.'</p>
        <p>'And give them every chance with the spears.'</p>
        <p>'Ah, well, it iss no use making the worst of it now, Rosamond. Get me the hats like a goot lass; and then you will go to the women. And you will not wear a long face to the women, my dear, for frightened women iss the teffle and all to deal with.'</p>
        <pb xml:id="n48" n="45" corresp="#TalPhil048"/>
        <p>The storm held off, yet at nine o'clock everything was in darkness, and not a star visible because of the heavy dense clouds. John Campbell and his wife, the servant-maids and Jimmy the half-caste—more terrified than any of the rest—kept together in the kitchen, that being the room affording the best chance of defence, if defence should become necessary. There was but one outer door, and that a solid one of slabs; and one window, a single sash swinging by the middle. The window looked out towards the ti-tree scrub, and would prove a good port-hole for John Campbell's solitary gun. All other windows and all the doors of the house were carefully fastened, and of course there were no lights allowed. The kitchen fire was burning because the cook, a plucky girl, and a countrywoman of Mrs. Campbell's, had a great opinion of the efficacy of hot water in emergencies.</p>
        <p>'Nothing like it,' said she, 'for black-beetles, bad cess to them.'</p>
        <p>But the fire-place was screened with a blanket, so that no glimmer of the fire might be visible outside.</p>
        <p>'Come here, you villain,' whispered John Campbell to Jimmy the half-caste; 'your tam'd blackfellow's eyes are keener in the dark than mine. Keep quiet, and look out over there to the ti-tree. Now, what do you see?'</p>
        <p>The terrified lad crept out from the corner where he had been crouching, and peered out into the darkness.</p>
        <p>'What do you see?'</p>
        <p>'Blackfellow!' gasped Jimmy; 'blackfellow walk along here—quiet—quiet—quick—quick!'</p>
        <p>That was just what John Campbell's own sharp eyes had seen, only he had hoped against hope that they were mistaken. One after another the natives reached the house, and then there was a sudden hideous yell.</p>
        <p>'It must pe fighting now, Rosamond,' muttered John Campbell. 'If it had been stealing, as we wass hoping, there would have peen no shout. I must fire now.'</p>
        <p>'Hold on a minute, sir,' came from the cook in a loud whisper. 'The wather first, sir, and save the shot,'</p>
        <pb xml:id="n49" n="46" corresp="#TalPhil049"/>
        <p>'That iss a goot idea, Mary, and maype it will frighten the teffles off without any need for killing. Give me the pan of water.'</p>
        <p>'No, no; it is me to aim the water, you to aim the shot.'</p>
        <p>'But it iss not possible to aim anything in this darkness, my lass.'</p>
        <p>'Wait a bit, sir. Give me one chance at the window, sir. Saints! how they yell. Let me there one minute, sir, and see if I don't give every blissed cockroach of 'em a dhrop.'</p>
        <p>She pushed forcibly in front of him, and immediately afterwards a succession of piercing shrieks outside bore testimony to the comprehensive efficacy of Mary's shot.</p>
        <p>'Ah, come on wid ye now!' shouted the girl furiously through the open window; 'it's aiqual to a hundred of yez I am.'</p>
        <p>John Campbell dragged her back, with a hot imprecation on her folly, and received the spear that came instantly whizzing through the window full in his side. Rosamond heard the whiz of it as it sped through the air, and felt that he was struck, and a pitiful little wail broke from her.</p>
        <p>'It iss nothing, dear,' said John, when he could speak, which was not just at once, because of the pain; and then he tried to pull it out, but the cursed thing snapped off short in his hand.</p>
        <p>'It iss all up with me now,' he said, suppressing both voice and agony; then in a moment he spoke aloud and firmly. 'You women will petter pe trying to get away now.'</p>
        <p>'How can we?' said Mary.</p>
        <p>'Quite easily, by the front door. You will get in among the trees before they will hef time to see you. They will pe too busy at this side of the house. Jimmy, you black coward!'</p>
        <p>The boy crept up to him sobbing and gasping in terror.</p>
        <p>'You will guide them round by the big she-oak, slily and quietly, and then on to the track. When you get the track, run, all of you, as fast as you can towards the township. You will soon meet people on the road that will gif you protection.'</p>
        <p>'And you and the missus,' said Mary. And all this while there were the thuds of things striking the outer wall, and occasional yells from the blacks.</p>
        <pb xml:id="n50" n="47" corresp="#TalPhil050"/>
        <p>'Rosamond, you will go with them.'</p>
        <p>'Without you, John?'</p>
        <p>'My dear, I cannot go—bekass—I am hurt, hurt to the death. O Kott! but it iss a hard thing for a man to hef to die like this!'</p>
        <p>'Lift him up, quick,' cried Rosamond, for he was falling against her. 'Lift him up, and help me to carry him.'</p>
        <p>'No, leave me,' he said, struggling against them feebly. 'It iss all up with me. I am dying already.'</p>
        <p>But they lifted him, Mary and Rosamond, and actually carried him, big and heavy as he was, as far as the door; when they opened that they saw that all was over, for the natives had fired the house. Jimmy and the servant-maids fled; even Mary fled. Let those who would blame them for cowardice try to imagine the din—the awful din; the choking smoke; the flames dancing up with sudden fury in half a dozen different directions. The wonder was that they escaped the spears that were hurled after them; but they did, and with a swift rush gained the track and ran on between the trees.</p>
        <p>John Campbell lay dying on the floor. 'Rosamond, for love's sake—for the lass's sake—go and leave me.'</p>
        <p>'Here is your pistol,' she said, panting beside him, 'and here is my heart. Quick, love, quick!'</p>
        <p>But he raised himself with one last desperate effort, struggled over to the window, and fired both barrels outside. Each shot told; two natives fell, though his aim was that of a dying man.</p>
        <p>'It wass goot to have one shot pefore I go,' he said, leaning against the wall, while the hot breath of the flames came nearer and hotter.</p>
        <p>'Rosamond!'</p>
        <p>She had been groping about for the other pistol and had found it.</p>
        <p>'You will not leave me then, Rosamond?'</p>
        <p>'Do not waste this one,' she said, falling on her knees beside him and putting the weapon in his hand; 'put the muzzle here, so, and be quick, dear. Do not leave me to those fiends and the fire. We have lived together, dear heart, though not long <pb xml:id="n51" n="48" corresp="#TalPhil051"/>enough—ah, holy God! not long enough—and now together we will die.'</p>
        <p>He did it, looking in her face by the light of the flames as he fired. She fell against him as the bullet pierced her pretty throat, and her life-blood welled out over him. Her weight was upon his wounded side, till he felt her presently slipping down and away from him. Then he put out his weakening arm to keep her, and she, feeling what he wanted, helped, too, so that they did not lose hold of each other. She crept a little higher, till she could feel his beard and his breath on her face, and then she could no more. Speech was impossible to her, because of the wound in her throat. He, striving even in the extremity of agony not to hurt or disturb her with his pain, spoke once more, repeating her words 'Together we will die.' And then he called out loudly her name.</p>
        <p>The flames were upon them now, but they were beyond all knowledge of it, thank God! Beyond all vision, too, of the hideous yelling fiends that danced around them, and of the rescue-party one short half-mile distant—the rescue-party which had come too late.</p>
      </div>
      <div xml:id="t1-body-d7" type="chapter">
        <head><hi rend="c">Chapter</hi> VII. <hi rend="c">A New Era.</hi></head>
        <p><hi rend="sc">The</hi> servant-women escaped safely. The half-caste, also, had gotten off scot-free of all consequences of the mournful tragedy he had helped to bring about but for the intervention of that enemy of mankind of whom it is written that the seed of the woman should bruise its head, but it should bruise his heel. Into Jimmy's dusky heel the venomous fangs entered without the lad's knowing any more than that he perhaps had trodden on a thorn, until at last he fell, dizzy and gasping, to the earth.</p>
        <p>The women stooped over him, trying to rouse and drag him up.</p>
        <p>'Baal mine run along no more, mine get em sleep very fast,</p>
        <pb xml:id="n52" n="49" corresp="#TalPhil052"/>
        <p>I think it,' he muttered heavily; and then the frightened women sped along and left him, and he never woke again.</p>
        <p>There was light enough now to illuminate the track and all the country about, for every building and hut at Morven was burning, and the blaze in the sky made everything plain as noon-day. Presently the women and the rescue-party met. Philiberta was leader of the latter, and when she heard what the women had left behind them at Morven, she lost her mind completely. King Lowrie tore along with his shrieking rider, right to the very flames, and there she would have cast herself into them headlong but that the men who followed her kept her back. At last she fainted, and in that condition was borne back to Emuville by some of the men, while the others remained to do what they could at Morven. But that was very little. Two badly scalded blacks were all they caught alive; the others escaped. The fire was but the commencement of a conflagration that devastated all the country for miles, and caused a stampede and total loss of all the Morven live stock. When Philiberta came back to life after many days of worse than death, Morven was but a black scar on the face of the earth, and John Campbell and Rosamond were sleeping their long last sleep together in the Emuville cemetery. The girl, owing to her own merciful illness, was spared the horror of seeing them; and such awful details as her friends knew were kept carefully from her for ever.</p>
        <p>These friends were the Hugills of Emuville. Mr. Hugill was the magistrate of that district. He had known John Campbell very well; that is to say, the two had met every time the latter had visited Emuville, and had discovered that they had many ideas in common. And John Campbell had made his will one day in the magistrate's private chamber in the court-house; had had it properly witnessed, attested, sealed, and locked in the magistrate's little iron safe. That will assigned everything that John Campbell might die possessed of to Rosamond, his wife, unconditionally; after her, to Philiberta Tempest, on condition that she adopted the name of Campbell. There was no difficulty about this condition, for Philiberta had so long been <pb xml:id="n53" n="50" corresp="#TalPhil053"/>called Campbell that she had almost forgotten her own name. So now, in the nineteenth year of her age, Philiberta was sole mistress of some fifteen thousand pounds, and would have had almost as much more but for the destruction of Morven.</p>
        <p>But for a long time she did not even know this. When she came slowly back to life, a mere shadow of the old Philiberta, between whom and her present self a great wide gulf and a wall of mist seemed eternally fixed, nothing mattered to her, nothing interested her. She was a pitiable object, truly and utterly overwhelmed by the terrible sorrow that she could scarcely, in her dazed helplessness, yet realize. Mrs. Hugill, the angelic woman who had foregone food and rest, day and night, for sake of this stranger that was within her gates, feared for the girl's reason. And indeed there must have been a cloud upon it, else how account for the mad impulses, strange temptations, above all, the fits of profound silent melancholy that at times possessed her in the after-years of her life?</p>
        <p>'My child, my child, I want to see you strong again,' said Mrs. Hugill, softly stroking the shaven head one day when the girl's weakness and dejection were more than usually apparent. Philiberta's face grew peaceful, as it always did under that caressing magnetic touch.</p>
        <p>'You must strive against this melancholy, Berta,' continued Mrs. Hugill. She knew that the girl had always been called Phil at Morven, and she wilfully and wisely changed the name, 'Else you will never get well, child.'</p>
        <p>'And why should I get well? Why should I try to get well, Mrs. Hugill?</p>
        <p>'Berta!'</p>
        <p>'Why should anyone who is quite tired make effort to travel on again? When driven sheep are overcome by thirst and heat and weariness, they sink down by the roadside, and the drovers let them be. It would be better to let me be,' said Philiberta.' There are sheep enough in the flock without the sick and weary ones. There are people enough in the world without those who are altogether tired of it.'</p>
        <p>All that is very easy to say, Berta, but there's no <choice><orig>common-<pb xml:id="n54" n="51" corresp="#TalPhil054"/>sense</orig><reg>commonsense</reg></choice> in it. The sheep which fall by the wayside are left to die because the many must not be sacrificed for the few, and the drovers have their hands overfull with the management of the many. And then the weak sheep might not be worth the trouble anyhow. Weak sheep would make poor mutton. With humanity it is different. They that almost go under in time of great trouble like this of yours show a capacity of feeling that proves strength as well as weakness. And so such weaklings as you are worth saving, and must <hi rend="i">not</hi> be left by the wayside, however they desire it. And putting aside figures of speech, Berta, and coming back to distinct personalities, is it not a little ungrateful of you to set yourself so obstinately against recovery? Is it not rather hard upon me, after all these weeks that I have allowed myself no other thought or occupation beyond getting you well and strong again?</p>
        <p>It was an appeal to the girl's heart and gratitude, uttered with no other motive than to rouse her from the selfishness of grief. She looked up tearfully.</p>
        <p>'You have been very good to me,' she said.</p>
        <p>'Have I? Then reward me. Get well.'</p>
        <p>'Am I not getting well? Does not every day make me stronger? Oh, Mrs. Hugill, don't think me sinful or ungrateful in wishing not to get well. Everything that I cared for is gone.'</p>
        <p>'There are many things to live for yet, child.'</p>
        <p>'How can we know that? The shadow of death is all over my life,' said Philiberta. 'How can anyone know that it is not better that I should die now?'</p>
        <p>Mrs. Hugill was crying by this time; and it took her a long while to get the tears out of her eyes, and the lump in her throat choked down. When she had quite succeeded she began to talk again, pitching her voice in a hard high key to take the tremble out of it.</p>
        <p>'My dear Berta,' she began, 'a girl like you—a woman, indeed, for you are eighteen—has no business to get into this state of feeling. It is irreligious, to begin with. We are all in the hands of a Higher Power, which does all things for our ultimate good.'</p>
        <p>'Don't talk like that to me,' said Philiberta, with a touch of <pb xml:id="n55" n="52" corresp="#TalPhil055"/>her old fire; 'I don't believe a word of it. Do you think my life would be even tolerable now if I had been believing in a personal God—a God of love—and if I thought now that He had brought this thing about?'</p>
        <p>There was a certain sorrowful majesty in her defiance and denial of orthodox deity that quieted Mrs. Hugill.</p>
        <p>'My dear, I was wrong to attempt preaching,' she said, 'and I have thought for myself for a few years too, and it does seem improbable that God—but we will change the subject, Berta, Dear Berta, promise me you will try to get well.'</p>
        <p>'Dear friend, I am getting well. The process goes on without my trying, thanks to your constant tender care. I shall live a long time yet, never fear.'</p>
        <p>'And what I ought to have said just now was that a girl in your position, mistress of a large fortune, possessing an unusually high order of intellect' (Mrs. Hugill had dabbled a little in the study of Phrenology), 'much practical knowledge, and some beauty, <hi rend="i">should try</hi> to live and make the best of her life. A woman such as you will be when you have recovered your health and strength and looks should make a mark in the world, should achieve something great.'</p>
        <p>'In what way, Mrs. Hugill?'</p>
        <p>'How is one to know in what way, my child? Perhaps you will become a great philanthropist, perhaps a female speculator or reformer—a strong-minded woman——'</p>
        <p>'Now Heaven forbid!' said Philiberta.</p>
        <p>'I echo that, my dear, from my heart. But women drift into strange grooves sometimes. Perhaps yours will be literature. You may—I should not at all wonder—write poetry.'</p>
        <p>Philiberta smiled as she remembered sundry fragments and scribblings of rhyme that had already proved a relief for deep emotion in her.</p>
        <p>'If,' continued Mrs. Hugill, 'the right man happens along at the right time, you will find your mission in matrimony, as I, for instance, did; and there will be an end of you.'</p>
        <p>'Did matrimony make an end of you, then, Mrs. Hugill?'</p>
        <p>'Of my individuality—yes. And it does of every woman's, <pb xml:id="n56" n="53" corresp="#TalPhil056"/>I think, if she meets with the right man, the man calculated to be her master. And it is to her happiness that it should be so. My life—(my thinking life, I mean—the years that I have lived to study and ponder) has been spent in wild colonial places, where there has been little facility for proving one's theories, and I have formed divers theories of my own in respect to humanity and its tendencies. But from the little I have seen I have gathered one definite and firm conclusion—that every woman has her other half in the world, and if she fails to find him, her life is but a chapter of black discontent. I don't advance that theory as original, you know, because Plato and a hundred others have talked about it before ever I was thought of; but it is sometimes given to humbler souls to think out and realize the discoveries that great souls have made. It is a fortunate thing for the world, mind you, that women often do fail to find the other half of themselves, for out of the vague void comes often work of the noblest kind; and trouble and disappointment have brought into the world's light some of the grandest of our sex. Shall I get you some beef-tea, child?'</p>
        <p>'No, thanks. Go on talking,' said Philiberta.</p>
        <p>'Well, believe me, dear, that but for trouble there would be little that is really good and glorious in this world.'</p>
        <p>'Little that is bad too, perhaps,' said Philiberta.</p>
        <p>'Perhaps,' said Mrs. Hugill passively. 'It is a poor theory that won't work two ways. There's Leslie passing the window. Shall I call him in to play for us?'</p>
        <p>'Pray do. I love to hear him.'</p>
        <p>Leslie was Mrs. Hugill's one child; handsome as a Greek god, clever, accomplished, good; so perhaps there was some excuse for the little mother's utterly passionate idolatry of him. Had Mrs. Hugill quoted her son, instead of her husband, as 'her master,' her 'other half,' the 'fulfilment of her being,' she would have been much nearer the true mark. For whatever James Hugill, her husband, might have been to her in the old days, now twenty years agone, there is no question that his position now, and for a long time back, was that of prime minister, not king, in this small monarchy. But I dare say <pb xml:id="n57" n="54" corresp="#TalPhil057"/>neither he nor the little woman herself ever realized the true condition of affairs, and no awkward contingencies of circumstances ever came about to enlighten them. Leslie Hugill played the fiddle; what is more, he played it well, the gift of music being his in a large degree. And his mother, no mean performer on the piano, had kept up her practice when other women would have let it lapse in the worry of household cares, in order that she might accompany Leslie's fiddle. So the little concerts every evening were a musical treat very rarely to be experienced in districts like the district of Emuville.</p>
        <p>To Philiberta music was a new experience. She had never had a piano, seldom heard one. She could sing, because nature had given her a voice of rarely beautiful quality, and she had learned the Scotch ballads and Irish ones. The only musical instrument at Morven was the bagpipes, on which John Campbell, in some of the insane moments that afflict every man, I suppose, used occasionally to perform. He might have been guilty of it oftener if the performance had not always made Rosamond grow hysterical, and declare that she would take to drink.</p>
        <p>If there was one thing in the world likely to soothe the sad desolate heart of Philiberta just now, it was music, and seeing the effect of it upon her, Mrs. Hugill administered the new medicine readily.</p>
        <p>In homœopathic doses at first, though, because it wrought too excitingly upon the passionate high-strung nature. When the girl grew stronger, she had music without stint, and when she entreated to be allowed to learn, she found two very willing and able instructors. And so a new interest crept into her life, and won her back gradually from the darkness that had overshadowed her.</p>
      </div>
      <div xml:id="t1-body-d8" type="chapter">
        <head><hi rend="c">Chapter</hi> VIII. <hi rend="c">'Not my Other Half.'</hi></head>
        <p>As may readily have been premised by the reader, Leslie Hugill fell in love with Philiberta.</p>
        <p>Mrs. Hugill was the first to know it, and half jealously, half <pb xml:id="n58" n="55" corresp="#TalPhil058"/>gladly watched the progress of the affair. I suppose every mother begins at a very early period to wonder what sort of people her children's wives and husbands will be, and to indulge in ideals. This mother was no exception, but her ideal had been in no degree like Philiberta. The woman of her dreams was a gentle creature, soft-skinned and fair, lacking will and individuality, in principle a tender, worshipful echo of her husband, in all things and at all times submissive and subservient. It was rather odd that Mrs. Hugill should have created an ideal so utterly different from herself, but perhaps she really did not know how different it was. I never knew another woman with such a talent for believing that her husband was her ruler while all the time she was his. When she saw that her son was in love with Philiberta, she felt half afraid, for about Philiberta there was a very positive individuality and intensity of character, a concentrativeness, a capacity for feeling and for doing good or evil which placed her beyond the rank of ordinary women.</p>
        <p>Mrs. Hugill's ideal daughter-in-law would have been a thing to fondle and caress and take care of; Philiberta was a woman to talk to and admire. Mrs. Hugill's ideal would have made her a happy grandmother, giving over the little ones to her so that she might live over again her own dear early mother-days; but Philiberta! Well, Mrs. Hugill's imagination always stopped short before it got as far as Philiberta's children. But she loved the girl, and was very glad at the prospect of their closer relationship. That Philiberta might refuse Leslie never occurred to her. A mother so seldom does realize the possibility beforehand of a girl's refusing to marry her son.</p>
        <p>Poor Leslie's symptoms developed themselves in the usual way, the chief being a sickly tendency to the lachrymose in literature and music. Throughout the winter Philiberta's health kept her indoors a great deal, but in the spring of the year she went out daily, riding and driving with her youthful cavalier. Spring, Australian spring, is as favourable to the growth of young love as to that of young chickens and young vegetables. Only a sudden sharp frost quite suffices <choice><orig>some-<pb xml:id="n59" n="56" corresp="#TalPhil059"/>times</orig><reg>sometimes</reg></choice> to nip off the chickens and the vegetables beyond hope of resuscitation, and fortunately young love is often as delicate, and may be slain with a single snub. I say fortunately, because, seeing that nine times out of ten first love is a disappointment, it tends to the happiness of mankind generally that the passion and its effects should be transient.</p>
        <p>One morning in that spring then—
<q><lg type="verse"><l>'In spring, when the wattle gold trembles</l><l>Twixt shadow and shine;</l><l>When each dew-laden air-draught resembles</l><l>A long draught of wine—'</l></lg></q>in that season when Australia puts on all the brilliancy of attire that she is so chary of through the rest of the year, these two people rode forth together—their object being to visit a certain cave some miles away, where something in the geological way was to prove the truth or fallacy of a theory of Philiberta's touching the age and origin of this planet. There could be no better evidence that her trouble was receding from her than this renewed interest in former studies. She was indeed getting the better of her sorrow, though her loyal heart oft smote her for being glad to live when those who had loved her so well were lying deep in the cheerless earth, and there had come a wistfulness into her eyes and a droop at the corners of her mouth, new there, but which she never lost again.</p>
        <p>There was something in Leslies face that morning that told his mother that the day was to be an important one to at least three people. Mr. Hugill did not count in an affair like this.</p>
        <p>The mother plucked them both a tiny spray of bloom from the great wattle-tree that grew in front of the house and lit up the entire district with its glow of perfumed gold, and bound each spray to a bit of delicate maiden-hair from her fern box on the veranda, and then bade them God-speed, and enjoined Leslie not to let Berta sit down in that damp cave if he valued his own life. He muttered some sentimentality about the relative value of his life and hers, and then they cantered gaily away.</p>
        <p>They returned white the sun was yet high in the heavens, and at first sight of their faces Mrs. Hugill knew that her son <pb xml:id="n60" n="57" corresp="#TalPhil060"/>had been rejected. Her heart ached for the lad's disappointment, so plainly revealed in his aspect, and burned with sudden angry resentment against the cause. She actually hated Philiberta that night.</p>
        <p>Mr. Hugill was away on one of his district tours, so when Leslie, after a miserable pretence of taking tea, went out into the garden, the mother had the girl quite at her mercy. Her heart was full of bitter speech all ready to well out in angry utterance; but Philiberta lifted a pair of sad eyes to hers, and the two women looked at each other in dead silence for a few seconds, and then both burst out crying.</p>
        <p>'I am so sorry and miserable,' sobbed the younger.</p>
        <p>I hope Leslie did not—did not make himself too disagreeable,' said the other. And that was the end of her quarrel-someness.</p>
        <p>'I would not have pained him for the world,' said Philiberta, and by this time they were sitting hand-in-hand together on the sofa.</p>
        <p>'You could not say "Yes" to him, Berta?'</p>
        <p>'Oh no.'</p>
        <p>'And why?'</p>
        <p>'Why? I don't know. I never thought why. But I couldn't.'</p>
        <p>'Now I begin to see how it is, dear, Leslie has been too precipitate. He has been in love with you for a long time, and I have known it; and neither of us has thought that, while we were getting every day more familiar with the idea, it had probably never entered your head. And now, when it is all out, it comes with a shock to you. We have blundered sadly, Leslie and I.'</p>
        <p>Philiberta said nothing.</p>
        <p>'It is exactly what we might have expected,' continued Mrs. Hugill cheerfully, as her mind expanded to the idea that the case was not hopeless yet.' Berta, my love, just forget all about this at once, and let everything be as it was before. I will take care that Leslie does not startle you again.'</p>
        <p>'But, Mrs. Hugill, <hi rend="i">can</hi> everything be as it was before?'</p>
        <pb xml:id="n61" n="58" corresp="#TalPhil061"/>
        <p>'Well, perhaps not quite, dear. Nor would one quite wish that. But you will get to see the whole thing in a different light presently, and then——'</p>
        <p>'Then you think I will marry Leslie?'</p>
        <p>'Yes. Don't you think so too, Berta?'</p>
        <p>'No. I know that I never shall.'</p>
        <p>'Ah, child! don't be so positive.'</p>
        <p>'But I feel it so positively.'</p>
        <p>'You are very cruel, Berta.'</p>
        <p>'No, don't say that—dear, kind friend, don't say that. My being here at all is cruel, but I never meant it; I never knew.'</p>
        <p>'That is just it,' said Mrs. Hugill; 'you didn't know, you don't know now. Wait a little.'</p>
        <p>'I will go away to-morrow,' said the girl hysterically. 'It will be better for me to go away. I would have gone long ago if I had thought——'</p>
        <p>'Berta, Berta, don't! this is heart-breaking. Hush! stop crying, and I will never mention the thing again, Leslie shall go away.'</p>
        <p>'That would be worse than the rest. Why should Leslie be driven from his home by me?'</p>
        <p>'But he won't. A change will do him good. He has not been away anywhere for ever so long; and his friends up at Bungalonga have been pestering him for months to go there for a little kangaroo-hunting. He shall go to-morrow.'</p>
        <p>'No, Mrs. Hugill——'</p>
        <p>'I say he shall; and you must stay, Berta. I cannot spare you both, and whether you go or stay, Leslie shall start for Bungalonga to-morrow. Don't go and leave me alone, Berta Don't!'</p>
        <p>Philiberta said she would stay then, and Mrs. Hugill told herself that everything would come right after all.</p>
        <p>Then the girl, sad and disquieted yet, went out into the cool fair evening, and presently walked down through the garden to the small farmyard beyond. This farm was Leslie's hobby. He was a born farmer, and management of live stock was his speciality. Every animal on the ground knew his voice and <pb xml:id="n62" n="59" corresp="#TalPhil062"/>would respond thereto; every fowl and duck and pigeon would flutter towards him when he approached their dominion. It was pleasant to see how every dumb thing loved him and acknowledged his rule.</p>
        <p>Now, as Philiberta approached, the cackling and chuckling, the lowing, the whinnying, and the grunting proclaimed to her the master's presence among his subjects; so, instead of entering the farmyard, she only drew cautiously near to the fence until presently she could see the interior. There was Leslie, sitting on a stump in the middle of the yard in an attitude of deep dejection, and there was a cow resting her comely white face on one of his shoulders. And there was a saucy young colt lipping his neck on the other side; while two short-legged pigs stood directly in front and made remarks to each other about the tardiness of supper. Close to his knee, and as tall as it, stood a handsome Cochin China cock, breeched with yellow feathers down to its very toes, and gazing in quaint one-eyed fashion up into the troubled face, as one having sympathy through similar experience.</p>
        <p>Philiberta could not help smiling at this absurdity; at the same time big tears stood in her eyes and dimmed the picture. 'Everything loves him, poor fellow,' she murmured. 'And no wonder. He is handsome and brave, and gentle and noble, but—oh, I wish he had not loved me!'</p>
        <p>Early next morning she heard the household astir with unwonted bustle. She knew what it meant, and when the sound of hoofs came to her ears she sprang out of bed to the window. There stood Leslie's horse, evidently accoutred for a long journey; and there waited Pompo, the kangaroo hound, quite beside himself with ecstacy and impatience. Then Leslie came out, whistling that loveliest of serenades, 'I arise from dreams of thee,' and looking the very model of a bush hero in his tight breeches, long boots, loose kerchief and 'wideawake' hat. He was very cheerful too; evidently the long consultation with his mother overnight had comforted him considerably.
<q><lg type="verse"><l>'A spirit will lead me to thee, sweet,</l><l>A spirit will lead me to thee,'</l></lg></q><pb xml:id="n63" n="60" corresp="#TalPhil063"/>sang he, altering Shelley's beautiful lines a little to suit his own condition of thought.</p>
        <p>He must have detected the faint flutter of Philiberta's window-blind and known she was watching him, for he leaned back in his saddle and kissed his hand to the window twice, thrice; then Pompo uttered a howl of wild delight, and the horse a responsive whinny, and then they were gone. And Philiberta got back into bed, for the morning was nippingly frosty, and she was not permitted to rise very early yet.</p>
        <p>'He is gone,' said Mrs. Hugill, when the two met at breakfast. 'He is gone,' she said, just as carelessly as if her heart was not aching over his departure.</p>
        <p>'Yes,' said Philiberta.</p>
        <p>'And we will have ever such a good time together till he comes back,'</p>
        <p>'No, we shall not,' said Philiberta. 'We shall all miss him too much. Everything will miss him.'</p>
        <p>Mrs. Hugill's face grew glad The girl was relenting, she said.</p>
        <p>'Ah, well,' she observed, still with assumed carelessness;' of course the farm will miss him, but you must look after it for him, Berta. The things won't miss him much then.'</p>
        <p>She did look after the farm for him, and all the dumb things took to her as kindly as if she had always been their keeper—whether because theirs was merely cupboard love after all, or because Philiberta had the same subtle power of commanding the attachment of animals that Leslie had; who shall say?</p>
        <p>Leslie was to return in a month; and the time seemed both lengthy and brief to those who waited. On the last day but two Philiberta spoke.</p>
        <p>'My dear friend, my dear kind friend, I am going to pain you very much.'</p>
        <p>Mrs. Hugill turned very pale, and bit her lips to keep them from trembling.</p>
        <p>'Out with it,' she said at last, a taint of bitterness in her voice. 'Trouble is never lessened by sweet preliminaries. Out with it.'</p>
        <p>'Mrs. Hugill, I am going away to-morrow.'</p>
        <pb xml:id="n64" n="61" corresp="#TalPhil064"/>
        <p>'Why?'</p>
        <p>'Because Leslie is coming home.'</p>
        <p>'Then there is no hope?'</p>
        <p>Philiberta did not speak, but her eyes said that there was no hope.</p>
        <p>'And what is there about Leslie that offends you, then, Berta?' asked Mrs. Hugill, face and voice full of proud resentment. 'What is there in him to make you hate and despise him so?'</p>
        <p>'Mrs. Hugill, how can you say such cruel things to me?'</p>
        <p>'Nay, how can you do such cruel things to me, Berta?'</p>
        <p>'I cannot help it. I cannot help it, dear.'</p>
        <p>'Why cannot you? Why won't you marry Leslie?'</p>
        <p>'Mrs. Hugill, I have tried to change myself all this month. And I cannot. Do you remember a long talk we had once, when you said that every woman had her other half somewhere in the world?'</p>
        <p>'Well?'</p>
        <p>'Well, Leslie—I love him very dearly, Mrs. Hugill, <hi rend="i">but he is not my other half</hi>.'</p>
        <p>Then Mrs. Hugill knew that further discussion would be useless.</p>
        <p>'We maun e'en thole't,' she said presently, using a phrase familiar to her through an old Scotch servant, 'Poor Leslie! Poor me! But we maun e'en thole't.'</p>
        <p>'So I will go away before he comes back,' said Philiberta, with a sigh half of relief, half of regret.</p>
        <p>'And where are you going? And what are you going to do with yourself?' inquired Mrs. Hugill, looking at her steadily, and trying not to think of the disappointment.</p>
        <p>'Oh, I have thought it all out and made a plan,' said the girl. 'You know how ignorant I am of things that girls ought to learn. I never knew myself how uncivilized I was till I came to live here.'</p>
        <p>'You shouldn't say that, Berta; it is like casting a reflection on——'</p>
        <p>'But they used to say it too,' said the girl hastily. 'They <pb xml:id="n65" n="62" corresp="#TalPhil065"/>knew; but I was so obstinate always about everything. And they never could thwart me.'</p>
        <p>'Well, what about your plan?' said Mrs. Hugill, because she knew Berta could not talk in this way without breaking down. 'About your plan?'</p>
        <p>'Yes; I am going to Melbourne to school.'</p>
        <p>'To school?'</p>
        <p>'Yes. I will study night and day, for two years; and then I will come back here, and build a fine house next to yours, and live happily ever afterwards, if—if you will let me.'</p>
        <p>'I shall always let you be happy, child, if I can,' said Mrs. Hugill, kissing her. 'But two years! that will make you twenty-one. I don't think you will come back, Berta.'</p>
        <p>'Why?'</p>
        <p>'Why? Why, because two years are like two centuries to girls of your age; and no one can compute the "infinite possibilities" concealed in them till they are past. But, child, I cannot justify myself in letting you go away to live two years among strangers.'</p>
        <p>'I am not afraid. Hundreds of people do it. Girls have to go out and earn their own living among strangers often.'</p>
        <p>'That is true, poor things. And it is not so bad as that with you, thank goodness and a good man. But, Berta, I shall be sorely anxious about you.'</p>
        <p>'I will write to you every day if you like. And you know, dear friend, that it is better for me to go.'</p>
        <p>'Yes, I believe it is better for Leslie, poor lad. Well, God bless you, Berta. You have crept far into my heart somehow. I never would have believed that I could love and forgive any woman that refused Leslie. Dear child, you won't forget us?'</p>
        <p>'Dearest friend, how could I—ever?'</p>
      </div>
      <pb xml:id="n66" n="63" corresp="#TalPhil066"/>
      <div xml:id="t1-body-d9" type="chapter">
        <head><hi rend="c">Chapter</hi> IX. '<hi rend="c">A Little Learning.</hi>'</head>
        <p><hi rend="sc">The</hi> magistrate could not understand at all why he should be packed off to Melbourne at a day's notice as convoy to a young lady whom he had grown to look upon as a permanent fixture in his family. But his wife told him that he was not expected to understand everything; and said that as it was not often she asked a favour of him, or tried to have her own way in the house, she thought she was not unreasonable to expect him to give in to her this once. And he always did give in to her—though he did not know it, he had no more to say now, but helped to pack up his clean shirts and socks and other small essentials quietly, having a vague impression in his mind that he must be a fearful tyrant in his own house as a general thing. That it should be so rather surprised him, because at public meetings and ceremonies, where he had been called upon to preside on different occasions, reference had been made by admirers to his mercifulness and perfect amiability more than once. Still the idea that he was a tyrant at home, and domineered over his wife, remained with him.</p>
        <p>When Mrs. Hugill had completed her husband's packing, she went off to superintend Philiberta's. But the girl had all that she meant to take neatly jammed into one small trunk.</p>
        <p>'You don't mean to say that you are going to leave all this behind?' said Mrs. Hugill, looking round upon the heaps of articles rejected.</p>
        <p>'Yes, I am. You can keep them for me until I come back, if you like. If not, you can make a bonfire of them. What is the use of lumbering one's self with luggage? When I travel all over the world, as I mean to some day, I shall go in one suit, wear it till it is shabby, and then throw it away and buy another. I will have no more worry then than the man whose entire luggage consisted of a paper collar and a tooth-brush, carried in his pocket. If there's one consequence of the Fall sadder than the rest, it is the awful necessity of clothes.'</p>
        <pb xml:id="n67" n="64" corresp="#TalPhil067"/>
        <p>'If Adam and Eve had dwelt in a changeable climate like ours,' said Mrs. Hugill, 'I fancy they would have discovered the necessity of clothes even sooner than the necessity of falling.'</p>
        <p>'<hi rend="i">Was</hi> it necessary that they should fall, and if so, why?' asked Philiberta, sitting on her box to make the lid shut close.</p>
        <p>'Oh, if you want to argufy,' quoted Mrs. Hugill, laughing, 'I shall flee your presence at once. Especially if you put on that look of absurd seriousness which you always wear when you are about to attack Bible history. But that idea about luggage is a very wise one. The less you carry about with you the better, when you have wealth enough to buy anything you want anywhere.'</p>
        <p>Next morning the coach bore off the magistrate and his charge, the latter looking back and waving her handkerchief to one whose own had enough to do to dry fast-flowing tears. That same evening Leslie came home, and before he had been in the house ten minutes his mother knew that Philiberta need not have gone away at all. The lad was cured. Certainly he flushed a little when he heard that she was gone, but the flush was one of mere surprise; there was nothing more in it.</p>
        <p>'Why on earth has she gone?' he cried. 'Why did you let her go before I came back? I've got no end of curious things for her—I squashed the gem of the lot, though, sitting on the poor beggar in my coat pocket. But I've kept his wings to show the size he was. He was the finest gold beetle I ever saw, hut he'd got two bright red spots just above his nippers, and a row of the same down the middle of his back. My belief is that he was a cross between a goldie and a big ladybird. I got him and another queer fellow, all legs and wings, at the last kangaroo-hunt. By George, mother, you should have seen the fun that day! I'd have given the world for Berta to have been there. The way that old man fought was a caution. He picked the biggest stringy-bark he could find to prop against, and he just wired in with those hind claws of his till all was blue—or red, rather, for he drew blood from every dog we had. Poor Smuttie, Mudie's favourite kangaroo-slut, had her <pb xml:id="n68" n="65" corresp="#TalPhil068"/>side ripped up from the tail to the ear. We sewed her up, but I am afraid she's done for; poor plucky little beggar! I'd have given anything to see Berta in that hunt, for she <hi rend="i">can</hi> ride, you know. We killed, of course, and had the tail in soup next day. Talk about flavour! A little too rank for me, though. I've brought home the head and fore-paws, and I'll get old Dixon to cure them and fix them up so that you can have them nailed up in the hall, mother. Trophies of the prowess of your only hero, you know. Dad would never get such things; he couldn't hunt a mosquito with any sort of success. It's me you've got to look to as the mighty Nimrod of this family, ma'am. Ahem!'</p>
        <p>'If audacity and intolerable conceit——' began Mrs. Hugill.</p>
        <p>'Oh, and by-the-bye,' interrupted her hopeful offspring, 'I've got no end of ferns—nine new specimens for Berta. All pressed in blotting-paper, too—cost me hours of time and trouble. And all for nothing, because she won't care a straw for these fads after she has seen the wonders of the city. But school! At her age! That gets over me completely. What on earth does a woman want to go to school for? How's the colt, mother? And that new young short-horn—has she calved yet?'</p>
        <p>Cured, evidently, quite cured. Mrs. Hugill smiled and sighed.</p>
        <p>'Neither the right man nor the right woman,' she said to herself, looking after the lad as he went off, cheerfully whistling, to visit his pets. 'And Berta need not have gone after all. Well, I'm glad he does not suffer.'</p>
        <p>Philiberta was a most exemplary correspondent Her letters were frequent, full of interest, and lengthy. At the end of three months this one came to Emuville:</p>
        <quote>
          <floatingText xml:id="t1-body-d9-t1">
            <body xml:id="t1-body-d9-t1-b1">
              <div xml:id="t1-body-d9-t1-b1-d1" type="letter">
                <opener>
                  <salute>'<hi rend="sc">My dearest Friend,</hi></salute>
                </opener>
                <p>'I know exactly what you will say when you have read this. You will say that I am headstrong, foolish, whimsical, and in need of a keeper. I have left school—that is to say, I am leaving it to-day, and I am going into lodgings where I will have private tutors to visit me. Men—not women—for <pb xml:id="n69" n="66" corresp="#TalPhil069"/>all the women and girls I have met since I left you have tended to chill and paralyze me, so that I can learn nothing from them. The fact is, dear Mrs. Hugill, I am both too old and too young for school. I know too much and yet too little. My bush life and my studies there have unfitted me for the society and rules and regulations of a seminary. The teachers seem to view me as a curiosity, the other pupils as a sort of wild creature to be either teased or pitied. All the time I have been here I assure you I have felt just as I imagine the poor tormented stared-at animals in the Acclimatization Grounds must feel. (We, the pupils here, are marched up there, two and two, like beasts going into the Ark, once a month, to do our little share of staring and tormenting.) And after three months of hard study, I seemed to have learned nothing, gained nothing, but a feeling of dazed stupidity which I am afraid would become chronic if I stayed here a year. All this is entirely my own fault undoubtedly, but I don't feel able to remedy it, and I don't want to waste my time, and I am certain I should do nothing else by remaining, and so I am off! Do not be anxious about me. I am quite used to town now, and have gained a good deal of practical knowledge of general everyday matters, so that I think I may safely be trusted to take care of myself. I will write again in a few days.</p>
                <closer>
                  <salute>'With love to you all, I am,</salute>
                  <signed>
                    <hi rend="sc">'Berta Campbell.'</hi>
                  </signed>
                </closer>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>Correspondence went on again with unfailing regularity for about a year Then:</p>
        <quote>
          <floatingText xml:id="t1-body-d9-t2">
            <body xml:id="t1-body-d9-t2-b1">
              <div xml:id="t1-body-d9-t2-b1-d1" type="letter">
                <opener>
                  <salute>'<hi rend="sc">My dearest Friend,</hi></salute>
                </opener>
                <p>'I am completely tired of study. And the more I learn, the more does my own helpless lack of learning become apparent to me. And, after all, an existence spent over books would, I think, be very unsatisfactory in the end. The best and most useful knowledge must come from study of life and the world; don't you think so? I dare say you are already guessing what all this preliminary talk is intended to lead up <pb xml:id="n70" n="67" corresp="#TalPhil070"/>to. I am going to travel! I am going to see all the world, and as that will probably take some time, I had better lose none in making a start I have not made bad progress with my books this last year—at least, so my tutors assure me. I know French pretty well; German middling; Italian a little. If I keep up my study of these on my travels (as I intend), I shall be able to make myself fairly understood, I think, in the lands where those languages are spoken, I have advanced well in music, though that is among the ornamental rather than the useful accomplishments, unless one has to earn one's living by it, and, who knows? I might have to do that yet. If so, I shall do it by playing the violin, which I have learned so well and lovingly that I can almost excel Leslie at it Herr Simonsen says I am "a genius mit de fiddle." I leave Melbourne next Tuesday by steamer, for New Zealand first, America afterwards, then Europe, Asia, Africa, and any new continent that may come to light meantime. The thought of it elates me and makes me impatient to start. I want to see and hear and know all this big world. My letters, dearest friend, cannot be so constant after this, but that I will write whenever I can, and always carry your dear faces in my memory, is a certainty you need no assurance of.</p>
                <closer>
                  <salute>'And so farewell, and best, best love to all of you, from</salute>
                  <signed>
                    <hi rend="sc">'Berta.'</hi>
                  </signed>
                </closer>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>Philiberta had a theory that sea-sickness was a thing entirely under a person's own control. 'A mere matter of will,' she said as the steamer glided over the glassy surface of Hobson's Bay, and she paced the deck with a glad sense of perfect freedom that was almost intoxicating. There is something very delightful in the sense of being absolute master or mistress of one's self and one's actions; something very exhilarating in the knowledge that one has an abundance of the wherewithal to follow one's bent in any direction. And Philiberta felt all this. Melbourne does not look its best when viewed from a southern point, as every one will admit; so our heroine turned her eyes from the hazy dusty town and looked seaward through the Heads, and <pb xml:id="n71" n="68" corresp="#TalPhil071"/>wondered how long men would be contented with the present slow means of transit from one country to another, and why balloons had hitherto proved a failure. But one of these days she would turn her attention to flying-machines, and the world should see if a woman could not invent—just here the steamer felt the first little billow of the Rip.</p>
        <p>'Heavens! What is that?' exclaimed Philiberta, staggering, and feeling that something had gone wrong with the entire universe.</p>
        <p>'Shall I help you to the cabin?' said the gallant little captain of the vessel. 'Take my arm.'</p>
        <p>'But—but,' gasped Philiberta, 'what is the matter, please?'</p>
        <p>'You're going to be sick, that's all,' said the captain. 'Take my arm. Hi! stewardess!'</p>
        <p>The stewardess caught her as she tumbled recklessly down the steps of the companion-way, and put her to bed at once. And thus Philiberta realized the ignominious explosion of her fallacious theory about sea-sickness. Realized it badly, too; and spent the night in alternate prayers for shipwreck and something to drink.</p>
        <p>She kept her berth all the way to the Bluff, and took to it again as soon as they stood out to sea after leaving that point. Her first destination was Dunedin, and very glad, but very weak and dizzy, she was when the stewardess helped her on deck early one Monday morning to see their approach through that loveliest of harbours Port Chalmers.</p>
        <p>In a little while she was making her feeble way up the pier with the rest of the passengers to where the Dunedin train was waiting. The carriage step was high, and for the life of her she could not climb in, she was so weak. Then suddenly she felt herself hoisted in somewhat unceremoniously from behind.</p>
        <p>'Thanks,' she said, dropping exhausted on the seat and looking round. It was the captain who had helped her.</p>
        <p>'Been pretty bad?' said he cheerfully, as he seated himself beside her.</p>
        <p>'Very bad indeed,' said Philiberta.</p>
        <p>'Yes, it's awfully funny the way people go under to sea-sickness,' said the captain.</p>
        <pb xml:id="n72" n="69" corresp="#TalPhil072"/>
        <p>Philiberta thought it was more than awfully funny, but she had not the energy to say anything.</p>
        <p>'Weren't your friends down to meet you?' inquired the captain.</p>
        <p>'No, I have no friends here,' said Philiberta.</p>
        <p>'No? Where are you going then?'</p>
        <p>'The stewardess gave me the name of one or two hotels. I am going to one of them.'</p>
        <p>'To a situation?'</p>
        <p>'No,' said Philiberta, looking surprised, 'I am going there to lodge.'</p>
        <p>'I beg your pardon,' said the captain. 'It was a cheeky question, that of mine. Only when young ladies are travelling alone to places where they have no friends—but I'm sure I beg your pardon.'</p>
        <p>'I'm sure there is no necessity,' said Philiberta. All the same she looked a little indignant.</p>
        <p>'Don't you think you would be more comfortable in a private house than in an hotel?' inquired the captain presently. 'Until you get over the effects of your voyage?'</p>
        <p>'I think there's not a doubt of it,' replied Philiberta, 'but I do not know of one.'</p>
        <p>'But I do,' said the captain; 'our steward's wife keeps a very comfortable lodging house up on the South Belt. If you will allow me I'll send you and your luggage right there as soon as the train lands us.'</p>
        <p>'Thank you,' said Philiberta, gratefully. 'I am sure that is very kind of you.'</p>
        <p>'O no, I've got girls of my own, you see, so I always look out and do what I can for other girls, especially when they look sick, as you do just now.'</p>
        <p>'I feel sick,' said Philiberta, almost crying, for no other reason than that she was physically exhausted, and, through that felt lonely and easily touched by a kind word, 'I feel very sick and miserable.'</p>
        <p>'Just so,' said the captain. 'But by to-morrow you will be as spry as a grasshopper, and won't know when you have had <pb xml:id="n73" n="70" corresp="#TalPhil073"/>enough to eat Oh, sea-sickness is a splendid thing for the constitution, if you only knew it. But if you don't like it, get a piece of strong calico next time you are going to sea and bind it tight round your body, and you will hardly ever feel a qualm.'</p>
        <p>'How strange! I wish you had told me that before the voyage. Why don't you tell all your passengers, Captain?'</p>
        <p>'My dear, it would take me all my time. And besides it wouldn't pay. The owners would give me the sack at once. Just consider the saving in stores when people don't eat a bit all the way—like you, for instance.'</p>
        <p>'Well, that is one way of looking at it,' said Philiberta laughing, 'but it seems a little hard.'</p>
        <p>'Not at all; not at all. Besides it is a real pleasure to have some passengers sick. It keeps them out of the way. There was one fellow on this trip began giving me lessons in navigation before ever we had quitted Sandridge wharf, dash his buttons! Do you think I'd tell such as he about the calico? No. Life would be bereft of half its pleasure to me if I couldn't hear critters of that stamp grunting and holloaing for lemons and soda-water. Here we are, and the streets looking all mud as usual. Devil of a place this Dunedin for mud. Sit still till I call a cab. Don't bother about anything, I'll see you safe to Mrs. Jonio's.'</p>
        <p>And so the kind-hearted little gentleman did, thereby winning Philiberta's everlasting good-will and gratitude.</p>
      </div>
      <div xml:id="t1-body-d10" type="chapter">
        <head><hi rend="c">Chapter</hi> X. <hi rend="c">'A Little Talk Among the Tombs.'</hi></head>
        <p><hi rend="sc">Philiberta</hi> was up and out by seven of the clock next morning. The season of the year was autmn, and all New Zealanders know that that is the brightest and pleasantest season in the Middle Island.</p>
        <p>The house in which our heroine was domiciled was situate on the South Town Belt, a little to the westward, and commanded <pb xml:id="n74" n="71" corresp="#TalPhil074"/>a wide view of the city and its surroundings. Out to the right loomed the sounding white-crested waves on Ocean Beach; and away to the horizon stretched the foam-flecked blue expanse of sea. Eastward of the beach rose the Peninsula hills, they and their loftier and lowlier neighbours having all a tendency to wrap their summits in becoming white clouds, as an elegant but fading beauty might drape her ageing head and neck in soft becoming lace.</p>
        <p>Over the fair white city, as Philiberta looked out upon it brooded a fleecy mist which presently lifted itself to the sun and revealed the slender graceful spires and handsome architecture beneath. The vision of houses rising in tiers up the hillsides was a quaint one to our heroine, to whom the sight was all a novelty; and she felt rather ashamed when, making a steep descent at an undignified jog-trot (the only pace possible), she caught herself looking in at top-story windows on either side, upon unmade beds and other domestic untidinesses excusable at that hour of the day.</p>
        <p>Presently she came upon a milkman busy ladling his milk from a can in his cart to another in his hand.</p>
        <p>'Would you sell me a drink of milk, please?' said Philiberta, growing suddenly hungry and thirsty at the sight.</p>
        <p>The man filled up his measure for her, and she drank heartily, and then drew out her purse.</p>
        <p>'Hoot awa!' cried the milkman, 'pit it back intil yere pooch, them. It's no me will be wanting onything for a wee suppie o' milk.'</p>
        <p>'But really I ought to pay——'</p>
        <p>It was no use trying to say any more because he was up in his cart and away; and Philiberta, refreshed, and somehow rejoicing in this trifling kindness, passed on till she came to the brow of the last hill, looking out over the suburbs of St. Kilda and Caversham, and, just at the foot of the hill, the Southern Cemetery, where sleep all the first dead of Dunedin.</p>
        <p>Philiberta always felt solemn at the sight of graves, and especially so at the sight of a large cemetery. It seemed to her that so many living hearts must be drawn together in that <pb xml:id="n75" n="72" corresp="#TalPhil075"/>common spot where the dead loved ones lay. She thought the old thoughts as she stood and looked—the thoughts that have been written and sung and spoken until they have become trite and commonplace—about the mystery and the mournfulness, the peacefulness and the pathos, the awfulness and the inexorableness of the Great Inevitable—the one True Democrat of the universe.</p>
        <p>She descended the hill and entered at the little gate. And here she met a small boy who was whistling cheerfully, and had his hands thrust far down in his knickerbocker pockets for warmth, for autumn mornings are chill in Otago. He turned a ruddy, shining face up to our heroine as she bade him good-morning, and asked what he was doing abroad so early.</p>
        <p>'Oh, jist pittin' a posy on dad's grave, ye ken,' said he. 'Mither's gey pertikler tae have it dune airly.'</p>
        <p>'Do you come every morning, then?'</p>
        <p>'Aye. She maks me.'</p>
        <p>'But do you require to be made? Wouldn't love of your father make you do it?'</p>
        <p>'Weel, it micht, ye ken. Ony rate I'm that used to it noo at I couldna weel knock it off, except when it's <hi rend="i">verry</hi> frosty. A wee bit frost like this the morn wadna keep me frae't. But, mind ye, I canna see the objek o' it mysen a'thegither. When a mon's ance gane and pitten sax feet unner grun', I canna see that a bit flooer or twa maks things ony the better for him.'</p>
        <p>'Except that it is a sign to him that he is not forgotten,' said Philiberta.</p>
        <p>'Aye, maybe,' said the lad reflectively. 'But supposin' the deid mon <hi rend="i">can</hi> see and unnerstan' what ye're daein' for him, d'ye think he mightna be better pleased for ye tae mak yersel' comfortable wi' yere parritch close in ower the fire than tae see ye gang fashin' a'roond the neighbourhood winnin' flooers? That is if he has ony hairt at a' for them 'at's daeing it. The trouble I'm at, whiles, to get a few posies when they're no in season is enough tae gar a body greet.'</p>
        <p>'But you were very fond of your father, were you not?'</p>
        <p>'Ou, aye, weel eneugh. I felt sair-hairted mony a nicht and <pb xml:id="n76" n="73" corresp="#TalPhil076"/>day after he was gane. But that kind o' thing canna last for ever, ye ken,' observed this young philosopher, looking gravely from under his glengarry up at his interlocutor. 'At least, it canna wi' maist people. It seems likely to last wi' my mither, but there's Sandy M'Donald's mither—weel, Sandy's dad hasna been unnergrun' mair nor a year, and there's Sandy's mother been mairrit again this eight weeks. Mairrit to the first mate of a big steamship; an' there was a gran' wedding, an' cake and sweetie and wine; an' every time the new dad comes home he brings something fine for Sandy, And sae there's nae end of fun ahead for Sandy, and yet,' with an air of reflective indignation, 'Sandy's no ony better lad than me.</p>
        <p>'Do you ever talk to your mother like this?' inquired our profoundly interested heroine.</p>
        <p>'No me,' he replied, 'Whaur's the use o' argyin' wi' a woman?' with a superior curl of his bright red lips; 'she just begins tae greet, and there ye are, I tried it whiles, but soon parceived the folly o' it, ye ken, sae I gied it best.'</p>
        <p>Philiberta laughed outright. 'Will you walk with me awhile?' she said, looking down with amused curiosity upon this small sage of ten years or so, with his mottled, bare legs showing between his knickerbockers and his socks, and his bright, round face full of shrewd thought. 'I shall be glad if you will. It is not every day one meets with an original. Will you come?'</p>
        <p>'Thank ye, mem,' was his grave acceptance, and they went on together. 'But,' he added after a pause, 'I'll no gang far, because'—here he laid one small red hand upon his waistcoat—'because I have a feeling here, mem, that I'd be none the waur o' my breakfast.'</p>
        <p>'Ah well, of course,' began Philiberta, remorsefully.</p>
        <p>'But I'll gang wi' ye up ae path and doon anither till I've showed ye the maist important graves,' said he, forthwith beginning to point out this grave and that, while he related what he knew or had heard of the sleepers with a ready power of narrative and description that would have made his fortune as a showman. There was one very simple, but grand monument that excited much admiration in Philiberta.</p>
        <pb xml:id="n77" n="74" corresp="#TalPhil077"/>
        <p>'Weel,' remarked her young guide, surveying it critically, feet well planted apart, face profoundly serious, hands firmly thrust down into his pockets, 'weel, I canna say for my ain pairt that I think much o' it. There's an awfu' waste o' stone, ye ken. Yairds o' stone, and no onything upon it but the name. I like poetry, or verses from the Bible gin ye like, but poetry's best.'</p>
        <p>'And does your mother like that too?'</p>
        <p>'Na; there's anither point that we canna hit thegither. Come ower here a bit, a' ye'll see <hi rend="i">oor</hi> property.'</p>
        <p>A simple marble headstone, with the name, age, and date of death inscribed thereon. Flowers grew on the grave, which was enclosed by an iron railing. And right over where the heart of the dead man might be lay a freshly gathered bouquet—roses and fuchsias and mignonette, with a spray or two of fern.</p>
        <p>'Some folks pit everlasting flooers on their graves,' said the lad, pointing to a wreath of immortelles that hung over a white marble cross near by, 'but they're no to my fancy. I should think a body wad get varry tired if everything lasted for ever. I canna bear thae flooers,—looking aye the same and cracklin' in yere fingers like paper. Gi' me flooers that dee—jist as a' things dee—sae's ye can get fresh anes.'</p>
        <p>With another glance at his father's grave, and a feel of the railings with an air of proud proprietorship, he turned away, and Philiberta followed him.</p>
        <p>'See,' said he, presently, with a new expression of sadness on his face 'see a' these graves without headstones, and naething to mark them ony gait. And see thae two or three, cast-out-like, and sinkin' flat tae the airth. That's the kind o' grave I feel maist sorry for.'</p>
        <p>'Sorry for! Why?'</p>
        <p>'Ech! but they look sae lonesome like.'</p>
        <p>'So they do,' said Philiberta, grasping this new idea.</p>
        <p>'Whiles I come and pit a bit blossom on ane or twa o' them,' said the boy. 'But 'tisna often, for I've eneuch tae dae wi' my ain. Ye'll be able tae fin' yere way a' about the place noo, mem?'</p>
        <pb xml:id="n78" n="75" corresp="#TalPhil078"/>
        <p>'Oh, yes, thank you, if you must go. But I am sorry to say good-bye to you. And tell me —––'</p>
        <p>'Aye?'</p>
        <p>'Do you ever fly kites, or play marbles, or spin tops?'</p>
        <p>'Great guns! Aye!' with an indrawn breath of excitement. 'Was ye thinkin' I couldna?'</p>
        <p>'Well, I was not sure whether born philosophers ever did condescend to such trivialities. But since they evidently do'—holding out a small glittering coin—'I want you to favour me by getting the best this will buy in that line.'</p>
        <p>'Guidness! but it's a half a sovereign,' exclaimed the lad. 'D'ye ken that, mem?'</p>
        <p>'Certainly.'</p>
        <p>'Weel, ye micht ha thocht it just a new sixpence, ye ken; that's why I spoke. Kites, marbles; why, this'll buy——'</p>
        <p>But what he said it would buy, and what it did buy, Philiberta never knew, for he sped down the hillside like the wind, head well advanced, legs thrown out backward, and gleaming red and purple in the sun; and she saw him no more. But his conversation had suggested a fund of thought that caused her to prolong her walk a full half-hour yet. Then climbing the hill again, her nostrils were assailed by a flavour of bacon and eggs, and I put it to anyone who practises, voluntarily or otherwise, morning pedestrianism on an empty stomach, to say whether there is any scent more titillating to the appetite than that?</p>
        <p>Philiberta sniffed the air and quickened her pace, yet was too far afield to find her lodgings easily. But for another juvenile guide, less interesting and conversational than the first, however, it is hard to say when she might have got there. As it was, she arrived just in time for a delicious hot breakfast of the very fare she was longing for.</p>
        <p>After that she went forth to take the bearings of the city. The shops and display of merchandise seemed rather insignificant after Melbourne. There was a stillness, too, alack of business bustle that made the place remind her of an up-country town. (Dunedin is a very different town now, busy and progressive.) Five persons out of every six whose voices fell on Philiberta's <pb xml:id="n79" n="76" corresp="#TalPhil079"/>ears spoke 'Scotch;' and she liked the accent, having been imbued by and through John Campbell with an extreme affection for his nation.</p>
        <p>As she sauntered leisurely down Princes Street, towards the Octagon, she came on a group at the corner by the Athenæum, one of which recognised her before she espied him. It was the genial little captain.</p>
        <p>'Good-morning,' said he. 'I was just speaking about you; and here are two people whose acquaintance it will be pleasant for you to make. This is Mrs. Retlaw; this is Mr. Heatherwood. Miss—Miss—I've clean forgotten your name after all.'</p>
        <p>'Campbell,' said Philiberta; and Mrs. Retlaw took her hand warmly, and said she was very glad to know her. And thus it was that Philiberta met Emma Retlaw—the grandest character in many ways that it was ever her good fortune to know. A woman who should have been christened Juno. A stately imperial woman; large-souled and magnificent. A woman of intense feeling and boundless sympathy; capable of wondrous self-sacrifice, but especially gifted with that noblest power of self-sacrifice—self-effacement. A woman who, having had experience and sorrow enough to make her own life like a romance, could yet forget it all in the contemplation of less serious woes in others; and who could, and did, and does devote time, health, and substance to the alleviation of other people's troubles. A woman who has been known to leave home and its comforts and interests to travel a hundred weary miles over a rough road in a jolting coach to nurse back from the grave another woman, a mere stranger, whose only claim upon her was the common claim of suffering; a woman of deep thought, high Intellect, strong reflective powers withal, with a talent for retaining as well as acquiring knowledge that is almost marvellous. Finally, a woman who could do good with her right hand without letting her left hand know it. All this was Mrs. Retlaw.</p>
        <p>After all, Philiberta, though there was much in your life that makes it questionable whether you had not better have died in your cradle, yet there are two or three gold threads woven into your web that go a great way towards brightening the whole.</p>
        <pb xml:id="n80" n="77" corresp="#TalPhil080"/>
        <p>And one of the brightest and goldenest is the loving friendship of Emma Retlaw.</p>
        <p>The two became fast friends at once. In both was that keen instinct that is like the sense of the dog in its infallibility of perception; and both felt as their hands met, and they looked into each other's eyes, that the bond between them was a true one, and needed not words to seal it, or even to express it.</p>
        <p>The captain and Mr. Heatherwood went away, the former being in a hurry to catch the train that would take him to his ship. The two women walked along the street together.</p>
        <p>'You are quite alone here, then?' said Mrs. Retlaw.</p>
        <p>'Yes, quite.</p>
        <p>'Don't you feel nervous about it?'</p>
        <p>'No. I have not felt so yet. Shall I, do you think?'</p>
        <p>'No; I hardly think so. You don't look like one who would be easily frightened or obstructed. And after all there is nothing to make one nervous in travelling, that I can see. I travelled all round the world a year or two since, and found nothing to frighten me, except that I was shipwrecked once.'</p>
        <p>'Well, most women would count that rather startling,' said Philiberta, laughing.</p>
        <p>'And so it was, at the time,' replied Mrs. Retlaw, 'but there was no one drowned, so the effects were trifling.'</p>
        <p>'How long did it take you to go round the world?' asked Philiberta.</p>
        <p>'Oh, I was back again in a year or a little more.'</p>
        <p>'Oh dear! that will be too short a time for me. It will take me all my life, I expect, because whenever I like a place I shall pitch my tent there until I am tired of it.'</p>
        <p>'Then I hope you will like Dunedin, so that your camp here will be a long one. Your idea is a very pretty one and quite to my mind. But I was compelled to hurry a little because I had left my husband here alone—business would not admit of our getting away together, and he was "wearyin'" for me, as the Scotch say. By-the-bye, do you like the Scotch? Because Dunedin is nearly altogether made up of them.'</p>
        <pb xml:id="n81" n="78" corresp="#TalPhil081"/>
        <p>'Yes, I do like them,' said Philiberta. 'My father was a Scotchman—a Highlander.'</p>
        <p>'Your father?' inquiringly.</p>
        <p>And then Philiberta explained, and told Mrs. Retlaw her brief history. By the time it was concluded they had travelled the length of George Street and back, and Mrs. Retlaw now guided her new friend's footsteps towards High Street.</p>
        <p>'You will come home to lunch with me,' she said. 'We may be alone, or there may be half a dozen people in. My few friends go and come as they please. There is always a knife and fork for them, and they know it. And I want you to bear the same thing in mind, and not let your knife and fork grow rusty. As you are only a bird of passage, and no one here has any claim upon your time, you must come to me oftener than those whom, like the poor, "we have always with us." Come in, and be welcome.'</p>
      </div>
      <div xml:id="t1-body-d11" type="chapter">
        <head><hi rend="c">Chapter</hi> XI. <hi rend="c">Lunch and Chat at Retlaw's.</hi></head>
        <p><hi rend="sc">There</hi> were half a dozen people present, principally men. Mrs. Retlaw was not very popular with her own sex. Someone told me once that it was because Mrs. Retlaw was so much handsomer than the generality of women; but I have a theory of my own about the matter which is still less complimentary to the sex.</p>
        <p>Mrs. Retlaw was at this time the active centre of a little circle of what might—if one may be permitted to coin a word—best be called <hi rend="i">Truth-hunters</hi>, in preference to the much-abused and misapplied title 'Free-thinkers.' These people were free-thinkers in that they were determined to think for themselves, to investigate, analyse, and, if necessary, cut themselves adrift from the long-fixed rust-encrusted anchors of orthodoxy.</p>
        <p>'It is better to have nothing than to cherish that which is <pb xml:id="n82" n="79" corresp="#TalPhil082"/>false,' was a favourite observation of theirs; but whether they were right or wrong is, and always will be, a matter of opinion—a matter of controversy too, which begetteth new thought, which is good; and much enmity, which is bad. There is always one rabid member, if not more, in a small society like this; a rabid revolutionary character, with an overweening sense of its own importance and a profound contempt for all else in the universe. The one in this circle was a draper by profession; an exemplary man domestically speaking, and a man much respected commercially. But he was violent and merciless, loving debate and not above taking mean advantage of his opponents therein, and chopping away deliriously at theological dogmas with a belief that he felled them at every attack, and taking as intense a pride and pleasure in the process as the Premier of England takes in felling trees.</p>
        <p>This individual attacked our heroine within five minutes of their introduction.</p>
        <p>'Do you belong to any sect of religionists, Miss Campbell?'</p>
        <p>'No; I do not.'</p>
        <p>'Good. And why—if you will allow me to be catechetical without thinking me rudely inquisitive?'</p>
        <p>'Because,' said Philiberta, hesitating between the natural impulse to speak truth and a combative tendency to offend this man, whom she summed up with a prompt accuracy peculiarly feminine—'because I am rather heterodox in my theological opinions.'</p>
        <p>'Good. A Rationalist?'</p>
        <p>'Yes; I hope my views are rational.'</p>
        <p>'Ah! an Evolutionist?'</p>
        <p>'As far as one may be that while still waiting for more proof.'</p>
        <p>'All hail to you!' cried Mr. Soolum enthusiastically. 'Shake hands. It is not often we find such sense and courage in one so young. We will all join in a body and sweep orthodoxy from off the face of the earth.'</p>
        <p>'But I don't want to join in a body to do any such thing,' said Philiberta.</p>
        <pb xml:id="n83" n="80" corresp="#TalPhil083"/>
        <p>'What! would you let dogmatic religion live, then?'</p>
        <p>'I would let it alone,' said Philiberta. 'The first principle of free-thought, as I see it, is allowing every one to think for himself. Dogmatic religion is an unspeakable comfort to many people; when you strive to rob them of that comfort, you show dogmatism too.'</p>
        <p>'But the bulk of men are not competent to think for themselves.'</p>
        <p>'Then striving with them won't mend the matter. In doing so you but strive with the theological teachers, and against these you have no chance, for they offer a pleasanter belief to unthinking minds than Rationalists and Materialists can ever offer.'</p>
        <p>'You think so, Miss Campbell? I am disappointed in you.'</p>
        <p>'I am sorry. But remember, I at least am innocent of any desire to provoke this discussion. I think there are many pleasanter subjects for conversation than theology.'</p>
        <p>'And I think that that should be the chief subject of conversation and action until the world is entirely reformed and brought to common-sense. That which we know to be false and evil should be combated and destroyed.'</p>
        <p>'The chief obstacle to that consummation,' said Philiberta, warming up under the instinctive disposition to contradict this man, merely because he was so assertive, 'is that there is nothing to prove orthodox religion either false or evil. The most we can say in regard to its truth is that we do not believe and cannot reconcile it with our self-formed ideas. That its effect on a certain class of minds is the reverse of evil no one, I think, can deny. I know several people who would be lost, miserable creatures without their blind theological faith; and to open whose eyes would be cruelty, even if it could be done successfully, which is doubtful. I know personally one woman, a Roman Catholic, who lost her only daughter when the girl was but nineteen. A fair, pretty, healthy girl, whom the mother naturally idolised. It was never proved whether it was a case of murder or suicide, but one day the girl went out from her mother's house on an errand, and was brought in dead and <pb xml:id="n84" n="81" corresp="#TalPhil084"/>dripping, but still warm, from the river, some two or three hours later. Nothing ever happened that I know of to cast further light upon the affair. But the one hard fact of death was enough for the mother, who would have gone into a lunatic asylum most certainly but for the consolation of saying masses for the girl's soul at five o'clock in the morning two days a week; and the hope, nay, the certainty, of meeting her lost darling in a better world. Could I, or anyone, be heartless enough to try to convince that woman that her masses were vain mummery and that there is no better world?'</p>
        <p>Perhaps it was the pathos of this little story that prevented Mr. Soolum's intended oration upon the incumbency of enlightening all benighted Christians, and forcing them, at the point of the sword if necessary, to adopt more rational views. However, as it was, Philiberta escaped the harangue, and he only asked her, in a quiet voice, by what process she had arrived at the advanced stage of thought evidenced by her conversation. To this she replied that she did not exactly know; she had read a good deal, and reading led to thinking, she supposed.</p>
        <p>'Exactly my own experience,' he exclaimed, getting excited again. 'No one ever guided me. I got it all by myself. My friends were all rigid Presbyterians; not one of them ever gave me an inkling of independent thought. I struck out independently, though, and now I can whip the very ground from under their feet, figuratively speaking. Yet I used to sit in church. Dr. Stewart said to me the other day only, "Why do I never see you at the kirk now, Soolum?" I replied, "Doctor, because you cannot teach me anything, and I'm completely tired of hearing the same thing said in the same way every Sunday, when it is a thing no reasonable man can believe. When I have any leisure I want to spend it in interesting sensible converse with intellectual people." "Ah!" said Dr. Stewart, "I wish there were a few more sensible folks like you in the world. The world would be all the better for them."'</p>
        <p>Now, although Philiberta did not know Dr. Stewart, she felt that this was a little fiction, or else that the Doctor was given to sarcasm.</p>
        <pb xml:id="n85" n="82" corresp="#TalPhil085"/>
        <p>'Dr. Stewart is the noblest man in Otago,' observed Mrs. Retlaw at this point. 'It would be a good thing if both church-people and free-thinkers would profit by his splendid example of liberality, self-denial, and true charity.'</p>
        <p>'They do profit by it, said Mr. Retlaw, a tall well-looking kindly-faced man. 'An orthodox family in poor circumstances profited by it the other day to the tune of ten pounds, which had been subscribed towards buying the doctor a horse. He needed the horse badly enough, for he finds that his parish includes all the sick, needy, and afflicted in all the country side; and the distances he walks are awful to think of. But he had got the ten pounds, and here was a case of need, and so away it went, and he still pedestrianises. Then the last thing I heard was of his being arrested the other night by a policeman new in the force to whom he was not known.'</p>
        <p>'But what for?' cried Mrs. Retlaw anxiously.</p>
        <p>'Why, for stealing a feather-bed that he was actually carrying on his own shoulder at midnight. The matter was soon explained It was his own bed, and he was conveying it from his own house to that of a poor sick heathen up in one of the lanes of Walker Street. So, you sec, Mrs. Retlaw, they <hi rend="i">do</hi> profit by him, both orthodox and heterodox.'</p>
        <p>'But, Harry, I did not mean it in that sense exactly,' said his wife.</p>
        <p>'No, I know you didn't, my dear,' said Mr. Retlaw, going on with his devilled leg of a chicken calmly.</p>
        <p>'It's a pity so many of Dr. Stewart's parishioners go to the kirk merely as a matter of business,' remarked Mr. Soolum presently.</p>
        <p>'But I don't believe they do,' said Mrs. Retlaw.</p>
        <p>'Oh, but they do, I assure you. You would be surprised at the things people will be guilty of for the sake of advertisement. There's X. now'—(Mr. X. was a notable clock maker).—'What does he do the other day but go and present the kirk with a magnificent new clock. A really splendid clock,—<hi rend="i">with his name upon it.</hi> "What fine generosity!" say some of the congregation. "What <hi rend="i">a fine advertisement</hi>!" say I.'</p>
        <pb xml:id="n86" n="83" corresp="#TalPhil086"/>
        <p>'Has your business suffered from your declaration of independence, Mr. Soolum?' inquired Mrs. Retlaw.</p>
        <p>'Quite otherwise,' was the reply. 'People come to my shop who never came before. "Mr. Soolum," they say, "we do love a man like you; an independent man, who dares to say what he thinks and to act in accordance."'</p>
        <p>The serene conceit of the little man was really entertaining.</p>
        <p>A free-thought discussion was going on at the other side of the table too. Some one was saying that men wanted leaders. That not one man in a score, or in a hundred perhaps, ever had an idea that he could call his own; and that it was wisely arranged that there were two classes of men—nor speaking of the medium types: the class that didn't think and the class that did. Wise also that the unthinkers were in excess in number, just as cart-horses exceed in number the racers and first-class trotters. Because if it were otherwise, how would the hard work—the drudgery of existence—be got through with—the drudgery of which there is so much, and which it would break the hearts of the racers to do? And so, to come back, there must be men and leaders of men; and the popular leaders now, and for a long time to come, must be the teachers of popular theology. Therefore rationalism must of necessity advance very slowly. Some other one began to combat this, and Philiberta was listening with great interest, when a young man who had come in with Mr. Heatherwood assailed her somewhat abruptly with a question as to who was her favourite poet. She replied that she had been a very fickle worshipper, but that her present deity was Adam Lindsay Gordon.</p>
        <p>'Ah, that is because you are young,' said this young gentleman, pityingly, he himself being a patriarch of five-and-twenty years at least. 'A few years more, and poetry of the purely emotional type will fail to satisfy you. You will feel the need of depth, reflection, and philosophy in verse.'</p>
        <p>'I think Gordon's verses can safely claim all those qualities. The Swimmer, Quare Fatigasti, The Road to Avernus and Ashtaroth, especially,' said Philiberta.</p>
        <pb xml:id="n87" n="84" corresp="#TalPhil087"/>
        <p>'Perhaps,' said Mr. Drummond. 'But throughout all Gordon's poems emotional sentiment has first place.'</p>
        <p>'I think,' said Heatherwood, who was rather a poet himself, though at that time condescending to edit a weekly paper—'I think you get more than mere emotional sentiment, Drummond, in Ye Wearie Wayfarer. In Fytte the Fourth, for instance—</p>
        <lg type="verse">
          <l>'"All hurry is worse than useless; think</l>
          <l>On the adage, 'Tis pace that kills,'</l>
          <l>Shun bad tobacco, avoid strong drink,</l>
          <l>Abstain from Holloway's pills.</l>
          <l>Wear woollen socks, they're the best, you'll find,</l>
          <l>Beware how you leave off flannel;</l>
          <l>And whatever you do, don't change your mind</l>
          <l>When once you have picked your panel.</l>
          <l>With a bank of cloud in the south-south-east,</l>
          <l>Stand ready to shorten sail;</l>
          <l>Fight shy of a corporation feast;</l>
          <l>Don't trust to a martingale.</l>
          <l>Keep your powder dry and shut one eye,</l>
          <l>Not both, when you touch the trigger;</l>
          <l>Don't stop with your head too frequently</l>
          <l>(This advice ain't meant for a nigger).</l>
          <l>Look before you leap if you like, but if</l>
          <l>You mean leaping, don't look long,</l>
          <l>Or the weakest place will soon grow stiff,</l>
          <l>And the strongest doubly strong.</l>
          <l>As far as you can, to every man</l>
          <l>Let your aid be freely given,</l>
          <l>And hit out straight, 'tis your shortest plan,</l>
          <l>When against the ropes you're driven."'</l>
        </lg>
        <p>'But Gordon,' objected young Drummond, 'seems to me never to soar above <hi rend="i">feeling</hi>, never to rise superior to the harassments and vexations of life.'</p>
        <p>'I differ from you,' said Philiberta; 'but granting that it is so, does it detract from the splendour of his poetry? And does anyone ever rise superior to life's harassments and vexations, think you?'</p>
        <p>'Oh, yes, a well-balanced mind does at a very early stage of experience, I think.'</p>
        <p>'But can a well-balanced mind ever produce poetry?' said Mrs. Retlaw.</p>
        <p>'Oh, I know what you are thinking of—and what has been <pb xml:id="n88" n="85" corresp="#TalPhil088"/>said about the narrowness of the boundary dividing genius from insanity. But there's Wordsworth now; his must have been a well-balanced mind, I think.'</p>
        <p>'Then that must account for a great deal of the dreariness in his poetry,' said Philiberta, daringly, and unaware that she was blaspheming Mr. Drummond's idol.</p>
        <p>'Well, I can't rave about Wordsworth, I must admit,' observed Mrs. Retlaw.</p>
        <p>'The fact is, he wrote too much,' said Heatherwood. 'His long poems could have been pruned and cut down with advantage.'</p>
        <p>'And many of his short ones left out altogether with still greater advantage,' added Philiberta.</p>
        <p>'Yes,' assented Heatherwood.</p>
        <p>'It is to be hoped you will have wisdom enough to avoid his errors when you bring out your own book, Heatherwood,' said Drummond, with a withering look.</p>
        <p>'It is indeed, dear boy,' was the reply. 'My idea is to pass the proof-sheets round to my most valued and discerning friends—of whom you, of course, are chief—with the entreaty that each one will cut out what he thinks would be best omitted,'</p>
        <p>'Ah?' said Drummond, rubbing his hands as if he anticipated a treat.</p>
        <p>'Only,' added Heatherwood, 'I am afraid that by the time the round was completed there would be nothing left. Everybody would discover something that would be better left out.'</p>
        <p>'I wrote a poem once,' said Mr. Retlaw.</p>
        <p>'Did you really?' cried his wife. 'When, dear? and what did you do with it?'</p>
        <p>'Burnt it, love, carefully.'</p>
        <p>'Oh, wisest among men!' remarked Heatherwood.</p>
        <p>'Why do you say that?' asked Mrs. Retlaw.</p>
        <p>'Oh, I was afraid he might want to read it to me. I'm a newspaper man, you know.'</p>
        <p>'Well, and if he did,' she said, indignantly; 'a worse thing than that might happen to you, Mr. Heatherwood.'</p>
        <pb xml:id="n89" n="86" corresp="#TalPhil089"/>
        <p>'Yes, I know, Mrs. Retlaw. But so many bad things happen to me in that line that I hate any risk. If you only knew the piles of stuff I have to wade through, and decline with thanks! Sometimes I have to accept, against my better judgment—Drummond's things, for instance, for friendship's sake; and three people lately have threatened to stop the paper if there was any more of that kind of stuff in it.'</p>
        <p>'You will not be troubled with any more, Mr. Heatherwood,' said Drummond, with dignity. 'Your vile parody on my last quite settled that.'</p>
        <p>Heatherwood laughed maliciously.</p>
        <p>'What drove you to it, Retlaw?' he inquired. 'I know we are all liable to it one time or another; but if ever there were a sensible exception, I should have supposed you one.'</p>
        <p>'Oh, I'd been reading some other fellow's bosh late at night over whisky hot,' said Mr. Retlaw. 'When I read my own effusion next morning—great heavens!'</p>
        <p>'Well, you might have given other people an opportunity of judging your genius,' said Mrs. Retlaw.</p>
        <p>'So I might, my dear, if there had been any genius to judge.'</p>
        <p>'The most shameless instance, this, of fishing for a compliment that it was ever my lot to hear,' laughed Mrs. Retlaw. 'Miss Campbell, come up to my snuggery, and we will have some tea and talk all to ourselves.'</p>
        <p>So then the party broke up, and Mr. Retlaw found his way to the snuggery too. It was a comfortable little den, where Mrs. Retlaw kept everything that she liked best in the way of furniture, books and ornaments. Things had a comfortably shabby look, as if they were well used and usable. It was a room where you could lounge and luxuriate, and not be afraid of disarranging anything.</p>
        <p>'My drawing-room is for my acquaintances,' Mrs. Retlaw sometimes said; 'but this sanctum is sacred to myself and my few familiars.' When Mr. Retlaw came in, his wife attacked him for his want of confidence in her.</p>
        <p>'You might have shown me that poem,' she said.</p>
        <p>'My dear, a man should be careful never to lower himself in <pb xml:id="n90" n="87" corresp="#TalPhil090"/>the eyes of those from whom he desires respect. You would never have respected me again if you had read that poem.'</p>
        <p>Then Mrs. Retlaw got up to chastise him, and in doing it ran her hand against a pin at the back of his neck.</p>
        <p>'What on earth are you doing with pins in your clothes?' she said.</p>
        <p>'My dear, that pin is where a button would be if you only fulfilled your duty. If you only looked after my wardrobe like a careful wife, instead of rushing off to lectures, and eclectical gatherings, and social meetings and the like. I assure you, Miss Campbell, I have scarcely one undergarment with its full complement of buttons, while as for my socks——'</p>
        <p>'Oh, darn your socks!' laughed Mrs. Retlaw. 'My dear, when do I ever trouble you about my wardrobe? when I find things defective in the matter of buttons, or discover holes in my stockings, do I come to you with them? No. I pass them by in silence.'</p>
        <p>Mr. Retlaw pretended to sigh. 'This is what comes of belief in the equality of the sexes,' said he. 'Miss Campbell, for the sake of the welfare of your future husband, I entreat you never to take your stand on the equality of the sexes.'</p>
        <p>The afternoon seemed all too short. Philiberta, with little persuasion, stayed to dinner, and afterwards accompanied her new friends to a meeting of the Dunedin Eclectic Association. Then Mr. and Mrs. Retlaw insisted upon escorting her home to her lodgings.</p>
        <p>The night was crisp and still, the sky all radiant with stars. In the west hung the half-grown moon, with Venus glowing brilliantly just below. 'But that large dull yellow star,' exclaimed Philiberta; 'there—not far from Venus. I thought I knew all the chief stars of the Australasian skies, but that one is entirely new to me.'</p>
        <p>'I shouldn't wonder,' said Mr. Retlaw, laughing, 'for that is the lamp at the top of Maclaggan Street. Look back, over there, and you will see plenty more stars like that one.' It certainly was puzzling, and difficult for a stranger to make sure where the lamps ended and the stars began.</p>
      </div>
      <pb xml:id="n91" n="88" corresp="#TalPhil091"/>
      <div xml:id="t1-body-d12" type="chapter">
        <head><hi rend="c">Chapter</hi> XII. <hi rend="c">The New Element.</hi></head>
        <p>'<hi rend="sc">I suppose</hi> you will get married one of these days, Berta?' said Mrs. Retlaw, meditatively, one day.</p>
        <p>Philiberta had been living at her friend's house for nearly a month, and had no sort of idea of leaving Dunedin yet. The two were sitting, somewhat <hi rend="i">en déshabille,</hi> close over a glowing fire in Mrs. Retlaw's sanctum. The day had been bitterly cold, with a keen wet wind blowing in from the sea. Now night was coming on, with a drizzly close rain that made cosy rooms and warm hearths unusually pleasant to think about.</p>
        <p>'I suppose you will get married some day?' said Mrs. Retlaw.</p>
        <p>'I suppose that is what it will come to,' replied Philiberta, looking up so seriously that her friend laughed outright.</p>
        <p>'I wonder what <hi rend="i">he</hi> will be like,' she said.</p>
        <p>'To tell you the truth, I have often wondered that myself,' Said Philiberta.</p>
        <p>'Oh, then,' in a tone of disappointment, 'you have not got him in your mind's eye yet?'</p>
        <p>'No. Why do you speak like that? Did you think I had?'</p>
        <p>'Well, I might have had a vision—but never mind!'</p>
        <p>Then there was a pause, which Mrs. Retlaw terminated rather abruptly.</p>
        <p>'Heatherwood's a nice young fellow, isn't he?' she said.</p>
        <p>Berta looked up again and laughed.</p>
        <p>'So that was your vision, was it? Dear friend, don't begin match-making.'</p>
        <p>'Why shouldn't I try, though? It is every happy married woman's duty to get the single ones happily married as soon as possible.'</p>
        <p>'I should like to be as happy as you, if I do marry,' said Philiberta. 'Your happiness is a pleasant thing to behold.'</p>
        <p>'Yes; not many couples run together as well as Harry and I do,' responded Mrs. Retlaw. 'Marriage is an awful risk, though; a hazardous lottery. Dozens of people have said that before, <pb xml:id="n92" n="89" corresp="#TalPhil092"/>but that does not make it any the less true, you know. Without intending to advance any immoral theory, Berta, I must say that it is a pity marriages are not more easily annulled in this country, or that people might not make a trial of each other a while before tying the irrevocable knot.'</p>
        <p>'What, live with each other unmarried?' cried Philiberta, shocked.</p>
        <p>'Well, not quite that. At least, not in the sense you seem to understand. But they should be allowed, nay, compelled, to see more of each other before marriage than they do under existing arrangements now. They should see each other at all times and seasons, in sickness and in health; in good temper and in bad; when well dressed and when otherwise. Now, they meet at appointed times, and are always on their best behaviour at those times. I know girls who get themselves up most elaborately to meet their sweethearts, and are never even respectably clad at other seasons. And I know men who are all smiles and amiability when in the presence of the beloved one that exhibit a perfectly fiendish temper otherwheres. After marriage the thing is reversed, and it is the husband and wife who get the untidiness and the snarls that cannot in decency be displayed to the world. It is one thing meeting twice or thrice a week, and another living together always—just two—with the door shut on the world outside.'</p>
        <p>'And a happy thing that last, when two people care enough for each other,' said Philiberta.</p>
        <p>'Ah, yes, when they do. But it is a severe test, and even when the love between them is perfect, I think an occasional separation is good for both. People who live together continually get too used to each other. I read something like that in a book the other day, which said that people grew tired of each other then because the magnetism gives out The love current gets sluggish if it is never interrupted.'</p>
        <p>'Does Mr. Retlaw agree with you in this?' asked Philiberta, with a smile. 'Does he see the advantage of occasional separation?'</p>
        <p>'Not at all. But then all men lack the subtlety of thought <pb xml:id="n93" n="90" corresp="#TalPhil093"/>and feeling that women possess. At least, that is this woman's true opinion. Harry does not like me to go away, but how he does like me to come back. And yet the one cannot be without the other. I cannot come back without going away, and so he would miss a great enjoyment.'</p>
        <p>'True. But your argument is rather a worn one, you know. It has been very often said that there is never pleasure without pain, never evil without good. But, for my part, if I were happy enough in any one condition, I should be content to let well alone, I think, and not run any risk by experimenting.'</p>
        <p>'That is if—–' began Mrs. Retlaw, and then stopped short because of her husband's voice at the door.</p>
        <p>'May any one enter?'</p>
        <p>'No, any one mayn't,' she said, stretching herself out lazily on her couch. '<hi rend="i">You</hi> may, being a privileged individual whom one has to humour.'</p>
        <p>'Well, I had better go away, then, Harry,' said a strange voice, and both ladies sprang up at once in confusion.</p>
        <p>The room was all in dusky shadow by this time, but the red glow from the fire shone full upon him who had spoken. A tall, broad man, with dark swart face, heavy moustache, and intense eyes.</p>
        <p>'Too late to go now.' said Mr. Retlaw. 'Emma, this is Edgar Paget.'</p>
        <p>'Good gracious! After all these years!' exclaimed Mrs. Retlaw. Then she approached him quickly, with both hands extended. 'I have never seen you before, Edgar Paget, but I know you very well.'</p>
        <p>'I suppose Retlaw has spoken about me sometimes,' he returned.</p>
        <p>'Spoken about you sometimes! Why, to this day you are his favourite topic of conversation. He will talk for hours about you and the time you roughed it together.'</p>
        <p>Both men laughed.</p>
        <p>'How was it you dropped the correspondence, Harry?'</p>
        <p>'I? It was you, Teddy. I kept it up steadily for months after you stopped.'</p>
        <pb xml:id="n94" n="91" corresp="#TalPhil094"/>
        <p>'Yes, I can bear witness to that,' said Mrs. Retlaw.</p>
        <p>'Then the fault lies with the post offices,' said Paget, 'for I wrote at least half a dozen times to you without getting any reply. That sort of thing becomes disheartening, you know. Where did you go after Inglewood, Harry?'</p>
        <p>'Came straight here, old man. That is, I got married first, then I came, and here I have been ever since. And you, Teddy?'</p>
        <p>'Went up into the Loddon district, and took up fifteen thousand acres of sheep-run, Harry.'</p>
        <p>'I see. Turned squatter.'</p>
        <p>Yes.'</p>
        <p>'And has it gone well?'</p>
        <p>'Middling. It went famously until within the last four or five years. Since then things have gone against me, somehow; and I've been a little neglectful beside.'</p>
        <p>'That's bad.'</p>
        <p>'Yes, but it's all in one's lifetime, as the saying is. You haven't introduced me to your sister, Mrs. Retlaw.'</p>
        <p>'My sister! Oh, I beg your pardon. And yours, too, Berta, most humbly There's no excuse for me, but really I was for the moment oblivious of all save the new element. Mr. Paget—Miss Campbell. Berta, my husband's old schoolfellow, shipmate, and chum.'</p>
        <p>Philiberta half rose from her seat; Paget took her hand and held it in his for a second.</p>
        <p>'How warm and comfortable you both are in here,' he said, stretching his own cold fingers before the fire. 'It makes a poor outside dog like me envious.'</p>
        <p>'But you are not a poor outside dog now,' said Mrs. Retlaw, 'though you do look wet and muddy too. Harry, take him upstairs and order hot water. You will stay with us, of course, Mr. Paget.'</p>
        <p>'Well, really that would be rather like presuming, you know.'</p>
        <p>'Oh, stuff!' said Mr. Retlaw. 'Why, of course you will stay here. Where are your traps?'</p>
        <pb xml:id="n95" n="92" corresp="#TalPhil095"/>
        <p>'At the Prince of Wales. I only got in this morning, you know.'</p>
        <p>'I'll send round for them at once. It is too near dinner-time to kill the fatted calf, so you will have to take pot luck with us. But my wife generally sees that we have something good to eat; and by Jove, old fellow, you can't guess how glad we are to see you.'</p>
        <p>After dinner some ladies came in visiting, and there was music; and Paget played and sang a plaintive little negro ditty. A very simple song, with a few simple chords by way of accompaniment, but the melody touched Philiberta strangely, and she never forgot it. Indeed, every incident, however trivial, of that evening seemed to her fraught with novel importance; and remained in her memory for ever. Something new and strange had come into her life. That was a singularly apt expression of Mrs. Retlaw's, 'the new element.' Philiberta did not know anything, did not feel anything definitely yet; how should she? But, all the same, her mind was working with a vague consciousness that this 'new element' was one that must alter her life; must change her very being either for better or worse; and her heart wondered blindly which it would be.</p>
      </div>
      <div xml:id="t1-body-d13" type="chapter">
        <head><hi rend="c">Chapter</hi> XIII. '<hi rend="c">Have you Nothing to say to me Before You Go</hi>?'</head>
        <p><hi rend="sc">With</hi> all her virtues, Mrs. Retlam had one grave fault. She was inveterately addicted to early rising. I consider it the one flaw in an otherwise blemishless character; but she and many other people refuse altogether to view it in that light. It has teen a standing subject of dispute between Mrs. Retlaw and two or three of her friends for many years; but she still adheres to her habit and they to theirs, and in point of radiant health she has the advantage of them unmistakably.</p>
        <p>'Look at me!' she says triumphantly, and they look at her and admire, and that is all they can do.</p>
        <pb xml:id="n96" n="93" corresp="#TalPhil096"/>
        <p>Philiberta was not averse to early rising; her habit of life in the bush had used her to it; so every fine morning, and indeed often on mornings that were not fine, these two would go out together for long rambles over the hills before breakfast. I maintain that it was a villainous practice, but they did it, and it agreed with them. Mr. Retlaw generally stayed in bed until they returned, and that agreed with him.</p>
        <p>The morning after Edgar Paget's advent was a grand bright exhilarating one; and the two ladies came downstairs at almost the same moment, both looking exceedingly fresh and cheerful. William—the inestimable William, about whose virtues as steward, manager, butler, and generally right-hand man in the house of the Retlaws, one could write whole columns and yet fail to do the subject justice—William awaited them in the dining-room with a cup of hot coffee ready for each.</p>
        <p>'Where is Mr. Paget?' inquired Mrs. Retlaw, looking round. 'He said he would get up if the weather were fine.'</p>
        <p>'So he did, ma'am; he's in the little parlour now.'</p>
        <p>At that moment he entered the dining-room, suppressing a very positive yawn as he caught sight of the ladies.</p>
        <p>'Fie!' exclaimed Mrs. Retlaw, pointing her finger at him derisively. 'I thought you said you liked early rising</p>
        <p>'Did I say so, Mrs. Retlaw? Then it must have been after that last whisky brew of Harry's, I think.'</p>
        <p>'And do you recant now, then?'</p>
        <p>'Well, if you will run me so close—yes, I recant.'</p>
        <p>'Then off you go back to bed. We will not be disgraced with you.'</p>
        <p>'Come now, that is hard. After I've got through all the worst of it too, the cold water and the dressing, etc. Please let me go.'</p>
        <p>'But you ought to delight in early rising.'</p>
        <p>'So I do; on a happy incidental occasion like this. At home on the station I have to do it, and manage to do it pretty willingly. But if you would have my real confidential opinion, it is that early rising is a baleful and pernicious thing, and calculated to develop crime to an awful extent.'</p>
        <pb xml:id="n97" n="94" corresp="#TalPhil097"/>
        <p>'Oh, you dreadful man! But now I begin to understand the bond of sympathy between you and Harry. You both hate early rising.'</p>
        <p>'Yes, but instead of being a bond linking us together, it went very near to dividing us in the days when we bachelorised together on the diggings, and couldn't agree as to whose duty it was to get up first and boil the billy.'</p>
        <p>'How I should like to have seen you then! But come, if you have finished your coffee. The sun has risen.'</p>
        <p>'Which gives me a poor opinion of him,' said Paget.</p>
        <p>'I am surprised at anything rising if it is always as cold as this in Dunedin.'</p>
        <p>'Oh, you will be warm enough when you have got to the top of yon hill,' said Mrs. Retlaw. And so he was—so were all of them. Climbing a hill 'as steep as the side of a house,' up a cobbly zigzag path, may be backed as a heat-generator in the system of man against anything else invented.</p>
        <p>When they were at the summit, they paused to take breath, and Mrs. Retlaw called the attention of the others to the glorious loveliness of the eastern sky.</p>
        <p>Mr. Paget retorted with a quotation from Hood:—
<q><lg type="verse"><l>'"Why from a comfortable pillow start</l><l>To see faint flushes in the east awaken?</l><l>A fig, say I, for any streaky part—</l><l>Excepting bacon.</l></lg><lg type="verse"><l>'"An early riser Mr. Gray has drawn</l><l>Who used to haste the dewy grass among,</l><l>To meet the sun upon the upland lawn,</l><l>Well—he died young."</l></lg></q>But of course it is of no mortal use trying to convince a woman against her will. Poetry cannot do it, at any rate.'</p>
        <p>Philiberta was strangely quiet and subdued in manner that morning, and without any reason, she told Mrs. Retlaw, when that lady made remarks and inquiries anent it. She was not so sure-footed as usual either, for she stumbled over a boulder in a certain rocky fern-grown glen, and sprained her ankle. Not very severely, but still quite badly enough to disable her <pb xml:id="n98" n="95" corresp="#TalPhil098"/>from walking for two or three days; and at the moment there was nothing for it but that Edgar Paget should carry her home. It was nothing for him, in his great strength, to bear her in his arms and against his heart; but it was a great pity it happened. But for that accident everything might have gone on differently; as it was, it was the beginning of great love and great sorrow for both of them. Gently and tenderly as he bore her, the pain was so intense that she almost fainted on the way, and they were all more than glad when she was safely packed up on Mrs. Retlaw's softest couch, and the doctor said she would be on her feet again as if nothing had happened within a week.</p>
        <p>During the next fortnight, Paget and Philiberta spent a good deal of time together. Station life in Australia formed one prime subject of mutual interest to them; and then they soon discovered that they had many others equally pleasant and available for conversation and the exchange of ideas. And by-and-by the talk between them became often dangerously personal. For instance: 'What is the colour of your eyes?' said he one day, coming very close to her that he might ascertain. 'Let me look right into them and see. I believe they change every day. Yesterday they were brown; clear, bright brown; a little while ago they seemed grey; now as I look, they are deep dark purple.'</p>
        <p>'Perhaps it is that they reflect the changes of colour in yours,' said Philiberta, averting hers when she had spoken.</p>
        <p>'Do mine change colour, then?'</p>
        <p>'Sometimes I think so.'</p>
        <p>He bent over her still nearer, until she could feel his warm breath on her face, and he could see that her heart was throbbing hard and fast beneath the two hands that she had clasped upon her breast.</p>
        <p>'When I look into your eyes like this,' he said, putting one of his hands upon both hers, and with the other turning her face upwards, 'I feel something in them drawing me down—down—nearer and nearer, until——'</p>
        <p>'Mrs. Retlaw's compliments, and she is going to drive out to St. Kilda, and would Miss Campbell like to go?'</p>
        <pb xml:id="n99" n="96" corresp="#TalPhil099"/>
        <p>It was William.</p>
        <p>'Yes—no—tell Mrs. Retlaw I will be ready in a moment,' and then Philiberta escaped; hot, breathless, and fluttering.</p>
        <p>Paget drew a deep breath and fell back against the wall.</p>
        <p>'God forgive me!' he said, 'I must be a villain. I had nearly told her; God forgive me!'</p>
        <p>The opening of the door caused his heart to leap like a nervous woman's.</p>
        <p>'I thought I should find you in here, Paget.'</p>
        <p>'Oh, is that you, Retlaw? Have the ladies gone?'</p>
        <p>'Yes. And the Melbourne mail is just delivered; here are two or three letters for you.'</p>
        <p>Paget took them, glanced briefly at each, and thrust one pink-enveloped one in his pocket. The others he opened and read.</p>
        <p>'Damnation!'</p>
        <p>'Why, what's wrong, Teddy?'</p>
        <p>'Oh, not much; only a scamp of a fellow I lent money to on a mortgage has swindled me.'</p>
        <p>'Well, that's bad enough. It won't make much difference to you, Teddy, I hope.'</p>
        <p>'Oh, no; not much,' said Paget, passing his hand across his eyes with a gesture of weariness. He walked over to the window and looked out upon the street a while in silence. His face had a set, hard expression, though the lips twitched emotionally, and the eyes wandered from point to point of the street below and the hills beyond. He looked like a man fighting a hard battle with himself, and a little reckless as to the result. Presently he turned round.</p>
        <p>'When does the next steamer go, Harry?'</p>
        <p>'Go where, old boy?'</p>
        <p>'Oh, anywhere—no—to Melbourne, I mean.'</p>
        <p>'Melbourne mail goes to-morrow,' said Mr. Retlaw.</p>
        <p>'That will do, then.'</p>
        <p>'You don't mean to say you're going, Teddy?'</p>
        <p>'Yes, I do, old man; I must.'</p>
        <p>'On account of this mortgage affair?'</p>
        <pb xml:id="n100" n="97" corresp="#TalPhil100"/>
        <p>'Well—partially.'</p>
        <p>'But your going won't get the money back, Ted.'</p>
        <p>'No, Harry; but it may prevent further mischief. In fact, it will prevent a big mischief that's bound to happen if I don't go.'</p>
        <p>'I say, Teddy.'</p>
        <p>'Well!' said Paget, looking at his friend half in alarm, half in defiance. When one's mind and heart and soul are full of one thing, it seems as if everything said or thought by every one else must bear upon that. He thought Retlaw was going to speak about Philiberta. Retlaw was not thinking of her at all. All his present interest was concerned in Paget's monetary affairs.</p>
        <p>'Look here, old mate, between friends, are matters very bad with you?'</p>
        <p>Paget looked puzzled.</p>
        <p>'I mean—are you short of money?'</p>
        <p>'Of money? Oh no.'</p>
        <p>'But you were saying the other night that things had gone badly with you of late years.'</p>
        <p>'So they have. Damned badly. But it is all my own fault. I have neglected the station grossly. I have burnt the candle at both ends. I have lent money when I knew I had no right to and should never get it back. Finally, and maddest of all, I have speculated and gambled till all was blue. Some Yankee fellow says that when a man begins to go downhill he finds everything greased for the occasion, and by Gad! that's so. I am going to the deuce as fast as I can.'</p>
        <p>'Oh, Teddy; Teddy, old man. This sounds awful.'</p>
        <p>'Does it?'</p>
        <p>'But look here! This is just what I was trying to get at. And now the way is clear for what I have to say. Teddy, old mate, I've got plenty for both of us.'</p>
        <p>Paget rose hastily, with the natural instinct of a man to hide tears.</p>
        <p>'Thanks, old fellow,' said he, when he had mastered himself <pb xml:id="n101" n="98" corresp="#TalPhil101"/>again, 'but it hasn't come to that yet. I think I shall pull through.'</p>
        <p>'But if I can make it easier, Ted?'</p>
        <p>'Yes, I know. Don't say any more, Harry; it weakens me. The fact is, I am a little put out just now about several things. But I'll get back and set everything right. I'll turn over a new leaf.'</p>
        <p>'Why don't you get married?' said Retlaw.</p>
        <p>Paget started forward with an impulse to tell everything; and just then Mr. Retlaw was called suddenly away.</p>
        <p>'Never mind; I will tell him. I must tell all, and I can do that much better by letter. Now I'll go and pack for to-morrow.'</p>
        <p>At dinner he and Retlaw met again alone at the table. 'Where are the ladies?' he asked in surprise.</p>
        <p>'I expect Mrs. Jones has kept them,' said Mr. Retlaw. 'The night has come up misty; and Mrs. J. is glad of any excuse to detain them. It is not likely that they will get back before morning now.'</p>
        <p>'Better so,' muttered Paget, but William heard him and was very much annoyed. He had spread a very special banquet that evening, knowing that the ladies would be hungry after a cold drive. He had got a few fresh flowers too, and he had placed the daintiest bouquets in the napkins beside Mrs. Retlaw's and Philiberta's plates. As he told Mrs. Retlaw himself next day, speaking in the familiar fashion excusable in so old and precious a servant, 'When I looked at it all, ma-am, and felt that you weren't coming home to see it, I could have catched hold of the blessed table-cloth and dragged the whole thing to the floor and trampled on it. I could indeed, I was that mad!'</p>
        <p>Mrs. Jones not only kept her friends with her that night, but insisted upon their going with her for a breath of salt air to Ocean Beach next morning; the weather having, with its usual changeableness in that latitude, taken a turn to 'warm and fine, with light breezes, as the weather-gaugers put it.</p>
        <p>The consequence was that the day was well advanced to afternoon when Mrs. Retlaw drew rein before her own door.</p>
        <pb xml:id="n102" n="99" corresp="#TalPhil102"/>
        <p>And then before they were two minutes in the house they heard that Edgar Paget was gone.</p>
        <p>'Gone!' cried Philiberta, her heart giving one wild bound and then ceasing to beat for a few seconds.</p>
        <p>'Child, you are falling,' exclaimed Mrs. Retlaw, catching her quickly in her arms. 'Harry, help her into my room, and then go away, please. My poor child!' she continued, when Philiberta, recovering from the blindness and deathly giddiness that had beset her, sat up and looked round bewilderedly.</p>
        <p>Then the girl, seeing that they were alone, leaned upon her friend and broke into a passion of weeping. There was no need of words between the two. Mrs. Retlaw went quietly out, when Philiberta had sobbed herself into calmness, to see if no letter or message had been left. No. Not a line, not a word, save his kindest remembrances to both, and his regret that he had not seen them once again before his departure. So she went back just as quietly, and sat down with some trifle of needlework beside Philiberta, and made up her mind that if Edgar Paget did not write, before getting finally away from the New Zealand coast, a full explanation and proposal of marriage to her friend, then he was an unprincipled heartless scoundrel, and she no judge of character after all. She consulted a newspaper furtively, and found that that particular steamer would make the whole round of the ports, and at this she took heart to speak, and told Philiberta that she would stake everything she had in the world that all would come right within forty-eight hours.</p>
        <p>The girl only sighed.</p>
        <p>'You are very good to me,' she said.</p>
        <p>'And if not,' said Mrs. Retlaw, putting on an air of philosophy, 'there are more good men than one in the world, let us hope.'</p>
        <p>'There may be,' said Philiberta sadly, 'but I think there can be but one man in the world for me.'</p>
        <p>Mrs. Retlaw nearly said 'Fudge!' but considered that it might sound heartless, so let it alone. The day closed with a brilliant display of gold and ruby and opal harmonies; the <pb xml:id="n103" n="100" corresp="#TalPhil103"/>moon rose over the hills, a rich and radiant disc, bathing all the lovely land and sea in mellow tender light.</p>
        <p>'Put on your cloak and hood,' said Mrs. Retlaw, 'and we will go up the hill. The worst troubles in life give way before the grandeur and glory we shall see from up there. The sight of it will lift your soul high above the sense of personal sorrow. It will lift anyone as near to heaven as men and women are ever likely to get, I think. Come.'</p>
        <p>Presently they stood high on a hill, looking down on the city and the bay, on the church spires and white houses, on the patches of dark foliage set in between, on the pearly mist that clung lovingly about everything, on the rows of yellow gleaming lamps that studded the streets.</p>
        <p>'Is it not lovely?' said Mrs. Retlaw.</p>
        <p>'Beyond all conception lovely,' replied Philiberta, and then they stood silent a long while.</p>
        <p>Presently they saw a man coming up the path with swift, firm strides. It must have been nervousness that made Philiberta's heart beat so, because it stands to reason that she could not have recognised him at that distance and in that light. But nearer he came, and nearer yet, and—</p>
        <p>'Edgar Paget, as I live!' cried Mrs. Retlaw joyfully.</p>
        <p>Not for her whole salvation could Philiberta have uttered a word; but her hands went out to him with an involuntary movement, and he caught them both in his own.</p>
        <p>'And what is the meaning of all this?' inquired Mrs. Retlaw, herself half crying from excess of sympathy.</p>
        <p>'The steamer is delayed till to-morrow,' he said, his voice strained and husky, 'and I could not help coming back to say good-bye to you.'</p>
        <p>'And to look once more upon your face, beloved,' he added under his breath, as he gazed still at Philiberta.</p>
        <p>Her face was blanched to extreme pallor, and the moon made it look still whiter. Her eyes were haggard, yet full of the new gladness his return had brought her. The short curls on her forehead clung there with moisture. Oh, she had suffered! And for him, as he felt, with a glad thrill of every <pb xml:id="n104" n="101" corresp="#TalPhil104"/>pulse of his being. He would have given his life just then to have saved her a single pang; and yet he was full of joy to see that she had suffered through him. It would be something to remember—this love of hers—through all the years that he had yet to live, lacking it. Then a sudden great pity came into his heart for her.</p>
        <p>'Poor little girl! Poor lonely little girl! it will be very hard for her too.'</p>
        <p>Hard!</p>
        <p>'So the steamer goes to-morrow,' said Mrs. Retlaw.</p>
        <p>'Yes, I must get back to her to-night.'</p>
        <p>'But that is impossible; you cannot.'</p>
        <p>'But I must—and can. The steamer sails at daybreak. I hired a horse and guide at the port and rode over the hills. When I leave you I shall ride straight back.'</p>
        <p>'I never heard of such a thing,' exclaimed Mrs. Retlaw.</p>
        <p>'Berta, I must hasten down to the house at once to see about some supper. You can take care of each other, you two; but don't be long coming down.'</p>
        <p>So they were left alone together, and Berta trembled so that she could not walk steadily, though she leaned upon his arm. Minute after minute was passing, and they were getting further and further down the path, and yet he did not speak. As for her, what could she say? A wild thought rushed into her mind. It was her money prevented him from telling her. He loved her; she had never a doubt of that now; but Mr. Retlaw had spoken of his bad fortune lately. That was it. Poverty had come upon him suddenly, and he was proud. As if money could matter—as if anything could matter—but losing him! And now they were nearly at the house, and he had said never a word.</p>
        <p>'Then must you go to-morrow?' she said chokingly.</p>
        <p>'I must go to-night,' he replied, pulling up suddenly and standing before her. 'And I cannot go back to the house yonder. I cannot bear any more. Let me say good-bye to you here, Berta, here in the light of the moon. Shake hands, <pb xml:id="n105" n="102" corresp="#TalPhil105"/>will you? and wish me God-speed. Let me go. I ought never to have come back.'</p>
        <p>'And why—why?' she cried, clinging wildly to his hands. How could she let him go, with so small a matter separating them? How could he be so cruelly proud, seeing how she loved him? What a desolation of life was this he was condemning her to!</p>
        <p>'Oh, Edgar, Edgar!' she wailed, 'have you nothing to say to me before you go?'</p>
        <p>Then he had her in his arms in a moment, kissing her face and hands and hair.</p>
        <p>'My soul! my darling! I love you. That is all I have to say.'</p>
        <p>'And that is all I want,' she said, sobbing and panting with the pain of gladness. 'That is all I ever shall want in my life.'</p>
      </div>
      <div xml:id="t1-body-d14" type="chapter">
        <head><hi rend="c">Chapter</hi> XIV. '<hi rend="c">The Hour of Happiness.</hi></head>
        <p><hi rend="sc">He</hi> gathered her in his arms and carried her back up the hill a space. Then he sat on a moss-grown rock and held her on his knee.</p>
        <p>'Why were you going to leave me?' she asked pitifully.</p>
        <p>'What can it matter, darling? I am not going to leave you now.'</p>
        <p>'But you said the steamer——'</p>
        <p>'Yes, I know. But the steamer must go without me now. I will never lose sight of you again, while I live.'</p>
        <p>She laughed happily.</p>
        <p>'And yet,' she said, 'if I had not—cast myself at your feet almost, you would have left me without a word.'</p>
        <p>For answer to that he kissed her.</p>
        <p>'It was very cruel, Edgar.'</p>
        <p>'Don't reproach me now, love. I suffered too.'</p>
        <pb xml:id="n106" n="103" corresp="#TalPhil106"/>
        <p>'I am glad of that,' she said fiercely. 'It would have been too hard for one to bear it alone.'</p>
        <p>'Don't look so angry, love. Come a little further this way, so that I can see you in the moonlight. You look so good, and pretty, and young. Do you know that I am twice your age in years, Berta; and twenty times that in sin and misery?'</p>
        <p>'Edgar, let me bear half the sin and misery. I am strong for that.'</p>
        <p>'Do you think you will ever be sorry you held me back, Berta?'</p>
        <p>'Never while I live,' emphatically. 'Nothing could ever happen that would make me sorry to know you loved me.'</p>
        <p>'Say you love me, Berta.'</p>
        <p>'I do love you, Edgar.'</p>
        <p>'And nothing shall ever come between us—to divide us?'</p>
        <p>'Nothing.'</p>
        <p>'How soon can you marry me, darling?'</p>
        <p>'Why? Do you want to get back to Victoria?'</p>
        <p>'No,' with a shiver. 'I shall never go back there now.'</p>
        <p>'But, dear, all your property is there, isn't it?'</p>
        <p>'That does not matter. I shall not go.'</p>
        <p>'Now, that is strange. Where shall we live, then?'</p>
        <p>'We will go to America, dearest. That is a big country, where a man may make a fresh start and forget past blunders. You will marry me at once and will go to America.'</p>
        <p>'That takes my breath. What a sudden way you have of settling matters!'</p>
        <p>'Because matters will not brook delay, my love.'</p>
        <p>'But wouldn't it be better to see to things in Victoria first, dear?'</p>
        <p>'No.'</p>
        <p>'Edgar!' She spoke timidly now.</p>
        <p>'Well, darling.'</p>
        <p>'There's some bother about money over there, is there not?'</p>
        <p>'Yes, dear.'</p>
        <p>'Do you know that I have a little money?'</p>
        <pb xml:id="n107" n="104" corresp="#TalPhil107"/>
        <p>'Yes. Retlaw told me you were rich.'</p>
        <p>'No, no, not rich. You would think it a paltry sum, I dare say. But it might help a little, you know, in the difficulties in Victoria.'</p>
        <p>'Darling, you make me feel a very wretched scamp. I do not want to go back to Victoria. I should do no good there. I can't go, and I will not. Yet I shall have to take some of your money, after all.'</p>
        <p>'When two people belong to each other,' said Philiberta, 'there is perfect community of goods, you know.'</p>
        <p>'That is prettily and nobly said, my pet. But it doesn't alter the fact of a man's being a mean animal to accept the condition of community when the money is all on the woman's side. But look you, love; though I am not a young man now, I have still plenty of strength and capacity for work left in me. With the motive I have now, I feel that I could achieve anything. So I will borrow some of your money, Berta, feeling contemptible all the same while I do it; just enough to land us in America, and then I will win it all back for you with handsome interest.'</p>
        <p>She laughed.</p>
        <p>'How odd it sounds,' she said; 'the money is all yours, of course, just as if I had never possessed it. But I think you ought to use some of it to settle affairs in Victoria.'</p>
        <p>'But I do not think so. Let me have my own way, Berta.'</p>
        <p>'Of course I will, always,' she said quickly; 'your way will always be mine</p>
        <p>'You will never change, then, dear?'</p>
        <p>'No. Why did you say that?'</p>
        <p>'Women are changeable sometimes, you know.'</p>
        <p>'Are they? Not when they have all that their souls desire, surely.'</p>
        <p>He did not need to ask her if she had all that her soul desired. Presently she begged him to take her into the house.</p>
        <p>'Mrs. Retlaw has been so good to me to-day, and I want her to know,' she said, looking at him shyly.</p>
        <p>'Come along, then.'</p>
        <pb xml:id="n108" n="105" corresp="#TalPhil108"/>
        <p>And then they descended the hill, hand in hand; but just before they got to the house he stopped her.</p>
        <p>'Kiss me, Berta,' he said. 'I am hungry for kisses and love-words, darling. Tell me, would you suffer very badly if anything were to happen to part us after all?'</p>
        <p>'Death would be easier for me,' she answered, quivering with the new fear suggested. 'Oh, Edgar! nothing can—nothing will. Say so, dearest, even if it be not true. I could not bear it—I could not!'</p>
        <p>'Hush, love! hush, dear! There is nothing. We will never part while I live.'</p>
        <p>Then he straightened himself up to his full height, drew a long breath, and flung back his head with the almost defiant air of one who has made up his mind to an action that not even shame should divert him from.</p>
        <p>Mr. Retlaw met them on the threshold.</p>
        <p>'I was just going out on commission, to look for you,' he said. 'Mrs. Retlaw promised me my supper if I'd find you. Everything has gone cold,' continued he plaintively. 'You might have had a little consideration for me, Teddy, even if your hard heart would allow you to keep that poor beggar of a guide starving out there with his horses.'</p>
        <p>'Oh yea, by-the-bye, I'd forgotten the guide, poor fellow! I'll go and see him now.'</p>
        <p>'Here, I say!' cried Mr. Retlaw; 'for heaven's sake, Ted, don't go without something to eat.'</p>
        <p>'It's all right, Harry; I am not going at all,' shouted Paget back to him from some distance along the street.</p>
        <p>'Well, I'm blest!' ejaculated Mr. Retlaw; 'what next, I wonder?'</p>
        <p>'Not hard to guess what next,' said Mrs. Retlaw, coming down just then. 'What do you think of me for a prophetess, my lady Berta?'</p>
        <p>Paget returned directly, and was called by Mr. Retlaw a 'doosid inscrutable scamp;' and then, there being no further let of hindrance, they all went to supper.</p>
        <p>'Happy?' said Mrs. Retlaw to her friend, in one of those <pb xml:id="n109" n="106" corresp="#TalPhil109"/>whispering little interludes that women like to make for themselves.</p>
        <p>'Beyond measure,' answered Philiberta; 'life brims over with happiness for me now and henceforth.'</p>
      </div>
      <div xml:id="t1-body-d15" type="chapter">
        <head><hi rend="c">Chapter</hi> XV. <hi rend="c">Talk of a Wedding.</hi></head>
        <p>'How soon can people get married in this country?' inquired Paget, at the breakfast-table next morning.</p>
        <p>'Oh, as soon as in other countries, I suppose,' said Mrs. Retlaw carelessly. 'As soon as a man and woman are of age; earlier if they can obtain the consent of their parents or guardians.'</p>
        <p>'Now you know perfectly well that that is not what I meant.'</p>
        <p>'How should I know? People should always avoid ambiguity.'</p>
        <p>'And other people should not perversely misinterpret. But, seriously, dear friend, could the affair be got over at once—without delay?'</p>
        <p>'There again! How like a man! Speaking of the one great event of a woman's life as an "affair"—just as if it were an inquest or a hanging.'</p>
        <p>'Well, I withdraw the obnoxious word. We'll call it the wedding.'</p>
        <p>'And then the hurry he is in!' continued Mrs. Retlaw, unheeding the interruption. 'I dare say he would hurry the girl to the altar in a cotton gown, rush through the ceremony as if he were ashamed of it, drag her off afterwards in a close carriage, and bury her Heaven knows where.'</p>
        <p>'After all,' remarked Mr. Retlaw, 'the Australian aborigines' method of getting married is quite the most natural. The man simply knocks the woman on the head with a club, and carries her off to his own mia-mia. Then the whole thing is done with.'</p>
        <p>'Oh, you are all alike,' said Mrs. Retlaw scornfully, 'but I <pb xml:id="n110" n="107" corresp="#TalPhil110"/>hold that no woman of spirit will allow herself to be cheated of her dues in the matter of white satin and orange-blossoms, and all the dear delights of preparation and anticipatory discussion.'</p>
        <p>'Not to speak of the meanness displayed in swindling your friends out of a legitimate feed and champagne <hi rend="i">ad lib</hi>.,' added the host.</p>
        <p>'When you have quite done chaffing,' said Paget, calmly reaching for another egg, 'perhaps—Berta, shall I help you to some more toast?—perhaps a fellow may hope for a fair answer to a fair question.'</p>
        <p>'Bring on your fair question,' said Mr. Retlaw resignedly. 'As a city councillor and a candidate for Parliament, I'm used to fair questions. Trot it out. It can't be worse than I am accustomed to from enlightened constituents.'</p>
        <p>'Well, then, can Berta and I be married to-day?'</p>
        <p>'Good Ged!' ejaculated Mr. Retlaw, while his wife absolutely leapt from her seat. 'Teddy, you destroy my nerves. I always knew you for a high-pressure sort of fellow; but this surprises even me. Why, it's as bad as the old digging days, when parties could get through introduction, courtship, marriage, and honeymoon within twelve hours—and sometimes a deed of separation thrown in. My dear old fellow, take a friend's advice—go slow.'</p>
        <p>'I can't see the good,' spoke Paget testily, 'of lingering over anything that you have made up your mind to. Berta does not want a trousseau; do you, Berta?'</p>
        <p>'I should like some respectable clothes,' she replied, turning a flushed face to Mrs. Retlaw, as if in appeal for support.</p>
        <p>'The old Eve, you see, Teddy,' said Retlaw. 'They're all alike,' with a malicious glance at his wife, who tossed her head and said she didn't care.</p>
        <p>'And how long will it take to get some respectable clothes, then?' inquired Paget.</p>
        <p>'A month, at the very least,' said Mrs. Retlaw promptly.</p>
        <p>'Great heavens!'</p>
        <p>He protested and importuned; Mrs. Retlaw remonstrated <pb xml:id="n111" n="108" corresp="#TalPhil111"/>and argued. At the end of half an hour it was settled that the wedding should take place that day fortnight; and then the wordy combatants separated for the time, each with a feeling that the other side had got the worst of it. And then Mrs. Retlaw set to work at once to make the most of a new and pleasant excitement.</p>
        <p>I have a private conviction that if humanity had been created all of one sex, and that masculine, marriage ceremonies would never have been thought about Somebody hastens to observe that that is a fact self-evident; and, of course, put somewhat Hibernically as above, I own it is. But what I mean is that the popularity of wedding-ceremonies is entirely due to the feminine element. Men hate it. There is unfortunately no reliable information extant touching that bridal affair in the Garden of Eden. Reporters of that age were gifted with a terseness of style—a conciseness of narration—that it is to be regretted posterity marked out for a similar vocation has not inherited. Yet is there also room for regret in that our forefathers of the quill did not condescend a little more to detail. It might be instructive and gratifying to know whether those long-lived patriarchs did anything else but live, beget sons and daughters, and die. We regret, therefore, that ancient historians were all so scrupulously laconic, and of course, as usual, we regret in vain. Life is made up of vain regrets, as several people have remarked before. Still, there is nothing to hinder others from remarking the same thing again, because, if truthful observations are never to be made more than once, or by more than one person, libraries and newspaper offices had better shut up, and people resign themselves to dead silence forthwith.</p>
        <p>To return to the subject of weddings, I am firmly of opinion—and although there is no direct evidence to support me, there is, on the other hand, none to refute my theory—that Eve and her direct successors were quite as particular about making a dash, parade, and flourish over their nuptials as are the great mother's fair daughters of the present day. 'What is the use of getting married anyhow,' said a lovely young bride <pb xml:id="n112" n="109" corresp="#TalPhil112"/>to me the other day, 'if you can't have everybody to see and admire you?' To which I agreed, as any man might, that if all brides were like unto this one, it would be no use at all.</p>
        <p>Said Mrs. Retlaw, 'Now, if you will give me my own way, I will help you right through comfortably. If you won't, why then I will wash my hands of it altogether.'</p>
        <p>'I only stipulate that there shall be no fuss,' said Paget, 'and Berta echoes me there.'</p>
        <p>'Yes, certainly,' said Philiberta, and Mrs. Retlaw called her a traitress, but added directly, 'I promise you there shall not be the least unnecessary fuss.'</p>
        <p>'All fuss is unnecessary,' observed Mr. Retlaw sententiously.</p>
        <p>'Now, you hold your peace,' said his wife. 'Too much talk is as bad as too little. Once for all, Mr. Paget, will you leave the management entirely to me?'</p>
        <p>'Of course. I never proposed anything else, did I?' groaned he, looking sorely badgered.</p>
        <p>'I suppose you will go straight off to Melbourne after it,' said Mr. Retlaw. 'Or will you do your honeymoon up at the Hot Lakes?'</p>
        <p>'Neither,' answered Paget. 'The fact is,' said he hesitatingly, 'I am not going back to Victoria at all.'</p>
        <p>'No? That's odd. Such a deuce of a hurry as you were in the other day, too.'</p>
        <p>'Well, there's no law against a man changing his mind, I hope,' cried Paget impatiently.</p>
        <p>'None that I know of,' returned his friend quietly; 'nor any reason, that I can see, for his losing his temper when it is spoken of.'</p>
        <p>'I beg your pardon, old man,' said Paget, penitently. 'I'm a regular bear, I know. The fact is, Harry, I am very glad of an excuse for changing my mind about Victoria. There is nothing there to tempt me back; nothing that I need be sorry to leave. I intend to go to America. I will make this step in my life a new start altogether, and give myself a fair chance in a new country.'</p>
        <p>'But why America, Teddy? In God's name, why America?'</p>
        <pb xml:id="n113" n="110" corresp="#TalPhil113"/>
        <p>The ladies had left the room by this, which perhaps excuses Mr. Retlaw a little.</p>
        <p>'Why not stop in New Zealand? There's no country like it for climate and chances; and there's room for you.'</p>
        <p>'Scarcely. I want a wide field to choose my patch from. It will have to be America, Harry.'</p>
        <p>'Well, it is a big country, Teddy, there's no gainsaying that. And—well, I wish you luck, old fellow.'</p>
        <p>'I know that,' said Paget.</p>
        <p>Mrs. Retlaw and Philiberta were also discussing America in another part of the house. The bride-expectant was mightily elated at the prospect of going there.</p>
        <p>'I don't know where I was born,' she said. 'My earliest memories are of Victoria, yet I have a vague recollection of being told by my mother—my second mother, you know—that I was born in England, so I can never have seen America. Yet of all countries that is the one I most desire to see. If ever I have any of that love of country which is patriotism, I suppose—when people feel it definitely instead of vaguely, as I feel it—it will, I believe, be for America. There is something grandly fascinating in the vastness of the country, and in the mighty spirit of enterprise that moves its people.'</p>
        <p>'You talk as if you were a Yankee, positively.'</p>
        <p>'Perhaps I was one, centuries ago,' said Philiberta, smiling.</p>
        <p>'It can't be so many centuries ago, my dear. The Yanks are comparatively young. I would give all I possess,' said Mrs. Retlaw, with sudden energy, 'to know if there is any truth in that doctrine of pre-existence.'</p>
        <p>Said Philiberta: 'If immortality be a truth, the other should be a truth, too. Immortality is eternity. Eternity has no beginning or end. If the whole system of existence is a circle, we must be following it age after age. If we are to exist always, we must have existed always. If there be any meaning at all in the words, "As it was in the beginning, is now, and ever shall be, world without end," that must be the meaning, I think.'</p>
        <pb xml:id="n114" n="111" corresp="#TalPhil114"/>
        <p>'And to it I say Amen,' said Mrs. Retlaw. 'I want to live always, provided I may always do some good, be of some use somewhere. But if there be various successive phases of existence, it is a little hard that we are granted no knowledge of any save the present one; permitted no glimpse of the past, no peep into the future. Nothing given either way but dark uncertainty. If you could only feel that, in this phase, you were developing some grand scheme commenced in a former one; or that in a future life you could complete some dear project of this! If only you could be <hi rend="i">sure</hi> that the time you have lived, and the time you may live after this life, were not quite and utterly a waste.'</p>
        <p>'Oh, it cannot be a waste,' said Philiberta. 'Only look round and see how well every created thing is appointed to serve some good purpose, and you will agree that there can be no waste.'</p>
        <p>'Ah, your mood just now, my dear, is optimistic. Naturally enough, too, all things considered. But I hold that there is a good deal of waste in the present dispensation. And where there is not waste there is cruelty. The whole thing is a puzzle to me, as it has clearly been to thousands of others before me.'</p>
        <p>Mrs. Retlaw had not then read Mark Twain; in fact, I do not think the inimitable humourist had at that time 'come out,' else she might have concluded her remarks with a grand quotation, summing up the whole system in a dozen or so of words: 'All things have their uses and their part and proper place in Nature's economy: the ducks eat the flies—the flies eat the worms—the Indians eat all three—the wild cats eat the Indians—the white folks eat the wild cats—and <hi rend="i">thus all things are lovely</hi>.' (The italics are mine, as literary reviewers sometimes say.)</p>
        <p>'Anything is better, I think,' said Mrs. Retlaw, pursuing her reflective remarks, 'than the idea that there is nothing after death. That the total and termination of it all are that we go to feed worms.'</p>
        <p>'To me,' said Philiberta, 'that thought is no trouble. What <pb xml:id="n115" n="112" corresp="#TalPhil115"/>matters anything if we don't know it? I would rather be eaten by fishes than worms, if it were a matter of choice, because fishes would probably make shorter work of me. But I fancy that after a long pilgrimage here, one must feel so ready for rest that one will have no thought to spare for the probable fate of the flesh one is so glad to resign. Browning says something like that in his "Old Pictures of Florence." Do you remember the verses?—
<q><lg type="verse"><l>'"There's a fancy some lean to, and others hate,</l><l>That when this life is ended begins</l><l>New work for the soul in a future state</l><l>Where it strives and grows weary, loses, and wins;</l><l>Where the strong and the weak—this world's congeries—</l><l>Repeat in large what they practised in small,</l><l>Through life after life in unlimited series;</l><l>Only the scale's to be changed—that's all.</l></lg><lg type="verse"><l>'"Yet I hardly know. When a soul has seen</l><l>By the uses of Evil that Good is best;</l><l>And, through earth and its noise, what is heaven's screne</l><l>When its faith in the same has stood the test;</l><l>Why, the child grown man, you burn the rod;</l><l>The uses of labour are surely done;</l><l>There remaineth a rest for the people of God,</l><l>And 1 have had trouble enough—for one."'</l></lg></q></p>
        <p>'Yes, I remember,' said Mrs. Retlaw, at the close of this; 'and I must say that the groove of talk we have wandered into is just about the oddest for two people on the brink, of a wedding that could be imagined. Three o'clock, and never a stitch put in. Berta, have you made up your mind about that travelling costume I proposed?'</p>
        <p>'Of all waste,' said Philiberta, rousing herself unwillingly, 'the time wasted in talking of dress, when so many better subjects await one, seems to me the greatest.'</p>
        <p>'Then that is just where you are wrong. Dress is one of the most important things in life. Men affect to despise it, I know; but they are in reality more influenced by it than women. They will run after a well-dressed—mind, I don't mean a showily dressed—but a well-dressed, ugly woman sooner than after a pretty dowdy. I have witnessed it myself, <pb xml:id="n116" n="113" corresp="#TalPhil116"/>dear, more than once. Oh, the hosts of women who lose themselves, or waste themselves, through carelessness about dress. Bear it in mind, Berta, and never, if you want to keep a firm hold upon your husband, lapse into dowdyism. Here comes Herbert and Haynes's man with those patterns of satin. Jump up, dear—quick.'</p>
      </div>
      <div xml:id="t1-body-d16" type="chapter">
        <head><hi rend="c">Chapter</hi> XVI. <hi rend="c">'Wholly a Dark Labyrinth.'</hi></head>
        <p><hi rend="sc">It</hi> was the day before that appointed for the wedding, and Philiberta was alone in her chamber assorting her belongings, touching all her small treasures reverentially, as with the touch of farewell.</p>
        <p>'For Philiberta Campbell dies to-morrow,' she said, half laughing to herself at the weird conceit. 'And Philiberta—no, Berta—he will never call me anything but Berta—Berta Paget will be the new phœnix rising from the old one's ashes. Let me look at you in the glass, old identity, so that presently I may compare you with the new, and observe the difference matrimony makes. Well, I never admired you much—in an artistic sense, you know—partial though I have been to you as an individual, but I really think you are a better-looking girl than you used to be; your face seems rounder, your mouth less firm, that determined under-jaw less prominent and assertive, and your eyes, of which he says he does not even yet know the true colour, are softer; they have lost a good deal of that keen, hard look that I always objected to. If you continue to improve under the new influence as you have during the last fortnight, I shouldn't wonder if you were to become at last actually good-looking. I wonder how you will look when you are dead—you will be whiter, that is certain, and pallor becomes you. Brown women look too robust always. Brown men I like naturally. My king is a brown man, bronze as Launcelot, whom two women loved too dearly. I wonder how he will look when he is dead? Such a length <pb xml:id="n117" n="114" corresp="#TalPhil117"/>as he would be, so still, so handsome. Oh love, my love, that I may go first! That I may go first! I could do so much—suffer so much—for you, but not that. I could not suffer to be left behind—
<q><lg type="verse"><l>With the odour of death cast over my soul,</l><l>Like the odour of flowers that are dead;</l><l>No, love, I will guide Death's hand o'er his scroll,</l><l>And his list with my name shall be led.'</l></lg></q>(The lines were her own, but she would not for the world have had anybody know that.)</p>
        <p>Shimmer and shadow, concord and discord, mirth and melancholy, were always so nearly allied in this many-mooded temperament that you never could be certain which aspect would be the next in ascendant.</p>
        <p>Presently in her packing and repacking she came upon a queer-shaped object swathed in flannel at the bottom of a trunk. It was her fiddle.</p>
        <p>With all the fearlessness and unconventionality of her nature, she was a little ashamed of this musical accomplishment of hers. She had gotten a notion that it was unladylike, unfeminine. When, upon first entering the ladies' seminary in Melbourne, she had announced her desire and intention of taking lessons in violin-playing, the gentle principal of that establishment had nearly fallen off her chair in shocked surprise. If Philiberta had proposed a friendly cigar (though why smoking should be considered so much a matter of sex, too, is more than I can understand), the effect could not have been more startling. This, and the subsequent discovery when she had commenced lessons that she was her violin tutor's sole feminine pupil, rather frightened her, and made her very chary of acknowledging her propensity to strangers. She loved the thing too well to give it up, but she took her pleasure furtively, practised in solitude, and kept the fiddle locked up. Hence it came about that even Mrs. Retlaw, who would have delighted in it, knew nothing at all about it.</p>
        <p>'Shall I tell Edgar to-day, or leave it till afterwards?' the girl asked herself now, as she unwrapped her treasure stealthily <pb xml:id="n118" n="115" corresp="#TalPhil118"/>and fondled it as an old friend. 'Is it right for a woman to marry a man with even the merest shadow of a secret kept from him?'</p>
        <p>Just then her name was called, and quick as thought she bandaged up the fiddle again.</p>
        <p>'I'll leave it until afterwards,' she said, thrusting it into the box. 'I can find out by degrees whether he likes it or not. If he does, it will be a pleasant surprise; if he does not, I can throw it away and forget it.'</p>
        <p>Again she was called.</p>
        <p>'Yes, I am here,' she answered, her heart thrilling as it always did and always would at the sound of that voice.</p>
        <p>'Then come hither. I want you to go out with me.'</p>
        <p>'I will be down in five minutes,' she said, and hastily donned her cloak and hat.</p>
        <p>The morning of the day had been showery; the afternoon was bright and clear. The streets were ankle-deep in muddy batter; the hillsides were slippery and slimy; the hilltops almost dry.</p>
        <p>'I don't think there will be much pleasure in walking to-day,' said Philiberta, when she had waded some distance with her lover through the mud.</p>
        <p>'No matter,' said Paget. 'I wanted you, love, all to myself; and I can't get five minutes alone with you indoors. One or other of those fellows who are in love with you is always coming in and interrupting.'</p>
        <p>He was unreasonably jealous; very unreasonably, since he knew in his heart that no other man than himself would ever cost her a thought. But he could not bear that other men should talk to her or look at her; and this weakness of his was the one bitter drop in Philiberta's cup of gladness, because she could bear no flaw in her idol. She wanted the same whole souled perfect faith and love from him that she rendered unto him, that is, she had a vague feeling that she wanted that; the only really definable sense she experienced about it was misery when he looked offended. Only the evening previously he had looked so, and the thought of it had made <pb xml:id="n119" n="116" corresp="#TalPhil119"/>her eyes fill and her heart ache for hours after. Surely there is something tragic in a love like hers, when a mere look has power to make or mar its all of sunshine. Now when he spoke of those 'fellows who were in love with her,' the joy of her face died out in a look of sorrowful humility. That 'the king could do no wrong' was her steadfast creed as yet, so the fault, if fault there were, must be hers—all hers.</p>
        <p>Along Princes and George streets they tramped and splashed; then up the winding line of the Water of Leith till they reached the fork, then following the streamlet that leads to the reservoir, until at last they had climbed to the very summit of the steep incline, and stood looking out over forests of brilliant glistening green.</p>
        <p>'Just see how bedraggled I am!' cried Philiberta, viewing her boots and skirts with disgust, 'and I can't keep my hat on for the wind.'</p>
        <p>'Take it off, then,' said Paget, doing so for her, and laughing at her dismay as the breeze caught her hair and tossed it into a wild, hopeless tangle. 'No, you shall not have it,' and he held it up at arm's length, while she reached towards it, standing on tip-toe and steadying herself by his coat collar. Then suddenly he lifted her almost as high as he had held the hat, and ran with her in his arms a few yards along the top of the hill.</p>
        <p>'I did not know you were bringing me up here to ill-use me,' she gasped breathlessly. 'You have jolted me to death almost.'</p>
        <p>'Did I hurt you, Berta? What a rough brute I am! Come here, love, to this dry rock, and let us sit down. No, no; the rock for me; you will sit in my arms, so.'</p>
        <p>'But it is not proper—out of doors. What if anyone should go by?'</p>
        <p>'But no one will. Nobody would come up here on such a day as this.'</p>
        <p>'Except two stupids like us.'</p>
        <p>'I brought you here that I might hold you in my arms and kiss you. I hardly ever get a chance indoors. There I have <pb xml:id="n120" n="117" corresp="#TalPhil120"/>to sit and watch you talking to some one else by the hour, while I am just mad to have you in my arms.'</p>
        <p>'You are so unreasonable—so insatiable. But I suppose a little time will serve to alter all that. It will be as Mrs. Retlaw says—though I told her it was a sin to make a jest of anything of Carlyle's—first here will be the everlasting Yea, which in this distorted rendering means the honey season; then the everlasting No—when quarrels begin and continue; finally the Centre of Indifference—when you will not care enough even to quarrel.'</p>
        <p>'The Centre of Indifference!' said Paget, looking in her face earnestly. 'I might quarrel with you, Berta; ill-use you; love you—hate you; but <hi rend="i">I could never be indifferent to you.</hi>'</p>
        <p>In all the after-years she remembered those words.</p>
        <p>'If we do not start homeward now, we shall be in the dark,' she said presently, releasing herself from his arms, but leaning towards him that he might kiss her again.</p>
        <p>He drew her arm through his, and they commenced the descent. Before they were far advanced, the sound of voices reached them from below.</p>
        <p>'There!' said Philiberta, 'I thought you said no one would venture up here to-day.'</p>
        <p>Even as she spoke, two men rounded the sharp bend in the road before them, and the four were face to face.</p>
        <p>'Paget, by Jove!' exclaimed one, springing forward with extended hand. 'My dear old fellow, what on earth are you doing here?'</p>
        <p>'Oh—I—what on earth are <hi rend="i">you</hi> doing here? is a more likely question,' Paget said, in a voice so curious that Philiberta turned to look and saw that his face had turned livid.</p>
        <p>'When did you come? Where are you stopping? When are you going back?' questioned the new-comers rapidly.</p>
        <p>'I haven't—quite—made up my mind.'</p>
        <p>Paget's words came slowly, as if their utterance cost him an effort.</p>
        <p>'It's awfully lucky I've run across you like this, for I was commissioned to hunt you up and giye you this letter. Where <pb xml:id="n121" n="118" corresp="#TalPhil121"/>the dickens is it? Oh! ah! There it is! It is from your wife. I was up your way the week before I left, and so dropped in at Yoanderruk to see you; but you were over here.'</p>
        <p>That was all Philiberta heard. There was more said—much more: there were introductions, and jests, and laughter. But for her!—a long night had already fallen; life was become 'wholly a dark labyrinth;' her 'loadstars were blotted out—in the canopy of grim fire shone no star.'</p>
        <p>She did not faint, or fall, or even cry out. A friendly grey rock lent her aid in the first moment of blindness; and then she stood up bravely enough.</p>
        <p>Presently they were alone again, and he gazed into the mute misery of her soul through her eyes.</p>
        <p>'It makes no difference,' he said at last, his deep voice husky and harsh. 'It makes no difference. You are mine. You are still mine.'</p>
        <p>She did not answer. It was always so with her, that she had no power of words when dire pain or sorrow was upon her. She only moaned a little.</p>
        <p>'Don't do that!' he exclaimed, silencing her roughly. 'I cannot bear it, Now, look you, Berta; you have my fate in your hands. You can raise me into heaven or cast me out into hell, just as you will. Remember, I tried to save us from this—I tried to go. You remember the night I came back to you?'</p>
        <p>Something like relief came to her for a moment. She had held him back that night. The blame was hers then—thank God!</p>
        <p>'I came back, and the temptation was too much for me. I stayed, and felt like a villain then and often afterwards. But I have got over that. I care not one jot for anything in heaven or earth beyond the happiness you have put into my life. And Berta—oh, my love, my dear love! say that you care for nothing beyond that, too.'</p>
        <p>He made as if he would fling himself before her, and then she gave a little frightened cry and hurried past him. He overtook her at once, and they went on down the hill. But her steps were so uncertain—the sky seemed so dark above <pb xml:id="n122" n="119" corresp="#TalPhil122"/>her—the earth so strange beneath her feet—that she was fain to let him help her He put his arm about her waist; once he stooped to kiss her, but she put him away with a glance and gesture he felt powerless against Then he pleaded as surely never a man pleaded before; and then he said that there had been a curse put upon his life with that marriage she had heard of; a curse that she would never know, because, scoundrel though he was, he would never be mean enough to tell her it was in her power to lift the ban from off him, and once in another country together the past could be as if it had never been. In perfect happiness great trouble could be easily forgotten.</p>
        <p>And all the answer he heard was that piteous moan, like the sound wrung from a brave heart in the extremity of pain, and it nearly maddened him.</p>
        <p>And so they reached the town, where lights were beginning to appear, and a soft, drizzling mist was falling over everything like a grey pall.</p>
        <p>'We are near home now' said he, with a cheerfulness assumed in desperation. 'You will soon be in the light and warmth again, Berta, This mist chills one's very blood. My poor little girl, I ought not to have kept you out in it I ought to have hastened you off the hilltop earlier. My God, if I only had! Mind you, Berta, I am not repentant. Only one thing I regret, and that is that you have found me out, Another week, and we should have been away, and you would never have known. It isn't the fact that has made this difference; it is the revelation of it But even now it is not beyond forgetting, and we WILL forget it You will not tell them indoors?"</p>
        <p>'Oh no,' she said quickly.</p>
        <p>'That is right. Now look at me once, my treasure. Let me kiss you once, my own love. You are mine; I feel quite sure of you, dearest, but I should like to feel my safety from your lips. Kiss me once.'</p>
        <p>She suffered the caress; nay, even clung to him a moment, her breath coming hard and fast, every breath a pain; then he opened the door, and she passed in and away from him.</p>
        <p>He went to his room, and half an hour later the dinner-bell <pb xml:id="n123" n="120" corresp="#TalPhil123"/>rang, and he went downstairs to the dining-room. Mr. and Mrs. Retlaw and young Heatherwood were there, but not Philiberta. After waiting patiently a few minutes, Mrs. Retlaw sent William to remind Miss Campbell.</p>
        <p>William returned, saying that he had rapped thrice at Miss Campbell's door without receiving any answer.</p>
        <p>'She has probably fallen asleep, poor child, after the fatigue and cold and mist,' said Mrs. Retlaw reproachfully to Paget. 'I wonder if you men will ever learn to be less selfish!"</p>
        <p>But seeing that his face had grown suddenly haggard and full of pain, she hurried upstairs herself to Berta's room.</p>
        <p>And found it empty.</p>
      </div>
      <div xml:id="t1-body-d17" type="chapter">
        <head><hi rend="c">Chapter</hi> XVII. <hi rend="c">Foundered.</hi></head>
        <p><hi rend="sc">When</hi> Philiberta entered her own chamber after she had parted from Edgar Paget, it was but to wait and listen till the way should be clear for clandestine exit. She must go. It mattered not how or whither, but she must go to find some dark corner where she might hide—perchance might heal—her 'grievous wound.' Would there be any place in the wide world where she might do that? Would the world be wide enough for her now? Oh, she must get hence quickly—this very hour—to see.</p>
        <p>There was no one in the hall now; no one on the stairs, and all the doors were shut. So, softly, stealthily, she crept down and out, and hearing the hall-door slam heavily after her, rail till she was a long way from the house.</p>
        <p>And now that she was out, what could she do? Well, she could walk—and rapid action was a relief to the pain—she could walk about the streets or on the hills till morning. Morning! Would there ever be morning for her again? Would she ever see the light of another day? Could she bear it if she did, with all this deathly darkness in her soul? What did people do when their hearts were broken? Death was <pb xml:id="n124" n="121" corresp="#TalPhil124"/>sent to them, surely. When an animal is hurt beyond remedy, merciful people kill it to put it out of its pain. What difference between an animal and a human being, except that the latter, doubtless, had keener capacity for suffering? Yet no one would kill a woman to put her out of her misery. She must live on, maimed and mutilated, wounded to the death, yet denied death's freedom. Unless she took the matter in her own hands and ended it. There was nothing to hinder her from that, save—the horror of it, and the sense of cowardice. Where was she now? for she could hear the sound of the sea. Ah, yes, she would go down on the wharves, there is always something lulling and comforting in the lapping, rippling sound of waves upon the shore. She walked rapidly down the Stafford Street jetty, and then became aware of lights and noise and bustle.</p>
        <p>'Is there anything gone wrong?' she asked composedly of a man lounging there with his hands in his pockets. 'What is the matter?</p>
        <p>'Naething that I ken o', 'ceptin' a steamer just starting',' was the leisurely reply.</p>
        <p>'Starting? Where? Is she really going away?</p>
        <p>'As far as I ken—aye.'</p>
        <p>Philiberta ran from him into the thick of the crowd.</p>
        <p>'Help me, somebody,' she cried. 'I want to go in this steamer.' A stout, short man, wearing a peaked cap, sprang from the deck of the vessel to the wharf—the distance was not more than four feet, but-widening every second—caught her up as if she had been a doll, and sprang back with her.</p>
        <p>'A narrow squeak,' said he, setting her down angrily, 'Why the dickens can't women learn to be in time?'</p>
        <p>'I beg your pardon,' said Philiberta deprecatingly, 'I did not know I was coming.'</p>
        <p>'What? Hadn't you taken your passage?'—'No.'</p>
        <p>'Nor got your luggage aboard?'—'No.'</p>
        <p>'Then I'm dashed sorry I bothered about you. I'm fooled. But there's one consolation, the other one's missed it. Serve her right!</p>
        <pb xml:id="n125" n="122" corresp="#TalPhil125"/>
        <p>He turned on his heel and walked forward, leaving Philiberta leaning bewilderedly against the rail.</p>
        <p>The stewardess told her afterwards that that was the second mate; that a young lady had taken her passage that day and put her luggage aboard, and then gone up town to see some friends. And the second mate had evidently taken Philiberta for that young lady, who had certainly missed her passage now.</p>
        <p>'Can you tell me where this steamer is bound for, please? asked Philiberta.</p>
        <p>And the stewardess was so astounded that she said, 'Well, I'm blest!' under her breath.</p>
        <p>Aloud she said, 'To catch the Australian mail steamer at Port Chalmers, miss.'</p>
        <p>'Thanks. Then I think I'll lie down a while,' said Philiberta. And the stewardess showed her a berth.</p>
        <p>In the still of the night they reached the Port, where the larger vessel lay, a thin line of steam ascending from her funnel being the only indication that she was not asleep, like her neighbours ranged along both sides of the pier. She was to sail at daybreak, Philiberta, till then, walked restlessly up and down the pier. With the first streak of dawn, however, she went on board, gave her name to the stewardess, and went to her berth in utter weariness. She did not sleep, but lay there staring vacantly, and taking a vague, involuntary interest in the tumult overhead. She heard a peremptory voice once calling the stewardess on deck. Then the stewardess came down again, and into Philiberta's cabin, and stared so hard and curiously that the girl said:</p>
        <p>'There is some money in my pocket, please, if you want my fare now.'</p>
        <p>'Oh, it isn't that,' said the woman, laughing. 'What did you say your name was, please?'</p>
        <p>'Campbell. Why?'</p>
        <p>'Oh, nothing, only I must go and put it in my book.'</p>
        <p>And then she went straight on deck again, and Philiberta turned her face to the wall and sighed drearily.</p>
        <p>The steamer cast off and throbbed slowly down the bay and <pb xml:id="n126" n="123" corresp="#TalPhil126"/>out to sea. The long day dragged through and night came again; and with the night came sleep to Philiberta, and a dream. The pulsation of the engine must have, caused it, for she dreamt that she was resting on her lover's heart, counting its throbs. Then she heard his voice calling her name, so distinctly that she started awake, with her own heart on fire and every fibre of her body quivering. But everything around her was still, save only the constant palpitation of the vessel. Her door opened upon the ladies' cabin, and she could see that the lights were turned low, and that the stewardess was slumbering peacefully in her clothes on one of the cushioned benches. The sea was evidently very calm, for the table in the cabin stood as steadily as if it were on the floor of a landlubber's drawing-room; the tumbler of water, left inadvertently upon it, kept its position with perfect sobriety. Philiberta lay down quietly again, and began to wonder why they had not yet touched at the Bluff; then remembered that the engines had been stopped for a few hours a little way out from Port Chalmers Heads. She had asked the stewardess the cause, and the stewardess had told her, but now she had forgotten, and what did it matter? Only that was doubtless why they were not yet at the Bluff. Then she thought of Mrs. Retlaw, and her own ingratitude and selfishness in not leaving some word of explanation behind her. Not the true explanation—Heaven forefend!—but some little word to ease her dear friend's mind concerning her. Well, she would telegraph from the Bluff, so that was settled Just then there came, above the beat of the engine, a strange, weird sound to her ears, a long moaning sigh from afar off. It smote her distressfully; she remembered having heard something akin to it in old times in the bush when a fierce summer-storm was approaching, but yet a long way distant in the trees. She had always hated the sound; it made her feel so chill and cowardly. There again! And, unable to control herself, she sprang from her berth, hurried on dress and cloak, and rushed on deck. As if by magic, the former peace and stillness were ended. The captain was at his post; quick orders were uttered and obeyed. <choice><orig>Some-<pb xml:id="n127" n="124" corresp="#TalPhil127"/>thing</orig><reg>Something</reg></choice> was coming. Dear God, something dire was coming fast to the ship! The distant moaning was changed to a weird wail; then increased to a piercing, terrifying shriek; then it rushed down madly on the vessel in a mountain of water and foam. The ship seemed to hold her breath a moment before the approach; and in that moment Philiberta felt herself lifted and carried down below. A crash, a rush as of blinding, drenching seas, a fearful screaming of wind that drowned the screams sent up in terror from human throats; then the steamer quivered and reeled and staggered, and finally throbbed on again with the gale in her teeth. Sleep and silence were over. The saloon was suddenly filled with wailing, doomed creatures, Philiberta, looking up to see who held her, saw Edgar Paget.</p>
        <p>'Then it <hi rend="i">was</hi> your voice that called me just before the storm,' she said, and whether he heard her or not she never knew, for there was another deafening crash, and the shock felled both to the floor. Still he held her fast, and struggled up again. Another brief lull. 'How did you come here?'</p>
        <p>'Rode over to the Port. Did you think I would let you go?'</p>
        <p>'How did you know?'—'My soul guided me,'</p>
        <p>Boom! Boom! Crash! The sea rushed down into the cabin, God! how the women shrieked. Some of them had babies, poor souls.</p>
        <p>'We will not die here like drowned rats!' shouted Paget; and then he lifted Philiberta on his shoulder, and struggled with her to the deck, she clinging round his neck with both arms. Men passengers were running about wildly; some were already washed off; only the captain and officers and crew were silent, save for a shouted order now and then, which was probably lost in the wind.</p>
        <p>The hurricane shrieked and raged, the sea lashed and roared, the struggling vessel fought and groaned as if she knew there could be but one end to the unequal battle, and that her destruction,</p>
        <p>'Hopeless!' shouted the captain. 'She is breaking up. It will be all over in ten minutes.'</p>
        <p>Not quite so soon; the agony lasted an hour and more, and <pb xml:id="n128" n="125" corresp="#TalPhil128"/>by that time the people had grown calm in the face of the inevitable. Mothers clung to their children, wives and husbands to each other, with that passionate tenacity of love that fears and yet defies dividing death. Many of them prayed that the end might come quickly. None dreamed of escape. Edgar Paget had lashed Philiberta to something: in the darkness she could not tell to what. She thought she felt him lashing himself there too; and she felt glad of that When the final break-up came, he had his arms round her; she never knew when or how he lost his hold.</p>
        <p>Boom! Boom! Crash! It is over And the sea calms gradually down over a few scattered planks, beams, splinters, and drowned people.</p>
      </div>
      <div xml:id="t1-body-d18" type="chapter">
        <head><hi rend="c">Chapter</hi> XVIII. <hi rend="c">Saved.</hi></head>
        <p><hi rend="sc">Yet</hi> two were saved.</p>
        <p>Two who, knowing that not even death could so utterly divide them as life, were perhaps of all that ship's human freight least desirous that the sea should spare them. Stranger even than the miracle of their rescue was the fact of their being rescued separately.</p>
        <p>Edgar Paget was the first. Dhashed adrift directly after the ultimate break-up, he, clutching about as only a drowning man can clutch, caught at a portion of the wreck and held on, holding his breath at each wave that rushed over him, and renewing it again in the brief intervals. In the lull of the storm he heard a shout, and shouted back under the conviction that it was to some poor wretch in as sore a strait as his own.</p>
        <p>But then he saw a light, and knew the truth; rescue was at hand. The wind fell almost as suddenly as it had risen. The sea was still furious, yet a human cry could be heard above its roar. He shouted again, and felt himself drifting nearer and nearer the light. Presently he was aboard a small coasting Vessel that had done her battle with the storm; suffered too, and <pb xml:id="n129" n="126" corresp="#TalPhil129"/>lost two men; but had weathered it at last, and lay sobbing now on the breast of the sea.</p>
        <p>Partly at Paget's earnest entreaty, partly because the ship was crippled and could not well do other, the captain tacked about the same place till morning, all the men shouting incessantly and casting out whatever floatable articles they could spare, in the dim hope of giving some sinking wretch another chance. But nothing came of it, and daylight showed them only a sullen subsiding sea, whose long swell might easily wash away any sign of the wreck—away—away beyond sight and recovery.</p>
        <p>'All gone, sir! stake your life on that,' said the skipper of the coaster to Paget, who scanned with despairing eyes the great grey cruel grave that stretched everywhere round him out to the dim horizon.</p>
        <p>He had suffered some damage to his left arm. It was broken, but he did not know this till afterwards. Something had struck him as he drifted towards the little ship; something like human flesh had touched his own at the moment of the blow. He had almost lost his hold from the suddenness of the concussion; then it—whatever it was—had drifted off from him. It might have been—God!—it might have been Berta. Why had he not let go his own plank and clung to that? he could at least then have drowned with her.</p>
        <p>'It is always possible that wrecked people may be picked up by stray vessels?' he said to the captain inquiringly.</p>
        <p>'Always <hi rend="i">possible</hi>,' with a melancholy emphasis on the last word. 'Wood will always float. Bodies lashed tightly on will float too.'</p>
        <p>'Bodies!' The skipper's verdict lay in that word.</p>
        <p>'Nobody could last long in such a sea as that,' he added. 'You would have been a goner in ten more minutes, you know.' But the skipper was not quite right in his conclusions that time.</p>
        <p>In forty-eight hours they were all in Dunedin, and the news of the wreck of a great steamer went out all over the world.</p>
        <p>Philiberta was always singularly reticent of information <choice><orig>re-<pb xml:id="n130" n="127" corresp="#TalPhil130"/>garding</orig><reg>regarding</reg></choice>that period of her life directly subsequent to the wreck. It is my opinion that she was so because she dreaded people's incredulity.</p>
        <p>Adventurers, generally speaking, lay themselves sadly open to suspicion of drawing the long bow in anecdote and narrative; and the rare few truthful ones naturally shrink from inviting a share of the general unbelief.</p>
        <p>There is that remarkable and eccentric sea-serpent now. Who believes anything anyone says about him?</p>
        <p>Yet there can be little doubt that such an animal, or reptile, or insect (impossible to fix his category until we catch him, you know) exists; or that it has been seen by a favoured (or afflicted) few. But not even the word of a missionary will be taken about it now. I saw half a dozen newspapers the other day in all of which were articles cutting, slashing, and in all ways ridiculing a certain reverend gentleman who bad published a most graphic account of a personal interview with the sea-serpent. The ship the missionary was on was the <hi rend="i">K</hi>——, bound for an island of savage heathens with a cargo of tracts, glass beads, and rum; principally rum. And the authors of said newspaper articles made ironical observations that, considering the cargo, the public ought to be much obliged to the missionary and other passengers for <hi rend="i">seeing only one sea-serpent.</hi> On another vessel, when the sea-serpent came along to exchange friendly notes about the state and prospects of things in general, the captain ordered every soul on board below, and himself mounted guard with a revolver in each hand to prevent and one catching so much as a glimpse of the snaky denizen of the mighty deep. Afterwards, the captain bound every man, woman, and child, by an awful and solemn oath, never, to reveal that the ship had come anywhere within hail of a sea-serpent, lest on him and his vessel should fall the blighting scorn and 'chaff' of an unbelieving public.</p>
        <p>He told me all this himself, and I know it must have been true, because that captain was almost as particular about telling a lie as George Washington was. In fact, if he had a fault, it was his exaggerated regard and respect for truth—a <pb xml:id="n131" n="128" corresp="#TalPhil131"/>commodity that should, as a new philosopher remarks, ever be used sparingly on account of its preciousness. But there was one dear friend to whom Philiberta, at intervals, unbosomed herself of strange revelations. And it was to this same friend that she described the odd sensations of death by drowning, and the awfulness of coming back to life from such a death.</p>
        <p>'It seems not a second of time,' she said, with that dramatic intensity of speech and gesture peculiar to her in moments of deep feeling,' since you sank down—down—with the rushing of water in your ears, the numbing of blood in your veins, in your throat the gurgling instinctive cry to Heaven for aid in your extremity, and then the sense of great eternal calm. Not a second of time from this, and yet you are alive again, with a painful life that tingles excruciatingly in every limb, throbs torturingly in every pulse—alive, and still so weary all over with an unutterable weariness that you cannot keep the tears back. So weak, that the burden of life—the heavy, grinding burden that must be taken up again and borne to the bitter end—seems all too great and oppressive for human strength. Thus must the Son of Man have felt as His persecutors goaded and spurned Him back to consciousness when, under the cruel weight of the Cross, He had fainted and fallen by the wayside. Ah, Great One! whether Thou wert divine or only human, aching hearts and weary heads even to this day, and through all time, must bleed for Thee and bow to Thee, because of the bitter suffering that makes all living things akin. How must Thy tortured, fainting, dying heart have been glad to send forth the cry, "It is finished!" '</p>
        <p>The ship that picked up our heroine was the barque <hi rend="i">Star</hi>, bound from Australia to Hong Kong with a large number of Chinese passengers. These passengers, with the economy characteristic of the Mongolian exile, all travelled steerage. The odour of them pervaded the whole ship, fore and aft. Presently it was discovered that the stench was not wholly caused by the living; that they, in conformity with an unpleasant custom of theirs, were transporting their dead for burial in their native land. These dead celestials were packed neatly in trunks <pb xml:id="n132" n="129" corresp="#TalPhil132"/>and boxes and labelled 'luggage,' probably on account of the absurd prejudice of European seamen against sailing with a corpse. Some of the dead men had been merely bones and dust for a long time, and were of course easily packed and comparatively inoffensive. But others had not been so long under ground, and their friends had not thought it conscientious to leave them, or convenient to wait for them, so they just brought them along to continue their decomposition as they best might on the voyage. The daily increasing suspicions and disapprobation of the sailors reached the culminating point when the <hi rend="i">Star</hi> suffered a ten days' calm in a tropical latitude and became worse than a charnel-house. The men insisted upon searching the luggage; the Chinese objected. The captain and officers made some show of quelling the seamen, and were immediately put in irons. There is reason to believe they were rafter glad of this; and who will wonder at their rejoicing to be compelled to acquiesce in an act they could not in honour have countenanced, but which doubtless saved them all from death by some horrible fever? The encounter was brief but bloody. The Chinese numbered three hundred, to twenty British Islanders and one Italian steward (whose kindness to Philiberta, by-the-bye, and talent for manufacturing dough-nuts and similar delicacies, were never forgotten by her). When the trouble was over, and the litter cleared away, and the decks washed, the captain and officers were released and permitted to reckon up results, which were—a considerably lightened hold (not a scrap of passengers' luggage was there left) and a hundred and ten living Chinamen in place of the three hundred originally shipped. Perhaps we had better say, for sake of rigid accuracy, one hundred, because the odd ten were damaged beyond repair, and went to join the departed within a few days afterwards.</p>
        <p>How rejoiced Philiberta was to quit this vessel for a Fijian trader they fell in with about a fortnight after this the reader may imagine without any strong effort.</p>
        <p>There was some mystery about the Fijian experience that Philiberta's friends could never quite make out, and she always <pb xml:id="n133" n="130" corresp="#TalPhil133"/>put so stern a check on conjecturing curiosity that she was seldom offended by it. When that great exposure of 'black-birding' came about, her friends thought they had a link, but it never amounted to anything. Some became possessed of the idea that she had been compelled to take an oath of secrecy about something, and had found it inadvisable to break that oath. One, and I think that one was nearest the mark, believed that gratitude to the captain, who was excessively kind to her, kept Philiberta silent about matters that could not have been ventilated to his advantage.</p>
        <p>I believe that the captain wanted to marry Philiberta, but that is merely speculative. The space of time between the wreck and our heroine's return to Melbourne measured eight months, but it made a difference of almost as many years in her appearance and feelings, But, if there had been nothing else, that sudden awful wreckage of her life's faith and love and hope up there on the hill, near Dunedin reservoir, would have made all the difference in her.</p>
        <p>She stepped on to the Sandridge pier at noon of a scorching day in February, when Melbourne and all its surroundings were obscured in a haze of dust She had come straight from Sydney in the <hi rend="i">Dandenong</hi>, which had sailed exactly six hours after she had landed there from Fiji; so it will appear that she had not stayed to make observances of New South Wales.</p>
        <p>'<hi rend="i">Age</hi>, the <hi rend="i">Argus</hi>, and <hi rend="i">Daily Telegraph</hi>!' shouted small boys in furious competition, as they darted in and out of the throng on Sandridge pier.</p>
        <p>Philiberta arrested one and bought a copy of each paper. Then she went up to the ladies' waiting room in the railway station and sat down there to read. And this is what she saw in the first column of the very first page her eyes fell on:</p>
        <p>'Next of kin to Philiberta Campbell, who was lost in the SS.——off the coast of New Zealand on the tenth of last June, will hear of something to their advantage on application to Otto Berliner, missing friends agency office.'</p>
        <p>For the first time in her life, perhaps, a sense of her utter and perfect loneliness in the world came over her.</p>
        <pb xml:id="n134" n="131" corresp="#TalPhil134"/>
        <p>'Next of kin!' She had no kin. Friends? Well, yes; Mrs. Retlaw had mourned her doubtless; and the Hugills—ah, yes, the Hugills had sorrowed for her surely. And Edgar, he must have been drowned—but if he were alive, he would grieve about her.</p>
        <p>But there was no one to wear black for her, or to come and claim her money.</p>
        <p>Suppose she were dead, she thought, what would eventually become of that money? Would most of it be expended in advertising and searching for her 'next of kin'? Or would some clever impostor come forward and prove himself 'next of kin,' and get it? Or would the inquiry be given up shortly and the money go to swell the Government Treasury?</p>
        <p>She made up her mind, then and there, to make her will at the earliest opportunity. But here again was a puzzle. To whom should she give her wealth? The Hugills were never likely to need it. The Retlaws would always have plenty of their own. She would take her time and look round and find out what would be the very best and wisest use it could be put to. Just the she heard an uproar outside and went forth to see the cause. And she saw a man mercilessly cudgelling and kicking a horse, and cursing and 'carrying on' in a fashion that showed how well he knew his exemption, from punishment in this land of liberty.</p>
        <p>Hotly indignant, Philiberta, hurried towards the ruffian, but before she could reach him, his poor overloaded, bruised victim made one great effort in the desperate energy of suffering, and dragged, its burden sway across the road.</p>
        <p>Coming back towards the station, she saw two boys torturing a small wild bird that they had caught in a trap. She bade them let it go; they only laughed in her face. She entreated,' and they laughed still louder. Finally, she offered a shilling for the bird's liberty, and the chief torturer closed at once. The little fluttering thing flew lamely off, the boy got his shilling, and Philiberta, staying to watch against a second capture for a few minutes, heard the other little villain abuse his mate for not 'making the figure one-and-three!'</p>
        <pb xml:id="n135" n="132" corresp="#TalPhil135"/>
        <p>Then she went back to the station and into the well-crowded train, making resolutions and calculations as to the disposal of all her riches in the prevention of cruelty to animals.</p>
        <p>The compartment she entered was filled with fashionably dressed women. Two who sat opposite to each other in corners of the carriage were holding animated converse in a high key. From the tenor of their talk Philiberta, gathered that they were old friends just met after a long separation. One was from 'the bush;' the other was a citizen.</p>
        <p>'And when are you coming to town again?' inquired the latter.</p>
        <p>'I can't say,' replied the other. 'Not for a long time, I am afraid. George has turned so economical, you know, through the last bad season. And he wants to purchase Paget's station when the sale comes off.'</p>
        <p>'And when will that be?'</p>
        <p>'Oh, not for a few months yet Paget's bankers will give him every possible chance, you know; but they are bound to close in on him before long.'</p>
        <p>'Perhaps he will be able to redeem himself yet.'</p>
        <p>'Not possible. He is too deeply involved.'</p>
        <p>'How much?'</p>
        <p>'Oh, it would take twelve thousand to clear him, George says. But pray don't talk of this to anyone. George told me in confidence.'</p>
        <p>'My dear, did you ever know me betray confidence?"</p>
        <p>Every woman in the carriage heard this and smiled. Philiberta, pale and eager, put her newspaper before her face and waited for more.</p>
        <p>'What did you say Paget's place was called?'</p>
        <p>'Yoanderruk.'</p>
        <p>'Up Loddon way, isn't it?'</p>
        <p>'Yes. Wilks is his next neighbour.'</p>
        <p>'How did he manage to get into this fix?'</p>
        <p>'Oh, things have gone against him of late years; and then—his wife, you know,'</p>
        <p>'No, I don't know. What is it?'</p>
        <pb xml:id="n136" n="133" corresp="#TalPhil136"/>
        <p>Philiberta held her breath for the next sentence, and heard it though it was uttered in a whisper, the ladies bending their heads closer together. It was only one word.</p>
        <p>'<hi rend="i">Dipsomania</hi>!'</p>
        <p>'Dear me! How unpleasant! Poor man!'</p>
        <p>'No doubt it is chiefly that that brought him to this pass. Not what she spent or wasted, you know; but the misery of the thing. And the homestead left entirety to the care of the servants. George told me that Paget was dreadfully reckless sometimes, and no wonder. Then he got his arm broken in that wreck, and it was badly set by some surgeon, and had to be done all over again, George says he is an entirely different man since the wreck, and looks ill. I expect it was the fright. However, nothing can save him now from utter ruin; and yet <hi rend="i">she</hi> goes on just the same.'</p>
        <p>'Poor fellow! Have they got any children?'</p>
        <p>'One—a little boy. It is a cripple. The mother threw it out of the window in one of her fits when it was a baby, and it sustained some injury to the spine.'</p>
        <p>'What a fiend! And how old is the child now?'</p>
        <p>'About five or six years, I think.'</p>
        <p>'Well, what a time that poor man must have had! I wonder he didn't leave her long ago.'</p>
        <p>'So do I, But he is fond of his place—or used to be, they say. And he has everything very nice up there. And I suppose he has lived in the hopes of her getting the better of this curse.'</p>
        <p>'Well, it's a strange thing, really,'</p>
        <p>'Is this our station? Yes. And there's our buggy waiting. Come along, dear.'</p>
        <p>So Edgar Paget was alive, then, and back at his home with his wife. And his wife drank. This was the ban he had spoken of, but been unable to name. And he was altered, suffering, ruined.</p>
        <p>'Well, thank God! I can save him from that,' said Philiberta, making her lonely, aimless way through the crowded Hobson's Bay railway station. 'My money can save him from that if I can only devise a scheme for giving it to him.'</p>
        <pb xml:id="n137" n="134" corresp="#TalPhil137"/>
        <p>One thing was patent as a duty to her mind; she must keep all knowledge of her existence from him. He must never know that she was saved. And how then convey the money to him?</p>
        <p>'I will go to Mrs. Hugill,' said Philiberta.</p>
      </div>
      <div xml:id="t1-body-d19" type="chapter">
        <head><hi rend="c">Chapter</hi> XIX. <hi rend="c">Philiberta's Scheme.</hi></head>
        <p><hi rend="sc">Travelling</hi> old ground, even when it is not 'measured with milestones of pain,' hath ever a melancholy influence upon us. The familiar landmarks touch us with softening memories; so many things that are the same appear to have altered; so many that have altered startle and surprise us with the change; children that we knew have grown to be men and women; men and wonen have aged beyond recognition or gone into eternity, leaving a blank that we who did not see them die can scarcely realize or understand. Not such serious changes had been wrought in Philiberta's absence from Emuville, for the years had not been many enough; yet she experienced something of that feeling of strangeness that everyone has in visiting an old spot after a long time. Every turn and twist of the old coach road was full of suggestive recollections. The coach was the same, though a trifle dingier in its reds and yellows perhaps. The old brass trumpet was the same, though its voice seemed somewhat hoarser, The off horse had the same bad cough that he used to have, and the same habit of trying to bite a piece out of his neighbour's ear after each attack. The coachman was the same; time could make no difference in a complexion tanned in early youth to a Cherokee Indian tint, and a small slight figure made of bones and wire and leathery skin. But he did not recognise Philiberta. True that she wore a thick veil, but that should scarcely have made all the difference, and even when she put it up the man made no sign of recognition. Perhaps it was, she thought, because she was as one dead now. And dead people are so soon forgotten.</p>
        <pb xml:id="n138" n="135" corresp="#TalPhil138"/>
        <p>Yet, when she reached the house she knew so well, and looking through an open window, saw a woman sitting within, with folded hands and sad face and eyes that looked out in mute mourning, she felt that here at least she was not forgotten. She entered softly and stood before her friend.</p>
        <p>Pompo, the old grey kangaroo dog, bounced up in a fury, sniffed her, and recognised an old acquaintance; then flung himself lazily down again and felt that he had been egregiously swindled.</p>
        <p>'What is it? Who is it? Oh, I am afraid!' cried Mrs. Hugill, with a startled look in her eyes as she gazed upon the apparition.</p>
        <p>'Afraid! Of me! Then indeed I must be altered,' said Philiberta, holding out her hands appealingly.</p>
        <p>'My child—my Berta—alive? Now God has been very good to me! And I, how I have rebelled against Him—oh, Berta!'</p>
        <p>When the first hysterical transports were over Philiberta looked about her and then again earnestly at her friend.</p>
        <p>'Everything just the same,' she said, 'save that my dear's hair shows a grey streak or two that it used not to have. Yet I verily believe that it adds to her beauty instead of detracting from it. Tell me,—why did you cry out that you were afraid when you saw me!'</p>
        <p>'Dear, I thought it was your spirit. I had been reading a book about Spiritualism, and as I sat here thinking of you, oh, so sadly! I said, "If there be any truth in it—<hi rend="i">any</hi> truth,—let her come back, if it is only once, and for one short minute." It was almost a prayer, Berta, as I said it over and over again in my mind; and then Pompo growled, and I looked up, and lo! you were here.'</p>
        <p>'What are you doing here all by yourself?' said Philiberta, crying.</p>
        <p>'Oh, Les' has gone with the papa on circuit this time. I am all alone except for Ponipo.'</p>
        <p>This being the second time within a few minutes that Pompo had heard his own name mentioned, he felt that something <pb xml:id="n139" n="136" corresp="#TalPhil139"/>was required of him; so he bounded up, ran outside the house, rushed an imaginary bushranger or two off the ground, and then came in again. He flung himself exhaustedly at his mistress's feet, thumped the floor with his thin, hard, unbecoming tail, winked one eye, and then observed in his own peculiar manner that if anyone doubted his capabilities as a companion and protector, why, just let them say so, that was all. Then he went to sleep and snored.</p>
        <p>'I am glad to have you to myself for to-night,' said Philiberta to Mrs. Hugill. 'I have so much to say.'</p>
        <p>'I should think so indeed. Begin at the very beginning. But stop! What an inhospitable wretch I am! Forgive me, dear. Oh, my own darling, I cannot help crying yet for very gladness. Come, I will make some tea for you, and poach your eggs myself, I know just how you like them,—and you always prefer brown-shelled ones, don't you? This very day Jane made some of the scones you used to like; a tray full is standing now on the dresser, and a dish of Devonshire cream in the pantry. Sit here, Berta, in the old corner, and in the old chair. Both have been sacred to you all this long while. Sit down and let me feast my eyes upon you. I am so glad the men are away, I don't want anyone but myself to see or speak to you at first.'</p>
        <p>So Philiberta, thankful for this love, and wondering what she had ever done to merit and win it so abundantly, sat in her old place and was made much of. They talked on hour after hour, these two; and then Philiberta unfolded her scheme.</p>
        <p>'But the audacity of it!' cried Mrs. Hugill, aghast; 'and the impossibility of it!'</p>
        <p>'I don't see either said Philiberta. 'I am merely recovering my own property in my own way. There is no "next of kin" to dispute the matter with you; and my handwriting can easily be proved genuine.'</p>
        <p>'But won't it be forgery?'</p>
        <p>Philiberta laughed.</p>
        <p>'How can it be, when I do it myself?'</p>
        <p>'Well, forgery is not quite what I meant, either. There is some other name in law for an act of that kind.'</p>
        <pb xml:id="n140" n="137" corresp="#TalPhil140"/>
        <p>'Is there? I don't know, I never heard of anyone doing it before.'</p>
        <p>'Nor I. It is the wildest scheme!'</p>
        <p>'If the worst comes of it, which would be discovery,' said Philiberta, 'I don't see what the law could do to us. I have a right to reclaim my own, and I do not know why I may not reclaim it by any method I think fit. People hearing of it might call me mad, or at the least eccentric, but that would be because they did not know all my reasons and motives.'</p>
        <p>'Well, I, being a married woman, can't carry out any part of the scheme without my husband's sanction and assistance,' said Mrs. Hugill. 'Little as I know about law, I am aware of its arbitrariness in all matters connubial. A woman is treated by the law as an inferior animal; as one having neither sense nor knowledge, and quite incapable of managing her own affairs. She is positively without rights and privileges, is not allowed to have money in the bank unknown to her husband, and is looked upon generally as a creature of as little responsibility as Pompo there.'</p>
        <p>Pompo stopped snoring and started up—that dog was never too hard asleep to hear his own name—and seeing that his mistress was excited, rushed out with a howl to hurt some more bushrangers.</p>
        <p>'I must tell the papa, Berta,' said Mrs. Hugill, coming back to the important subject under discussion.</p>
        <p>'Of course you must,' said Berta, 'and Leslie too. And we shall need Mr. Hugill's help anyhow, for I know no more about legal arrangements than you do, and have no notion how to set about this affair properly. But you will have to broach it to the papa, dear, and bring him to my way of thinking. The chances are that he will set his face directly against it at first.'</p>
        <p>'The chances are! My dear, you should say the certainty is that he will set his face against it. I doubt if he will ever listen to it.'</p>
        <p>'Ah yes, he will, if you undertake to make him. After all, there is nothing wrong in what I want to do. It is not a sin.'</p>
        <pb xml:id="n141" n="138" corresp="#TalPhil141"/>
        <p>'No, except that all utter folly is open to a charge of sin. And indeed the boundary line dividing the two is not always distinct. But supposing we succeed, Berta, what are you going to do?'</p>
        <p>Work, dear friend, work. There is nothing better for me. I want to be doing. Nothing but activity can keep me alive. If I do not succeed in this scheme of mine, I will just turn my back on the money and go out into the world to earn my living. I can do it, you know. I have done it, partly, during the last eight months. I am not without money now, and I earned it.'</p>
        <p>'How?' said Mrs. Hugill, eagerly.</p>
        <p>'When do you expect Mr. Hugill home?' asked Philiberta, calmly ignoring that last question.</p>
        <p>'To-morrow. But if you won't tell me how you earned money in the past, perhaps you will condescend to explain how you propose to earn it in the future?'</p>
        <p>'Oh, there are many ways open to willing hands and sharp wits, backed with a good constitution. I am not afraid of anything.'</p>
        <p>'But have you no definite plan?'</p>
        <p>'Yes; I am going to be an actress.'</p>
        <p>'My child!'</p>
        <p>'Yes. During those weeks of loneliness that I told you of, through those interminable days of sea and sky, I had but one book to read—a copy of Shakespeare. It constituted the captain's entire library, and I believe he thought it was a Bible, for he looked surprised one day when I quoted a passage from it. "Is that Gospel?" he asked. "Yes; the grandest of gospels," I answered. "Well, I'm blest if I thought there was anything half so lively in Scriptur'," said he. "Show me the place in the book." Then I explained, and he looked shame-faced and said: "Well, I'll swear it was a Bible up to the time we held an inquest on Dick, the sailmaker, who went to Davy Jones's sudden one night through popping down between the ship and the wharf at Newcastle, him being under the influence, as it, were, and a trifle off his sea-legs at the time, <pb xml:id="n142" n="139" corresp="#TalPhil142"/>Some blamed cuss kissing the book must have swopped it, that's certain," said my captain.'</p>
        <p>Mrs. Hugill laughed.</p>
        <p>'I thought I had read Shakespeare before,' said Philiberta, after a pause; 'but I learned then, during those long days and nights, that I had not. I learned to live in him then, and lifted up my voice in continual thanksgiving that it was that book and none other that was "swopped" for the captain's Bible. I have it yet, a dirty, well-thumbed, well-worn volume. The captain gave it to me, and laughed to see my gratitude. The old hook will be precious to me as long as I live, for it was so much to me then. And I know almost every word in it by heart.'</p>
        <p>'And so you will go on the stage?'</p>
        <p>'Yes; it must be a glorious career. It must be glorious work to interpret to the multitude the thoughts of the world's greatest genius.'</p>
        <p>'Indeed it must!' cried Mrs. Hugill enthusiastically. 'You will be a wonderful success, Berta, and a great woman.'</p>
        <p>Neither of them knew anything of the difficulty and unprofitableness of trying to 'interpret to the multitude,' etc. Neither had heard that remark, now so trite, about Shakespeare and insolvency.</p>
        <p>'I always thought you would do something great and become famous, Berta,' said Mrs. Hugill.</p>
      </div>
      <div xml:id="t1-body-d20" type="chapter">
        <head><hi rend="c">Chapter</hi> XX. <hi rend="c">A Last Will and Testament.</hi></head>
        <p><hi rend="sc">Philiberta's</hi> scheme succeeded.</p>
        <p>She and Mrs. Hugill had a hard struggle for it with the magistrate; but there could be but one end—his vanquishment, as anyone knowing the domestic engineering of this family might easily foresee. Once having lent himself to the plan, however, Mr. Hugill did his most earnest best towards its furtherance. So he entered into voluminous correspondence <pb xml:id="n143" n="140" corresp="#TalPhil143"/>with Mr. Otto Berliner, of the missing friends agency, in Melbourne, and finally went to town with his wife, went through ceremonies in identification, paid an enormous sum in liquidation of accumulated expenses <hi rend="i">in re</hi> the estate of Philiberta Campbell, deceased, and then took entire possession of that estate under said Philiberta Campbell's duly attested will.</p>
        <p>'I should get ten years on the roads for it at the very least, if it were found out,' said Mr. Hugill, when it was all over and he was safe under his own roof-tree once more.</p>
        <p>'I don't believe it,' said Philiberta. 'I don't believe there is any law against a person's making a will and having it carried out during lifetime.'</p>
        <p>'I shall make a point of reading up to see,' said Mr. Hugill; 'and at any rate if I didn't get into gaol through it, I should most certainly be committed to Yarra Bend. It is the maddest thing I ever heard of.'</p>
        <p>'Then why did you do it, James?' inquired his wife, very unfairly, since it was she who had made him do it.</p>
        <p>What made it worse for the poor gentleman was that he had been kept in total ignorance of the grand motive of all this manœuvring, so that it seemed to him a piece of meaningless gratuitous folly.</p>
        <p>'And now all that I want,' said Philiberta, 'is a promise that you will preserve perfect secrecy.'</p>
        <p>'Secrecy, by Jove! <hi rend="i">Cela va sans dire,</hi> I reckon. Did it strike you as being at all likely that I should ever be such an ass as to tell? I dare say it did, though, seeing that I have already suffered you both to make such a consummate one of me.'</p>
        <p>Leslie was out of all this. Whether his mother feared the reignition of his old hopeless flame, or merely wanted him to be out of the way till this affair was all settled, one cannot say; but certain it is that she sent him off on a visit to distant friends without allowing him to see Philiberta at all that time. Afterwards she told him all about it; that is, as much as she told his father, which was very little; for Mrs. Hugill, though hating secrets, had the poorest opinion of masculine capacity for preserving them, and so kept them to herself and ran no risk.</p>
        <pb xml:id="n144" n="141" corresp="#TalPhil144"/>
        <p>'Though women <hi rend="i">may</hi> be more prone to babble for babbling's sake,' she was wont to say, 'yet they are much more retentive under the process of pumping. I never saw the man yet who wouldn't leak out everything he knew if skilfully pumped; but let a woman see that you are trying to draw her out, and she shuts up as suddenly and perfectly as a trap-door spider's house when a fly gets in.'</p>
        <p>Of course there is no masculine mind that will be imposed upon by this little woman's theory. Every man will perceive the absurdity of it at a glance; therefore to attempt to point it out would be entirely supererogatory.</p>
        <p>Mrs. Hugtll went to Melbourne with Philiberta to help at the transfer of the money. Philiberta felt the inadvisability of appearing personally in the affair if she wished to carry out her fraud successfully.</p>
        <p>So Mrs. Hugill managed it through an agent who, for a liberal 'consideration,' contrived the whole arrangement with Edgar Paget's bankers cleverly and with the utmost secrecy. Mrs. Hugill gave this individual a false name and account of herself, and he never even saw Philiberta, so there was little danger of the truth ever coming out through him. And Paget's bankers, who were extremely partial to Paget, and deeply distressed over the circumstances that were forcing them to foreclose on him, were only too rejoiced to accept his redemption from any quarter, and to refrain from pressing too closely any unwelcome inquiries.</p>
        <p>'So now it is done,' said Philiberta, smoothing out on her knee the bankers' receipt in acknowledgment of twelve thousand pounds, paid into their hands to the credit of Edgar Paget. 'Now it is done.'</p>
        <p>'Yes, and I only hope you may never have to regret it, dear,' said her friend.</p>
        <p>The two were in quiet lodgings in St. Kilda, and were sitting in a pretty chamber that overlooked the bay. Philiberta loved the sea, though it had treated her so ill. The boom of its waves upon the beach was always music to her soul; she could always find relief from herself in the contemplation of sunlight or moonlight on its varying waters.</p>
        <pb xml:id="n145" n="142" corresp="#TalPhil145"/>
        <p>'I shall never regret it,' she said, in answer to Mrs. Hugill's last remark. 'The money counted as nothing to me, and it will save him. And I have none other in the world to need it from me, only him.'</p>
        <p>In her heart Mrs. Hugill hated and despised Edgar Paget as a treacherous and dishonourable ruffian. So figure to yourself the loyal allegiance to friendship that could restrain her from all bitterness of speech concerning him! If prayer could have brought about his death, I believe she would have prayed for it; but never a word uttered she against him to Philiberta, lest the word should wound her darling.</p>
        <p>'Come back with me to Emuville, Berta; and gladden our hearts by staying with us a while.'</p>
        <p>'My dear, I am too restless. It will be better for me to lose no time in getting to work.'</p>
        <p>'How do you mean to set about it at first, dear?'</p>
        <p>'Oh, I will go and make application at the theatres. What I have still retained of my fortune will keep me until I can justly demand salary. It will not do to press for salary at first, you know, as I am unknown and inexperienced.'</p>
        <p>'I suppose not. But, Berta, are you not afraid that Mr. Paget will see you and know you one of these days if you stop in Melbourne?'</p>
        <p>'I have thought of that, but there is little likelihood of such a contingency. From now until the end of the year is a busy time for a squatter. And in the first flush of his release from difficulties it is most probable that he would cling close to home to make the most of his renewed chances. By the end of this year I shall most likely have an engagement in some other colony if I succeed in this. And then every year of my life will lessen the probability of his recognising me even if we should meet. I am altered a great deal already, you know.'</p>
        <p>'Yes, you are altered,' said Mrs. Hugill.</p>
        <p>'And every year will alter me more.'</p>
        <p>'How calmly you talk of it, Berta.'</p>
        <p>'Dear, I have had a long time to think calmly of it, you know, and to learn that life is made up of more senses than <pb xml:id="n146" n="143" corresp="#TalPhil146"/>one, and that there is something for everyone to do and live for beyond mourning the one boon which is denied.'</p>
        <p>'My child, it was a bitter lesson for you to learn at the very outset of your life.'</p>
        <p>'Don't!' said Philiberta, hastily. 'Somehow I can bear anything better than tenderness lately. But don't think I am ungrateful for yours, dearest; it is only that it—that it––'</p>
        <p>'I know, I know, darling. So you will try the theatres at once.'</p>
        <p>'Yes, it will be better. And this great ambition of mine,' said Philiberta, 'will fill up my life and compensate for all that is as yet a failure in it. With an end in view—something to achieve—something to work for and win—no one can be unhappy.'</p>
        <p>'And you will win, darling, you will succeed.'</p>
        <p>'I think I shall,' said Philiberta.</p>
        <p>Not a doubt of it entered either of their minds; and so they went out arm in arm for their last walk together on the beach, and their last anticipatory discussion of the glory they bath felt so sure of.</p>
      </div>
      <div xml:id="t1-body-d21" type="chapter">
        <head><hi rend="c">Chapter</hi> XXI. <hi rend="c">Difficulties.</hi></head>
        <p><hi rend="sc">Philiberta</hi> soon realized the poverty of her chances as a Shakespearian actress. Theatrical managers did not want Shakespeare. Still less did they want inexperienced interpreters of him. They were all very civil to our heroine, but they laughed at her, almost to her face. It really was too absurd—a woman absolutely without the slightest stage experience presenting herself with the request to be engaged as leading lady for classical plays. Why, it even surpassed the audacity of those third-raters who came out sometimes from low provincial theatres in England, with a flourish of play-bills that announced them as stars. It was exasperating to see people with such notions of themselves. Yet one of these managers <pb xml:id="n147" n="144" corresp="#TalPhil147"/>(of the Royal—the old Royal, you remember) felt a little touched when he saw a pathetic look of disappointment creep over Philiberta's earnest face as he stated his belief that there was no opening, and probably never would be, for her and Shakespeare.</p>
        <p>'You see,' said he gently, feeling all the while that it was weak—very weak indeed—thus to hold parley when he ought to make the negative prompt, decisive, and unalterable, 'You see, we can afford to go to the necessary expense of a company and accessories only when the leading actor or actress is a certain draw. Much as we desire to encourage local talent, it hasn't any show in this country yet—except in one or two cases that I know of, and they are not in the heavy line. The colonial public prefers importations. And even importations of the heavy stamp won't go down unless they are very highclass indeed, and can send a splendid reputation before them. Even then the best of them seldom pay a management as well as a good comic singer, or break-down dancer, By-the-bye,' said he, half maliciously, 'you don't think you could do the comic business, do you?'</p>
        <p>'I cannot dance break-downs,' said Philiberta, with melancholy dignity.</p>
        <p>'And you can't sing?'—'Comic songs? No.'</p>
        <p>'Can you sing at all?' inquired Mr. G., with some eagerness, as if a new idea bad caught him suddenly.</p>
        <p>'Oh yes, I can sing,' said Philiberta. 'My voice is said to be good,'</p>
        <p>'<hi rend="i">Would</hi> you mind letting me hear it?'</p>
        <p>'I would rather not. But why?'</p>
        <p>'Oh, well—I had an idea that might come to something—if you really are so anxious to adopt the stage as a profession.'</p>
        <p>'I am very anxious, but I could never sing comic songs,' said Philiberta, with emphasis.</p>
        <p>'But I was not thinking of comic songs just then, exactly. And I cannot say what I was thinking of, unless you will give me the chance of testing your power as a vocalist.'</p>
        <p>'Then I will sing, if you like,' said Philiberta.</p>
        <pb xml:id="n148" n="145" corresp="#TalPhil148"/>
        <p>'Thanks. Come with me to the proscenium. There's a piano on the stage. You can either accompany yourself, or sing without accompaniment; just as you like. This way.'</p>
        <p>She followed him along the numerous passages to the stage.</p>
        <p>'Will you have the piano?'—'No, thanks; I will try without.'</p>
        <p>'Very well. Stand right up to the front, then, close to the footlights, and wait till I get upstairs before you begin. When you see me over there behind the Governor's box, I shall be ready. Sing anything you like, you know.'</p>
        <p>She waited until she saw him right opposite, in the dress-circle, then somewhat confusedly began. She was too nervous and bewildered to choose her song judiciously. Indeed, she could not for the life of her just then remember any one of her best ballads or selections. Nothing would come to her save a mournful Scottish air ('Roslyn Castle') that she had learnt very long ago from John Campbell, and to which she had wedded lines only lately.</p>
        <lg type="verse">
          <l>'Hear the wail of the wind as it wanders from the sea,</l>
          <l>Watch the pale stars that shine so sadly down on me;</l>
          <l>Oh, the weird wind is lamenting, the stars in pity shine,</l>
          <l>For they know no other sorrow so sorrowful as mine.</l>
          <l>The waves are falling heavily with dull and booming roar</l>
          <l>On the sands so grey and dim, and I kneel upon the shore,</l>
          <l>And I bid the waves be still while I my story tell,</l>
          <l>But they come and go unheeding while they moan, "Farewell!"</l>
        </lg>
        <lg type="verse">
          <l>'Farewell, farewell! like an echo of the day</l>
          <l>When the sea unrelenting bore my heart's love away;</l>
          <l>And I watched the white sails fading till they vanished from my sight,</l>
          <l>And all the bright glad sunlight died away to darksome night.</l>
          <l>Weary years have passed, and I am still left here alone</l>
          <l>With but the wind and stars and sea to listen to my moan;</l>
          <l>Weary years are gone, and I know, ah! so sadly well,</l>
          <l>That weary years ago my love bade me a last "Farewell!"</l>
        </lg>
        <lg type="verse">
          <l>'Oh! I would that the wind would bear my soul away</l>
          <l>Over sea, over land, all through the long, long day,</l>
          <l>That I might seek my lost love in every land and clime,</l>
          <l>Till, finding him, my glad soul might forget this weary time.</l>
          <l>I would put my hands in his, and we would soar beyond the sky,</l>
          <l>Far past the pitying stars that throb in yon blue dome so high;</l>
          <l>But woe is me! I listen to the sea's unceasing knell,</l>
          <l>And it tells me hope is gone for aye. Farewell! Farewell!'</l>
        </lg>
        <pb xml:id="n149" n="146" corresp="#TalPhil149"/>
        <p>She sang the first verse very indifferently, and then stopped.</p>
        <p>'Go on,' called a voice from the far-off box.</p>
        <p>So she sang the second, and gaining courage and control of her voice, went through the third of her own accord. Seeing that Mr. G. waited still, she called out, 'That is all. There are no more verses.'</p>
        <p>In a few seconds he was with her on the stage again.</p>
        <p>'Your voice, Miss——?'</p>
        <p>'Morven. Miss Berta Morven is the name I have assumed.'</p>
        <p>'Well, your voice, Miss Berta Morven, is simply magnificent. If you will accept, I will take the responsibility of offering you now, on behalf of the management, an engagement in opera bouffe, at a salary of four pounds a week. The opera bouffe season commences in exactly a month from now. Rehearsals begin to-morrow.'</p>
        <p>Seeing that she hesitated, nay, looked anything but gratified, he added, 'Believe me, it is an exceptionally good offer. If it were not for your voice, I should never dream of making it. Remember that you know nothing whatever of stage business; you are completely ignorant of a vocation that requires as hard work and long apprenticeship as any other, from music and painting down to carpentering and shoemaking. It is not every day you will hear of a mere tyro getting such a salary as I offer, but it is not every day one hears such a voice as yours, so there is no disinterested generosity on my part. All the same, I repeat that it is an extremely liberal offer.'</p>
        <p>'I don't doubt that,' said Philiberta, 'but I think I told you at first that salary was a matter of trifling importance to me compared with the gratification of my ambition. And opera bouffe is not my ambition—not my forte.'</p>
        <p>'Excuse me, Miss Morven, but it strikes me you do not really know what is your forte. For that matter I have very rarely met anyone who did. I knew a circus clown once, one of the best clowns ever turned out by those two great manufacturers nature and art. Well, he thought himself a born Virginius, a perfect Lear, a natural Othello. He tried each of these <hi rend="i">róles</hi> at different times, and was simply roared off the boards. The audience didn't hiss him, the show was too <pb xml:id="n150" n="147" corresp="#TalPhil150"/>utterly comical and mirth-provoking. He could have gone on drawing crowded houses with those parts, for grander burlesques it is impossible to conceive. But no, egad! he wouldn't be laughed at—at least, not in that way. So he went back to his legitimate line, still always immovably convinced that he was wasted, and that if he had been started on the tragedy instead of the comedy track at first, he would have distanced every tragedian in the past and future. It is trite knowledge among professionals that every actor and actress, when having a benefit, will, unless prevented by force or persuasion, play out of his or her own line some piece they fancy, but have no talent for. With such a voice as yours, Miss Morven, your forte should be singing; and you will excuse a man, whose years and experience in this line should entitle him to some little assumption of true judgment, when he tells you that you are probably mistaken in your estimate of your own abilities. Very few people can hope to play Shakespeare properly.'</p>
        <p>'But I have read and learned the plays so thoroughly.'</p>
        <p>'So have numbers of people, my dear young lady, who couldn't act one fit to be seen. Mind, I don't say it is as bad as that with you. To give my own genuine opinion, I believe you could play Shakespeare in time. But there is so much detail to study, so much outside of mere word, gesture, and costume perfection, so much business to study in short, that it would be madness, even if any management could be found to undertake you, to attempt anything so ambitious until you know more about it.'</p>
        <p>'And how am I to know more about it? How am I to learn all this that you say is essential?'</p>
        <p>'Why, my dear young lady, I have put the chance in your hands. I offer you the run of the school, with a salary to boot that any novice of two years' apprenticeship would consider magnificent.'</p>
        <p>'Then t shall be glad to accept your offer,' said Philiberta, with sudden decision. 'I hope I have not seemed too ungrateful in hesitating so long about it. It was not that I failed to appreciate your liberality.'</p>
        <pb xml:id="n151" n="148" corresp="#TalPhil151"/>
        <p>'Oh, say no more about that,' said Mr. G. 'We want a contralto, so there is no obligation.'</p>
        <p>'I hope you won't be disappointed in me,' said Philiberta.</p>
        <p>'If you never sing worse than you sang to-day, I am not likely to be,' replied Mr. G. 'And now I must get back into my office.'</p>
        <p>'I have detained you so long,' said Philiberta, apologetically.</p>
        <p>'Oh, that's nothing. Here is the best exit. Allow me—it is dark here, and there is a step. Rehearsal to-morrow morning, at ten sharp, Miss Morven. Good-day to you.'</p>
        <p>'Good-day, and thanks. But remember, Mr. G, I do not give up hope of the other yet.'</p>
        <p>'What, the high falutin line? Quite right, Miss Morven—quite right. Ambition and perseverance are your best cards in this game. No one has any chance in it without them. Don't be later than ten, please, to-morrow.'</p>
        <p>Philiberta was strictly punctual. Indeed, she was almost first at the theatre, and had the edification of hearing later arrivals most eloquently cursed and sworn at by the stage-manager. It came to her rather as a shock to hear the same abusive epithets bestowed on men and women alike freely. But the anathematized fair ones did not seem to mind at all. The young girls laughed; the elder ladies took no notice. One of those, a short stout woman, startlingly near childhood, to all appearance, spoke out once, and said that if the stage-manager 'had eleven kids all born alive and still living, and wanting to be dressed and fed every morning, it would waken him up and stop his jaw a little.'</p>
        <p>Some choruses were rehearsed, some seemingly senseless manoeuvres gone through, in none of which Philiberta was required to join; so she sat aside, watching. She had 'a part,' the women whispered among themselves, some of them eyeing her jealously and enviously on that account. Presently there was a pause in the rehearsal. The leading lady was in requisition, and had not come yet. Signor Blankini stamped and foamed, and grew purple to the very top of his bald head. And in the midst of the tornado of temper the leading lady <choice><orig>entered-<pb xml:id="n152" n="149" corresp="#TalPhil152"/>calm</orig><reg>enteredcalm</reg></choice>, cool, and lovely, moving gracefully across the stage with the utmost leisure, her draperies held daintily up from contact with the dusty floor—a woman of perfect loveliness, with yellow hair framing her charming face, and eyes as beautifully blue as the sky of a fair day in winter. Yet was there over all the beauty an expression of suppressed defiance and mutiny, that would have gone far to spoil any face less perfect.</p>
        <p>'Waiting for me?' she said, addressing Signor Blankini with careless amiability.</p>
        <p>'Waiting for you!' snarled the little man savagely. 'You take me for one dam fool, Miss Fitzroy; that's what you take me for.'</p>
        <p>'Dear me, no,' replied the lady, smiling on him with a kind of languid surprise. 'I have always the highest opinion of your sense and intellectuality, signor; I thought you knew that.'</p>
        <p>'The time you should have been here was ten o'clock, Miss Fitzroy. Look now! it is ten minutes after eleven.'</p>
        <p>'So I observe, signor; and as I have an important appointment at half-past twelve, perhaps you will allow me to get through my share of this morning's work without delay. Is this my score?'</p>
        <p>'Is your other appointment of so much importance that you must be more punctual to it than you are to me?' sneered the signor.</p>
        <p>'Yes,' was the answer, given with curt emphasis. 'Now, if you have done, Signor Blankini, I will begin. Mr. Warnecke, the cornet gives me the cue to this passage—may I trouble you?'</p>
        <p>Signor Blankini subsided, and Miss Fitzroy rehearsed her music in a modulated soprano of bewildering sweetness. Philiberta listened entranced.</p>
        <p>'Now for the duet between the contralto and me,' said Miss Fitzroy.</p>
        <p>'Is the contralto part allotted yet?'</p>
        <p>'I believe it is allotted to me,' said Philiberta, rising; and just at that moment Mr. G. entered.</p>
        <p>'Good-morning, everybody. Sorry I couldn't get in sooner, Miss Morven. Blankini, give this lady the contralto score; will you, please?' Luckily Philiberta had practised singing at sight, <pb xml:id="n153" n="150" corresp="#TalPhil153"/>so she got through her part fairly well for a first attempt. The music and words were pretty and sentimental—not comic, as she had dreaded.</p>
        <p>'You are a novice, I see,' said Miss Fitzroy, when they had finished the duet.—'Quite,' said Philiberta.</p>
        <p>'I thought so. Don't be offended if I offer a little advice.'</p>
        <p>'Surely not.'</p>
        <p>'Then you must not stand like a post all the time you are singing, nor hoist your shoulders up in that peculiar way. You have been used to singing to your own accompaniments?'</p>
        <p>'Yes.'</p>
        <p>'That is it. It spoils people. It gives them an awkward action of the arms and shoulders—an awkward feeling too, when they come to sing independently. They feel as if their hands should be at work all the time, and the effort they make to keep still causes them to be unnaturally stiff and gawky. But a little practice and a few hints will soon put you right.'</p>
        <p>'I hope so,' said Philiberta.</p>
        <p>'I will help you all I can.'</p>
        <p>'Thanks. That is very good of you.'</p>
        <p>'Oh no. Selfishness, pure selfishness, I assure you. If you spoil that duet, you will spoil me to a great extent, and I cannot bear a failure.'</p>
        <p>'I will do my very best not to spoil it, then,' said Philiberta, smiling.</p>
        <p>'I feel sure of that,' said Miss Fitzroy kindly, 'and your voice is really lovely, you know.'</p>
        <p>'Is rehearsal over?' asked Philiberta.</p>
        <p>'For the principals—yes, I think so. Signor Blankini, is there another call for to-day?'</p>
        <p>'No, mees; there is not. If there was, I should know better than to expect Mees Fitzroy to come.'</p>
        <p>'Ah—that is well. Blessed is he that expecteth nothing, for he shall surely get it Which way are you going, Miss Morven?'</p>
        <p>'I am living at St. Kilda,' said Philiberta.</p>
        <p>'Oh, are you? I live in Carlton. I should prefer St Kilda, only I should always miss the trains; and I am unpunctual <pb xml:id="n154" n="151" corresp="#TalPhil154"/>enough at the theatre as it is. If I lived further away, I should never get here at all. Well, good-bye, then, till to-morrow.'</p>
        <p>They met again next day, of course, and Miss Fitzroy displayed a (for her) remarkable interest in Philiberta's progress. When they were quitting the theatre at the conclusion of that day's rehearsal she invited our heroine to go home with her to luncheon.</p>
        <p>'I have a little den of my own,' said she; 'that is to say, I rent it. I hate lodgings; I like to live in my own way, without method or regularity. Will you come?'</p>
        <p>'Thanks—yes,' said Philiberta. The 'little den' was a cottage of some five or six rooms set in a tiny garden of the ordinary pattern. There was a bright gay look about it, and a sweet fresh scent of violets and mignonette. The smallness of the interior of the house was relieved by bow-windows in the front rooms, and a broad veranda at the side arranged with blinds into a sort of conservatory, and filled with rare plants and choice vases. The rooms that Philiberta entered were most daintily and exquisitely furnished.</p>
        <p>'How do you like it all?' said Miss Fitzroy. 'I am conceited about my house, and like to hear people make remarks about it, though I know it is bad taste.'</p>
        <p>Of course then Philiberta praised it; she could not certainly have spoken of it without praises.</p>
        <p>'And how do you manage when you travel?' she inquired.</p>
        <p>'I never do travel if I can help it,' was the reply. 'As long as I can get an engagement in Melbourne I leave travelling to others. I love Melbourne, and I am fond of this little place. Fond of comfort, too, which travellers don't often get. When I am compelled to go I leave the house to Himmons, who is a jewel of a manager.'</p>
        <p>Himmons, a soft-voiced, soft-robed, soft-shod woman, entered at this moment, to say that lunch was ready. And at the same instant came a loud rap at the door.</p>
        <p>'Who can that be, Himmons?'</p>
        <p>'It's Mr. Parkinsson's knock, miss.'</p>
        <p>'Don't let him in then. I won't be pestered to-day with men.</p>
        <p>Yet, stay; the fellow is hungry, I expect, and he-may help to amuse Miss Morven. You may as well show him in, Himmons.'</p>
      </div>
      <pb xml:id="n155" n="152" corresp="#TalPhil155"/>
      <div xml:id="t1-body-d22" type="chapter">
        <head><hi rend="c">Chapter</hi> XXII. <hi rend="c">Harper Parkinsson.</hi></head>
        <p><hi rend="sc">Three</hi> gentlemen were immediately ushered into the little drawing-room. The first was an extremely youthful-looking man, with a face almost girlish in its fairness of complexion. Short red curly hair and a moustache, positively scarlet in hue, redeemed the countenance from utter effeminacy. Of the two who accompanied him nothing need be said, as they are of no importance here.</p>
        <p>'Why is Harper Parkinsson like a misfortune to-day?' inquired he of the scarlet moustache airily.</p>
        <p>'I give it up. I detest conundrums,' said Miss Fitzroy, with impatience.</p>
        <p>'Because he does not come alone,' said Mr. Parkinsson, laughing a silvery feminine laugh as he indicated his friends.</p>
        <p>'Not a bad one, is it now?'</p>
        <p>'I could have given you a much better answer,' said Miss Fitzroy.</p>
        <p>'Then pray do, please do; it is not too late yet.'</p>
        <p>'Repeat the riddle, then.'</p>
        <p>'Why is Harper Parkinsson like a misfortune to-day?'</p>
        <p>'Because I would very much rather be without him,' said Miss Fitzroy distinctly.</p>
        <p>Philiberta looked up in surprise, the gentlemen at their hats in some confusion.</p>
        <p>'Miss Morven and I were just going to lunch,' added Miss Fitzroy.</p>
        <p>'"It is enough," as Dan White said when he saw the elephant,' observed Harper Parkinsson. 'Gentlemen, we will go.'</p>
        <p>And with briefest adieux they went.</p>
        <p>'You look surprised,' remarked Miss Fitzroy to Philiberta.</p>
        <p>'I can't help feeling so—a little.'</p>
        <p>'I dare say. It sounded rude, I know. But Harper Parkinsson must not try to make my house a restaurant for all his hungry friends to have a meal at gratis.'</p>
        <p>'Do you mean to say they came here for a meal?'</p>
        <pb xml:id="n156" n="153" corresp="#TalPhil156"/>
        <p>'Distinctly. Harper has made that experiment before, and failed. He ought to have more sense than to attempt it again.'</p>
        <p>'But I do not understand,' said Philiberta. 'I am puzzled.'</p>
        <p>'Hush. There he is again. I knew he would soon be back.'</p>
        <p>Yes, there he was again, with his slight elegant figure, graceful gestures, frank caressing smile, and blue childlike eyes, and that remarkable scarlet line of moustache contrasting so startlingly with the fair white skin.</p>
        <p>'Did I leave my cane here?' he said, with a deprecating smile, as if in apology for his return.</p>
        <p>'No, you did not,' said Miss Fitzroy. 'You may stay to luncheon, Mr. Parkinsson.'</p>
        <p>'If I thought it would not be an intrusion, Miss Fitzroy——'</p>
        <p>'Come along. Himmons will be distracted at the delay. Pray be careful not to cause it again, Mr. Parkinsson.'</p>
        <p>'I will remember,' he said, and then lunched like a desperately hungry man. He earned the meal, though, as Miss Fitzroy afterwards remarked, for he literally brimmed over with fun. After the second glass of wine, his jests, his quaint conceits, his ready witticisms <hi rend="i">àpropos</hi> of anything and everything, made him perfectly irresistible; and following everything was that ripple of silvery infectious laughter.</p>
        <p>'The boy is a genius,' said Philiberta, when he had taken his departure.</p>
        <p>Miss Fitzroy was going to tell her something, when Himmons interrupted with the announcement of more visitors. The afternoon was one long levee. All the visitors were gentlemen, none stayed beyond half an hour or so, few came empty-handed. A trinket, a vase, a book, a picture, a flower, all of which Miss Fitzroy accepted as she accepted the flattery—broad or delicate, according to the nature of the one administering it—with a careless grace and easy indifference.</p>
        <p>Philiberta felt bewildered and not happy; she would have withdrawn at an early hour of the afternoon, but had no fair opportunity.</p>
        <p>'You have not enjoyed yourself, I see,' said Miss Fitzroy, when they were alone together once more.</p>
        <pb xml:id="n157" n="154" corresp="#TalPhil157"/>
        <p>Philiberta made no reply.</p>
        <p>'Speak out,' said Miss Fitzroy; 'you have spent a miserable afternoon, have you not?'</p>
        <p>'No,' said Philiberta, 'the study of so many different characters could not fail to interest one and keep one from being miserable, but—'</p>
        <p>'Well?'</p>
        <p>'Well, candidly, I think I should have liked better to spend the afternoon with you alone. Do people come every day like this?'</p>
        <p>'Yes, except when I have a rare attack of solitariness, and bid Himmons deny me to everyone.'</p>
        <p>'I should think you would have that kind of attack often.'</p>
        <p>'But I do not. I am not fond of my own company. I need amusement.'</p>
        <p>'There did not seem to be a great deal of that in to-day's experience. Putting aside the frivolity of the conversation of those men, there was a freedom—a familiarity—in their manner very distasteful to any woman, I imagine.'</p>
        <p>'Now you are getting "preachy."'</p>
        <p>'I beg your pardon, then, I am sure.'</p>
        <p>'You need not. I like plain-speaking occasionally. It refreshes one after the doses of hypocrisy one generally gets. But the hypocrisy and the flattery have become like part of my daily food to me. I could not live without them.'</p>
        <p>'Oh, I don't think those men were hypocritical to-day. Their compliments were true and genuine enough, I am sure.'</p>
        <p>'Now you are going to the very extreme of flattery,' said Miss Fitzroy, laughing. 'What is it you object to in those men, then, if it is not their humbug?'</p>
        <p>'Oh, did it not seem hateful,' said Philiberta, 'to be told so coarsely and plainly and fulsomely of your beauty?'</p>
        <p>'No, dear, I can't say it did. I am hardened to it, I expect. It might strike me differently if I stopped to think, but I never do. I want pretty speeches and pretty presents, and to see men vie with each other to please me; and I hope I may die before I get so old and ugly that I cannot win these things.'</p>
        <pb xml:id="n158" n="155" corresp="#TalPhil158"/>
        <p>'I don't believe a word of it,' said Philiberta earnestly; 'you are far too good and true a woman to make up your life with such poor pleasures.'</p>
        <p>Miss Fitzroy laughed again, but there was something of bitterness mingled with her mirth.</p>
        <p>'You have a higher opinion of me than I have of myself,' she said. 'It might have been different with me if I had had different chances in life. Heaven knows. But I am quite satisfied to have things as they are.'</p>
        <p>'I do not believe that either,' said Philiberta.</p>
        <p>'But I am, I say. Women hate me, and are jealous of me, and I take a pride and delight in that. Men flatter me, and bring me pretty gifts; and thus two of my leading weaknesses, love of approbation and avariciousness, are gratified and encouraged. I know that the women are mere spiteful idiots and the men knaves, one and all; but it pleases me intensely to cause as much heartburning amongst them as I find possible. I know that every man that comes here has a base motive for coming, though it may be no worse than mere vanity; and I love to play upon them and disappoint them. I love to know that bank-clerks—like that hyper-genteel young man you saw whispering to me—have to pinch themselves or run in debt to afford me my daily bouquet And I love to let such a one as he whisper the most meaningless stuff in my ears so insinuatingly as to make others—like that fat man who brought yonder vase—jealous. Both the clerk and the fat man are married. I dare say they would be shocked at the mere mention of an introduction between me and their wives. Can't you understand how I hate and despise both them and their wives?'</p>
        <p>'No,' said Philiberta, 'I cannot understand you at all.'</p>
        <p>'Perhaps not, and perhaps it is lucky for you that you cannot.</p>
        <p>But don't take a dislike to me because of all this, Miss Morven. I have conceived a strange liking for you, and it is a relief to me to speak as I feel sometimes. And, will you believe me? I have not a friend in the world.'</p>
        <p>'Surely you are wrong there,' said Philiberta. 'Or, if you really have none, it is your own fault.'</p>
        <pb xml:id="n159" n="156" corresp="#TalPhil159"/>
        <p>'Oh, I grant that I am not of the right disposition to win friends, and I take a malicious delight in making enemies.'</p>
        <p>'I am sure you belie youself,' said Philiberta, who was really a good deal distressed by all this.</p>
        <p>'No, I do not; I seldom speak of myself as I have spoken to you, because I seldom have such an opportunity. It is a relief to confess one's self occasionally, and to cry <hi rend="i">peccavi</hi>, and then make a fresh start against the world with hatred and all uncharitableness. And one feels at a glance that you are a woman to whom such confession will be sacred. And, bad as I am, Miss Morven, the people I come most in contact with are worse than I, and it does me good to brush against a good-souled uncorrupted woman like you.'</p>
        <p>'I think I must go now,' said Philiberta, 'for I can't bear to hear you talk like this.'</p>
        <p>'No, don't go yet; I won't say any more about myself, but I want to tell you about "Harper Parkinsson."'</p>
        <p>'The boy with the scarlet moustache?'</p>
        <p>'Yes, the boy with the scarlet moustache. The boy who wants to marry me for the sake of my home and my money.'</p>
        <p>'Good gracious!'</p>
        <p>'His history, as far as I know it, is most interesting. If ever I write a book, I shall put him in it. He came here from England or America about a year ago. He had some money, how procured I would never venture to guess. He lived at Menzies' till his money was done, and then he borrowed here and there till his friends were done. Then he pawned his clothes. Finally he was reduced to a state of pennilessness and one suit, and then a brilliant idea occurred to him. You noticed that he is clever and well educated. His eloquence in persuasion you have no conception of. Well, he started out (from a gas-pipe down by Queen's Wharf, I believe) early one morning, and before night he had canvassed the whole town successfully for advertisements in a new theatrical paper that he persuaded the public he was going to start. He kept faith with the people too, which is to me surprising, seeing that he had obtained numerous subscriptions in advance. He actually <pb xml:id="n160" n="157" corresp="#TalPhil160"/>paid most of the money received to a first-class printing office, and it published his paper in good style. "The Novel Notion" he called it, and it was an immense success. He edited it himself; his squibs and caricatures were splendid. There was a run upon it nightly, and he was on the high-road to prosperity. But he must needs want diamond rings, buggies and horses, and similar luxuries, to the extent of a duke's fortune; and to obtain them, borrowed money on the mortgage of his paper. Result: the "Novel Notion" changed hands in less than three months, became the property of the canny man who advanced the money, and is now a paper of intolerable dulness and inanity, that still pays, however, because it got such a splendid start. Behold Harper Parkinsson, then, again penniless. He shortly tried another scheme, and might have made it as successful as the first but for the innate idiocy that really makes him a paradox. He advertised under a fictitious name that he would supply anyone with "whisker-seed."'</p>
        <p>'Whisker-seed!' ejaculated Philiberta.</p>
        <p>'Yes. Hair and Whisker Propagator was the title he gave it A something guaranteed to make a fine crop of whiskers grow even on the back of your hand. The same stuff, taken internally, would cure rheumatism, he said. A child might drink it and take no harm. Oh, it was too funny! He advertised any number of testimonials, and the public took his bait easily. But the money did not come in rapidly enough; so he took a partner, borrowed a hundred pounds of him, and left him the whisker business, which the man, being a fool, could not manage at all. So there was a lawsuit and an exposure, and great fun in the court and newspapers, and Master Harper had a narrow escape from gaol. Now he is stranded again, and in sore need. He lunches here every day, and I believe that is the only meal he gets. I do not mind giving him that because he is so amusing; but when his good-natured audacity leads him into bringing other impecunious ones as he did today, then I have to check him. The forlorn hope he is living upon now is that he will tease me into marrying him. Read this letter of his.'</p>
        <pb xml:id="n161" n="158" corresp="#TalPhil161"/>
        <p>'No,' said Philiberta, though she could not help being interested, 'I think it must be degrading to receive letters from such a man.'</p>
        <p>'Oh, don't preach, there's a good girl. If you will not read it, I will read it to you.'</p>
      </div>
      <div xml:id="t1-body-d23" type="chapter">
        <head><hi rend="c">Chapter</hi> XXIII. <hi rend="c">Still Harper Parkinsson.</hi></head>
        <p><hi rend="sc">Despite</hi> Philiberta's protest, Miss Fitzroy began to read:</p>
        <quote>
          <floatingText xml:id="t1-body-d23-t1">
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              <div xml:id="t1-body-d23-t1-b1-d1" type="letter">
                <opener>
                  <salute>
                    <hi rend="sc">'"Beautiful Beloved One,</hi>
                  </salute>
                </opener>
                <p>'"Since I saw you a few hours ago, your lovely face has haunted me, until my passionate heart can no longer control itself. I must pour forth my overwhelming, earnest admiration of you, my perfect devotion to you, though words are poor and worthless to express it. As I looked in your beautiful sweet eyes to-day, I thought I could read a most dear and precious secret—a little love for me, my darling; for poor unworthy me. It is that that has given me courage to write this note. You must care a little for me, or you would ere now, in your perfect truth and sincerity of heart, have rebuked and checked my evident adoration of you. I will not inflict upon myself the pain of doubting you; but oh, my darling, why do you leave my letters unanswered, and so steadfastly avoid ever being alone with me? Do you know that you have never yet given me a chance to tell you in words how madly I Love you? Cruel, cruel, darling, do you avoid me because of the cloud that hangs over me at present and darkens my career? The cloud of poverty. I do your noble nature an injustice in mentioning it, I know. Please forgive. But you will naturally rejoice to know that that cloud was but transient and is clearing away at last. Another month, and all will be refulgently bright and prosperous once more. My father advises me by the last mail of a trifling remittance (£5,000) already mailed to me by my father's banker. With that I am to return at once to the <pb xml:id="n162" n="159" corresp="#TalPhil162"/>luxurious home that sheltered me until, a year or two ago, my headstrong folly caused me to desert it. Yet it was a happy folly, since it led me to you, my sweet. I own that I have gone astray very much, quite as badly as a lost sheep or the prodigal sun of that old gentleman mentioned in the Bible. There is little doubt, too, that I should be still wasting my substance, as that young idiot did, but for your dear redeeming influence—and the fact that I haven't any more substance to waste. My lovely guiding star, you see I do not conceal from you my weaknesses and my unpleasant position as regards pecuniary matters, And were it not that I know full well that the temporary unpleasantness is almost at an end, I should never write in this strain to you, never disclose the passion that preys upon me."' (The words 'upon my damask' were carefully erased just here.) '"Whatever else may be laid to the unhappy charge of Harper Parkinsson, it can never be said that he deceived a woman. Dearest, the billows of adversity have dashed me cruelly against the rocks of despair during the last year or so, but now the beacon of your love shines out clear and radiant, and everything becomes suddenly bright. The thought of your love (and of that £5,000 remittance) buoys me up, darling, and makes me forget all save the brilliant promise of happiness fate holds out to me, I lie awake of nights thinking of you; I spend hours in day-dreams of you. I picture myself and my bride (my beautiful bride, who will turn every other woman mad with envy, and cause jealous men to meditate my violent death). I picture us proudly promenading the halls of my noble ancestors; gracefully entering our carriage, and going forth 'to give the girls a treat.' (Forgive the apparent frivolity and irregularity of the above, dear; since my editorship of the' Novel Notion' these phrases will drop inadvertently from my pen. I take it all back if you don't like it.) Sometimes—oh heaven, the rapture of it!—I have a vision of ourselves overhauling the best babylinen in London, and affectionately disputing with each other as to the relative beauty and becomingness of pink and blue pelisses. Darling, are you angry with me for being thus premature? How can I help my joyous imagination getting ahead of me, as <pb xml:id="n163" n="160" corresp="#TalPhil163"/>it were? But I must conclude now, darling, with an apology for the paper on which this is written, and an assurance that the greasy thumb-marks are <hi rend="i">not</hi> mine. Being out of note-paper, and in rather a hurry, I was compelled to borrow these sheets from my landlady—<hi rend="i">hinc illæ</hi> dabs of soot and mutton-fat! Darling, grant me a private interview soon, so that I may tell you verbally of my prospects, my friends, and the splendours to which it shall be my pride and happiness to introduce you. And, by the way, what is your particular taste in jewels? Pardon the bluntness of the question. Do you like diamonds? A tiara composed of that queen of precious stones would well become your regal beauty. But you would look well in sapphires too—sapphires and pearls! What say you, fairest lady? Do write me a line, and tell me a little about your especial tastes and caprices. You forget how little I know of your inner self and sentiments. For the present, my princess, farewell!</p>
                <closer>
                  <salute>'"Yours through eternity,</salute>
                  <signed>
                    <hi rend="sc">'"Harper."</hi>
                  </signed>
                </closer>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>'That is one of several written in a similar strain,' remarked Miss Fitzroy, folding the epistle and looking at Philiberta, in whose countenance amusement and contempt were combined.</p>
        <p>'Well, it is the most comical, absurd, and withal insulting thing I ever heard of. But why have you encouraged him to such presumption?'</p>
        <p>'For amusement, dear; he is very amusing. And as for encouragement, it is astonishing how little goes for encouragement with some men. Anything short of forcible ejection from one's house will encourage them to the wildest hopes and actions. But Harper Parkinsson, though he has nothing to give me, though I have to feed him and obtain passes into the theatre for him, is very useful to me, I get numberless hints and suggestions from him that help me in burlesque. Apart from all that, he is an interesting study. He is the most remarkable specimen of his kind I ever met with. I shall be almost sorry when the episode of our acquaintance terminates, as it must shortly. There's a ring at the bell. A message or <pb xml:id="n164" n="161" corresp="#TalPhil164"/>letter from Harper almost certainly. He always writes a few hours after he has been here.'</p>
        <p>'The messenger waits for an answer, miss,' said Himmons, entering with a somewhat bulky envelope.</p>
        <p>'What sort of a messenger, Himmons?'</p>
        <p>'A ragged boy, miss; and barefooted.'</p>
        <p>'Then take him into the kitchen and give him something to eat while I attend to this. You see,' said Miss Fitzroy, addressing Philiberta apologetically, 'the poor little brat has probably been promised sixpence, which he won't get. He will bear his disappointment better on a full stomach.'</p>
        <p>Philiberta laughed. 'I think you are something of an interesting study, too,' she said.</p>
        <p>Miss Fitzroy began to read:</p>
        <quote>
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              <div xml:id="t1-body-d23-t2-b1-d1" type="letter">
                <opener>
                  <salute>
                    <hi rend="sc">'"My soul's best treasure,</hi>
                  </salute>
                </opener>
                <p>'"I am reluctantly forced to appeal to you as my only friend in this heartless hemisphere. Unless you immediately forward me £5—(as a loan, of course, which will be repaid a thousandfold as soon as I receive my long-delayed remittance)—I shall have to sleep on Collins Street's hard pavement, or on the Yarra's green banks (perhaps in the Yarra's green waters—who knows to what a man may be driven in his dire extremity?), or on the Queen's wharf, or in the Peripatetic Philosopher's favourite gas-pipe, this night. Forgive my incoherency, dear one of my heart—I am mad with humiliation and despair. My landlady's tender mercies and long-suffering forbearance are at an end. I have been expecting this, but have had hopes of preventing it—of clearing myself of my liabilities honourably and in time. My hopes are still in the bud, and meanwhile I have two alternatives: to quit my tiny attic apartment—the only roof I have to hide my aching, weary head beneath—<hi rend="i">or pay</hi>. Darling, I have striven desperately to spare you this knowledge of my distress. I have borrowed from everybody I had a chance at! I have pawned and sold every available article I possessed! I have wrought upon my landlady with soft speeches and mollifying promises! I have lived for days <pb xml:id="n165" n="162" corresp="#TalPhil165"/>on one threepenny glass of beer and a counter-biscuit <hi rend="i">per diem</hi>—save, beloved, when you graciously invited me to lunch! And all this to save you, my adored one, the pain of knowing my misery and humiliation. While if you—do not think, dear, that I intend this as a reproach—but if you had only been less coy and reserved, more amenable to my entreaties, we might have been married long ere this, and you would have been spared the anguish of this trouble of mine, the knowledge of which will, I know, wring tears of blood from your tender heart. But cheer up, darling; all will yet be well. Send me £5, and my landlady will be appeased until the arrival of the next English mail. Pride forbids me to press my love-suit upon you at this moment. That I do and ever shall adore you you know well enough. If it is your wish that I banish myself from the sunshine of your presence during the brief period that must elapse before my remittance arrives, why, I can but try to endure my sentence patiently. If it is your sweet will to call me to you and make me supremely happy with a glance or a word, why then, my own, I will fly to you like a bird, and never leave you more. But whatever you do, <hi rend="i">send me the</hi> £5.</p>
                <closer>
                  <salute>'"And believe me to be, your very devoted</salute>
                  <signed>'"<hi rend="sc">Harper</hi>."'</signed>
                </closer>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>Miss Fitzroy replied with the utmost promptitude.</p>
        <quote>
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                <opener>
                  <salute>
                    <hi rend="sc">'Dear Mr. Harper Parkinsson,</hi>
                  </salute>
                </opener>
                <p>'I don't care where you sleep. I don't care what you have to eat, or whether you have anything or nothing, I don't care if your landlady puts you in gaol. I don't care in the least anything at all about you. And I don't send you the £5.</p>
                <closer>
                  <signed>
                    <hi rend="sc">'Madge Fitzroy.'</hi>
                  </signed>
                </closer>
              </div>
            </body>
          </floatingText>
        </quote>
        <p>'Oh, but does not that sound cruel?' said Philiberta, to whom this letter, like the other, was read.</p>
        <p>'I hope so. I intend it so,' said Miss Fitzroy, smiling malignantly. 'Men have no hearts to break, but they have feelings, selfish feelings, to wound; and how I love to wound them! How I love to disappoint and insult them! How I hate them all! How I hate them!'</p>
        <pb xml:id="n166" n="163" corresp="#TalPhil166"/>
        <p>'Oh, this is dreadful!' cried Philiberta; 'your face is not like your own at all. What bitter thing can ever have come to you to so spoil the good that I know is in you?'</p>
        <p>'If ever there was any good in me,' said Miss Fitzroy, calming down a little; 'I never knew it. There is none in me now. Nothing in my nature but venomous antagonism against all humanity. The only good—if it were good—feeling I ever had in my life was turned, like a sharp bitter sword, against me. It brought to life all the evil dormant in me, and made me what I am. It is part of my general selfishness thus to trouble you, a stranger, with all this talk about myself; but if you will let me tell you some of my history, it will do me good. And then perhaps you will tell me whether anything kind, or gentle, or womanly—(except spite and treachery, which are both womanly)—could be well expected of me. It is an easy thing for women whose existence from the cradle to the grave is one long, smooth track of happiness; women who leave parents' loving arms for those of a loving husband; women who are sheltered from every cold wind; to whom nought of evil is permitted to enter because they are so strongly compassed round about with love and honour; who know nought of the temptations and bitter buffetings that come to such as I—it is an easy thing, I say, for these to prate of the beauty of truth and tenderness and forgiveness and goodness. But let them fight the battle I have fought, let them see and suffer as I have seen and suffered, and say then whether there is much else in life but gall and bitterness. Finish the evening with me, Miss Morven, and let me talk to you. Himmons shall get my special cabman to take you home. Say you will stay.'</p>
        <p>'Yes, I will stay, if talking to me will really do you good. But don't you think speaking of trouble only renews the old bitterness?'</p>
        <p>'That very fact makes it a pleasure to me,' said Miss Fitzroy. 'I do not wish to forget, because forgetting might make me less bitter.'</p>
      </div>
      <pb xml:id="n167" n="164" corresp="#TalPhil167"/>
      <div xml:id="t1-body-d24" type="chapter">
        <head><hi rend="c">Chapter</hi> XXIV. <hi rend="c">Madge Fitzroy</hi>.</head>
        <p>'To begin with,' said Miss Fitzroy, 'my mother gave me away. That in itself is an embittering thought, is it not? To be considered so perfectly superfluous that one's own mother is glad to be rid of one! She was, I believe, very poor. It is likely also that she was very honest, and in that lies her excuse. If she had been poor and not honest, I think she would have stolen the wherewithal to feed her super-numerous offspring, rather than have parted with one of them. There is no doubt that her action in regard to me saved me from the gutter and the streets, and that again mitigates her apparent unnaturalness. There are moments when I like to think that she loved me—so well that she could sacrifice me, believing that she did so for my own good. The woman she gave me to was rich and childless. She adopted me because I was a pretty thing to look at and have about her, and useful to send hither and thither on small errands. She held me higher than her lapdog, in that I was the more useful animal of the two, and could take whippings more patiently; but I believe she liked the dog better than she liked me, because when it was ill—(it died, thank Heaven!)—she cried bitterly, and when I was nigh to death in scarlet fever she only said that unless children could be always healthy and good-looking, they ought to be dead and out of the way altogether.</p>
        <p>'She was a woman utterly false and unprincipled. From her I learnt falsehood and insincerity rapidly and perfectly. Mind, I do not seek to lay all the blame on her. Doubtless my natural aptitude for evil made her lessons singularly facile of study. Doubtless selfishness was innate in me, and was therefore easily developed by her most perfect example and tuition. But she might have made me evil and yet have made me love her, if she had chosen; for I was a passionate little thing, craving fondness and caresses, and ready to return both with interest. But she snubbed and harassed and badgered me, with a <choice><orig>per-<pb xml:id="n168" n="165" corresp="#TalPhil168"/>sistence</orig><reg>persistence</reg></choice>of cruelty that I think of even now with wonder. Everything that was natural in me she checked; everything that was childlike she ridiculed. She made me accessory in all her small meannesses and deception of her husband and friends, set me as spy upon her servants, made me bear the brunt of her violent temper; I was the victim of all her errors, and yet she had never a smile or kind word for me at any time that I might have taken as a reward. I was well fed, yet longed day and night for the old starvation-and-gutter life; I was handsomely clad, yet would have given my small right hand for the old, scant, ragged, frock and pinafore.</p>
        <p>'Well, I grew to hate that woman with a fierceness almost inconceivable in a child. I used to pray for her death. I was compelled to be faithful to her in her petty intrigues in the little falsities that were quite unnecessary, but which she seemed to take a wanton delight in planning and carrying out. I was compelled to aid her faithfully in all these, because any failure on my part only resulted in my own punishment. I had no friends in the camp. Her husband neither liked nor disliked me. He simply ignored me, except when I got in his way, when he would thrust me aside much as he might an obtrusive kitten or puppy. The servants, one and all, detested me, and with good reason, since I was the ready reporter of all their small delinquencies. I was <hi rend="i">very</hi> lonely in those days, Miss Morven.'</p>
        <p>The pathos in her voice just then brought tears to Philiberta's eyes.</p>
        <p>'Did it never occur to you to run away, Miss Fitzroy?'</p>
        <p>'Yes, often; but I was afraid.'</p>
        <p>'Afraid of what?'</p>
        <p>'You will smile when I tell you. I was afraid of bogies. I had been brought up in the fear of them, and the terror grew with my years. I was the most utter coward you can imagine. Darkness and loneliness were more awful than death to me. I must have been a subtle little knave to keep my weakness a secret from that woman as I did, feeling that if she knew it, she would use it to my torture.'</p>
        <p>'Surely you exaggerate her cruelty a little.'</p>
        <pb xml:id="n169" n="166" corresp="#TalPhil169"/>
        <p>'No, I do not. It would not be possible. But I do not expect you to quite understand or believe it all. No one could without experiencing it.</p>
        <p>'When I was about sixteen years old, Mr. and Mrs. Whattulf made a trip to England. They took me, of course. Mrs. Whattulf was ill all the way, and I had to wait upon her. What a time I had! Fortunately I proved a good sailor, else my troubles had been worse, for I am satisfied that no unfitness on my part would have won me any respite from my constant duties. Of the whole voyage to, and sojourn in, England I have but the vaguest, most chaotic recollection. Everything was worry, tumult, noise, and ill-usage. But the return voyage to Australia was different. One of the passengers was an actor, coming Out under engagement to the Royal here. He was a very handsome man, at least in my eyes, and in the eyes of many other women who had the misfortune to know him. From the first day at sea he paid me attention—in a clandestine fashion, however, that I lent myself to with all the ease and willingness that could come of long practice in deceit. Before we had known each other a fortnight he told me that I was the one woman in his life that he had felt it possible to love with all his heart and soul. And I believed him. Is not that strange? It seems so to me. It seems the strangest thing to me that I, who had learnt to believe every human being a liar by nature, to listen with dubiousness and distrust to the most commonplace everyday speeches of people, to think that life was altogether made up of cross-purposes, manœuvring, and treachery, yet accepted every word that man uttered as purest truth. That he wished me to keep everything secret neither surprised nor vexed me. I was used to keeping things secret. Any fair, open action would have been unnatural to me. I suppose I loved him. Yet now, when I sometimes try to analyze what I felt then, I think it must have been joy in the prospect of emancipation through him rather than love for him. It is hardly possible that love could ever turn into such deadly, murderous hatred as I had afterwards for that man, and towards all men for his sake. But he was the first person in my life to <pb xml:id="n170" n="167" corresp="#TalPhil170"/>whom I could speak as I felt. He was the outlet for all my concentrated bitterness. He was the first to pity me and be kind to me; and, heaven, how I clung to him! The hours between our meetings seemed days. When we were together, and the time of parting came, it seemed as if I went suddenly out of light into darkness. He encouraged me always to talk of my troubles. He questioned me minutely about Mr. and Mrs. Whattulf: their position, monetary and social; their regard for each other, and all else. And I, for once in my life, told truth unreservedly. Mr. and Mrs. Whattulf never quarrelled, but they never spent more lime in each other's company than they could help. They were both rich, and Mrs. Whattulf had money in her own right; £4,000 I knew of for a certainty, because Mr. Whattulf had asked her one day in my presence "if she intended to leave that £4.000 to the child," and she had replied, "Yes, she supposed it would have to go to the brat ultimately, since there were no relatives living."</p>
        <p>'"Aha!" said my lover, when I told him this, "not a bad little dower for my pretty bride;" adding gloomily, "but that old harridan is good for twenty years yet, at least."</p>
        <p>'The baseness of the speech never struck me, so well had I been educated to suit this man, you see.</p>
        <p>'Well, during the latter half of the voyage Mrs. Whattulf's health was better, and she came on deck daily. And my lover began to be most attentive to her, telling me that his motive was to be nearer to me. I never doubted that, and was as happy as the day was long, in thus seeing more of him. When we arrived in Melbourne, he and the Whattulfs were the greatest of friends; and through his influence, as it seemed to me, Mrs. Whattulf became unwontedly gracious, even to me. How and when I first learned the truth I cannot now remember, but I know that it came to me in one blinding, agonising flash that seemed to fill my being with seething gall. My lover was professing love for that woman for the chance of securing her £4,000. When I knew it beyond a doubt, I cast about for the means of their destruction. Had there been any honesty left in me, I should have wailed out my sorrow and indignation. <pb xml:id="n171" n="168" corresp="#TalPhil171"/>As it was, I held my peace and carried a smiling face, watched and spied, planned and schemed, and contrived to ruin their pretty little enterprise just when it was on the point of success. They were to elope together to England. I waited till everything was in train, until her money was almost within his grasp, and then I brought her husband in upon them.</p>
        <p>'I remember how I hesitated at the last, not from any compunctious feeling, but because I could not decide which to punish most. Had I let them go, my revenge upon her for all the years of misery she had put me through would have been perfect. He would have ill-treated and deserted her, after having robbed her. But my sudden hatred of him mastered all the rest; I could not bear the thought of his success and gratification. I would thwart <hi rend="i">him</hi>, whatever else came of it. And I did.</p>
        <p>'Mr. Whattulf stopped the withdrawal of his wife's money, and gave the actor twelve hours in which to quit the town. I shall never forget the scene. Mr. Whattulf had a revolver. He was a much smaller man than the actor, yet the latter looked the most miserable, contemptible coward before him.</p>
        <p>'"Don't shoot, Whattulf," he cried, pitifully; "I'll go—but for heaven's sake don't shoot."</p>
        <p>'"Off with you!" said Mr. Whattulf, as he might to some thieving beggar; "for my own sake I will let you go. It is not worth my while to risk hanging for such a toad. Get out of my sight now, for, by heaven, the sight of you sickens me. The Sydney mail starts at midnight; <hi rend="i">mind you do not miss it</hi>."</p>
        <p>'The coward slunk out of the house, and Mrs. Whattulf began to scream, Hysteria, I suppose; but I did not wait to see. I packed up my few belongings, and left the house at once. I had no money beyond a few shillings; but I obtained lodgings, and wrote an appeal to Mr. Whattulf. He sent me five hundred pounds.'</p>
        <p>'And did you accept it?' asked Philiberta.</p>
        <p>'Yes, I did. I had earned more than that in my years of servitude to that woman.'</p>
        <p>'What was the end of it?' inquired Philiberta.</p>
        <pb xml:id="n172" n="169" corresp="#TalPhil172"/>
        <p>'Of the actor? He flourishes yet, I believe. Of Mrs. Whattulf? Her husband was very lenient to her; but still makes her live apart from him on a hundred and fifty pounds a year, which income is to cease with his life, so that she is debarred even the luxury of wishing for his death. As for me, Mr. Whattulf's money has enabled me, with hard toil and study, to educate myself, and attain a position as a clever burlesque actress. Also, to learn that I might have been a very different woman under different influences. But of that we will not even think. I am satisfied with everything as it is. I have revenged on many men the wrong that one man did me, and there is more for me to achieve in that way yet. I know all that you would say, Miss Morven. I know that a good woman would have acted quite differently—would have nobly forgiven that man and that woman. I make no pretensions to such nobility. I neither regret, repent, nor forgive; and I am satisfied.'</p>
        <p>(There is always justification of a doubt about the real existence of any sentiment or feeling that requires much strong and frequent assertion.)</p>
        <p>'I have had difficulties in fighting my way to where I am now. I have had hopes disappointed, ambitions thwarted; and I have known economy that was but one remove from starvation. But I have held on my way resolutely, taken what I could get when I could not get what I wanted, and, being pretty, have, I dare say, experienced less of difficulty than most girls similarly placed. Now, my position is assured—a good salary always a certainty. I surround myself with what I like best, and when I want anything that I cannot afford myself, I make some one else buy it for me. Empty heads and empty hearts I make no special objection to, but empty pockets I set my face against, except when there is something else to gain from the wearer of them, in the shape of amusement. As in the case of my scarlet-moustached hero, for example.'</p>
        <p>'And do you never look ahead, then?' said Philiberta, 'to the time when all this may fail to satisfy?'</p>
        <p>'There will be no such time for me,' said Madge Fitzroy. 'Yet I do look ahead sometimes, and plan my future.'</p>
        <pb xml:id="n173" n="170" corresp="#TalPhil173"/>
        <p>'And what is it?' asked Philiberta.</p>
        <p>'I will crown all the other evil of my life by marrying a rich good man, who will be <hi rend="i">glad to die</hi> when he learns thoroughly the kind of woman he has chosen.'</p>
      </div>
      <div xml:id="t1-body-d25" type="chapter">
        <head><hi rend="c">Chapter</hi> XXV. <hi rend="c">Philiberta's Failure.</hi></head>
        <p><hi rend="sc">Philiberta</hi> felt unequal to further comment upon a history and character like Madge Fitzroy's. There was something harshly repulsive about both; and yet, none looking at the actress could doubt the capacity for good in her sadly warped nature; and Philiberta involuntarily yielded her in fair measure that almost affectionate admiration that Miss Fitzroy had power to win whensoever and from whomsoever she pleased. She was truly very fascinating—this fair woman, and could be as winsomely gentle and lovable outwardly as she could be harsh and repellant. Philiberta chose to think and say that she was unnatural only when she assumed the latter moods. Miss Fitzroy disclaimed this, but liked to hear it said, I think. She loved praise—loved it so well that she would rather receive it in the form of coarse adulation and bald commonplace flattery, than not at all. But here again Philiberta found excuse for her, saying of this weakness that it was natural to an intensely excitable temperament and a mind that had been unwholesomely fed from the very beginning. Thus, like dram-drinking and other habits of a vitiated appetite, it grew, until it spoiled true taste and the nice sense of discrimination.</p>
        <p>Miss Fitzroy laughed again, and said she was not clever enough to understand all that, which was but another instance of the self-depreciation in which she seemed to take continual delight when alone with our heroine.</p>
        <p>She was of incalculable service to Philiberta during the latter's stage novitiate, and she gave her aid with a heartiness uncommon from one actress to another. But, despite the friendship that thus strengthened between the two, Philiberta <pb xml:id="n174" n="171" corresp="#TalPhil174"/>determinedly declined those afternoons at the little <gap reason="invisiable"/> Carlton.</p>
        <p>'It seems such a waste of time,' she said, with candour that would have been rudely abrupt in a less earnestly feeling woman. 'There are so many profitable things to fill up one's life with, that to lose the hours upon a number of men, the good of whose characters is lost in their variety and multitude, seems almost a sin. I could easily understand having one or two men friends, from whose society and converse one would reap pleasure and intellectual benefit.'</p>
        <p>'And get oneself well scandalised through it,' observed Miss Fitzroy. 'No, my dear, the safety of my reputation lies in the multiplicity of my masculine friends and adorers. And, besides, I like variety.'</p>
        <p>'But how do you find time to study?'</p>
        <p>'I never do study now. At first I did, having, like you, very lofty aspirations. But soon finding that my forte, and the needs of the public, were good society acting and burlesque—something to appreciate which called for no heavy intellectual strain or mental effort—I adapted myself, dear; and the result is that there is no heavier demand upon my intellect than upon that of the public. Smart dialogue and pretty music are wondrous easy to learn. Appropriate gestures; expressiveness, "points," all follow naturally; at least, they do to me. I need no study beyond the committing to memory my parts, and the public like me, you see. If I have defects in the matter of talent, my appearance makes amends for them. A woman really pretty, pleasant, and graceful, finds it very easy to do all that I do—to gain all that I gain. I always feel intensely sorry for an ugly woman, especially an ugly actress. She must have some grand speciality to make success even possible, I am very glad that I am beautiful.'</p>
        <p>There was not a vestige of conceit about this speech. Madge Fitzroy regarded her good looks as purely marketable gifts, of which it was her duty and pleasure to make the very most. She took the greatest care of her health always, <hi rend="i">because</hi> good health is essential to beauty. She avoided as much as possible <pb xml:id="n175" n="172" corresp="#TalPhil175"/>the baleful cosmetics so often necessary in her profession, and she made no risky experiments with her complexion or hair. But both being as near the perfection of loveliness as could well be, she had certainly little temptation to such experimenting. If she came into rivalship with another pretty woman, she did her best to obscure and extinguish that one; if the other woman happened to be prettier—but this never did happen but once, and then the relative beauty was altogether a matter of taste—she hated her rival with dutiful feminine deadliness. But you could no more apply the terms vanity and conceit, in their native ugliness, to her than to a lady pigeon pluming her pretty feathers and pouting her fair breast before a mirror.</p>
        <p>The burlesque was a triumph; Philiberta's performance in it as great a success as a second-best part could be. The press gave her favourable criticisms; the management congratulated her. There was a change of piece presently, and the character of an Indian queen fell to our heroine—a sort of Pocahontas character that suited her admirably. It was the only serious character in the burlesque, and it could scarcely be called dramatic, but rather tragi-comic; but so much of the tragic element did Philiberta infuse into her impersonation that Mr. G. caught himself seriously considering the expediency of giving her the opportunity she had at first asked of him. The time between the close of the burlesque season and the opening of the pantomime would be certainly so dull in matters theatrical that nothing could well make it worse; while it was just possible that a short administration of Shakespeare would result in general satisfaction. The other partners in the management inclined to his views; and the end was a proposition to Philiberta that made her heart leap with glad anticipation. She had never lost sight of her great ambition, but she had not hoped for this chance of its gratification so soon. The prudential terms proposed by the management—that she should provide her own costumes, receive a fair salary if successful, but none at all if otherwise—she joyfully acceded to. The opening piece was to be 'Romeo and Juliet,' as there <pb xml:id="n176" n="173" corresp="#TalPhil176"/>was an ambitious young fellow in the stock company who would hail this chance and make no fuss about salary, and who possessed just the physique and voice for Romeo.</p>
        <p>'Don't be too sanguine,' said Mr. G., with kind intention, to Philiberta when he saw how glad she was. 'If you do not set your hopes too high, the failure, which is always possible, will not hurt so much.'</p>
        <p>'I will try and keep them at a moderate altitude, then,' she replied; 'but I will not dream of failure, I will make myself succeed.'</p>
        <p>'Good fortune to you!' said Mr. G., doffing his hat as he spoke, for he dearly loved a woman of spirit.</p>
        <p>From then until the close of the burlesque period Philiberta devoted every spare moment to 'under-study.' There is no doubt that she overdid it; that she wrought her system to a pitch of nervous excitability and anxiety that marred her gifts and weakened her power. Then she took too deep an interest in the preparations; she almost lived in the theatre while they were going on. She gave herself no moment's respite from the one idea, and all this tended to ruin her.</p>
        <p>'If you go on like this, you will fail,' said Miss Fitzroy, who would almost have given up one of her own best successes just then to have ensured Philiberta's. 'Not only that, but you will lay the foundation of heart-disease, of which so many in our profession die. Take my advice and put the thing entirely out of your mind for the next fortnight.'</p>
        <p>But that was impossible, and at the end of the fortnight came the night of ordeal.</p>
        <p>All pallid and throbbing, she stood in her dressing-room, Miss Fitzroy and the stage <hi rend="i">costumière</hi> helping to attire her. There were two other ladies present—a young actress and her mother. The former was a new acquisition to the recent burlesque company. She was fair and very pretty, and consequently the object of Miss Fitzroy's undisguised animosity. There was a certain dandified violinist who had numbered one in the train of Miss Fitzroy's professional admirers, but who had had the audacity to detach himself lately and go over to <pb xml:id="n177" n="174" corresp="#TalPhil177"/>the enemy—<hi rend="i">i.e</hi>., to the new blonde. This was insufferable, Miss Fitzroy said, she all the while caring about as little for the violinist as for any mongrel dog that might follow her home.</p>
        <p>The state of things between the two young ladies had for some days been one of 'armed neutrality.' Why they should have chosen the night of Philiberta's <hi rend="i">debut</hi> to declare open war is beyond human ability to divine, but they did so. Mrs. Jinks, the <hi rend="i">costumière</hi>, scenting battle with the delight of a warhorse, lent her tongue cheerfully in Miss Fitzroy's cause. After a few polite passages between the two leading combatants, Mrs. Jinks began:</p>
        <p>'As I was saying, Mrs. Gregory,' she had not been saying anything, but that was her favourite manner of commencing a speech, 'as I was saying, that fiddle-playing rascal would prove a misfortune to any girl—a misfortune as a lovier, a still greater misfortune as a husband. I can't help remarking, ma'am, if you'll excuse me, how well that violet feather do become you! Yes, as I was saying, a misfortune. Not that any girl is likely to get him, though, for such as him is hard to catch; and he haven't got a shilling to his name neither.'</p>
        <p>'His income is in his fingers,' said Mrs. Gregory. 'Such a musician as he need never fear poverty.'</p>
        <p>'Certainly not,' returned Mrs. Jinks, continuing with a sweetness of tone that was in itself suspicious. 'How charmingly you do dress your hair, ma'am—if you'll excuse me—for a lady as is past the bloom of youth and prime of womanhood, as one may say. And Miss Gregory there, how she do take after you in loveliness! But, as I was saying about Mr. So-and-so (no need to mention names when supes is always on the listen), as I was saying, ma'am, he's not a marrying man, anyhow.'</p>
        <p>'Who said he was?' snapped Mrs. Gregory.</p>
        <p>'Nobody as I heard of,' said Mrs. Jinks, calmly proceeding with her task of lacing Philiberta's corsage. 'Only I heard him with my own blessed ears, no longer ago than yesterday, saying that his heart was well nigh worried out of his body by women as would run after him to marry him.'</p>
        <p>'I do not believe it,' said Miss Gregory, with sudden anger.</p>
        <pb xml:id="n178" n="175" corresp="#TalPhil178"/>
        <p>'The gentleman you are speaking of would never express himself in that manner.'</p>
        <p>'Well, it mightn't 'a' bin those words, miss,' replied Mrs. Jinks carelessly, 'but it was words to that effect, as the saying is.'</p>
        <p>'If he did say it,' observed Mrs. Gregory, 'there is no difficulty in guessing to whom he alluded.'</p>
        <p>'Exactly; just so,' said Mrs. Jinks, displaying a pink danger signal in either cheek; 'and so, as I was saying, as a woman that has had daughters myself, though they are all respectably married now, thank Heaven! and got children of their own, but as a woman knowing the trouble and foolishness of daughters, as I was saying, Mrs. Gregory, it's a fortunate thing, I say, that you do know who Mr. So-and-so (no need to mention names, for reasons aforementioned) alooded to, so's you can take steps accordin'.'</p>
        <p>'What does this woman mean?' said Mrs. Gregory, taking in the entire room in one sweeping glare of her rather fine eyes.</p>
        <p>'Why, I thought you clearly understood me, ma'am,' said the little <hi rend="i">costumière</hi>, looking up with an expression of touching innocence; 'I thought you knew that Miss Gregory there——'</p>
        <p>'Do you mean to say, <hi rend="i">creature</hi>, that <hi rend="i">my</hi> daughter is suspected of running after any man? Do you think anyone is blind to the deliberate efforts of Miss Fitzroy there to entrap Mr. ——into marriage?'</p>
        <p>'In what way have <hi rend="i">I</hi> merited this gratuitous insult, Mrs. Gregory?' inquired Miss Fitzroy, smiling upon her enemy with spiteful amiability.</p>
        <p>'It wasn't likely Miss Fitzroy would try on any such little game,' said Mrs. Jinks, coming well to the front, 'seeing that she knows as well as I do that the fellow is already married.'</p>
        <p>Miss Gregory screamed. Mrs. Gregory made a threatening gesture at Mrs. Jinks and bade that lady explain herself.</p>
        <p>'Didn't you know?' said Mrs. Jinks, still perfectly calm. 'Wasn't you aweer that his housekeeper, poor young thing, as has worked and slaved for him for years, gave up the little fortune as her aunt left her out of her savings to stop his insolvency, and that he married her out of gratitude, and that she keeps him even yet because he spends all he earns in gambling?'</p>
        <pb xml:id="n179" n="176" corresp="#TalPhil179"/>
        <p>Miss Gregory burst into tears.</p>
        <p>'I don't believe a word of it,' shouted Mrs. Gregory furiously. 'It is a trumped-up lie!'</p>
        <p>'Softly, softly,' said Miss Fitzroy; 'we are not accustomed to vulgar brawling in the ladies' dressing room, Mrs. Gregory.'</p>
        <p>'All a beastly trumped up lie!' repeated Mrs. Gregory. 'Made to break my poor girl's heart. Harriet, come out of this.' And away the lady went, with a rushing rustle of skirts, and a sound of gasping breath, and her daughter following sorrowfully after.</p>
        <p>Mrs. Jinks lifted her petticoats until rather more of her slender limbs was revealed than would be considered exactly proper even under the broad license of the ballet, and she performed an elaborate <hi rend="i">pas seul</hi> very creditably.</p>
        <p>'I think the Gregorys' goose is cooked,' she remarked, more expressively than elegantly. 'I think I've done for <hi rend="i">them</hi>. It took me all the morning to dodge round the flies preventing Miss G. and the fiddler from spooning. I was determined they shouldn't spoon, and they didn't. I don't think Miss G. will want to try any more now.'</p>
        <p>'I hope all this has not worried you, dear,' said Miss Fitzroy to Philiberta.</p>
        <p>'Not a great deal,' was the reply. 'It might have if I had attended, but I was too busy with myself. Yet I do wonder that you can descend to quarrels like that.'</p>
        <p>'I didn't quarrel, dear,' said Miss Fitzroy sweetly; 'it was Mrs. Gregory who quarrelled. Jinks, you splendid little woman, see who is at the door.'</p>
        <p>It was the call boy summoning Juliet.</p>
        <p>'My time is come,' said Philiberta.</p>
        <p>'Cheer up. Success awaits you,' said Miss Fitzroy, dramatically 'I'll watch you from the wings.'</p>
        <p>Everyone knew Juliet's cue.' What, Juliet!' from the old nurse, and Juliet's response. 'How now! who calls?' uttered just before her entrance. Phliliberta's voice rang out clear and rich and resonant in those opening words; she passed on to the stage; the house was filled in every part, and there were <pb xml:id="n180" n="177" corresp="#TalPhil180"/>the sea and wall of faces before her; her knees trembled; she forgot all her familiarity with the stage; she staggered, and the thundering sound in her ears drowned the next speech from the nurse—ah well! it was a failure—a failure!</p>
      </div>
      <div xml:id="t1-body-d26" type="chapter">
        <head><hi rend="c">Chapter</hi> XXVI. <hi rend="c">A New Venture.</hi></head>
        <p>'<hi rend="sc">I am</hi> awfully sorry,' said Mr. G.</p>
        <p>'So am I,' said Philiberta, sadly.</p>
        <p>'I was afraid it wouldn't go,' said Mr. G. 'Nobody yearns after Shakespeare nowadays. What does the festive shepherd, come from the bush and plains to knock down his cheque, want with Shakespeare? What the gay digger who has turned his gold dust into coin that is burning to be spent? What the jovial tar after five or six months' liveliness on board an overcrowded immigrant ship? And the aristocratic clerk or draper's man; does he want to have his mind elevated with Shakespeare? Not he. He wants legs. The shepherd wants legs; the digger wants legs; the sailor wants legs. The demand is all for legs. And as the said individuals are the ones that keep the pot boiling for us poor devils of managers, why, they must have what they want; we must give them legs. Will you accept an engagement for the pantomime, Miss Morven?'</p>
        <p>'No, I think not,' said Philiberta; 'I think I shall give it up now.'</p>
        <p>'Oh, but that's ridiculous,'</p>
        <p>'Tell me, Mr. G.—candidly—is my failure due altogether to the public distaste for classical drama, or to my own incompetency?'</p>
        <p>'Incompetency is not the word,' said Mr. G., hesitatingly. 'You study well, you have force and power of expression, your voice is good, and you know how to use it. All these things go to make competency. But there is something more wanted to score a real success in parts like those you are bent on. Something I know no name for but genius.'</p>
        <pb xml:id="n181" n="178" corresp="#TalPhil181"/>
        <p>'And I have not that?'</p>
        <p>'No, you have not got it, Miss Morven, since you will have plain-speaking. After all, plain-speaking in a case like this is kindest.'</p>
        <p>'Yes, it is.'</p>
        <p>'But genius is not quite the word either,' said Mr. G. 'The something that I mean is rather a gift of perfect sympathy with an audience. Just as one man can play a piano without any study worth mentioning, and another cannot raise a good chord after months of toil. An inferior actor having the gift I speak of has his audience all his own way from the first; while a really talented man, lacking that power, never scores a good number in all his career, and if it is any consolation to you, Miss Morven, I can assure you that for every one who possesses that happy knack in this profession there are ninety-nine who have it not.'</p>
        <p>'I don't know that that is very consoling to me,' said Philiberta, smiling sadly.</p>
        <p>'Well, cheer up,' said Mr. G., whose liking for and approval of our heroine had increased every day of his acquaintance with her. 'If you cannot do all you wish, do all you can, and make the best of it. That's good advice, though it sounds a little rough. I mean it for your good.'</p>
        <p>'I am sure of that,' said Philiberta.</p>
        <p>'And there is no saying,' continued Mr. G., 'what the future may bring you. The chances in, this game are as variable as in any other. The great Siddons was a long time winning her first success, and then it came to her—you have read the story?—just when she had least reason to expect it, in a little provincial or London theatre, when her fortune was at its lowest ebb, her purse empty, her children sick, and everything looking as blue as the—dickens. You had better stop on for the pantomime, Miss Morven.'</p>
        <p>'No, Mr. G. I feel the strongest repugnance to appearing in anything again where I have so lately made such a signal failure.'</p>
        <p>'That is a bit of ridiculous pride that you ought to be <pb xml:id="n182" n="179" corresp="#TalPhil182"/>ashamed of,' said Mr. G. 'But if you are determined, why, it is no use talking. But we shall be awfully sorry to lose you from the theatre.'</p>
        <p>'I am glad to hear you say that, at any rate'</p>
        <p>'Do you intend quitting this line altogether, then?'—'Yes.'</p>
        <p>'Well, you won't. You can't. Once the glamour of the stage is cast over you, it is next to impossible ever to throw it off. No amount of hardship or disappointment can break the thrall, however it may be weakened. Well, look in at rehearsal sometimes, Miss Morven, if you stay in town. We shall always be glad to see you.'</p>
        <p>Philiberta's failure was a terrible shock to her. She had looked to this ambition of hers to fill up the void, the awful void, in her life. Now that the hope was snatched from her, she felt as if drifting aimlessly and helplessly on a dark and endless sea. There was nothing for her, nothing in life but emptiness and barrenness. The sorrow in her heart and her face deepened; the distant look in her eyes, the sad outlook of the soul that had grown too familiar with sadness became more pathetically noticeable. Miss Fitzroy, who would not lose sight of her, told her that if she did not get change of air, she would have an illness.</p>
        <p>The pantomime that year was a grand success. The chief <hi rend="i">rôle</hi> seemed purposely created for Miss Fitzroy. No doubt it was, to some extent; for although the piece was a colonial adaptation of an English burlesque, our local manipulator had a fine talent for suiting each part to the characters, who were mostly personal friends. He had adapted especially well the part for Miss Fitzroy this time, and as Prince Something-or-other, in a suit of sky-blue satin and silver, she made both herself and the pantomime the sensation of the year.</p>
        <p>Philiberta went to the theatre a good deal. Mr. G. was right—the stage glamour was difficult to cast off. More than once she felt sorry she had not accepted the manager's offer. The work and the excitement would have, at least, taken her out of herself. She began to crave activity again, and while casting about in her own mind for some suitable plan of <pb xml:id="n183" n="180" corresp="#TalPhil183"/>employment, she one day read this advertisement in a daily paper:—</p>
        <p>'Wanted, ladies and gentlemen to form travelling Variety Company. No salaries. Company to share equally risks and profits. Apply—'</p>
        <p>The suggestion of travel decided her. She applied, was offered the position of leading lady at once, and accepted as promptly. The members of the company were, with the exception of the manager and Philiberta, all in the last stage of impecuniosity when they started upon this tour 'up the bash.' But they prospered exceedingly. They were not pretentious enough to show in large cities, but kept to small diggings, townships, and agricultural districts, often walking from one place to another from sheer impossibility of obtaining conveyances. Their wardrobes, both private and professional, were extremely modest, hence transit was not much impeded. Their 'make-ups' were of the most primitive kind; yet in most places their advent was looked upon by the people as a veritable oasis in the desert of bush existence. They were well treated everywhere; but particularly at the diggings, where Philiberta realized an experience that previously she had only read of—small nuggets of gold were showered upon her. The other members of the company stayed up till nearly day-break searching out those bits of yellow treasure from the slab floor of the slab shed in which they were performing, but the chinks were wide and the gold elusive, so they did not recover more than an ounce or so among them. One little group of town ships, distant from each other but a few miles, kept the company in the locality right through the winter. Philiberta grew very tired of it all then, variety being necessary to her contentment. But the awful condition of the roads in the season of flood and rain made far travel an impossibility, so she was fain to make the best of it. With the spring the company got further afield, prosperity attending them as long as they kept to the diggings. But the manager waxed ambitious. It had been told to him that if he could get into the big squatting districts towards the close of the shearing season, the shearers' cheques would be <pb xml:id="n184" n="181" corresp="#TalPhil184"/>spent on the show like water. Philiberta was opposed to the movement for reasons of her own, but she was in a very small minority, and the other side gained. It was necessary now that the company should have a conveyance of its own. After some difficulty, and at an extraordinarily exorbitant figure, the manager succeeded in purchasing a large American waggon and two horses. One of the latter was white and the other cream-coloured, and the manager, who had read of Theodore Hook's trick, bethought himself to take example. Wafers were unprocurable, so he cut small discs of black and coloured paper and stuck them all over the noble steeds with good strong glue. Then another genius painted an extraordinary and startling picture in red and blue on the tarpaulin cover of the waggon, and then that little cavalcade, as it left its last township early one morning, was really a sight to behold. Well, they got out on the plains and lost themselves, Provisions were scant; the weather was fearfully hot, for summer had come down close on the heels of winter; the horses gave out and had to be dragged along by one man with much persuasive profanity, while the others pushed behind the waggon. This over, many miles of sand was no joke. At the close of one awful day they sighted a winding line of timber in the distance that clearly betokened a river or creek-bed. And for this they made with joyful hope and haste. There was water sure enough, but of what a description! Thick and yellow and full of animalculæ of types varied and numerous enough to give months of absorbing occupation to any naturalist. Yet bad as this was, it was infinitely better than their next experience, when after fourteen hours' fatiguing travel over a brown bare waste, they came upon a shallow hole of bright pellucid water that made them life up their voices with one accord in thanksgiving.</p>
        <p>'It is brackish and will make us ill,' said Philiberta, who knew by the clearness of it. But even she could not resist it. They all drank abundantly, and the sweet, salt, mineral flavour made them sick, and then they all drank, again, and camped there that night. The manager said he thought the district must be auriferous—he had heard that brackish water was <pb xml:id="n185" n="182" corresp="#TalPhil185"/>always a sign of gold. Mrs. Martin, one of the ladies, said that if every sand about them were bright gold and diamonds, she would cheerfully give them all to be safe back in Melbourne once more.</p>
        <p>Next morning a strange, ominous thirst was upon them, which they strove to slake at the brackish spring. They also carried some of the water with them on their day's journey in billies and bottles. Before noon they were all very seriously unwell; before night they were ill, Philiberta more so than the rest. On they staggered in their pain and tribulation until towards sunset they sighted a thin line of smoke rising straight to the sky, and knew they were within reach of human aid. The women cried hysterically; the men's faces relaxed from the grimness of despair into the gladness of renewed hope.</p>
        <p>Philiberta was past caring now, and sank, feebly moaning, by the wayside. The others lifted her into the waggon, and in another hour they had reached the spot whence rose the smoke. There they found a little slab shanty of two rooms set in the midst of this great wild hot waste. One room was a bar evidently; the other seemed to serve every imaginable purpose; for there were the fragments of a meal on the bush-made table, while round the walls were ranged sleeping-bunks, some of which had lately had occupants undoubtedly. There was a fireplace and chimney built of sods, but the fire at present was burning outside. More pretentious colonists than these proprietors of the 'Shearers' Rest' used to carry on all culinary and kitchen operations out of doors in those days.</p>
        <p>A string of scraggy dogs bayed out their first impressions of our travellers as the latter slowly approached; then forth from the open one-hinged door issued a huge shock-headed, heavy-bearded, ruffianly-looking man, and an ample, well-spread dirty woman. The man wore greasy moleskin trousers, a greasy Crimean shirt, with the sleeves torn off to save rolling them up, and the neck and front well turned back to reveal the hairy brown breast and bull-like throat. The woman had on a scanty cotton gown, shrunken in front till the lower half of legs as shapely as badly stuffed bolsters were well in view, and torn <pb xml:id="n186" n="183" corresp="#TalPhil186"/>about the bust till the wearer's charms bulged out in coarse redundancy in many places. Both were barefooted; both were blear-eyed and well sodden with drink; both were sleepy and vied with each other in deep yawns.</p>
        <p>'Down, Sunset! Quiet, Dingo! D——your eyes, I'll kick the noisy inside out of all of ye. Lie down, I say. What the—— is this lot?'</p>
        <p>Our travellers' tale was soon told, and hospitality, such as it was, promptly and freely tendered by this unprepossessing couple. The woman especially was all alive in a moment at sight of her sex in distress.</p>
        <p>The dirty bunk-blankets were tossed out and the bedding from the waggon substituted. The women were helped to bed; the men turned out unceremoniously to take their chances in the shed outside or the taproom. Wholesome tea and poisonous brandy were administered. The inevitable mutton and damper were forthcoming for those who could eat it. After a few hours of intense agony the sufferers recovered a little, all except Philiberta. With, her the worst effects of unwholesome water followed sharp upon the first attack, and the landlady of the shanty announced that the 'young ooman was in for it, and no mistake.' To remove her was impossible; to stay with het almost equally so for the company.</p>
        <p>'Go and leave me,' moaned Philiberta. 'Go and leave me. What use is it to stay here risking all your lives for mine?'</p>
        <p>'Lord on'y knows how long she'll be bad,' added Mrs. Hawkins, the landlady.</p>
        <p>The women wept piteously; the men's hearts ached at the thought of leaving her there, perhaps to die; but, after all, they said, what good could they do by remaining? They could not cure her; they themselves would probably tail ill if they stayed in that arid unhealthy region.</p>
        <p>So Pliliberta's few properties and her share of the general funds were left with her; and the show caravan started away with the rest <hi rend="i">en route</hi> for Melbourne,</p>
      </div>
      <pb xml:id="n187" n="184" corresp="#TalPhil187"/>
      <div xml:id="t1-body-d27" type="chapter">
        <head><hi rend="c">Chapter</hi> XXVII. <hi rend="c">Shearers' Rest.</hi></head>
        <p><hi rend="sc">The</hi> Shearers' Rest was a house of a type very common in those days. Common enough yet, I dare say, in some districts, but not quite so numerous or prosperous since railways have abridged distance and rendered travel easy. It was one of those traps acutely engineered by human spiders for the destruction of human flies. It was a place where shepherds and station hands could make sure of knocking down their cheques with the least possible waste of time; a place to which shearers, after fleecing plump sheep and woolly yearlings at a pound a hundred, could comfortably repair for their own yearly submission to the fleecing and 'lambing-down' process, without which existence would be a burden to them. It was a place where a man might make certain of getting mad drunk in an hour if he laid his mind to it, and of getting as effective a fit of D. T. to follow as could be secured anywhere on the face of the earth. For Mr. Hawkins, familiarly known as 'Hot Property Joe,' hocussed his grog with a liberal hand, never stinting the bad tobacco, <hi rend="i">mix vomica,</hi> and other villainous substances with which he added to the natural richness and strength and deadliness of his rum and brandy. It is only justice to Mr. Hawkins to mention that he drank freely of his compounds himself. He believed quite as earnestly as most of his customers in an economy of time in the matter of drinking. Three real drunks in a day, with intervals of sleep and slaughter, counted with him as better than one drunk which took all the day to get at. Fairly pure liquor was so long getting hold of a man whose carcase was seasoned by ten years of pretty constant spreeing!</p>
        <p>Mrs. Hawkins, though able 'to drink fair' with anybody, had a preference, originating doubtless in the naturally weak taste of her sex, for untobaccoed spirits, and kept a private bottle—dubious stuff indeed, but better than the other—whereby she kept her chances of widowhood considerably <pb xml:id="n188" n="185" corresp="#TalPhil188"/>above par. Any innocent dweller in a city might fancy that life at Shearers' Rest was dull, generally speaking; but that would be a serious error of imagination. Times were excessively lively as a general thing at Shearers' Rest, thanks to the genial proprietor. The fun was a little monotonous, perhaps; but there could be no imputation of dulness when a man drank himself mad, then drank himself sane again, and anon back to madness, without let or hindrance. Hot Property Joe's insanity had such a variety of phases, too, and there was always such a dark uncertainty as to which would be next in operation. He might try to tomahawk his wife—she had no fear of him when she was awake, she always said, because she 'could knock him over with a sapling as easy as wink;' but if he caught her asleep, she 'cotched it, and no mistake!' as she had scars to testify. Or his efforts might be directed against himself, and then, whether he tried to set himself afire, or to drown himself in the waterhole, he was equally awkward to manage; and things had to be destroyed in extinguishing him, or he stirred up the drinking water unpleasantly. Often, however, his insanity found relief in simple howling, in which all the dogs invariably joined in a friendly way, and which was kept up for indefinite periods of time, according to the vigour of the attack.</p>
        <p>This little amusement was harmless enough, but not conducive to the comfort or recovery of a sick woman, as may be imagined. And Philiberta must have succumbed to her illness and the combination of unpleasantnesses surrounding her but for the happy (is that a wisely chosen word—happy?) advent of a small tribe of blacks, who were making their way to the interior after a periodical visit to, and grand all-satisfying spree at, the nearest township. Of this tribe was Queen Mary, a scraggy old lubra of most repulsive appearance, wife to King Billy, the chief of the tribe. They were all in high fettle after their <hi rend="i">pasear.</hi> The men were majestic in the cast-off swallow-tailed coats and high hats of new chums who had learned the uselessness of such attire; the women were gay in ragged garments of feminine finery. Queen Mary herself was perfectly <pb xml:id="n189" n="186" corresp="#TalPhil189"/>regal in a crinoline, through the bare steels of which her unlovely form was visible in all its startling nudity, she holding it positively sinful to conceal the ornamental balloon with her blanket. Her husband was magnificent in a tall white hat and a pair of broad-checked trousers, with his brass badge of royalty hung upon his naked breast, and a lady's pink parasol to shade his complexion from the sun when on the march, to brush off the flies and mosquitoes when camping.</p>
        <p>They had a little money among them—a few odd shillings, sixpences, and coppers saved from the recent debauch, for the purchase of fluid refreshment at wayside shanties; and the remnant of this wealth was destined for the Shearers' Rest.</p>
        <p>'Got sick piccaninny in there?' said Queen Mary, making free with the small establishment, and discovering our heroine in her bunk. And indeed Philiberta was so shrunken and emaciated by this time, that she looked no more than a piccaninny.</p>
        <p>Mrs. Hawkins laughed loudly.</p>
        <p>'Piccaninny!' quoth she. 'You think we make piccaninny all as big as that since last time you make a light Shearers' Rest, Queen Mary? Too much gammon, you!'</p>
        <p>'No fear; don't you believe it. By God!' responded the lubra, airing all her colonial English promptly, as was her wont; 'but what's up long a him?'</p>
        <p>''Tain't a <hi rend="i">him</hi> neither; it's a <hi rend="i">her</hi>,' said Mrs. Hawkins, laughing again in that roaring wide-mouthed fashion of hers that always exhibited so much of the interior of her throat.</p>
        <p>Philiberta's hair had been, at her own entreaty, cut short by Mrs. Hawkins. The length and tangle of it had been intolerable to the sufferer; now she was very closely shorn indeed.</p>
        <p>'<hi rend="i">Her</hi>!' cackled old Mary. 'Too much gammon, <hi rend="i">her.</hi> Well, what's up long a <hi rend="i">her</hi>, then, eh?'</p>
        <p>'Brackish water,' was the laconic reply.</p>
        <p>'Damnation!' said Queen Mary, much in the indifferently sympathetic tone in which a lady of civilization might exclaim, 'Dear me!' 'No good that dam water. Been long time sick, <hi rend="i">him—her</hi>?'</p>
        <p>'Yes, long time. Sick one moon close up,'</p>
        <pb xml:id="n190" n="187" corresp="#TalPhil190"/>
        <p>'What you give me make um better two days?'</p>
        <p>'One pint rum.'</p>
        <p>'Kai-i-i!' with lofty contempt. 'Me get one pint rum for nothing any place, I think it Too much gammon, you, Missa Hawkins. But old Mary make um sick piccaninny better for nothing—blest if I don't. Look here, I go back along track two hour, then come here along a doctor's stuff—see if I don't—all right'</p>
        <p>Away she went, with a swinging stride and a rattling of hoops to right and left; and in less than her self-appointed time she was back, with a bundle of leaves and herbs stuck in the waist-hand of her crinoline, and another in her hands.</p>
        <p>'You gimme hot water, quick,' she said authoritatively to Mrs. Hawkins, 'here, long a my billy.'</p>
        <p>It was a nauseous decoction, verily, and not improved by being prepared in a vessel that had served many uses in its time, and retained a flavour of most; but the effect on the invalid was magical.</p>
        <p>'Put you on the wallaby track all right again two days,' the old lubra said, when pressing Philiberta to drink; and although that prophecy was not quite fulfilled, our heroine found herself in two clays a long way on the certain track to recovery. Queen Mary instituted herself as nurse, and proved very efficient when not allowed too much rum. She was a weird study for Philiberta's dazed, aching eyes, with her long, leathery breast hanging down past her waist; her skin seamed and scored with the scars of many one-sided battles; her matted, ragged hair, snooded with a strip of scarlet flannel, in which were thrust two or three short black pipes.</p>
        <p>In a week Philiberta was on her feet again, wretchedly thin and weak, pale green of complexion, miserable and weary in mind, with that misery and weariness that comes to all sick people when recovering; yet grateful to the old black woman who squatted on her heels beside the bunk, and smoked and swore, and yet tended her with the gentleness of a Sister of Mercy.</p>
        <p>'What shall I give you, Queen Mary? How much money you like me give you?'</p>
        <pb xml:id="n191" n="188" corresp="#TalPhil191"/>
        <p>'Don't care a dam,' replied the lubra. 'You give me hundred pounds—you give me shilling, half a crown, sov., King Billy get him from me all same, I think it. Give me rum—plenty rum,' said the fair savage, waving her arms about ecstatically. 'I drink it. King Billy never get one drop o' rum out o' me after gone down there,' pointing down her wide, scarlet throat.</p>
        <p>'But rum very bad for you; kill blackfellow quick.'</p>
        <p>The lubra laughed. 'Gammon!' said she, winking one small, keen eye. 'Too much water kill um blackfellow—like it kill um whitefellow. Too much rum—no fear, cockey!'</p>
        <p>'Baal me give lubra rum,' said Philiberta, resolutely. 'What else you like, Queen Mary?</p>
        <p>The old woman eyed her wistfully.</p>
        <p>'You know it that stuff kill um dingo; sometime kill um blackfellow.'</p>
        <p>'Poison?' said Philiberta, doubtfully.</p>
        <p>'I donno. You know that stuff squatter give um dingo for stop it catch um sheep; make um dingo kick it like this?'</p>
        <p>Here the lubra gave an unearthly howl, and fell lengthwise on the ground, writhing, struggling, kicking; giving altogether a fine dramatic representation of the agonies of death by poison.</p>
        <p>'You know it that stuff?' she inquired, coming suddenly back to her normal self, and gazing eagerly at Philiberta.</p>
        <p>'Strychnine—arsenic?'</p>
        <p>'Strick-a-neene, ar-sa-nikee!' repeated the old woman thoughtfully. 'I donno; very like. Strick-a-nine, ar-sa-nikee kill um dingo dead? Whitefellow, blackfellow dead?'</p>
        <p>'Yes, kill um dead; very dead.'</p>
        <p>'You got some?'</p>
        <p>'I? No. What for you want it?'</p>
        <p>'What for I want it? Want it kill King Billy,' said the lubra, dropping her voice to a whisper of concentrated hatred. 'Him big one debil-debil, that old blackfellow. G-r-r-r-r!' a long, rumbling groan and a sudden venomous snap of the teeth, while the small black eyes rolled ferociously. 'Him knock um me down with waddy; him chop um me with <choice><orig>toma-<pb xml:id="n192" n="189" corresp="#TalPhil192"/>hawk</orig><reg>tomahawk</reg></choice>, likit chop um one sheep. Look a yah!' lifting her matted locks and showing a half-healed wound on her scalp with congealed blood all round it. 'Him take it my money; him take it my—my—you know it—you know it—white lubra give it to me.' Here she clearly indicated the parasol. 'Him take it everythins; Queen Mary nothing. Dam him up! Queen Mary kill him some one night, I think it, no gammon! You got um dead dingo stuff?'</p>
        <p>'No, no.'</p>
        <p>'Never mind; all right. Some one night King Billy sleep; moon come up, Queen Mary come along a tomahawk; sh-sh-sh-ai-i-i! Baal King Billy take it my money that time no more; no fear. Gimme rum, Missa Hawkins—quick!'</p>
        <p>She was smarting under a grievance clearly, and King Billy's chances of longevity were very slim.</p>
        <p>The tribe left Shearers' Rest that day, Mrs. Hawkins having stopped the rum supply she had been rather lavish with in keeping them about until Queen Mary should have quite cured Philiberta. The old lubra flatly refused the latter's money, with a fine feminine determination to accept no benefits in which her own individual share would be <hi rend="i">nil</hi>; but sundry stage properties of Philiberta's—bits of glittering tinsel and shining ribbons—she received joyfully, and went off with a high sense of the 'sick piccaninny's' generosity and her own importance as the best-dressed female in the district.</p>
        <p>That night the landlord of the Shearers' Rest took it into his head to vary his usual performances by setting the house on fire. Philiberta and Mrs. Hawkins barely escaped with a singeing, for both were asleep when he did it—the latter under the usual soporific influence, the former from the natural tendency to repose of a system worn and wearied by much suffering. Mrs. Hawkins had one advantage—she was dressed; that is, as far as she could ever be said to be dressed. It was her custom to wear one set of garments night and day, 'the clock round,' as she said herself, until they would no longer hang on her back; so she was never to be caught at a disadvantage, But Philiberta on this night had as usual only her <pb xml:id="n193" n="190" corresp="#TalPhil193"/>nightdress on, to supplement which she dragged a blanket from her bunk as she fled from the blazing house.</p>
        <p>Mrs. Hawkins generally took a humorous and lenient view of her husband's drunken freaks, only administering an occasional 'straightener' when he threatened to become unmanageable. But this exploit of his, she felt and said, was 'no joke;' and made him realize that too, for she admonished him so severely with her favourite sapling that he lay in the shed for many hours a miserable mass of bruised and swollen flesh. Sober too; which was heartrending, but irremediable, for every drop of spirit was burnt in the house.</p>
        <p>'That's all I care about,' said Mrs. Hawkins with mournful sincerity. 'Campin' out's nothin', now the hot nights is comin' on; but here's the shearin' just closin', and in less nor a week the men will be a comin' down with their cheques, and as thirsty as eternal fire, and never a bob's worth of liquor to squench 'em. Oh, you ugly lolloping wretch. I'll serve you out for this, see if I don't!'</p>
        <p>Meanwhile there was Philiberta without any clothes or money. Absolutely penniless, for when leaving Melbourne she had foolishly brought the remnant of her bank store with her. Mrs. Hawkins showed a womanly spirit of unselfishness in forgetting for the time her own troubles, and starting off for one of the out-stations of the nearest great sheep-run in search of raiment for Philiberta. In about three hours she returned with—a Crimean shirt, a pair of moleskin trousers, a red silk sash to belt the latter in at the waist, and a 'wide awake' hat.</p>
        <p>'These has got to do ye for the present,' said Mrs. Hawkins, 'Petticoats wasn't to be had, and I don't see as it matters much what you wears in this part of the country. And Moffit's man is goin' to bring along a spare horse and saddle to-night, so's you kin get out o' this. I expects you won't be sorry to go.'</p>
        <p>'Scarcely sorry,' replied Philiberta, 'but what am I to do about returning the horse?'</p>
        <p>'Oh, you needn't fret yerself blind about that,' said the woman, with a loud laugh. 'One horse or so ain't likely to be missed out of old Moffit's mobs, nohow. Nor 'twon't ruin of <pb xml:id="n194" n="191" corresp="#TalPhil194"/>him, neither, if so be as he never knows on it, but 'twould be like takin' the skin off of his teeth if he <hi rend="i">did</hi> know it. As for the saddle,' said Mrs. Hawkins, with grim facetiousness, 'yer kin sell that the first chance yer get, and send me the proceeds in a drarft on the Bank of Hingland, which there's heaps o' brarnch establishments in this 'ere wealthy locality.'</p>
        <p>Philiberta's anxiety to depart from the place overcame any scruple of conscience, and so, behold her! twenty-four hours later mounted, cavalier fashion, on a restive, half-broken colt that would have been altogether too much for her if its superfluous spirit had not been previously lashed and ridden out of it by the young boundary-rider to whose easy generosity she was beholden for it.</p>
        <p>'If anybody meets you on the road,' said the humorous Mrs. Hawkins, 'they'll take you for a dashed bushranger, by Jingo!'</p>
        <p>A feeble bushranger, verily, with habiliments fitting her dwindled form 'too much,' and limbs all trembling from nervous excitement, and a wan, anxious, attenuated face. But not lacking courage surely, else she had never set forth so bravely to cross that weary waste of plains, and risk she knew not what of difficulty and danger, alone.</p>
        <p>Right early on the morning of a day that threatened intense heat, ere yet the slight dew had evaporated from the earth, and while yet a soft grey haze kept the atmosphere cool and pleasant, she started, looking back from time to time as she rode, to wave her hand in adieu to the woman who had revealed so much of tenderness in contrast with her rough exterior.</p>
        <p>The last distinct view of the Shearers' Rest showed Philiberta the trembling and repentant proprietor getting together some slabs for the re-erection of the hut, and his wife alternately 'gaffing the contract,' as she herself would have expressed it, and shading her eyes with her hands for a last glimpse of our heroine's receding figure.</p>
      </div>
      <pb xml:id="n195" n="192" corresp="#TalPhil195"/>
      <div xml:id="t1-body-d28" type="chapter">
        <head><hi rend="c">Chapter</hi> XXVIII. <hi rend="c">A Shepherd</hi>.</head>
        <p><hi rend="sc">On</hi> the evening of the same day Philiberta descried, some little distance still ahead, a shepherd's hut; and knew that she had successfully followed the Moffit boundary-rider's terse directions as to route.</p>
        <p>The inhabitant of the hut beheld her while yet afar off, and came leisurely forward to meet her on her nearer approach.</p>
        <p>'Got any bacca?' were his first words.</p>
        <p>'Not any,' replied Philiberta.</p>
        <p>'Good God! fancy a chap travelling without. Any liquor?'</p>
        <p>'None.' 'Then what the devil did you come here for?' cried the man angrily, while his great eyes, almost wolfish a moment before, now grew misty with disappointment. 'I beg your pardon, mister,' then said he, dropping his voice pathetically, 'but my bacca's been out for the last three days, and this month's rations haven't been sent along yet. It sours a man, that does. The way I want a bit o' bacca is worse than hunger, blest if it isn't.'</p>
        <p>'Have you tried gum leaves?' said Philiberta, remembering that she had heard of them as a good substitute for the bushman's consolation.</p>
        <p>'Yes, I travelled over to a dwarf gum patch the night before last after the sheep had gone to roost. I dried the leaves in a shovel over the fire, and have both smoked and chewed them ever since. They're better than nothing, but they ain't satisfying; no, they <hi rend="i">ain't</hi> satisfying. Ain't you going to get down?'</p>
        <p>'Why, yes,' said Philiberta, dismounting with some trepidation; she was anxious to preserve her disguise thoroughly here, and felt scarcely sure of herself yet. 'I suppose you won't mind camping me for the night.'</p>
        <p>'Oh, it makes no difference to me, only it's short commons here until the rations are sent along. No sugar for the tea, no salt for the damper. Flour's low, but there's plenty of mutton; I killed a sheep only yesterday.'</p>
        <p>'Oh, I don't mind a little inconvenience, if you are quite <pb xml:id="n196" n="193" corresp="#TalPhil196"/>sure I shall not put you to any,' said Philiberta, flinging her rein over her arm and endeavouring to walk with a careless masculine swagger.</p>
        <p>'Steal them togs?' inquired the shepherd, eyeing her outfit curiously.</p>
        <p>'I beg pardon?' 'Them clothes—did ye steal 'em?'</p>
        <p>'No, I did not. Why?'</p>
        <p>''Cause it looks to me they was made for a bigger chap than you.'</p>
        <p>'Oh, I dare say,' said Philiberta, with an assumption of indifference. 'I've been down with brackish water cholera, and it has thinned me a little.'</p>
        <p>'Yes? Shortened you a bit too, I should say. But it don't signify to me—why should it?' said the shepherd, evidently mistrusting her explanation, but still unsuspicious about her sex. 'If ye'd like a smoke, here's an old pipe; but there's only gum leaves, ye know.'</p>
        <p>'Thanks, but I don't smoke.'</p>
        <p>'Might ha' known that. No smoker would ever travel without tobacco. Would ye like some tea?'</p>
        <p>'Indeed I should. It is dry hot work crossing the plains. I got through the bottle of cold tea I started with before the day was half gone. I am very thirsty now.'</p>
        <p>'By George! Yonder's Jingaree with the rations,' exclaimed the shepherd, looking out across the country with that farsighted gaze that only comes to men who scan endless wastes of flat land, or great expanses of blue ocean, day after day and month after month, without a break. 'Up with your pecker, mister; you won't come off so badly after all. And I shall get my bacca, thank God!' Impossible to convey any idea of the earnest gratitude expressed in those two words.</p>
        <p>Presently a good-looking young half-caste rode up leading a pack-horse by the bridle.</p>
        <p>'What the —— do you mean by being two days behind time, you thundering ugly black rot?' shouted the shepherd in greeting. 'For two pins I'd lock you up in the hut here and starve you to death, you cursed fluke!'</p>
        <pb xml:id="n197" n="194" corresp="#TalPhil197"/>
        <p>The lad only grinned all over his face, and set to work easing his horses.</p>
        <p>'One bottle square gin, by Gosh!' said he, carefully and reverently unpacking the same. 'That set you up, old fellah, eh? Misser Brown say, before you get drunk, you please not forget tell Sandie and Darkie' (the two sheep dogs) 'take good care of sheep till you get sober again. Baccy here, sugar here, tea, salt, flour; all right. Dam good thing be shepherd for Misser Brown, my word!' He was off again at a gallop. 'Good-bye.'</p>
        <p>'Now,' said the shepherd, with a sigh of positive happiness, 'if you don't mind, mate, I'll have just one whiff before the billy boils. Lord! how I did need it!'</p>
        <p>'I can make the tea,' said Philiberta, preparing to do so; 'I can cook the chops and damper too.'</p>
        <p>'I dessay,' remarked the shepherd, watching her contentedly through a vile-smelling blue cloud of smoke. Tobacco was as inferior in quality as most other provisions up there. 'I dessay. You look so blessed fit. By George! but you are a delicate-looking specimen to be alone on the wallaby track, and no mistake. Was you chief cook and bottle-washer at your last billet, may I ask?'</p>
        <p>'No, I was not,' replied Philiberta, affecting impatient annoyance. 'And it isn't my fault I look poor. I told you I'd been laid up with cholera; you ought to know how that sort of thing pulls a fellow down.'</p>
        <p>'Oh well, no harm. Don't get mad about a bit of chaff. You needn't bother about damper. I made an extra lot this morning. I'll fry the mutton. Sit down: you look regularly knocked up, my boy. Lie down there in my bunk. I'll look after the tea.'</p>
        <p>Philiberta obeyed gladly enough, poor soul; for she was well nigh fainting from weakness and unwonted fatigue.</p>
        <p>The shepherd worried her no more with queries or remarks, but plied her kindly with such hospitality as lay in his power, and hobbled her horse so that the animal might not get too far astray. Philiberta wrapped herself well in the bunk blankets, <pb xml:id="n198" n="195" corresp="#TalPhil198"/>more with a view to concealing herself than to secure warmth, and slept as surely as she had never slept in her life before.</p>
        <p>When she awoke the sun was high, and the hut empty. A fire was burning in the broad sod fireplace that filled up one end of the hut; and the billy was steaming away furiously on the hook suspended from the cross bar in the chimney. On, the hearth stood the frying-pan, with the inevitable slice of leg of mutton hissing softly therein; on the rough slab table stood a huge corner of damper, and the usual pannikin-and-tin-plate table-service.</p>
        <p>Philiberta dragged her stiffened limbs from the bunk and had some breakfast. How good everything tasted, for all it was so rough and she so tired. The day had not attained its full heat yet; a life-giving breeze swept in at the open door of the hut. A slow-shifting whitey-brown line afar off revealed the shepherd's whereabouts. A nearer object of vision was Philiberta's horse, well hobbled, and trying to make out a fair breakfast upon the close-cropped, already brown grass. A sense of restful peace pervaded everything, and crept in with the soft silent breeze upon a sorely tired weak woman.</p>
        <p>'I will camp here to-day,' she said, contriving an impromptu couch with the blankets, in front of the doorway, so that she might get every possible whiff of the delicious air. 'I could not go far if I tried, so stiff am I with yesterday's journey. I will rest here all day.'</p>
        <p>The shepherd came in about sunset.</p>
        <p>'Putting in another day?' said he.</p>
        <p>'Yes; I felt too stiff to go on.'</p>
        <p>'Glad you stopped,' he said heartily. 'I wouldn't mind if you were too knocked up for a week. Things ain't so dal'd lively up here that one gets easy sick of company.'</p>
        <p>'I expect you find it rather lonely sometimes.'</p>
        <p>'Lonely! Look here,' said the man, lowering his voice to an earnest undertone. 'Look here, it gets so lonely sometimes that I've got to make company.'</p>
        <p>'And how do you do it?' asked Philiberta, somewhat startled by his sudden manner.</p>
        <pb xml:id="n199" n="196" corresp="#TalPhil199"/>
        <p>'How do I do it? Why, I just think out to myself who I'd most like to see, and I begin to think hard about them, and I call them once or twice, and, by God! there they are!'</p>
        <p>He spoke this so sharply that Philiberta sprang to her feet.</p>
        <p>'Oh, not now, I don't mean,' said the shepherd, reassuringly. 'Not now, but when I call them. The only difficulty is,' he continued confidentially, 'they won't come alone. They used to at first, you know, and then we got on all right, but lately I can't call one of 'em but a whole mob crops up. Scores of 'em; hundreds of 'em; the plain gets covered with 'em; and the tramp of 'em sounds worse than a mob of sheep in a dark stampede. Did you ever hear a mob of sheep run round on a dark night when they'd been startled?'—'Yes.'</p>
        <p>Philiberta knew that weird sound well—the dull awful rush of thousands of small hoofs going round and round in a panic-stricken circle.</p>
        <p>'Well, it's like that, only worse.'</p>
        <p>'Don't you think square gin has something to do with it?' said Philiberta.</p>
        <p>'If it wasn't for square gin,' answered the shepherd mournfully, 'square gin and bacca, mate, I should soon never hear nothing again. Without square gin and bacca what is there to keep a chap from swinging himself with his leather belt in his own doorway?'</p>
        <p>Philiberta understood the case well enough. In the old bush days she had heard of such things often.</p>
        <p>How could any man spend the days and the weeks and the months and the years in that unutterable monotony—seeing nothing human save once a month perhaps, having no company but those maddeningly stupid masses of wool, and the dogs—(heavens! what a boon beyond price are those dogs to those men!)—how could any man live that life, with its one occasional break—a 'spree' and <hi rend="i">delirium tremens</hi>—and continue sane? This man's worst time was yet to