Sport 30: Peter Black-Real Fiction
Contents
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- Gregory O'Brien & Lara Strongman — Real Fiction — by Gregory O'Brien
- Mark Amery — Snap Happy — by Mark Amery
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Bill Manhire
- Unusual Film Idea — by Bill Manhire
- The News — by Bill Manhire
- Emma Bugden — Pomp and Circumstances—Peter Black's Brass Band — by Emma Bugden (unavailable)
- Jenny Bornholdt — Family Photograph — by Jenny Bornholdt
- Laurie Duggan — Tilt — by Laurie Duggan
- Lara Strongman — Peter Black—War Photographer — by Lara Strongman (unavailable)
- Dinah Hawken — The Tethering of Trees — by Dinah Hawken
- Ian Wedde — At Home in the Dark — by Ian Wedde
- Luke Strongman — Brace — by Luke Strongman (unavailable)
- Ashleigh Young — Old Car — by Ashleigh Young
- David Eggleton — Clicker — by David Eggleton
- Neil Pardington — In Moving Pictures — by Neil Pardington
- Tina Regtien — Vocal — by Tina Regtien (unavailable)
- Jim Barr & Mary Barr — Building Inattention — by Jim Barr (unavailable)
- James McNaughton — Deposits — by James McNaughton
- James Brown — You Live Here — by James Brown
- Lucy Alcock — Look Again — by Lucy Alcock (unavailable)
- Gavin Hipkins — Suburban Sunset: Revisiting Sites — by Gavin Hipkins (unavailable)
- Ken Bolton — re Peter Black — by Ken Bolton
- Mary Macpherson — Now — by Mary Macpherson
- Blair French — A Poor History of Good Photography — by Blair French (unavailable)
- Rebecca Wilson — Captivated — by Rebecca Wilson (unavailable)
- Gregory O'Brien — Dark Room — by Gregory O'Brien
- Andrew Johnston — Bonjour La France — by Andrew Johnston
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Gregory O'Brien — The Place Where They Live — by Gregory O'Brien
- [untitled]
- Disquietude And Its Characters
- Almost Nothing
- The Reflection of the Photographer in the Shopwindow Takes a Picture of the Photographer
- Preservation Act
- Down Time
- Street Level
- Real Fiction
- Dog in Mercedes Benz
- Animal World
- Unconsciousness
- Film Noir / Camera As Cinema
- Yin Yan You're My Thing
- The Camera is a Factory Making Parentheses
- End of the Road
- Ground Rules
- ‘Love today is weaker, paler than in the past’
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